News for today's 2018

NOIR CITY 9 - Schedule announced for 9th annual San Francisco festival

<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf6UIlyfzCiA632zG_vUAXoNoN_3t0_-POqJqR272_OWXP4oEHryKS0X1XPu4sdD4NbpwonkLxHIrtUwn1lvL754lYWyJJMG259aInmG17KgsVtQQi95e9-cl9puP1mfDZnkMUQv2VCsG8/s1600/9+noir+city+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" n4="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf6UIlyfzCiA632zG_vUAXoNoN_3t0_-POqJqR272_OWXP4oEHryKS0X1XPu4sdD4NbpwonkLxHIrtUwn1lvL754lYWyJJMG259aInmG17KgsVtQQi95e9-cl9puP1mfDZnkMUQv2VCsG8/s320/9+noir+city+2.jpg" width="236" /></a></div><br /><span style="font-family: Arial, Helvetica, sans-serif;">The ninth annual San Francisco film noir festival, Noir City 9, will run from Friday, January 21, through Sunday, January 30, at the historic Castro Theatre; 24 films noir, both celebrated and obscure, will screen.</span><br /><a name='more'></a><br /><span style="font-family: Arial;">A presentation of the Film Noir Foundation, this festival is the centerpiece of the organization's effort to find and preserve films in danger of irreparable damage. The foundation's advisory council includes best selling novelists James Ellroy and Dennis Lehane, actress Marsha Hunt and film historian/critic Leonard Maltin. </span><br /><br /><span style="font-family: Arial;">Film Noir Foundation founder and president Eddie Muller, known as "the czar of noir," is a writer and filmmaker who frequently speaks at noir screenings. Earlier this year he was a special guest at Robert Osborne's 2010 classic film festival in Athens, GA, where he introduced the screening of <b>Double Indmenity.</b> Muller has also provided commentary on noir DVDs (<b>Fallen Angel</b>, <b>The Lineup</b>, <b>They Live by Night</b> and many others).</span><br /><br /><span style="font-family: Arial;">The Film Noir Foundation also produces festivals in Chicago and Washington, DC.</span><br /><br /><span style="font-family: Arial;"><a href="http://noircity.com/noircity.html"><span style="color: #cc0000;">Click here</span></a> for screening times and pricing.</span><br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGVkA3-QEKr5gw9p7r3WlcHE33rL8jVxSu0AlMuVwPhLiiN6zbRiSkZK-jzlUHKoHvYR2IhuEtrwkNpp2HZBOwA6g1bmvV_WS3tkQgjr7GAjKDhCl7VOa2lDpBaiAfDnygJmQ9fAWUPTKk/s1600/2+stranger.jpg" imageanchor="1" style="clear: left; cssfloat: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="245" n4="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGVkA3-QEKr5gw9p7r3WlcHE33rL8jVxSu0AlMuVwPhLiiN6zbRiSkZK-jzlUHKoHvYR2IhuEtrwkNpp2HZBOwA6g1bmvV_WS3tkQgjr7GAjKDhCl7VOa2lDpBaiAfDnygJmQ9fAWUPTKk/s320/2+stranger.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The Stranger on the Third Floor (1940)</td></tr></tbody></table><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Friday Jan. 21</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>High Wall</b> (1947), with Robert Taylor and Audrey Totter</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Stranger on the Third Floor</b> (1940), starring Peter Lorre, considered "the first American film noir"</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Saturday Jan. 22</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Strangers in the Night</b> (1944), directed by Anthony Mann</span><br /><span style="font-family: Arial, Helvetica, sans-serif;"><b>Gaslight </b>(1944), with Ingrid Bergman, Charles Boyer and Joseph Cotten </span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>They Won’t Believe Me</b> (1947), with Robert Young, Susan Hayward and Jane Greer</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Don’t Bother to Knock</b> (1952), with Richard Widmark and Marilyn Monroe</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Sunday Jan. 23</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>A Double Life</b> (1947), directed by George Cukor, with Ronald Colman (<i>watch a clip featuring Colman's Oscar-winning performance below</i>)</span><br /><span style="font-family: Arial, Helvetica, sans-serif;"><b>Among the Living</b> (1941), with Albert Dekker, Susan Hayward and Frances Farmer</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Monday Jan. 24</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Lady Gambles</b> (1949), with Barbara Stanwyck</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Sorry, Wrong Number</b> (1948) directed by Anatole Litvak, with Barbara Stanwyck and Burt Lancaster</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Tuesday Jan. 25</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Dark Mirror </b>(1948) directed by Robert Siodmak , with Olivia de Havilland and Lew Ayres</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Crack-Up </b>(1947), with Pat O’Brien, Herbert Marshall and Claire Trevor</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Wednesday Jan. 26</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTM1szJGJ3lBp31y4bO_QA2LiMEco1qQiMdXidGNA1QihVn84hQ0N9DG8H82KFnJYt8jbsynOA2l96vnjlEvaYw3nXQGzYUMP7jVQITaLtUYoU9_1uQjCmx9TGYHa9DNAdmOB1igi60ygO/s1600/1+woman+in+sand.jpg" imageanchor="1" style="clear: right; cssfloat: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="256" n4="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTM1szJGJ3lBp31y4bO_QA2LiMEco1qQiMdXidGNA1QihVn84hQ0N9DG8H82KFnJYt8jbsynOA2l96vnjlEvaYw3nXQGzYUMP7jVQITaLtUYoU9_1uQjCmx9TGYHa9DNAdmOB1igi60ygO/s320/1+woman+in+sand.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The Woman on the Beach (1947)</td></tr></tbody></table><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Woman on the Beach </b>(1947), directed by Jean Renoir, with Robert Ryan and Joan Bennett</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Beware My Lovely </b>(1952), with Ida Lupino and Robert Ryan</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Thursday Jan. 27</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Two Mrs. Carrolls</b> (1947), with Humphrey Bogart and Barbara Stanwyck</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>My Name is Julia Ross </b>(1945), with Nina Foch and George Macready</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Friday Jan. 28</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Crashout </b>(1955), with William Bendix, Arthur Kennedy and<span style="mso-spacerun: yes;"> </span>William Talman</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Loophole </b>(1953), with Barry Sullivan and Charles McGraw</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Saturday Jan. 29</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Blind Alley </b>(1939) directed by Charles Vidor, with Chester Morris, Ann Dvorak and Ralph Bellamy</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Secret Beyond the Door </b>(1948) directed by Fritz Lang,  with Joan Bennett and Michael Redgrave (this year’s “incomprehensible” film)</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Strange Affair of Uncle Harry</b> (1945) directed by Robert Siodmak, with George Sanders, Geraldine Fitzgerald and Ella Raines</span></div><span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-family: Arial; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">So Evil My Love </span></b><span style="font-family: Arial; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">(1948), with Ann Todd, Ray Milland and Geraldine Fitzgerald</span></span><br /><br /><b><u><span style="font-family: Arial;">Sunday Jan. 30</span></u></b><br /><span style="font-family: Arial;"><b>Angel Face </b>(1952), directed by Otto Preminger, with Jean Simmons and Robert Mitchum</span><br /><span style="font-family: Arial;"><b>The Hunted </b>(1948), with Preston Foster and Belita</span><br /><br /><object height="385" width="480"><param name="movie" value="http://www.youtube.com/v/qhhWLHVBezc?fs=1&hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/qhhWLHVBezc?fs=1&hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>

The ninth annual San Francisco film noir festival, Noir City 9, will run from Friday, January 21, through Sunday, January 30, at the historic Castro Theatre; 24 films noir, both celebrated and obscure, will screen.A presentation of the Film Noir Foun…

NOIR CITY 9 - Schedule announced for 9th annual San Francisco festival

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