A Noir Year Begins...

<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6b1DDB1Rj6ryDm8pJT9N1a0z7gbynqtKfxLDY_CVXhzSB3gRgChu5i8TkvdOnndcItqBk-2swsLOJwR20N8YNw7fDIHqbHCfC2JSUdEKSWldo1I84xOg6Wz7iIuab_qra8GjMVcPn_Rk/s1600/Noir+City+XI.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6b1DDB1Rj6ryDm8pJT9N1a0z7gbynqtKfxLDY_CVXhzSB3gRgChu5i8TkvdOnndcItqBk-2swsLOJwR20N8YNw7fDIHqbHCfC2JSUdEKSWldo1I84xOg6Wz7iIuab_qra8GjMVcPn_Rk/s400/Noir+City+XI.jpg" width="300" /></a></div><span style="font-family: Verdana,sans-serif;"><span style="font-size: 11.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">January 2013 brings, at last, the much-anticipated Noir City XI, San Francisco's 11^th annual film noir festival. Presented by the Film Noir Foundation at the city’s landmark movie palace, the Castro Theatre, the festival runs from January 25 – February 3 and will showcase 27 films!</span></span><br /><a name='more'></a><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgehayca4cPbOQIFjNMSaCn0wUgcajvj3Kum_zyT-FOh06P2MyfOuGhpvtyMAidl9RpwJ0D6deEKmwcomgBote3khou4VQih7wYasYACxz1FDKmFinQbobZBIM4mKX4WUXXBYGRrS6DYHc/s1600/Noir+City+Schedule.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="386" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgehayca4cPbOQIFjNMSaCn0wUgcajvj3Kum_zyT-FOh06P2MyfOuGhpvtyMAidl9RpwJ0D6deEKmwcomgBote3khou4VQih7wYasYACxz1FDKmFinQbobZBIM4mKX4WUXXBYGRrS6DYHc/s400/Noir+City+Schedule.JPG" width="400" /></a></div><br /><div class="MsoNormal"><span style="font-family: Verdana,sans-serif; font-size: small;">Noir City XI begins with an opening night tribute to genre legend Peggy Cummins. Following Film Noir Foundation founder/<a href="http://www.eddiemuller.com/inprint.html"><b><span style="color: red;">author</span></b></a>/film historian Eddie Muller’s onstage interview with Miss Cummins, <i>Gun Crazy</i> (1950), the noir classic that made her an icon, will screen. Other festival highlights include three world premiere restorations along with the U.S. premiere of 4K digital restorations of <i>Sunset Blvd. </i>(1950) and <i>Experiment in Terror </i>(1962). Also premiering will be 4K digital restorations of two of 1953’s first 3-D films, <i>Inferno </i>and <i>Man in the Dark</i><i>.</i></span><br /><span style="font-size: small;"><br /></span><span style="font-family: Verdana,sans-serif; font-size: small;">But wait, there’s more…</span><br /><br /></div><div class="MsoNormal"><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiROtlqPsoNY8Zo4G0O15zbZ2iwovG3eMRnY8nzM31UI9wzcFhMI6nez-y8ViJd_SfzVh4HmD3QNVfdqkjJaqYdAudDgWQgVeVodKQh7ntpOj9xsl2Sd_GhFA8QpL99yNRQekuyWYuBsNw/s1600/Noir+City+Party.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiROtlqPsoNY8Zo4G0O15zbZ2iwovG3eMRnY8nzM31UI9wzcFhMI6nez-y8ViJd_SfzVh4HmD3QNVfdqkjJaqYdAudDgWQgVeVodKQh7ntpOj9xsl2Sd_GhFA8QpL99yNRQekuyWYuBsNw/s320/Noir+City+Party.jpg" width="102" /></a></span></div><span style="font-family: Verdana,sans-serif; font-size: small;">Returning with the 2013 festival will be the Noir City Nightclub event, set for Saturday night, February 2, at San Francisco's Regency Lodge. There'll be music - from jazz to noir-pop to the torch stylings of songstress Laura Ellis - and dancing and cocktails <i>and</i> a walk on the wild side courtesy of "international striptease sensation" Evie Lovelle.</span><br /><span style="font-family: Verdana,sans-serif; font-size: small;"><br /></span><span style="font-family: Verdana,sans-serif; font-size: small;"><i>Czar of Noir</i> Eddie Muller, who not only founded the FNF in 2002 but also emcees the San Francisco festival (and nightclub), is <span style="font-size: small;">also about to</span> appear on Turner Classic Movies. Beginning at 8pm Eastern/5pm Pacific on Thursday, January 17, Muller will co-host "A Night in Noir City" with Robert Osborne. On the schedule are five films: <i>Cry Danger</i> (1951) starring Dick Powell and Rhonda Fleming,<i> </i>Phil Karlson's <i>99 River Street </i>(1953) with John Payne and Evelyn Keyes, <i>Tomorrow is Another Day </i>(1951) with Steve Cochran and Ruth Roman, Michael Curtiz's <i>The Breaking Point</i> (1950) starring John Garfield and Patricia Neal and <i>The Prowler </i>(1951), directed by Joseph Losey and starring Van Heflin and Evelyn Keyes.</span><br /><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCBp5s8G66WUUtR9kr_5EqLM9eXKXipU_WQ4zgXBBoZLXxXhFpSMsVdQ9JmQp5-oHxmMXrnAB5UTQzjky9NlXQMw4ueNTKZRHOMhCtNxSdKxN1dDbZrxz3BWTy8id3pfMMC3zGbMtjxac/s1600/Osborne+and+Muller.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="190" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCBp5s8G66WUUtR9kr_5EqLM9eXKXipU_WQ4zgXBBoZLXxXhFpSMsVdQ9JmQp5-oHxmMXrnAB5UTQzjky9NlXQMw4ueNTKZRHOMhCtNxSdKxN1dDbZrxz3BWTy8id3pfMMC3zGbMtjxac/s400/Osborne+and+Muller.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Robert Osborne and Eddie Muller, <i>A Night in Noir City</i>, January 17</span></td></tr></tbody></table><span style="font-family: Verdana,sans-serif; font-size: small;"></span><br /><span style="font-family: Verdana,sans-serif; font-size: small;">In his 1998 book <u>Dark City: The Lost World of Film Noir</u>, Muller contended that among the many <span style="font-size: small;">film </span>varieties<span style="font-size: small;"> </span>to come out of the studio era, film noir held up best: "Film noir pointed toward the black core of corruption in our "civilized" society and our primitive essence. The struggle of the individual to transcend or escape provided the emotional tension. That's the theme that makes noir so compelling for the contemporary crowd." Muller was onto something, for over time film noir has proven to be a genre of lasting appeal. With each successive year, the popularity of Noir City has grown, its program schedule has expanded and the Film Noir Foundation has been able to restore ever more films. Today, </span><span style="font-family: Verdana,sans-serif; font-size: small;">San Francisco's noir-fest is the kick off point for other film noir festivals around the country, with Noir City events following in Seattle in February, Los Angeles in April, Chicago in August and Washington, DC, in October.</span><br /><br /><span style="font-family: Verdana,sans-serif; font-size: small;"><span style="color: #cc0000;"><span style="font-family: Verdana,sans-serif;"><span style="color: #cc0000;"><span style="color: black;"><span style="color: #cc0000;"><a href="http://www.noircity.com/index.html"><span style="font-family: Verdana,sans-serif;"><span style="color: #cc0000;"><b>Click here</b></span></span></a></span></span></span></span> <span style="color: black;">to learn more about Noir City</span></span></span><br /><span style="font-family: Verdana,sans-serif;"><span style="color: #cc0000; font-size: small;"><span style="color: black;"><span style="color: #cc0000;"><a href="http://www.noircity.com/foundation.html"><span style="font-family: Verdana,sans-serif;"><span style="color: #cc0000;"><b>Click here</b></span></span></a> <span style="color: black;">to learn more about the Film Noir Foundation</span></span></span></span></span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPlTjWLl_WHVr178XvMV4daAWTjFf0nSNF944Jt99yyWUcGtODvax1uh6VvREyRce2qscg84oiXpqXVQtuD0Q6AUmTeKXuo4m646QaFCsXHSa97zSIAghyphenhyphenXV0CO9oxbZXVgGvZlTwidhc/s1600/Eddie-Muller-Gun-Crazy-star-Peggy-Cummins-485.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="269" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPlTjWLl_WHVr178XvMV4daAWTjFf0nSNF944Jt99yyWUcGtODvax1uh6VvREyRce2qscg84oiXpqXVQtuD0Q6AUmTeKXuo4m646QaFCsXHSa97zSIAghyphenhyphenXV0CO9oxbZXVgGvZlTwidhc/s320/Eddie-Muller-Gun-Crazy-star-Peggy-Cummins-485.jpg" width="320" /></a></span></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">Peggy Cummins and Eddie Muller backstage at TCM's 2012 Classic Film Festival</span></span></td></tr></tbody></table><span style="font-family: Verdana,sans-serif;"><span style="color: #cc0000; font-size: small;"><span style="color: black;"><span style="color: #cc0000;"><span style="color: black;"> </span></span></span></span> </span></div>

Eddie Muller Film Noir Film Noir Festival Film Noir Foundation Noir City XI Peggy Cummins TCM The Lady Eve (author) A Noir Year Begins...

January 2013 brings, at last, the much-anticipated Noir City XI, San Francisco's 11th annual film noir festival. Presented by the Film Noir Foundation at the city’s landmark movie palace, the Castro Theatre, the festival runs from January 25 – Februa…

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NOIR CITY 9 - Schedule announced for 9th annual San Francisco festival

<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf6UIlyfzCiA632zG_vUAXoNoN_3t0_-POqJqR272_OWXP4oEHryKS0X1XPu4sdD4NbpwonkLxHIrtUwn1lvL754lYWyJJMG259aInmG17KgsVtQQi95e9-cl9puP1mfDZnkMUQv2VCsG8/s1600/9+noir+city+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" n4="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf6UIlyfzCiA632zG_vUAXoNoN_3t0_-POqJqR272_OWXP4oEHryKS0X1XPu4sdD4NbpwonkLxHIrtUwn1lvL754lYWyJJMG259aInmG17KgsVtQQi95e9-cl9puP1mfDZnkMUQv2VCsG8/s320/9+noir+city+2.jpg" width="236" /></a></div><br /><span style="font-family: Arial, Helvetica, sans-serif;">The ninth annual San Francisco film noir festival, Noir City 9, will run from Friday, January 21, through Sunday, January 30, at the historic Castro Theatre; 24 films noir, both celebrated and obscure, will screen.</span><br /><a name='more'></a><br /><span style="font-family: Arial;">A presentation of the Film Noir Foundation, this festival is the centerpiece of the organization's effort to find and preserve films in danger of irreparable damage. The foundation's advisory council includes best selling novelists James Ellroy and Dennis Lehane, actress Marsha Hunt and film historian/critic Leonard Maltin. </span><br /><br /><span style="font-family: Arial;">Film Noir Foundation founder and president Eddie Muller, known as "the czar of noir," is a writer and filmmaker who frequently speaks at noir screenings. Earlier this year he was a special guest at Robert Osborne's 2010 classic film festival in Athens, GA, where he introduced the screening of <b>Double Indmenity.</b> Muller has also provided commentary on noir DVDs (<b>Fallen Angel</b>, <b>The Lineup</b>, <b>They Live by Night</b> and many others).</span><br /><br /><span style="font-family: Arial;">The Film Noir Foundation also produces festivals in Chicago and Washington, DC.</span><br /><br /><span style="font-family: Arial;"><a href="http://noircity.com/noircity.html"><span style="color: #cc0000;">Click here</span></a> for screening times and pricing.</span><br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGVkA3-QEKr5gw9p7r3WlcHE33rL8jVxSu0AlMuVwPhLiiN6zbRiSkZK-jzlUHKoHvYR2IhuEtrwkNpp2HZBOwA6g1bmvV_WS3tkQgjr7GAjKDhCl7VOa2lDpBaiAfDnygJmQ9fAWUPTKk/s1600/2+stranger.jpg" imageanchor="1" style="clear: left; cssfloat: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="245" n4="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGVkA3-QEKr5gw9p7r3WlcHE33rL8jVxSu0AlMuVwPhLiiN6zbRiSkZK-jzlUHKoHvYR2IhuEtrwkNpp2HZBOwA6g1bmvV_WS3tkQgjr7GAjKDhCl7VOa2lDpBaiAfDnygJmQ9fAWUPTKk/s320/2+stranger.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The Stranger on the Third Floor (1940)</td></tr></tbody></table><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Friday Jan. 21</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>High Wall</b> (1947), with Robert Taylor and Audrey Totter</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Stranger on the Third Floor</b> (1940), starring Peter Lorre, considered "the first American film noir"</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Saturday Jan. 22</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Strangers in the Night</b> (1944), directed by Anthony Mann</span><br /><span style="font-family: Arial, Helvetica, sans-serif;"><b>Gaslight </b>(1944), with Ingrid Bergman, Charles Boyer and Joseph Cotten </span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>They Won’t Believe Me</b> (1947), with Robert Young, Susan Hayward and Jane Greer</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Don’t Bother to Knock</b> (1952), with Richard Widmark and Marilyn Monroe</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Sunday Jan. 23</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>A Double Life</b> (1947), directed by George Cukor, with Ronald Colman (<i>watch a clip featuring Colman's Oscar-winning performance below</i>)</span><br /><span style="font-family: Arial, Helvetica, sans-serif;"><b>Among the Living</b> (1941), with Albert Dekker, Susan Hayward and Frances Farmer</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Monday Jan. 24</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Lady Gambles</b> (1949), with Barbara Stanwyck</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Sorry, Wrong Number</b> (1948) directed by Anatole Litvak, with Barbara Stanwyck and Burt Lancaster</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Tuesday Jan. 25</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Dark Mirror </b>(1948) directed by Robert Siodmak , with Olivia de Havilland and Lew Ayres</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Crack-Up </b>(1947), with Pat O’Brien, Herbert Marshall and Claire Trevor</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Wednesday Jan. 26</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTM1szJGJ3lBp31y4bO_QA2LiMEco1qQiMdXidGNA1QihVn84hQ0N9DG8H82KFnJYt8jbsynOA2l96vnjlEvaYw3nXQGzYUMP7jVQITaLtUYoU9_1uQjCmx9TGYHa9DNAdmOB1igi60ygO/s1600/1+woman+in+sand.jpg" imageanchor="1" style="clear: right; cssfloat: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="256" n4="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTM1szJGJ3lBp31y4bO_QA2LiMEco1qQiMdXidGNA1QihVn84hQ0N9DG8H82KFnJYt8jbsynOA2l96vnjlEvaYw3nXQGzYUMP7jVQITaLtUYoU9_1uQjCmx9TGYHa9DNAdmOB1igi60ygO/s320/1+woman+in+sand.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The Woman on the Beach (1947)</td></tr></tbody></table><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Woman on the Beach </b>(1947), directed by Jean Renoir, with Robert Ryan and Joan Bennett</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Beware My Lovely </b>(1952), with Ida Lupino and Robert Ryan</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Thursday Jan. 27</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Two Mrs. Carrolls</b> (1947), with Humphrey Bogart and Barbara Stanwyck</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>My Name is Julia Ross </b>(1945), with Nina Foch and George Macready</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Friday Jan. 28</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Crashout </b>(1955), with William Bendix, Arthur Kennedy and<span style="mso-spacerun: yes;"> </span>William Talman</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Loophole </b>(1953), with Barry Sullivan and Charles McGraw</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><h1 style="margin: 0in 0in 0pt;"><u><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Saturday Jan. 29</span></u></h1><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Blind Alley </b>(1939) directed by Charles Vidor, with Chester Morris, Ann Dvorak and Ralph Bellamy</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>Secret Beyond the Door </b>(1948) directed by Fritz Lang,  with Joan Bennett and Michael Redgrave (this year’s “incomprehensible” film)</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial, Helvetica, sans-serif;"><b>The Strange Affair of Uncle Harry</b> (1945) directed by Robert Siodmak, with George Sanders, Geraldine Fitzgerald and Ella Raines</span></div><span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="font-family: Arial; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">So Evil My Love </span></b><span style="font-family: Arial; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">(1948), with Ann Todd, Ray Milland and Geraldine Fitzgerald</span></span><br /><br /><b><u><span style="font-family: Arial;">Sunday Jan. 30</span></u></b><br /><span style="font-family: Arial;"><b>Angel Face </b>(1952), directed by Otto Preminger, with Jean Simmons and Robert Mitchum</span><br /><span style="font-family: Arial;"><b>The Hunted </b>(1948), with Preston Foster and Belita</span><br /><br /><object height="385" width="480"><param name="movie" value="http://www.youtube.com/v/qhhWLHVBezc?fs=1&hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/qhhWLHVBezc?fs=1&hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>

Eddie Muller Film Noir Film Noir Festival Noir City 9 San Francisco film noir festival The Lady Eve (author) NOIR CITY 9 - Schedule announced for 9th annual San Francisco festival

The ninth annual San Francisco film noir festival, Noir City 9, will run from Friday, January 21, through Sunday, January 30, at the historic Castro Theatre; 24 films noir, both celebrated and obscure, will screen.A presentation of the Film Noir Foun…

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