Show Me, Don't Tell Me

<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: 12px;"><b><i><span style="color: red; font-family: Verdana; font-size: medium;"></span></i></b></span><br /><table border="0" cellpadding="0" cellspacing="0"><tbody><tr><td colspan="2" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 12px; font: normal normal normal 12px/normal arial, helvetica;"><table border="0" cellpadding="0" cellspacing="0" id="tblContent"><tbody><tr id="trContent"><td align="center" class="cb_style tcContent" id="tcContent" style="color: black; font-family: Arial, Helvetica, sans-serif; font-size: 12px; font: normal normal normal 12px/normal Arial, Helvetica, sans-serif; text-align: center;"><div class="cbArticleWrapper" style="background-color: white; text-align: left; width: 750px;"><div class="cbArticleContentWrapper" style="margin-bottom: 15px; margin-left: 15px; margin-right: 15px; margin-top: 15px; width: 750px;"><div class="cbArticleRight" style="width: 560px;"><div class="RXart" style="padding-right: 20px;"><div class="ArticleHeadline" style="margin-top: -30px;"><div class="cbmsnArticleImage" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="" src="http://emj.icbdr.com/artieimages/n4/ar5f4jh673jv6vpjqtn4.gif" /></div><b><span id="cbArticle_lblByLine">Frances Cole Jones, author of "How to Wow"</span></b> </div><br /><div class="ArticleContent"><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">As you may know, the first rule of writing good fiction is, "Show me, don't tell me." The idea being that you can't say a character is resilient, thoughtful, or brave you need to <i>show</i> the reader that he or she are these things.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">Somehow this idea has not translated into our other writing, particularly in the context of applying for jobs. For example, how many of us have seen cover letters in which a candidate describes him or herself as "a real go getter," only to have that résumé collecting dust on our desk three weeks later -- three weeks during which that "go-getter" of a candidate didn't pick up the phone?</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">How else might a go-getter distinguish him or herself from the pack? Well, recently I walked out of Grand Central Station to find two young people dressed in business suits standing on the sidewalk handing out copies of their résumés. What were their stated objectives? Entry-level jobs in <a href="http://www.careerbuilder.com/jobs/keyword/finance/" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">finance</a>and <a href="http://www.careerbuilder.com/jobs/keyword/marketing/" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">marketing</a>. Their qualifications? The usual for people just starting out: captain of the swim team, internship at local <a href="http://www.careerbuilder.com/jobs/keyword/retail/" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">retail</a> store, a summer at the local copy shop. In addition to hard copies of their résumé, however, they had also blown each up to a poster-board size and created video résumés and posted them on YouTube -- the URL for these was at the top of their CVs. Seeing these actions told me more than any video: they were creative, gutsy, and self-confident. You can bet that if I had been at a financial or marketing firm with -- or without -- an opening, they would have been hired on the spot. They brought being a "go-getter" to life.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">Another gap in candidates' descriptions of themselves is often revealed via a technique I recently heard <a href="http://www.careerbuilder.com/jobs/keyword/human+resources/" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">HR</a> professionals are using to weed out those who are truly committed to working for a particular firm, from those who are not: what they do is stop the interview halfway through and says "I just don't think you're the right fit for us" -- regardless of the candidate's experience. One of the HR professionals with whom I spoke says it's amazing how many people actually say, "I actually didn't think so either, but I just thought I'd come in ... "</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">Um ... how not to wow.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">How do I recommend you handle this situation, should you encounter it? First, make sure you don't look down, lean back ... reveal your discomfort through your body in any way. Smile. Inhale. Speak on an exhalation. Say, "I understand how you may think that, given my lack of experience with X/my checkered past/how long I've been freelancing, but I think you've underestimated how committed I am to working for your firm. If I may, I'll take you through my thinking one more time." A response that, both physically and verbally, should reassure the most hardboiled of HR professionals.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">Another misstep I heard about was the story of a candidate who touted his laser focus/unparalleled dedication throughout his lunch interview, only to take out his PDA and begin returning calls as his host paid the check. My guess is that he was either uncomfortable with sitting in silence, or wished to convey his busyness or importance. What I can tell you is that his choice backfired -- instead causing the HR director to move him from the top slot to the bottom of the list.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">Albert Schweitzer, the famed theologian, philosopher and <a href="http://www.careerbuilder.com/jobs/keyword/physician/" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">physician</a> said, "Example is not the main thing in influencing others. It is the only thing." Nowhere is this truer than in a job interview scenario -- where what isn't said is often far more important than what is.</div></div></div></div></div></div></td></tr></tbody></table></td></tr></tbody></table>

Show Me, Don't Tell Me

Frances Cole Jones, author of "How to Wow"   As you may know, the first rule of writing good fiction is, "Show me, don't ...

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Nuanced Terror: Jack Clayton's The Innocents

<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicH-e8mFI_SW9POdM0_GT7X6mWo6WqaqbL4BpSwtZRhPTiJ2WiG_tWkjzgAqt1mr_eXT16CAT2joJ5xgtkNsqEUMhMa6zDPivQ8NRdvvXXY0azay_5MiLsM-9VWc1vSOey6-Bo05thaPXe/s1600/innocents+2+b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicH-e8mFI_SW9POdM0_GT7X6mWo6WqaqbL4BpSwtZRhPTiJ2WiG_tWkjzgAqt1mr_eXT16CAT2joJ5xgtkNsqEUMhMa6zDPivQ8NRdvvXXY0azay_5MiLsM-9VWc1vSOey6-Bo05thaPXe/s1600/innocents+2+b.jpg" /></a></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><br /></div><div class="MsoNormal"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Light and shadow flicker across the screen. Sobs are heard as a pair of praying hands, clasping and unclasping, appear. The sobbing continues.</span></div><div class="MsoNormal"><br /></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">A woman’s suffering face appears above the tortured hands. Birds twitter…her distraught voice whispers…</span></div><div class="MsoNormal"><br /></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><i><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">All I want to do is save the children not destroy them. More than anything I love children. More than anything they need affection, love, someone who will belong to them and to whom they will belong.</span></i><br /><a name='more'></a></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">And then, as a man’s voice asks, “Do you have an imagination?,” the screen suddenly focuses on a well-appointed office, an elegant gentleman and the woman whose face we have already seen…who now sits in a chair and speaks animatedly with this man as he continues to ask questions and explain the situation he offers. </span></div><div class="MsoNormal"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMvU7f_2Yyk4vviHoRnzhqUyeJd2MVgPxn4Sh6gTtwN9W7An7lbbx_leT3BXlfzGqRdh4S43Az0LU7FxbMsZiRuqpY6QNX2qJifvwoR1HcMxTlycLV_hT6_ppID1Dew0yvK4sUrhT5dxNw/s1600/innocents+clayton.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMvU7f_2Yyk4vviHoRnzhqUyeJd2MVgPxn4Sh6gTtwN9W7An7lbbx_leT3BXlfzGqRdh4S43Az0LU7FxbMsZiRuqpY6QNX2qJifvwoR1HcMxTlycLV_hT6_ppID1Dew0yvK4sUrhT5dxNw/s1600/innocents+clayton.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Director Jack Clayton</td></tr></tbody></table><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">These first moments of Jack Clayton’s masterful 1961 film, <i style="mso-bidi-font-style: normal;">The Innocents</i>, set the stage for a chilling and absorbing tale of bewitchment. Deborah Kerr stars as Miss Giddens, an anxious, fragile-seeming young woman who begins her first assignment as a governess for two orphaned children on a remote estate. Michael Redgrave briefly portrays the gentleman, Miss Giddens’ employer, whose questions and revelations prime and subtly spook her before she sets foot in the stately home where events will unfold.</span></div><div class="MsoNormal"><br /></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">The story intensifies when Miss Giddens arrives at Bly, a magnificent manor that far exceeds her expectations in its grandeur and beauty. She is “very excited, indeed” to be there and her two “angelic” and precocious charges easily charm her. An earthy housekeeper, Mrs. Grose (Megs Jenkins), serves to ground the excitable governess whose journey proceeds from enchantment to confusion, to torment and disintegration.</span></div><div class="MsoNormal"><br /></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">American novelist Henry James wrote <u>The Turn of the Screw</u>, the basis for this film, in 1898 while living in England in a large rambling mansion. James has recorded that the story was suggested to him by an anecdote he heard from the Archbishop of Canterbury. This scrap of a tale concerned young children haunted by the malevolent ghosts of a pair of servants who tried, again and again, to lure them to their deaths.</span></div><div class="MsoNormal"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvzcB0zbEi-q79brohDO5nlIrXslCo08XgZNntlEbdag-S_019xhst6Mb2gPWjHCbNbk0x_noXWX3Te7wfhLEe0rZ67R5Ep5gWDFbtsIsfKRy0qdNXe_FjRlytbXVQzFFRuKz5PVGyW2pb/s1600/innocents+james.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvzcB0zbEi-q79brohDO5nlIrXslCo08XgZNntlEbdag-S_019xhst6Mb2gPWjHCbNbk0x_noXWX3Te7wfhLEe0rZ67R5Ep5gWDFbtsIsfKRy0qdNXe_FjRlytbXVQzFFRuKz5PVGyW2pb/s320/innocents+james.jpg" width="258" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Novelist Henry James</td></tr></tbody></table><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">The James novella depicts a young governess on her first assignment, the care of two children living in a grand mansion on a sprawling estate. The plot deepens when the young woman, daughter of a vicar, begins to suspect the presence of the evil spirits of two deceased servants.</span></div><div class="MsoNormal"><br /></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">It was several years after James’ book was published before critics began to wrangle in earnest over the interpretation of the story. By the 1920s several had proposed that <u>The Turn of the Screw</u> was less a ghost story and more the tale of inexperienced and high-strung governess who succumbed to hallucinations and madness. A 1934 essay by prominent critic Edmund Wilson dramatically advanced this view.  Henry James himself was equivocal about his intentions, and statements he made on the subject have been cited to support both <i>apparitionist</i> and <i>non-apparitionist</i> views. </span></div><div class="MsoNormal"><br /></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Fascination with <u>The Turn of the Screw</u> failed to wane over the years and it has been adapted from the page to other mediums including opera, the stage and TV as well as film. In February 1950, Peter Cookson’s production of William Archibald’s stage adaption of the James novella debuted on Broadway as <i style="mso-bidi-font-style: normal;">The Innocents</i>; Oscar-winner Beatrice Straight (<i style="mso-bidi-font-style: normal;">Network</i>) starred as the governess.</span></div><div class="MsoNormal"><br /></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Eleven years later the play was adapted to film by British director, Jack Clayton (<i style="mso-bidi-font-style: normal;">Room at the Top</i>). Though William Archibald was involved, it was Truman Capote who was </span><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">primarily responsible for the polished screenplay. </span><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Capote endeavored to maintain the story’s ambiguity as he felt Henry James had originally conceived it by artfully dodging the central question: Are the ghosts real or are they the fantasies of a governess gone mad? </span></div><div class="MsoNormal"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglBZH7FCz9oM7ojgn1FtMMtr0gAHA3aaNH6kfICmL_hWMDA4cMBuZWUK1G2ELcHWrLIEh8rHcTd335bHOIIZ4ZUWlVP-PdRz5WT5WJRSANT7-yuvoiYAbaJrUi3yqduO6RWEL_pvN0rcGI/s1600/innocents+1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglBZH7FCz9oM7ojgn1FtMMtr0gAHA3aaNH6kfICmL_hWMDA4cMBuZWUK1G2ELcHWrLIEh8rHcTd335bHOIIZ4ZUWlVP-PdRz5WT5WJRSANT7-yuvoiYAbaJrUi3yqduO6RWEL_pvN0rcGI/s400/innocents+1.jpg" width="293" /></a></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Taking the modern view, it’s not difficult to interpret <i style="mso-bidi-font-style: normal;">The Innocents</i> as an intricately staged reflection on an unstable woman’s descent into madness: the film closely follows the increasingly erratic behavior and visible deterioration of the omnipresent governess; no one but the governess actually “sees” the ghosts she claims are present; by the film’s end, even the sensible and supportive housekeeper is at odds with the hysterical young woman…and there are many visual clues that the governess may be projecting her own imaginings onto her surroundings. It is no stretch these days to believe that a deranged governess would be capable of terrifying a frightened child to death.</span></div><div class="MsoNormal"><br /></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">But, viewed from another perspective, the tale can also be read as the story of an inexperienced but well-meaning young woman confronted with the supernatural in the form of malicious spirits. Her fervid determination to save the children from possession could explain her unorthodox behavior. And that is what most people believed when <u>The Turn of the Screw</u> was first published. </span></div><div class="MsoNormal"><br /></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Enigmatic and haunting, <i style="mso-bidi-font-style: normal;">The Innocents</i> leaves the audience to its own conclusions. A luminous turn by Deborah Kerr (in her own favorite film performance), Freddie Francis’ atmospheric cinematography, the script of Archibald and Capote and Georges Auric’s original music all mesh under Jack Clayton’s sure hand to create the acknowledged masterpiece among the many adaptations of <u>The Turn of the Screw</u>. </span><br /><div style="text-align: center;"><br /></div></div><div class="MsoNormal"><div style="text-align: center;"></div><div style="text-align: center;"></div><div style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/FVEu8wV1QIA" width="560"></iframe></div><div class="MsoNormal"></div><br /><span style="color: #990000; font-family: "Trebuchet MS",sans-serif;"><b>Waitin' on a Sunny Day</b> is hosting a <b>Deborah Kerr Blogathon</b> in celebration of the 90th anniversary of the actress's birth...<a href="http://sophie-waitinonasunnyday.blogspot.com/2011/09/darling-deborah-blogathon-posts.html"><b>Click here</b></a> for more on participating blogs.</span><br /><br /><div style="color: black;"><i><span style="font-family: "Trebuchet MS",sans-serif;">The Innocents </span></i><span style="font-family: "Trebuchet MS",sans-serif;">airs today (1:45pm Eastern/10:45am Pacific) on <b>Turner Classic Movies</b> as part of its morning/afternoon spotlight on the films of Deborah Kerr. Here's the full schedule (all times Eastern/Pacific):</span></div><div style="color: black;"><br /></div><div style="color: black;"><span style="font-family: "Trebuchet MS",sans-serif;">6:00am/3:00am <i>Count Your Blessings</i> (1959), co-starring Rossano Brazzi</span></div><div style="color: #444444;"><span style="color: black;"><span style="font-family: "Trebuchet MS",sans-serif;"> </span></span><span style="color: black; font-family: "Trebuchet MS",sans-serif;">8:00am/5:00am <i>If Winter Comes </i>(1947), co-starring Walter Pidgeon</span></div><div style="color: #444444;"><span style="color: black; font-family: "Trebuchet MS",sans-serif;">10:00am/7:00am <i>Black Narcissus</i> (1947), a masterwork from Powell & Pressburger</span></div><div style="color: #444444;"><span style="color: black; font-family: "Trebuchet MS",sans-serif;">11:45am/8:45am <i>The End of the Affair </i>(1955), co-starring Van Johnson</span></div><div style="color: #444444;"><span style="color: black; font-family: "Trebuchet MS",sans-serif;">1:45pm/10:45am <i>The Innocents </i>(1961), reviewed here...with Michael Redgrave</span></div><div style="color: #444444;"><span style="color: black; font-family: "Trebuchet MS",sans-serif;">3:30pm/12:30pm <i>The Journey </i>(1959), co-starring Yul Brynner</span></div><div style="color: #444444;"><span style="color: black; font-family: "Trebuchet MS",sans-serif;">5:45pm/2:45pm <i>The Sundowners</i> (1960), co-starring Robert Mitchum </span></div><div style="color: #444444;"><span style="color: black; font-family: "Trebuchet MS",sans-serif;"><br /></span></div></div>

Deborah Kerr Freddie Francis Georges Auric Henry James Jack Clayton Meg Jenkins Michael Redgrave The Innocents The Lady Eve (author) The Turn of the Screw Nuanced Terror: Jack Clayton's The Innocents

Light and shadow flicker across the screen. Sobs are heard as a pair of praying hands, clasping and unclasping, appear. The sobbing continue...

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Why Do You Want to Lose Weight?

<a href="http://123glitter.com/comments-graphics/file/7888.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="http://123glitter.com/comments-graphics/file/7888.jpg" width="185" /></a>I have come across 2 situations this week where I was reminded of that question yet again.  I mean, I think about being heavy ALL the time, but this question was kind of spelled out in black and white on 2 separate occasions for me this week.<br /><br />First, it was at the Weight Watchers meeting on Wednesday night.  When asked that question, most members said they wanted to lose weight for health reasons. <br /><br />As part of the Beck Diet Solution, one of the first items we are tasked with is to come up with our reasons for wanting to lose weight. <br /><br />Here are 17 of mine in no particular order:<br /><div style="text-align: center;"><br /></div><div style="text-align: center;">1. Get to wear nicer, age appropriate clothes</div><div style="text-align: center;">2. More confidence, especially at work</div><div style="text-align: center;">3. Healthier - not so sore in the muscles</div><div style="text-align: center;">4. More comfortable in the summer - less sweating</div><div style="text-align: center;">5. Can fit more comfortably in chairs</div><div style="text-align: center;">6. Can do more social activities</div><div style="text-align: center;">7. Joel could pick me up</div><div style="text-align: center;">8. Feel pretty</div><div style="text-align: center;">9. Feel more in control</div><div style="text-align: center;">10. Overall happiness</div><div style="text-align: center;">11. Improved love life</div><div style="text-align: center;">12. Not being self-conscious in a bathing suit</div><div style="text-align: center;">13. Exercise without embarassment</div><div style="text-align: center;">14. More assertive</div><div style="text-align: center;">15. I'll feel that I've accomplished something great</div><div style="text-align: center;">16. Make Joel proud</div><div style="text-align: center;">17. Doing what is right by God - not being gluttonous</div><br />Then I came across <a href="http://www.itsuxtobefat.com/weight-loss/100-reasons-thinner-is-better.html">Jennifer's post on 100 Reasons Thinner is Better</a>.  She has lost close to 100 lbs!  Many of her reasons for why being thinner is better coincide with my reasons for wanting to get rid of these 89 lbs. I especially loved these:<br /> <br /><div style="text-align: center;"> </div><div style="text-align: center;"><img alt="" src="data:image/png;base64,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" /></div><div style="text-align: center;"><img alt="" src="data:image/png;base64,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" /></div><div style="text-align: center;"><img alt="" src="data:image/png;base64,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" /> </div><br />Why do you want to remove the weight?

goals Inspiration Weight Loss Weight Loss Challenges Weight Watchers Why Do You Want to Lose Weight?

I have come across 2 situations this week where I was reminded of that question yet again.  I mean, I think about being heavy ALL the time, ...

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