Matt Said, Jay Said LXIX

<div dir="ltr" style="text-align: left;" trbidi="on"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhScDsAJXZbcYBbUVf9cqJ8ZqVaExpYyCnvpym4HlyD4QyOG1JmlQEI03Q6C8Q1vfujetLwYggArBGti4cmLSyXrQV-v6CUhjhwT_mEn4ZZvhzrWRHk2fwc7LrR6Nbx1UQTBMZm571cPAw/s1600/sarcasm+iws+radio.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhScDsAJXZbcYBbUVf9cqJ8ZqVaExpYyCnvpym4HlyD4QyOG1JmlQEI03Q6C8Q1vfujetLwYggArBGti4cmLSyXrQV-v6CUhjhwT_mEn4ZZvhzrWRHk2fwc7LrR6Nbx1UQTBMZm571cPAw/s320/sarcasm+iws+radio.jpg" width="320" /></a>Matt speaks sardonically…Jay speaks sardonically…You may or may not understand.<br /><br />Matt:  Hello?  Hellooooooo?<br />Jay:  H--I---wha---t’s----up?<br />Matt:  Dude your phone is making some whacked noises.<br />Jay:  Oh sorry…I’ll call back.<br />Matt:  Okay (click)<br /><br />(ring)<br /><br />Matt:  Yo<br />Jay:  Is that better?<br />Matt: Well somewhat, I guess.<br />Jay:  Hmmmm…maybe I shoul---<br />Matt:  Jay!?  It’s okay.  It’s perfect…sounds as though you are right next to me.<br />Jay:  You’re being sarcastic, aren’t you?<br />Matt:  Why yes, yes I am.<br />Jay:  I knew it!!<br /><br />Matt:  (sneezes) Damn…made it all winter without much of anything and NOW I catch a cold.<br />Jay:  That sucks.  Bless your heart; I feel bad for you.<br />Matt:  You are being sarcastic, aren't you?<br />Jay:  Why yes, yes I am.<br />Matt:  I knew it!!<br /><br />Jay:  Hey…before we get into intense show prep mode, did you get your new fan for the digs?<br />Matt:  Yes.  Got it on the way home tonight.<br />Jay:  How’s it working out? I know a well running fan is very important to you.<br />Matt:  This damn fan is made of awesome sauce!!<br />Jay:  I am so happy for both you and Schmoop.<br />Matt:  Why thank you. I appre----wait…You are being sarcastic again aren’t you?<br />Jay:  Why yes, yes I am.<br />Matt:  I knew it!!<br /><br />Jay:  So this Sunday, following our fourth Numero Uno show in a row, what should we talk about?<br />Matt:  Hmmmmm…Well <i>you</i> and <i>I</i> evidently pick up on the sarcasm of people, but do others?<br />Jay:  Ahhhhhhh, not a bad idea.  Many people on social media just don’t get sarcasm.<br />Matt:  Or satire.<br />Jay:  Or parodies and absurdities.<br />Matt: Ooooooo…such fancy words, you wordsmith you!!<br />Jay:  Why thank----wait…You are being sarcastic again, aren’t you?<br />Matt:  Why yes, yes I am.<br />Jay:  I knew it!!<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuLvhiiQBZwAXF-gKTrjlH94QrD0Xtd5kfW68DTpZmQKlBvcY-pu-bumy6CndzK2Hqb3V5CbKKICwP7YavHzs_0LYykEPIIjKUU0cU4WbcbN_I6l0Jlu0UB4c9zLBNTZRG0rc-cs7AVFs/s1600/Gretchen+Carlson+Stupid+Ugly+FOX+News.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuLvhiiQBZwAXF-gKTrjlH94QrD0Xtd5kfW68DTpZmQKlBvcY-pu-bumy6CndzK2Hqb3V5CbKKICwP7YavHzs_0LYykEPIIjKUU0cU4WbcbN_I6l0Jlu0UB4c9zLBNTZRG0rc-cs7AVFs/s400/Gretchen+Carlson+Stupid+Ugly+FOX+News.jpg" width="251" /></a><br />Matt:  Anyhoo…A show on the art of sarcasm, satire, and the like would be way cool.<br />Jay:  For people to understand why our show is regularly #1, they need to know what those things are.<br />Matt:  Exactly.  And I’m sure we can talk about our fave satirists and sarcastic bastards and bitches.<br />Jay:  We could enlist the help of Slyder Balzcock, Paul Piatt, and Carl Paladino.<br />Matt:  I bet Keith Olbermann, our new guy Bob Kraft, and Dixie Ozark have something to say too.<br /><br />Jay:  Yep…well…Dixie Ozark?  I don’t know…She has become something of a Diiiiiiiiva!!<br />Matt:  Ha.  You’re being sarcastic again, aren't you?<br />Jay:  No, not this time…she is really becoming hard to work with.<br />Matt:  Really?<br />Jay:  Oh yeah…She’s become the Gretchen Carlson of Internet Radio.<br /><br />Matt:  Wow…well see if you can coax her in to doing a report.<br />Jay:  I’ll do my best.<br />Matt:  Oh I just know you will.<br />Jay:  Thank yo----wait…are you being sarcastic again or not?<br />Matt:  What?  What?  Jay?  Jay?  Your phone is breaking up again, and I can’t hear you over our new, awesome fan…talk to you tomorrow.<br /><br />So folks…Join Jay, Matt, and the rest of the IWS Radio team as they kick off <a href="http://www.blogtalkradio.com/im-with-stupid/2013/04/14/sarcasm-awareness-week" target="_blank"><span style="color: blue;">Sarcasm Awareness Week</span></a> on Blog Talk Radio.  It will not only be informative and funny as hell, it will be worth 6.5 CEU credits should you hold a license in sarcasm.<br /><br />That’s this Sunday April 14th from Noon-2 PM ET.  So listen LIVE and CALL-IN dammit!!  To catch this Sunday’s show LIVE, click <a href="http://www.blogtalkradio.com/im-with-stupid/2013/04/14/sarcasm-awareness-week" target="_blank"><span style="color: blue;">HERE!!</span></a></div>

Matt Said, Jay Said LXIX

Matt speaks sardonically…Jay speaks sardonically…You may or may not understand. Matt:  Hello?  Hellooooooo? Jay:  H--I---wha---t’s----up? Ma...

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Kermit Gosnell: The Alleged Mass-Murderer and the Bored Media

<div dir="ltr" style="text-align: left;" trbidi="on"><img alt="73076422" src="http://www.slate.com/content/dam/slate/blogs/weigel/2013/04/12/kermit_gosnell_the_alleged_mass_murderer_and_the_bored_media/73076422.jpg.CROP.rectangle3-large.jpg" /><br /><br /><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;"><em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"><strong style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">UPDATE:</strong> I've added a link and a reference to the piece <a href="http://www.slate.com/blogs/xx_factor/2011/01/19/crappy_abortion_providers_thrive_in_politically_fraught_environments.html" style="-webkit-tap-highlight-color: rgb(255, 255, 153); color: #006699; text-decoration: none;">Amanda Marcotte wrote for Slate</a> in January 2011. There's been some blurring of the lines: People are conflating liberals, many of whom wrote about Gosnell when the case was fresh, and the "MSM," which fancies itself unbiased and in-it-for-the-story, but hasn't piled on to cover this story.</em></div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">A week ago, I joined a few reporters for a morning coffee klatsch with Newt Gingrich. One of the scribes asked Gingrich about the GOP's branding when it came to social issues; Gingrich, as is his wont, flipped the question back on the questioner.</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">"There's a question of which side gets to define 'extremism,'" said Gingrich. "I mean, the Planned Parenthood witness in Florida recently who said, gee, if the baby actually survives the abortion, the baby has no standards. Very few Americans believe in taxpayer providing for abortionists killing babies in the ninth month [of a pregnancy], under any circumstances."</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">Gingrich was referring to a viral-ish video from a Florida legislature hearing on proposed new abortion laws. RNC Chairman Reince Priebus had also attempted to <a href="http://www.slate.com/blogs/weigel/2013/04/03/reince_priebus_wants_the_media_to_rebrand_planned_parenthood_please.html" style="-webkit-tap-highlight-color: rgb(255, 255, 153); color: #006699; text-decoration: none;">goad the media into covering that</a>; the starting point for an abortion discussion should be the horrors of the process, not the potential limitations on that process.</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">I bring this up because a week later—yesterday—Kirsten Powers wrote a column shaming the media for not <a href="http://www.usatoday.com/story/opinion/2013/04/10/philadelphia-abortion-clinic-horror-column/2072577/" style="-webkit-tap-highlight-color: rgb(255, 255, 153); color: #006699; text-decoration: none;" target="_blank">covering the trial of Kermit Gosnell</a>, a Philadelphia abortionist who is accused of commiting hundreds of gruesome late-term murders.</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><blockquote style="border: 0px; font: inherit; line-height: 1.6em; margin: 1em auto; padding: 0px 40px; quotes: none; vertical-align: baseline;">When Rush Limbaugh attacked Sandra Fluke, there was non-stop media hysteria. The venerable <em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">NBC Nightly News'</em> Brian Williams <a href="http://newsbusters.org/blogs/brent-baker/2012/03/01/nbc-firestorm-outrage-women-after-crude-tirade-rush-limbaugh" style="-webkit-tap-highlight-color: rgb(255, 255, 153); color: #006699; text-decoration: none;" target="_blank">intoned,</a> "A firestorm of outrage from women after a crude tirade from Rush Limbaugh," as he teased a segment on the brouhaha. Yet, accusations of babies having their heads severed — a major human rights story if there ever was one — doesn't make the cut.</blockquote></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">Republicans weren't talking about it either; they were talking about that Planned Parenthood video, because taxpayer funding for Planned Parenthood is an active political issue. But Powers' column kicked off a Twitter-driven campaign to shame journalists into covering the Gosnell trial. Mollie Hemingway, a <em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Christianity Today</em> columnist, burned up the Twittersphere asking journalists like the <em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Washington Post</em>'s Sarah Kliff and <em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">The Atlantic</em>'s Garance Franke-Ruta why they hadn't covered Gosnell. Franke-Ruta actually <em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">had</em>, but Hemingway argued that her one item wasn't nearly enough. She got more results; before midnight, BuzzFeed <a href="http://www.buzzfeed.com/andrewkaczynski/four-documents-to-understand-the-kermit-gosnell-trial" style="-webkit-tap-highlight-color: rgb(255, 255, 153); color: #006699; text-decoration: none;" target="_blank">published a quick list</a> of "four documents to understand the Kermit Gosnell trial." (<strong style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">UPDATE:</strong> This wasn't Buzzfeed's <a href="http://www.buzzfeed.com/jtes/house-of-horrors-trial" style="-webkit-tap-highlight-color: rgb(255, 255, 153); color: #006699; text-decoration: none;" target="_blank">first item about the case</a>. It ran a recap of the "House of Horrors" trial earlier.)</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">Let's just state the obvious: National political reporters are, by and large, socially liberal. We are more likely to know a gay couple than to know someone who owns an "assault weapon." We are, generally, pro-choice. Twice, in D.C., I've caused a friend to literally leave a conversation and freeze me out for a day or so because I suggested that the Stupak Amendment and the Hyde Amendment made sense. There <em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">is</em> a bubble. Horror stories of abortionists are less likely to permeate that bubble than, say, a story about a right-wing pundit attacking an abortionist who then claims to have gotten death threats.</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;"><em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Slate</em> is an exception to this rule. Two years and two months ago, <a href="http://www.slate.com/articles/news_and_politics/the_back_alley/2011/02/what_happened_to_the_women.html" style="-webkit-tap-highlight-color: rgb(255, 255, 153); color: #006699; text-decoration: none;">my colleagues Will Saletan</a> and <a href="http://www.slate.com/blogs/xx_factor/2011/01/19/crappy_abortion_providers_thrive_in_politically_fraught_environments.html" style="-webkit-tap-highlight-color: rgb(255, 255, 153); color: #006699; text-decoration: none;">Amanda Marcotte</a>—who've covered abortion issues for years, and in Will's case earned real ire from some liberal readers—wrote about <a href="http://www.phila.gov/districtattorney/pdfs/grandjurywomensmedical.pdf" style="-webkit-tap-highlight-color: rgb(255, 255, 153); color: #006699; text-decoration: none;" target="_blank">the grand jury report</a> that detailed Gosnell's possible crimes. I read Will's piece at the time but didn't see a political story to chase. Only when Hemingway started on that tear of tweets did I read the report, and I'm glad she forced the issue, because the report is a catalogue of unspeakable horrors. This is just from the introduction.</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><blockquote style="border: 0px; font: inherit; line-height: 1.6em; margin: 1em auto; padding: 0px 40px; quotes: none; vertical-align: baseline;">Furniture and blankets were stained with blood. Instruments were not properly sterilized. Disposable medical supplies were not disposed of; they were reused, over and over again. Medical equipment – such as the defibrillator, the EKG, the pulse oximeter, the blood pressure cuff – was generally broken; even when it worked, it wasn’t used. The emergency exit was padlocked shut. And scattered throughout, in cabinets, in the basement, in a freezer, in jars and bags and plastic jugs, were fetal remains. It was a baby charnel house.</blockquote></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">That's the G-rated version. One woman, according to investigators, was "left lying in place for hours after Gosnell tore her cervix and colon while trying, unsuccessfully, to extract the fetus." Another woman was sent home when she "still had fetal parts inside her." Another woman died after untrained and unlicenced aides gave her "unmonitored, unrecorded intravenous injections of Demerol." Gosnell trained those aides to commit fraud, distorting ultrasounds to make the late-term pregnancies look less far advanced. Viable babies—hundreds of them, allegedly—were decapitated with scissors.</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">So the question, raised by pro-lifers, is this: <em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Explain to us why Gosnell isn't a national story</em>. Somebody else can try. I can't explain it. It's never made sense to me, how a local crime story becomes a national story. Two words: "Poop cruise." CNN ran hours of coverage and grainy video of a stranded Carnival cruise ship, a situation that inconvenienced many and killed none. How does a missing college student or an angry man in a TSA line become part of Our National Conversation? I don't know. I do know that a reporter in the bubble is less likely to be compelled by the news of an arrested abortionist.</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">But which reporters need to cover the Gosnell story? Last night, keying off Hemingway,<em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">National Review</em>'s Jim Geraghty <a href="https://twitter.com/jimgeraghty" style="-webkit-tap-highlight-color: rgb(255, 255, 153); color: #006699; text-decoration: none;" target="_blank">tweeted</a> a series of national scandals that started as local news. "Jeffrey Dahmer? Local crime story," he said. "Trayvon Martin? Local crime story."</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">I flew down to Florida last year to <a href="http://www.slate.com/articles/news_and_politics/politics/2012/04/george_zimmerman_killing_trayvon_martin_has_sanford_s_black_community_angry_.html" style="-webkit-tap-highlight-color: rgb(255, 255, 153); color: #006699; text-decoration: none;">cover</a> the Trayvon Martin story; I don't think the comparison is apt. Martin was shot on February 26, 2012. George Zimmerman was questioned by police, but not charged. <em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">That</em> was what pulled in the national media, what spurred the resignation of the local police chief, and what turned the story into a discussion of "stand your ground" laws. Once Zimmerman was charged, the press largely looked elsewhere for stories.</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">Gosnell <em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">was</em> charged, and magazines like <em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Slate</em> wrote about the charges at the time. He's accused of performing illegal abortions. In Pennsylvania, an abortion after the 24th week of pregnancy is only legal if a physician proves it was necessary to "preserve life of mother or prevent serious risk of substantial and irreversible impairment of bodily function." Gosnell didn't do that.</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">But there is a political scandal here. Grand jury investigators were baffled: How did Gosnell's clinic, an infamous place in the tri-state area, go un-inspected for so long? Basically, the regulators blew it. "Even though the first DOH Certificate of Approval for Gosnell’s clinic expired on December 20, 1980," write the investigators, "the next documented site review was not conducted until August 1989." After a 1992 visit, regulators reported that the clinic was wheelchair-accessible, even though it's "multi-leveled and has no elevator." After 1993, the state didn't follow up complaints about the clinic.</div></div><div class="text parbase section" style="border: 0px; font-family: verdana, sans-serif; font: inherit; line-height: 18px; margin: 1.5em 0px; padding: 0px; vertical-align: baseline;"><div style="border: 0px; font: inherit; line-height: 1.5em; margin-bottom: 1.25em; padding: 0px; vertical-align: baseline;">If you're pro-choice, say, and you worry that the Gosnell story is being promoted only to weaken your cause, you really should read that grand jury report. "DOH could and should have closed down Gosnell’s clinic years before," write the investigators. Why wasn't it? Were state regulators nervous about igniting a political fight about abortion? Is the regulatory system incompetent or under-funded? And are there other states where the same could be said? Social conservatives are largely right about the <em style="border: 0px; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Gosnell</em> story. Maybe it's not a raw political story. It's just the story of a potential mass murderer who operated for decades as government regulators did nothing.</div></div></div>

Kermit Gosnell Kermit Gosnell: The Alleged Mass-Murderer and the Bored Media

UPDATE:  I've added a link and a reference to the piece  Amanda Marcotte wrote for Slate  in January 2011. There's been some blurrin...

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Five things to like about ’42,’ the movie about Jackie Robinson

<div dir="ltr" style="text-align: left;" trbidi="on"><img src="http://l.yimg.com/bt/api/res/1.2/GDfC04kryElJaTdTOTUWgw--/YXBwaWQ9eW5ld3M7cT04NTt3PTYzMA--/http://media.zenfs.com/en/blogs/sptusmlbexperts/42041213a.jpg" /><br /><br /><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;">It's hard not to like "42," the new Jackie Robinson biopic that hit theaters Friday.</div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;">Hollywood knows what resonates with viewers, and has a knack for making everything — the music, that one great line, that slow-motion moment — wrap up neatly to trigger the exact emotional response it thinks you should have. So unless you're heartless, being purposely obtuse or just way too cool for a movie version of <a href="http://www.jackierobinson.com/" style="color: #a1abb2; text-decoration: none;">Jackie Robinson</a>, "42" is going to leave you feeling good about baseball, cheering Robinson and booing racism. In about the most paint-by-numbers way possible. That's not bad, it's just Hollywood.</div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;">And Hollywood comes with its limitations. It boils down a complex story of race, history and baseball into two hours worth of important moments. It scratches the surface on how Robinson (played by Chadwick Boseman) deals with venomous attacks, how he bonds with his teammates and what Dodgers general manager <a href="http://baseballhall.org/hof/rickey-branch" style="color: #a1abb2; text-decoration: none;">Branch Rickey</a> (Harrison Ford) is hoping to accomplish by making Robinson baseball's first black player. "42" doesn't do much to develop the rest of the Brooklyn Dodgers, save for a <a href="http://www.peeweereese.com/" style="color: #a1abb2; text-decoration: none;">Pee Wee Reese</a> (Lucas Black) scene here and an anti-Jackie petition there. But if you wanted depth, you'd read a book, right? Not sit and eat popcorn while Han Solo saves the galaxy ... err, intergrates baseball.<span id="more-73989"></span></div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;"><iframe frameborder="0" height="338" scrolling="auto" src="http://www.youtube.com/embed/Z9TJz-vMJq8" width="600"></iframe></div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;">Ah yes, baseball, that's what we're about here. So we'll cut the movie review (not our specialty anyway) and say this: Despite all the flaws pointed out above, "42" still matters. It's an important movie, even if it's not a great one.</div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;">Here are five things I liked about the film:</div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;">• <strong>Hey, it's a baseball movie</strong>. Let's skip all the historical significance for a moment and just be happy that there's a baseball movie in theaters. It's not the '90s anymore, so we're not being treated to the golden era of baseball flicks. The last major motion picture worth mentioning? "Moneyball," which came out in 2011. Maybe 2012's "Trouble With the Curve" counts. Maybe not. But "42," is tried-and-true baseball, 100 percent. The baseball scenes are exciting and well portrayed. It'll make you want to pick up a glove or a bat.</div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;"><span class="yom-figure yom-fig-right" style="clear: both; display: block; float: right; margin-bottom: 11px; margin-left: 20px; margin-top: 6px; width: 310px;"><a href="http://l1.yimg.com/bt/api/res/1.2/Hf2TcNSrcQ1tCwgGOnQfqA--/YXBwaWQ9eW5ld3M7cT04NQ--/http://media.zenfs.com/en/blogs/sptusmlbexperts/ford42041213.jpg" style="color: #a1abb2; text-decoration: none;"><img alt="" class="alignright size-full wp-image-74063" height="331" src="http://l.yimg.com/bt/api/res/1.2/Fse5DftEL8gwTdRkbOsRZw--/YXBwaWQ9eW5ld3M7cT04NTt3PTMxMA--/http://media.zenfs.com/en/blogs/sptusmlbexperts/ford42041213.jpg" style="background-repeat: no-repeat no-repeat; border: 0px; display: block;" title="(AP)" width="310" /></a><span class="legend" style="color: #414141; display: block; font-family: arial; font-size: 12px; line-height: 1.7em; margin: 5px 0px 0px; padding: 0px;">(AP)</span></span></div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;">• <strong>That Jay-Z song isn't in the movie</strong>. Personally, my No. 1 hope going into "42" was that the<em class="ywp-page-play-pause ywp-page-video ywp-link-hover" style="outline: none !important;"><em class="ywp-page-btn ywp-page-btn-play" style="background-image: url(http://l.yimg.com/pb/webplayer/0.9.75/img/themes/black-theme.png); background-position: -26px -1561px; cursor: pointer; display: inline-block; height: 14px; margin-right: 6px; overflow: hidden; position: relative; top: 1px; width: 14px;" title="Play Video"></em><a class="yltnofollow" href="http://www.youtube.com/watch?v=OeoRsR0dv8w" id="yui_3_8_1_22_1365823564730_441" style="color: #a1abb2; text-decoration: none;"> "Brooklyn Go Hard"</a></em> song by Jay-Z and Santigold that's been annoying me in the commercials was not in the movie. Fine song, no place in a movie set in the 1940s. There were a few moments during the film where I feared the song was going to dope in and there'd be a montage of Jackie Robinson plays and my heart would break a little. But I'm happy to report that was not the case. Thank you, "42."</div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;">• <strong>Harrison Ford, hero of baseball</strong>: We've seen Ford as Han Solo in the <a href="http://starwars.com/" style="color: #a1abb2; text-decoration: none;">"Star Wars"</a> movies and as<a href="http://www.indianajones.com/" style="color: #a1abb2; text-decoration: none;"> Indiana Jones</a> in that series. He's a legit cinema hero. Now he's playing the hero role here, as Dodgers GM Branch Rickey, who viewers see as a one-man, cigar-toting crusader for Jackie Robinson. Ford is far more grumbly than Han Solo and less nimble than Indy, but he gives a strong performance.</div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;">• <strong>Red Barber FTW!</strong> The best of the small-role characters is <a href="http://www.radiohof.org/sportscasters/redbarber.html" style="color: #a1abb2; text-decoration: none;">Red Barber</a>, the broadcast legend who called Brooklyn Dodger games on the radio in those days. <a href="http://www.imdb.com/name/nm0001525/" style="color: #a1abb2; text-decoration: none;">John C. McGinley</a>, who many of us know best as Dr. Cox on "Scrubs" or from his long acting <a href="http://www.imdb.com/name/nm0001525/#Actor" style="color: #a1abb2; text-decoration: none;">résumé</a>, magically channels Barber, signature catch-phrases and all. Having an old-time announcer gives the movie a bit more of an authentic baseball soul.</div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;">• <strong>It's a good introduction to Jackie Robinson, and for some people, a reason to care about baseball</strong>: If you're a baseball fan, you know the story of Jackie Robinson. Heck, you've probably read a book about him or watched a documentary. But let's consider, for a second, the people who aren't really baseball fans. The moviegoer, for example. There's a good chance this will be a popular movie, one that extends beyond baseball fans. So let's be real: Baseball could use all the new fans it can pick up. And while it's tough to say whether you should bring kids to see "42" — it's rated PG-13 and the racism is nasty at some points — it's the kind of movie that could get the younger audience more interested in the game.</div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px;">Too Hollywood or not, we can all agree that's a good thing.</div><div style="background-color: white; font-family: Georgia, Times, 'Times New Roman', serif; font-size: 14px; line-height: 22.450000762939453px; margin-top: 11px; padding: 0px; text-align: center;"><em>Baseball is back. Don't miss anything. </em></div></div>

42 Five things to like about ’42,’ the movie about Jackie Robinson

It's hard not to like "42," the new Jackie Robinson biopic that hit theaters Friday. Hollywood knows what resonates with viewe...

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Audrie Pott, Rehtaeh Parsons suicides show sexual cyber-bulling is "pervasive" and "getting worse," expert says

<div dir="ltr" style="text-align: left;" trbidi="on"><img src="http://i.i.com.com/cnwk.1d/i/tim/2013/04/12/Audrie-Pott_Rehtaeh-Parsons_244x183.jpg" /><br /><br /><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">(CBS) - For 21-year-old Texas college student Anna Combrink, the suicide of Rehtaeh Parsons, the Canadian teen who hung herself after allegedly being raped and cyber-bullied, hit very close to home.</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;"><a href="http://www.cbsnews.com/2300-504083_162-10016411.html" style="border: 0px; color: #024382; cursor: pointer; font-family: inherit; font-style: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;">PICTURES: Mom blames rape, bullying for teen's suicide</a></div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;"></div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;"></div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">At age 15, Combrink was raped by a boy she'd known since middle school, and when she told her friends what had happened, she says they turned on her, posting ugly messages online and sending texts accusing her of lying about the assault.</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">"I never actually attempted suicide, but there was a time when I considered it," Combrink told Crimesider. "I was so depressed and felt so hopeless. I felt like a zombie walking down the halls at school, with everyone staring at me, and judging me."</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">In just the last five days reports have surfaced of two teen girls - <a href="http://www.cbsnews.com/8301-504083_162-57579292-504083/rehtaeh-parsons-update-nova-scotia-officials-reviewing-alleged-rape-case-report-says/" style="border: 0px; color: #024382; cursor: pointer; font-family: inherit; font-style: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;">Rehtaeh Parsons</a> and  <a href="http://www.cbsnews.com/8301-504083_162-57579263-504083/audrie-pott-suicide-three-teens-arrested-for-alleged-sexual-assault-of-calif-girl-who-committed-suicide/" style="border: 0px; color: #024382; cursor: pointer; font-family: inherit; font-style: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;">Audrie Pott</a> - who both committed suicide after allegedly being raped and then having pictures of the sexual assault distributed electronically among their peers.</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">Their cases echo the recent <a href="http://www.cbsnews.com/8301-504083_162-57574728-504083/steubenville-rape-trial-verdict-judge-finds-both-teens-guilty-of-raping-16-year-old-girl/" style="border: 0px; color: #024382; cursor: pointer; font-family: inherit; font-style: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;">Steubenville</a> rape case, where two Ohio teen boys were convicted of rape after photos of the victim on the night of the assault went viral, with hashtags like #rape and #drunkgirl accompanying the shared images.</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">On Thursday, three teen boys were arrested for sexual battery against Pott, a California 15-year-old who was allegedly raped in September 2012, and then subjected to further shame and humiliation when photos of the assault reportedly went viral. She killed herself eight days later.</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">Will the teens also be charged for sending photos of the alleged assault? Sexual cyber-stalking expert Danielle Citron doubts it.</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">"Law enforcement is behind the times on this," says Citron, a professor at the University of Maryland Frances King Carey School of Law and the author of the upcoming book "Hate 3.0: The Rise of Discriminatory Online Harassment and How to Stop It."</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">In an interview with Crimesider, Citron said that as it becomes easier to post or text or comment on a photo, sexual cyber-bulling and cyber-stalking is becoming "more pervasive, more common, and more acceptable."</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">"It's not getting better, it's getting worse," she said.</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">New York City high school junior Temitayo Fagbenle told Crimesider that when she and her friends talked about the social media postings that the Steubenville victim was subjected to after her assault, they said they were glad the case was getting attention because "things like this happen all the time."</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">Fagbenle is a member of WNYC's Radio Rookies and late last year produced a segment entitled "<a href="http://www.wnyc.org/shows/rookies/articles/radio-rookies/2012/dec/28/sexual-cyberbullying-modern-day-letter/" style="border: 0px; color: #024382; cursor: pointer; font-family: inherit; font-style: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;">Sexual Cyberbullying: The Modern Day Letter A</a>."</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">"It's so easy to just click and share on Facebook," says Fagbenle, 17. "People don't understand their part as a bystander. People think, 'I'll just comment but I'm not involved.' But in that interaction, you're becoming a bully."</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;"></div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">Citron says that she believes law enforcement generally lacks understanding and training about the realities of how the old problem of so-called "slut-shaming" and blaming rape victims for things like how they dress or what they drank has evolved in the digital age.</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">That may, however, be changing. Trent Mays, one of the two teens convicted of rape in the Steubenville case, was also convicted of using a minor in nudity oriented materials and sentenced to an extra year in juvenile detention because he sent the photo of the victim in various states of undress.</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">"Calling it 'bullying' almost trivializes it," says Citron. "What happened to Audrie Pott is a profoundly serious crime."</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">Anna Combrink agrees. After her rape, she says she was depressed and struggled to rebuild her sense of self, and being attacked online made it so much worse.</div><div style="background-color: white; border: 0px; font-family: Arial, Helvetica, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 10px; padding: 0px; vertical-align: baseline;">"It broke my heart when I heard about Rehtaeh," she says. "I know exactly what she was feeling. It's such a dark hole to climb out of."</div></div>

Audrie Pott Audrie Pott, Rehtaeh Parsons suicides show sexual cyber-bulling is "pervasive" and "getting worse," expert says

(CBS) - For 21-year-old Texas college student Anna Combrink, the suicide of Rehtaeh Parsons, the Canadian teen who hung herself after allege...

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Gottfried: Jonathan Winters was mad brilliant

<div dir="ltr" style="text-align: left;" trbidi="on"><img alt="<a href='http://www.cnn.com/2013/04/12/showbiz/jonthan-winters-death/index.html'>Comedian Jonathan Winters</a> died on Thursday, April 11, at his Montecito, California, home, a business associate told CNN. He was 87. Winters appears here on "The Jonathan Winters Show" in 1956. Click to see more pictures of the man known for his comic irreverence:" src="http://i2.cdn.turner.com/cnn/dam/assets/130412133839-08-jonathan-winters-horizontal-gallery.gif" /><strong style="font-family: arial; font-size: 14px; line-height: 19px; margin: 0px; padding: 0px;"> (CNN)</strong><span style="background-color: white; font-family: arial; font-size: 14px; line-height: 19px;"> </span><span style="background-color: white; font-family: arial; font-size: 14px; line-height: 19px;">-- Jonathan Winters was not always in his right mind. I don't mean that only in the showbiz sense, but in the mental health sense. Jonathan, who</span><span style="background-color: white; font-family: arial; font-size: 14px; line-height: 19px;"> </span><a href="http://www.cnn.com/2013/04/12/showbiz/jonthan-winters-death/index.html" style="border: 0px; color: #004276; font-family: inherit; font-size: 14px; font-style: inherit; line-height: 19px; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;">died Thursday</a><span style="background-color: white; font-family: arial; font-size: 14px; line-height: 19px;">, was a nut as a comic, but also manic depressive and was institutionalized at least once in his life. He was also brilliantly talented. And the combination of his mental troubles and amazing talent made him the legendary performer that he was. He recognized this himself,</span><span style="background-color: white; font-family: arial; font-size: 14px; line-height: 19px;"> </span><a href="http://www.npr.org/player/v2/mediaPlayer.html?action=1&t=1&islist=false&id=138822853&m=138850829" style="border: 0px; color: #004276; font-family: inherit; font-size: 14px; font-style: inherit; line-height: 19px; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="_blank">telling an NPR reporter in 2011</a><span style="background-color: white; font-family: arial; font-size: 14px; line-height: 19px;">, "I need that pain — whatever it is — to call upon it from time to time, no matter how bad it was."</span><br /><div class="cnn_storypgraphtxt cnn_storypgraph2" style="background-color: white; border: 0px; font-family: arial; font-size: 14px; line-height: 19px; padding: 0px 24px 19px 186px; vertical-align: baseline;">That's a common concern for performers when they go into therapy or other treatment; ditto performers who give up drugs and alcohol. They worry: If I don't have that pain, where do I draw my creativity from?</div><div class="cnn_strylftcntnt" style="background-color: white; border: 0px; clear: left; float: left; font-family: Arial, Helvetica, Utkal, sans-serif; font-size: 12px; line-height: 18px; margin: 0px; padding: 0px 0px 0px 10px; position: relative; vertical-align: baseline;"><div class="cnn_strylctcntr cnn_strylccimg214" style="border: 0px; color: #666666; font-family: arial; font-size: 11px; line-height: 14px; margin: 3px 27px 14px 0px; padding: 0px; vertical-align: baseline; width: 214px;"><img alt="Gilbert Gottfried" border="0" class="box-image" height="122" src="http://i2.cdn.turner.com/cnn/dam/assets/120715024401-gottfried-hedshot-left-tease.jpg" style="border: 0px; font-family: inherit; font-style: inherit; margin: 0px 0px 6px; padding: 0px; vertical-align: baseline;" width="214" /><div style="border: 0px; font-family: inherit; font-style: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Gilbert Gottfried</div></div></div><div class="cnn_storypgraphtxt cnn_storypgraph3" style="background-color: white; border: 0px; font-family: arial; font-size: 14px; line-height: 19px; padding: 0px 24px 19px 186px; vertical-align: baseline;">Jonathan needn't have worried. He was a bottomless well of creativity. He was someone who could pick up a paper clip and do three hours of impromptu comedy on it.</div><div class="cnn_storypgraphtxt cnn_storypgraph4" style="background-color: white; border: 0px; font-family: arial; font-size: 14px; line-height: 19px; padding: 0px 24px 19px 186px; vertical-align: baseline;">I was always a fan of the way he could work without a net. There was a fearless, just crazy attitude about him--of not caring, not being afraid -- that always appealed to me. He influenced me and many other comics.</div><div class="cnn_storypgraphtxt cnn_storypgraph5" style="background-color: white; border: 0px; font-family: arial; font-size: 14px; line-height: 19px; padding: 0px 24px 19px 186px; vertical-align: baseline;">When you watch Robin Williams, you can see a lot of Jonathan Winters. Robin is the first one to admit that; he worshiped Jonathan Winters. He insisted that Jonathan be written in as a regular on "Mork and Mindy." They wrote him in as an overgrown child, which was perfect casting.</div><div class="cnn_storypgraphtxt cnn_storypgraph6" style="background-color: white; border: 0px; font-family: arial; font-size: 14px; line-height: 19px; padding: 0px 24px 19px 186px; vertical-align: baseline;">It was natural that Jonathan would get into comedy. He was an only child with divorced parents, a father he said was alcoholic, and he had lots of time alone to make up voices and characters in his room. When Jonathan met his future wife, he had just lost his wristwatch, the story goes. He was upset about this. But then, his wife saw an ad for a talent contest where the first prize was, believe it or not, a wristwatch. She was certain he would win and he did. His career in comedy followed.</div><div class="cnn_strylftcntnt" style="background-color: white; border: 0px; clear: left; float: left; font-family: Arial, Helvetica, Utkal, sans-serif; font-size: 12px; line-height: 18px; margin: 0px; padding: 0px 0px 0px 10px; position: relative; vertical-align: baseline;"><div class="cnn_strylctcntr cnn_stryfactbox" style="border: 0px; font-family: inherit; font-style: inherit; margin: 0px; padding: 0px; vertical-align: baseline; width: 166px;"><div class="cnn_strycorrheader" style="border: 0px; font-family: inherit; font-style: inherit; margin: 6px 0px; padding: 0px; vertical-align: baseline;"><b style="margin: 0px; padding: 0px;">Become a fan of CNNOpinion</b></div>Stay up to date on the latest opinion, analysis and conversations through social media. Join us at<strong style="margin: 0px; padding: 0px;"><a href="https://www.facebook.com/CNNOpinion" style="border: 0px; color: #004276; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="_blank">Facebook/CNNOpinion</a></strong> and follow us <strong style="margin: 0px; padding: 0px;"><a href="https://twitter.com/CNNOpinion" style="border: 0px; color: #004276; font-family: inherit; font-style: inherit; font-weight: inherit; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="_blank">@CNNOpinion on Twitter</a></strong>. We welcome your ideas and comments. <br style="margin: 0px; padding: 0px;" /><br style="margin: 0px; padding: 0px;" /><br style="margin: 0px; padding: 0px;" /><br style="margin: 0px; padding: 0px;" /><div class="cnn_pad20top" style="border: 0px; font-family: inherit; font-style: inherit; margin: 0px; padding: 20px 0px 0px; vertical-align: baseline;"></div></div></div><div class="cnn_storypgraphtxt cnn_storypgraph7" style="background-color: white; border: 0px; font-family: arial; font-size: 14px; line-height: 19px; padding: 0px 24px 19px 186px; vertical-align: baseline;">I've also heard that when his future wife, Eileen, told her father that she and Jonathan would get married, he gave them an ultimatum: that after a certain period, if Jonathan didn't make it in showbiz, he would have to get a real job to support her. Luckily, he went on to work in radio and later as a stand-up comedian in New York. He made it onto TV, appearing on Jack Paar and Steve Allen's shows and later was in films, like "It's a Mad, Mad, Mad, Mad World."</div><div class="cnn_storypgraphtxt cnn_storypgraph8" style="background-color: white; border: 0px; font-family: arial; font-size: 14px; line-height: 19px; padding: 0px 24px 19px 186px; vertical-align: baseline;">He made comedy albums that won Grammys and eventually also won an Emmy for a sitcom, in 1991. One bit he did was "Jonathan's Attic" where he was put in a room with a bunch of odds and ends, props, wigs, etc., and he was left to his own devices. He always could pick up anything and turn it into comedy.</div><a href="" name="em3" style="background-color: white; border: 0px; font-family: Arial, Helvetica, Utkal, sans-serif; font-size: 12px; line-height: 18px; margin: 0px; padding: 0px; vertical-align: baseline;"></a><span style="background-color: white; font-family: Arial, Helvetica, Utkal, sans-serif; font-size: 12px; line-height: 18px;"></span><div class="cnn_strylftcntnt cnn_strylftcexpbx" id="expand19" style="background-color: white; border: 0px; clear: left; float: left; font-family: Arial, Helvetica, Utkal, sans-serif; font-size: 12px; line-height: 18px; margin: 0px 0px 20px; padding: 0px 27px 0px 10px; position: relative; vertical-align: baseline;"><div class="clickToPlay" id="clickToPlayvideoContainerexpand19" style="background-image: url(http://i.cdn.turner.com/cnn/.e/img/3.0/video/416_player_Click_to_play_off.png); border: 0px; cursor: pointer; font-family: inherit; font-style: inherit; height: 42px; left: 45px; margin: 0px; padding: 0px; position: absolute; top: 27px; vertical-align: baseline; width: 136px; zoom: 1;"></div><img alt="" border="0" class="box-image" height="120" src="http://i2.cdn.turner.com/cnn/dam/assets/130412131400-01-jonathan-winters-story-body.jpg" style="border: 0px; cursor: pointer; font-family: inherit; font-style: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" width="214" /><cite class="expCaption" style="background-color: black; background-position: initial initial; background-repeat: initial initial; bottom: 0px; height: 20px; left: 10px; margin: 0px; opacity: 0.85; padding: 0px; position: absolute; width: 214px;"><span style="border: 0px; color: white; display: block; float: left; font-family: inherit; font-size: 11px; font-style: normal; left: 4px; margin: 0px 0px 20px; overflow: hidden; padding: 0px; position: relative; top: 2px; vertical-align: baseline;">Comedian Jonathan Winters dies</span></cite></div><a href="" name="em4" style="background-color: white; border: 0px; font-family: Arial, Helvetica, Utkal, sans-serif; font-size: 12px; line-height: 18px; margin: 0px; padding: 0px; vertical-align: baseline;"></a><span style="background-color: white; font-family: Arial, Helvetica, Utkal, sans-serif; font-size: 12px; line-height: 18px;"></span><div class="cnn_strylftcntnt cnn_strylftcexpbx" id="expand29" style="background-color: white; border: 0px; clear: left; float: left; font-family: Arial, Helvetica, Utkal, sans-serif; font-size: 12px; line-height: 18px; margin: 0px 0px 20px; padding: 0px 27px 0px 10px; position: relative; vertical-align: baseline;"><div class="clickToPlay" id="clickToPlayvideoContainerexpand29" style="background-image: url(http://i.cdn.turner.com/cnn/.e/img/3.0/video/416_player_Click_to_play_off.png); border: 0px; cursor: pointer; font-family: inherit; font-style: inherit; height: 42px; left: 45px; margin: 0px; padding: 0px; position: absolute; top: 27px; vertical-align: baseline; width: 136px; zoom: 1;"></div><img alt="" border="0" class="box-image" height="120" src="http://i2.cdn.turner.com/cnn/dam/assets/130412184255-lkl-sot-jonathan-winters-goodnight-00004721-story-body.jpg" style="border: 0px; cursor: pointer; font-family: inherit; font-style: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" width="214" /><cite class="expCaption" style="background-color: black; background-position: initial initial; background-repeat: initial initial; bottom: 0px; height: 20px; left: 10px; margin: 0px; opacity: 0.85; padding: 0px; position: absolute; width: 214px;"><span style="border: 0px; color: white; display: block; float: left; font-family: inherit; font-size: 11px; font-style: normal; left: 4px; margin: 0px 0px 20px; overflow: hidden; padding: 0px; position: relative; top: 2px; vertical-align: baseline;">1989: Jonathan Winters says 'goodnight'</span></cite></div><div class="cnn_storypgraphtxt cnn_storypgraph9" style="background-color: white; border: 0px; font-family: arial; font-size: 14px; line-height: 19px; padding: 0px 24px 19px 186px; vertical-align: baseline;">Once I was appearing on a television show that Jonathan was appearing on, too. That was the first and only time, sadly, that I met him. He saw me, recognized me and invited me to come into his dressing room and sit down. He then started talking, no rhyme nor reason to any of it, but it was all funny. He would tell sad stories about his life and you'd start laughing. He told me, for example, that his father drilled it into his head to save his money and not fool around with women. "And now," he said, pointing to himself, "I have no money,"-- and then, pointing downward toward his crotch, "and Mr. Pencil doesn't work."</div><div class="cnn_storypgraphtxt cnn_storypgraph10" style="background-color: white; border: 0px; font-family: arial; font-size: 14px; line-height: 19px; padding: 0px 24px 19px 186px; vertical-align: baseline;">Every now and then, I would get tired and start drifting off. Jonathan would snap his fingers at me and go, "Come back Gilbert. Are you zoning out there?" And then immediately, he'd have me laughing again.</div><div class="cnn_storypgraphtxt cnn_storypgraph11" style="background-color: white; border: 0px; font-family: arial; font-size: 14px; line-height: 19px; padding: 0px 24px 19px 186px; vertical-align: baseline;">In a TV interview I saw not long ago, Cheech Marin spoke about how he lived near Jonathan Winters and would always see him in the supermarket. He'd be walking up and down the aisles, doing voices, shtick and talking to himself. Cheech would wait a little while, then go over to him and say, "Jonathan, I think it's time to just buy something and leave."</div><div class="cnn_storypgraphtxt cnn_storypgraph12" style="background-color: white; border: 0px; font-family: arial; font-size: 14px; line-height: 19px; padding: 0px 24px 19px 186px; vertical-align: baseline;">I found out about Jonathan Winters' death a day after it happened. That seems wrong. A talent like his should be more revered. The world knew about Kim Kardashian's divorce before she did. But Jonathan seems to have been forgotten. Well, I can only speak for myself, but I certainly will never forget him.</div></div>

Jonathan Winters Gottfried: Jonathan Winters was mad brilliant

 (CNN)   -- Jonathan Winters was not always in his right mind. I don't mean that only in the showbiz sense, but in the mental health sen...

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Oblivion

Tonight we went to see the new Tom Cruise movie "Oblivion". I enjoyed it! It's your typical big budget sci fi movie - you can't go wrong with it. <br /><br />Afterwards we had sliders in Eddie Rockets. A very enjoyable movie was topped off by 20 mins in the hot tub when we got home. Seems like the weather is getting milder in Ireland which is nice! <br/><br/><div class="separator"style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHVzj893icd5bSC3VblcpRy0LIME1mbc7fEs0v29utdCWcT0BElxDAY5mtFhsj4y5ZKGZvzZbjpRm3lMtU19jbj9PCGNewLG4mhZXNiRAsJl0-4W5PIE60qpNPgcQL4FH6ssrUOyCcbCc6/s640/blogger-image-231564993.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHVzj893icd5bSC3VblcpRy0LIME1mbc7fEs0v29utdCWcT0BElxDAY5mtFhsj4y5ZKGZvzZbjpRm3lMtU19jbj9PCGNewLG4mhZXNiRAsJl0-4W5PIE60qpNPgcQL4FH6ssrUOyCcbCc6/s640/blogger-image-231564993.jpg" /></a></div> <br/><br/><div class="separator"style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLyE6a1SwnSXCfOZgIU-sd7Wxzggy07AY52Vmom9nJo7FZt1jvIhw0UnRQJ6oQsbc0a4_CUdMSqndiQgY0pcPawrcX9pkBGJBH_XJlysLJYrCwUAjZD9PgmWQFYzzH_znRAry5VwHC-5Px/s640/blogger-image--2125834313.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLyE6a1SwnSXCfOZgIU-sd7Wxzggy07AY52Vmom9nJo7FZt1jvIhw0UnRQJ6oQsbc0a4_CUdMSqndiQgY0pcPawrcX9pkBGJBH_XJlysLJYrCwUAjZD9PgmWQFYzzH_znRAry5VwHC-5Px/s640/blogger-image--2125834313.jpg" /></a></div> <br/><br/><div class="separator"style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDT_rDLmNuDBMyBA5VKleRMm_yxJgy3JYR-Wpv0y4Nvtbta-X8ELp-i6Qb_XXZQ00h3l8PFlLM4a8l0u45SC4hCABlElWfjTlf0q0I0DU9UbJF1gIZ0X3fYy0RtOCtsfGQtNusQSH2powE/s640/blogger-image--1452452846.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDT_rDLmNuDBMyBA5VKleRMm_yxJgy3JYR-Wpv0y4Nvtbta-X8ELp-i6Qb_XXZQ00h3l8PFlLM4a8l0u45SC4hCABlElWfjTlf0q0I0DU9UbJF1gIZ0X3fYy0RtOCtsfGQtNusQSH2powE/s640/blogger-image--1452452846.jpg" /></a></div> <br/><br/><div class="separator"style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMI4xMJL5WxSTHXwH5CrHYpsu2FDh3b8D5cTjcXkInuL68ElwAhYkzpPMPTqluBV1IZogyARCiDJ-wCv6mSFSkT9ZKsyYOlh9m3knMce2E_8g30yZ_n62PO-COOPiEdXdlg84ovHt59bjp/s640/blogger-image-834870900.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMI4xMJL5WxSTHXwH5CrHYpsu2FDh3b8D5cTjcXkInuL68ElwAhYkzpPMPTqluBV1IZogyARCiDJ-wCv6mSFSkT9ZKsyYOlh9m3knMce2E_8g30yZ_n62PO-COOPiEdXdlg84ovHt59bjp/s640/blogger-image-834870900.jpg" /></a></div> <br/><br/><div class="separator"style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicKBxE5mxxWnIj3MRA4qoptqxQAS9fyke3g4nP9bOfOBxb9HU_PRCnPOA7UOLFT5cbdNBflxjbuDsuWrQMVs9NKsMzSythQt116qZ7Y-9IWPPNyyG4pbN6vblJB4yPAGdhCLRFWTJuWNss/s640/blogger-image--511371918.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicKBxE5mxxWnIj3MRA4qoptqxQAS9fyke3g4nP9bOfOBxb9HU_PRCnPOA7UOLFT5cbdNBflxjbuDsuWrQMVs9NKsMzSythQt116qZ7Y-9IWPPNyyG4pbN6vblJB4yPAGdhCLRFWTJuWNss/s640/blogger-image--511371918.jpg" /></a></div>

Oblivion

Tonight we went to see the new Tom Cruise movie "Oblivion". I enjoyed it! It's your typical big budget sci fi movie - you can...

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#FolkMoMA

Here's my quick-and-dirty proposal for <a href="https://twitter.com/FolkMoMA">#FolkMoMA</a>; an idea of how MoMA can reuse the Folk Art Museum rather than tearing it down.<br /><br /><a href="http://www.flickr.com/photos/archidose/8643710248/" title="FolkMoMA by archidose, on Flickr"><img alt="FolkMoMA" height="300" src="http://farm9.staticflickr.com/8254/8643710248_854a988fda_z.jpg" width="640" /></a><br /><blockquote>MoMA wants glass? Give 'em a glass wall separating their galleries and the Folk Art galleries. Even if the floors don't align there's a visual connection. People can head down to the first floor to get into the former Folk Art Museum galleries from MoMA, and vice versa.<br /><br />Original photos: Folk Art Museum by Peter Mauss; MoMA by John Wronn</blockquote>Visit <a href="http://folkmoma.tumblr.com/">#FolkMoMA's Tumblr site</a> for other ideas.

#FolkMoMA

Here's my quick-and-dirty proposal for #FolkMoMA ; an idea of how MoMA can reuse the Folk Art Museum rather than tearing it down. MoMA w...

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Today's archidose #666

Just so happens that #666 (aka <a href="http://en.wikipedia.org/wiki/Number_of_the_Beast">Number of the Beast</a>) of the "today's archidose" series features the soon-to-razed American Folk Art Museum, coming two days after <a href="http://www.nytimes.com/2013/04/11/arts/design/moma-to-raze-ex-american-folk-art-museum-building.html?pagewanted=all">MoMA announced</a> they are going to replace the 12-year-old museum designed by <a href="http://www.twbta.com/">Tod Williams Billie Tsien Architects</a> with an expansion that melds with their building. It's doubtful that the MoMA expansion will have as much exterior character or interior richness as its predecessor. Shame on MoMA for not finding a way to keep this important building.<br /><br />A screenshot from the <a href="http://www.twbta.com/#/regardingthefolkartmuseum">TWBTA website</a>:<br /><a href="http://www.flickr.com/photos/archidose/8642429035/" title="Regarding the Folk Art Museum by archidose, on Flickr"><img alt="Regarding the Folk Art Museum" height="390" src="http://farm9.staticflickr.com/8118/8642429035_8c31843204_z.jpg" width="640" /></a><br /><br />Some photos by <a href="http://www.flickr.com/photos/scottnorsworthy/">Scott Norsworthy</a>:<br /><a href="http://www.flickr.com/photos/scottnorsworthy/3016555146/" title="American Folk Art Museum - Tod Williams Billie Tsien & Associates by Scott Norsworthy, on Flickr"><img alt="American Folk Art Museum - Tod Williams Billie Tsien & Associates" height="640" src="http://farm4.staticflickr.com/3156/3016555146_c0144c1dbc_z.jpg" width="427" /></a><br /><br /><a href="http://www.flickr.com/photos/scottnorsworthy/3011132146/" title="American Folk Art Museum by Scott Norsworthy, on Flickr"><img alt="American Folk Art Museum" height="640" src="http://farm4.staticflickr.com/3234/3011132146_989884237f_z.jpg" width="427" /></a><br /><br /><a href="http://www.flickr.com/photos/scottnorsworthy/2984806555/" title="American Museum of Folk Art - Tod Williams Billie Tsien & Associates by Scott Norsworthy, on Flickr"><img alt="American Museum of Folk Art - Tod Williams Billie Tsien & Associates" height="640" src="http://farm4.staticflickr.com/3210/2984806555_120ff8343c_z.jpg" width="427" /></a><br /><br /><a href="http://www.flickr.com/photos/scottnorsworthy/2988387786/" title="American Folk Art Museum - Tod Williams Billie Tsien & Associates by Scott Norsworthy, on Flickr"><img alt="American Folk Art Museum - Tod Williams Billie Tsien & Associates" height="439" src="http://farm4.staticflickr.com/3046/2988387786_e4eca9ea1d_z.jpg" width="640" /></a><br /><br /><a href="http://www.flickr.com/photos/scottnorsworthy/2990365503/" title="American Folk Art Museum - Tod Williams Billie Tsien & Associates by Scott Norsworthy, on Flickr"><img alt="American Folk Art Museum - Tod Williams Billie Tsien & Associates" height="640" src="http://farm4.staticflickr.com/3007/2990365503_27e80062c6_z.jpg" width="427" /></a><br /><br />To contribute your Flickr images for consideration, just:<br /><blockquote>:: Join and add photos to the <a href="http://www.flickr.com/groups/archi-dose/">archidose pool</a>, and/or<br />:: Tag your photos <span style="font-style: italic;"><a href="http://www.flickr.com/photos/tags/archidose/">archidose</a></span></blockquote>

Today's archidose #666

Just so happens that #666 (aka Number of the Beast ) of the "today's archidose" series features the soon-to-razed American Fol...

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Book Review: All the Buildings in New York

<a href="http://www.rizzoliusa.com/book.php?isbn=9780789324672"><b><i>All the Buildings in New York: That I've Drawn So Far</i></b></a> by James Gulliver Hancock<br />Universe, 2013<br />Hardcover, 64 pages<br /><script src="http://insight.randomhouse.com/widget/viewer.js" type="text/javascript"></script><br /><script type="text/javascript">new InsightBookReader('single', '9780789324672', 'All%20the%20Buildings%20in%20New%20York', 'James%20Gulliver%20Hancock', '0', '', 'http://www.rizzoliusa.com/book.php?isbn=9780789324672&v=online');</script><br /><br />New York City is a great subject for just about any type of book: architecture, art, children's books, and guidebooks, to name a few. Australian illustrator James Gulliver Hancock manages to meld at least these four subjects in the first published collection of the sketches he's been amassing and sharing <a href="http://allthebuildingsinnewyork.com/">on his blog</a>. The book documents many of the city's famous architectural icons, making it an architectural guide of sorts, but it also includes many fairly anonymous buildings, which goes along with his unrealistic yet endearing goal to draw all of the buildings in New York. His style also bridges art and a children's picture book; his skewed perspectives, exaggerated details and playful compositions lean to the latter, but his abilities as an artist are clear. Some of the best depictions meld architectural perspectives with two-dimensional paintings, such as the <a href="http://allthebuildingsinnewyork.com/new/manhattan/the-guggenheim-museum">patterned abstraction</a> he uses for the addition to the Guggenheim.<br /><br />At only 64 pages the book just scratches the surface of the reportedly 900,000 buildings in New York City; one estimate is 500 buildings in the book (some sketches group multiple buildings), making it about one half of one percent of the total. It's an interesting mix of iconic buildings and what many people call background buildings, the ones that even tourists hardly recognize when walking around the city. It's clear that Hancock does not play favorites. A group of three buildings in the Lower East Side is drawn with as much attention to detail and color as the nearby New Museum; if anything the former actually gives a stronger sense of place than the latter, since the New Museum is missing its neighbors. Ultimately the book is a peek into Hancock's mind more than it is an architecture book or a guidebook. His playful and colorful style also make the book suitable for people of any age.<br /><br /><b>US: <a href="http://www.amazon.com/gp/product/0789324679/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0789324679&linkCode=as2&tag=aweeklydoseof-20" target="_blank"><img alt="Buy from Amazon.com" border="0" src="http://www.archidose.org/books/buy-from-tan.gif" /></a> CA: <a href="http://www.amazon.ca/gp/product/0789324679/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0789324679&linkCode=as2&tag=aweeklydoseof-20" target="_blank"><img alt="Buy from Amazon.ca" border="0" height="28" src="http://www.archidose.org/books/buy-from-tan-ca.gif" width="90" /></a> UK: <a href="http://www.amazon.co.uk/gp/product/0789324679/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0789324679&linkCode=as2&tag=aweeklydoseof-20" target="_blank"><img alt="Buy from Amazon.co.uk" border="0" height="28" src="http://www.archidose.org/books/buy-from-tan-uk.gif" width="90" /></a></b>

Book Review: All the Buildings in New York

All the Buildings in New York: That I've Drawn So Far by James Gulliver Hancock Universe, 2013 Hardcover, 64 pages New York City is a g...

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Librarian 2, Reference Services - Connecticut State Library

<strong>Librarian 2, Reference Services - </strong><strong><span style="color: #48286d;">Connecticut State Library</span></strong><span style="color: #48286d;"><span style="color: black;">, Hartford,</span></span> has a full-time opening for a Librarian 2. Examples of Duties: Answers complex reference questions utilizing reference tools of a specialized nature; provides information referrals for legal, historical, genealogical and other special subject researchers; indexes legislative records and other specialized collections. Incumbents of this class may be assigned to special projects requiring advanced level professional library duties as directed by the State Librarian. The preferred candidate will have considerable professional legal research experience; experience with legal and other research databases; knowledge of Connecticut legal and legislative procedures; experience with indexing; experience working with diverse patron groups; and experience working in a multidisciplinary library environment. Experience and Training: An ALA-accredited Master's degree in Library Science or Information Science AND one year of post graduate degree experience in a relevant area of professional library work are required. The full posting may be viewed here: <a _fcksavedurl="http://das.ct.gov/HRDocs/JobsExams/Job_Posting_Librarian2_Access_Svc__2_.pdf" href="http://das.ct.gov/HRDocs/JobsExams/Job_Posting_Librarian2_Access_Svc__2_.pdf" target="_blank">http://das.ct.gov/HRDocs/JobsExams/Job_Posting_Librarian2_Access_Svc__2_.pdf</a>. Application Instructions: Interested and qualified candidates who meet the above experience and training requirements should submit a cover letter that describes your interest and suitability for the position, resume, and application for Examination or Employment (Form CT-HR-12 at <a _fcksavedurl="http://www.das.state.ct.us/cr1.aspx?page=13" href="http://www.das.state.ct.us/cr1.aspx?page=13" target="_blank">http://www.das.state.ct.us/cr1.aspx?page=13</a>) by <span style="color: red;">April 28, 2013</span> to: Deborah Craig, Human Resources Specialist, Department of Administrative Services, Small Agency Resource Team – SmART Unit, 165 Capitol Avenue, 5th Floor East, Hartford, Connecticut 06106. Confidential Fax: (860) 622-4921 (preferred method of submission). The State of Connecticut is an equal opportunity/affirmative action employer.

Librarian 2, Reference Services - Connecticut State Library

Librarian 2, Reference Services - Connecticut State Library , Hartford, has a full-time opening for a Librarian 2. Examples of Duties: Ans...

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Development Director - Ridgefield Library

<strong>Development Director - </strong><strong><strong><span style="color: #48286d;">Ridgefield Library</span></strong></strong>. This is a new full-time position for the Library created to help achieve the fundraising growth necessary for the Library in a new building. The position is responsible for all aspects of the fund development program for the Library including major donors and broad based community support, planned giving and support of ongoing capital needs. For a full description of the position and application information go to <a _fcksavedurl="http://www.ridgefieldlibrary.org" href="http://www.ridgefieldlibrary.org/" target="_blank">www.ridgefieldlibrary.org</a>.

Development Director - Ridgefield Library

Development Director - Ridgefield Library . This is a new full-time position for the Library created to help achieve the fundraising growt...

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CAGNEY

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7hBinierhsqYFARwAtvWEBbudTRXLwCZQQAPrCv6IIYnTqsnldUTCqqRLR-AyR8YL37UeXWwquTa0DXcxnmnP6mOYwDEYq36d5bIx4MjjHHYEO1CuxESvudINT8WO5pyjKC79cA4PZ7I/s1600/Cagney_by_Claroscureaux.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7hBinierhsqYFARwAtvWEBbudTRXLwCZQQAPrCv6IIYnTqsnldUTCqqRLR-AyR8YL37UeXWwquTa0DXcxnmnP6mOYwDEYq36d5bIx4MjjHHYEO1CuxESvudINT8WO5pyjKC79cA4PZ7I/s400/Cagney_by_Claroscureaux.png" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Cagney, color by <a href="http://claroscureauxdeux.blogspot.com/"><span style="color: #cc0000;">Claroscureaux</span></a></span></td></tr></tbody></table><br /><span style="font-family: Verdana, sans-serif;">"...every time I see him work, looks to me like a bunch of firecrackers going off all at once."</span><br /><div style="text-align: right;"><span style="font-family: Verdana, sans-serif;">Will Rogers </span><br /><br /><div style="text-align: left;"><span style="font-family: Verdana, sans-serif;"><i><span style="font-size: small;">During an era when impressionists, those perform<span style="font-size: small;">ers whose gift it is to mimic the very famous, were a staple on television, Cagney w<span style="font-size: small;">as an essential in every repertoire. Cagney. An electric and singular presence, he is among the handful of Hollywood legends i<span style="font-size: small;">nstantly identifiable by just <span style="font-size: small;">one name. His film career began in 1930 and came to an end in 1981, but he is as revered by film buffs today as he was treasured by audiences throughout his active years. <span style="font-size: small;">This tribute is my contribution to The Movie P<span style="font-size: small;">rojector's Cagney Blogathon. <a href="http://themovieprojector.blogspot.com/p/blog-page.html"><span style="color: red;"><b>Click here</b></span></a> for links to participating blogs.</span></span></span></span></span></span></span></i></span><br /><span style="font-family: Verdana, sans-serif;"><i><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"></span></span></span></span></span></span></span></i></span><br /><a name='more'></a></div><div style="text-align: left;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">James Francis Cagney came into the world in July 1<span style="font-size: small;">899, the second of seven children, two of wh<span style="font-size: small;">om died in infancy, born to Irish-American James and Carrie Cagney on New York's Lower East Side. The elder James Cagney was a bookkeeper-turned-bartender, a charmer and a drinker who liked to play the horses and didn't hold many steady jobs. His titian-haired wife was a gritty matriarch, the linchpin who held the Cagney clan together and inspired her children to succeed. James died at age 41 in the devastating Spanish flu <span style="font-size: small;">pandemic of 1918. Not long after, Carrie gave birth to their only surviving daughter, Jeanne. The four Cagney boys were used to working at odd jobs and contributing to the household "kitty," but <span style="font-size: small;">now the family's survival depended on them.</span></span></span></span></span></span></span></span></span></span></span></span></span></div><div style="text-align: left;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVk7hA2BnVXHtDzo3uWP9CjYCAGAjhRfGMmfg1aMV2Cvp8wq5EzGkBeBy47_j4pZNLHMtvDQ9pKxc8Nm1cG-8GqhreyJKapgX2a3L0Q5nW55irMR_FBV40_YzuEUCj_hh_x6FiggIkTlg/s1600/NYC-Lower-East-Side.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVk7hA2BnVXHtDzo3uWP9CjYCAGAjhRfGMmfg1aMV2Cvp8wq5EzGkBeBy47_j4pZNLHMtvDQ9pKxc8Nm1cG-8GqhreyJKapgX2a3L0Q5nW55irMR_FBV40_YzuEUCj_hh_x6FiggIkTlg/s400/NYC-Lower-East-Side.jpg" width="328" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">The Lower East Side, early 20th Century</span></td></tr></tbody></table><br /></div><div style="text-align: left;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">Jim<span style="font-size: small;">, known in the neighborhood as "Red," took his first regular part-time job at 14 as a copyboy with the New York Sun. At 15, with his brothers Harry and Ed, he worked part-time for the New York Public <span style="font-size: small;">Library. But he always had other small jobs on the side so he could better "feed the kitty." He never joined a neighborhood gang, but he was a street fighter, a tenacious one, and was good enough that he began training to become a pro. His mother, a staunch believer in education as the only sensible way out of poverty, put a stop to this plan the moment <span style="font-size: small;">he mentioned it to her.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">Through the years, Carrie regularly sent her boys to neighborhood settlement houses for lectures and classes. Jim developed an interest in ecology through a talk he'd attended; this passion remained with him all his life. When oldest brother Harry was studying to become a doctor, Carrie decided it would be a good idea for him to learn something about public speaking and persuaded him to join the dramatics club at the Lenox Hill Settlement House. When Harry became ill just before a performance, Jim stepped in for him. It was his first turn as an actor. He relished the approval of</span></span></span> the audience and later recalled that 'little Jim' suddenly didn't feel quite so little.</span></span></span></span></span></span></span></span></span></span></span></span></span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">Cagney had <span style="font-size: small;">learned a po<span style="font-size: small;">pular<span style="font-size: small;"><span style="font-size: small;"> dance called The Peabody at Lenox Hill and when a friend tipped him to an opening for a dancer at $<span style="font-size: small;">35 a week in vaudeville, he took what he knew of dancing to the audition an<span style="font-size: small;">d was hired. The show was called <i>Every Sailor</i> and, to young Cagney's surprise, he would be performing in a dress. He later wrote, "And that is how I began to learn dancing - as a chorus girl." A quick study, he watched the other dancers and practiced what he saw. Af<span style="font-size: small;">ter the revue closed he toiled briefly as a runner for a Wall Street brokerage house and was grateful when he got a job as a chorus boy in the 1920 musical <i>Pitter P<span style="font-size: small;">atter</span></i><span style="font-size: small;">. Eventually he was offered a spot as a specialty dancer in the show and for the next few years w<span style="font-size: small;">o<span style="font-size: small;">rked in vaudeville performing specialty routines. One of the acts Cagney joined for a time was a "3-act" known as Park<span style="font-size: small;">, Rand & Leach. He took the pl<span style="font-size: small;">ace of Archie Leach (later Cary Grant) who was moving on. Park<span style="font-size: small;">, Rand & Cagney didn't last long either.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbr9N-Te2tQtG7jDIKkee35wuMWjSoEa55mHr1p3HjYUsJNq2js27HdwWQsTluVpZI6bWK4BbHKT3G4B4ol8ZGAlsHTI8FEW0t5eIj_0TyNJTbcRg40R_GOkvvwWxmIHrzU3Y67DiHwDc/s1600/Penny_Arcade2.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbr9N-Te2tQtG7jDIKkee35wuMWjSoEa55mHr1p3HjYUsJNq2js27HdwWQsTluVpZI6bWK4BbHKT3G4B4ol8ZGAlsHTI8FEW0t5eIj_0TyNJTbcRg40R_GOkvvwWxmIHrzU3Y67DiHwDc/s320/Penny_Arcade2.jpg" width="252" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Cagney and Joan Blondell onstage, <i>Penny Arcade</i></span></td></tr></tbody></table><span style="font-family: Verdana, sans-serif;"><span style="font-family: Verdana,sans-serif;">In 1925 Cagney won the role of "Little Red," one of two leads in Maxwell Anderson's new drama, <i>Outside Looking In</i>. The play co-starred Charles Bickford and opened at the Greenwich Village Theatre. Receiving good reviews, the show moved uptown where it ran for four months. Of Cagney's first performance on the legitimate stage, critic Robert Benchley cited his 10-minutes of silence during a kangaroo-court scene as "something that many a more established actor might watch with profit." When <i>Outside Looking In</i> closed, it was back to vaudeville for Cagney, but from 1928 - 1929 he worked steadily on Broadway. Then, in early 1930 he was cast, with Joan Blondell, in a new show, <i>Penny Arcade</i>. Though its Broadway run ended in just three weeks, Al Jolson happened to catch it and bought the movie rights. When he sold the rights to Warner Brothers, he recommended <a href="http://twentyfourframes.wordpress.com/2013/04/09/the-films-of-james-cagney-and-joan-blondell/"><b><span style="color: red;">Cagney and Blondell</span></b></a> to Jack Warner and they were cast in their original roles. A crime story about bootlegging, murder and a frame-up, the film - re-titled <i>Sinners' Holiday </i>(1930) - launched Cagney's film career. A New York Times critic reviewed the film positively, observing that "the most impressive acting is done by James Cagney..."</span></span><br /><br /><span style="font-family: Verdana, sans-serif;"><span style="font-family: Verdana,sans-serif;"></span></span></div><div style="text-align: left;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">The picture that made Cagney a star was his fourth for Wa<span style="font-size: small;">rners, </span></span></span></span></span></span></span></span></span><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><b><span style="color: red;"><i><span style="font-family: Verdana, sans-serif;"><i><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><a href="http://www.classicmoviesnippets.blogspot.com/2013/04/james-cagney-blogathon-public-enemy-1931.html"><span style="color: red;"><b>The Public Enemy</b></span></a></span></span></span></i></span></i></span></b></span></span></span></span></span></span></span></span></span><b><i><span style="font-size: small;"> </span></i></b><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">(1931)</span></span>. <span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><i>Esquire</i>'s Dwight McDonald would write that Cagney's heartless and brutal thug, Tom Powers, made Humphrey Bogart look like a "conscience-stricken Hamlet." Though the actor always regarded his Hollywood career as transitory, Cagney would never have to look back after the break-out success of <i>The Public Enemy</i>. He received star billing thereafter.</span></span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8bDasIcrI7j_yG_gvNMRCabNwzy7ay2CdZKH9SH3Qw7uIYyExlV6ysWxPxEkvkjFb8cFPSww5BhQg2tWOawMdhruQisowOqVkluGllfrPeMqGKMR9TQk010jJUDZSuz-MoOouA7dLwts/s1600/Public_Enemy.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8bDasIcrI7j_yG_gvNMRCabNwzy7ay2CdZKH9SH3Qw7uIYyExlV6ysWxPxEkvkjFb8cFPSww5BhQg2tWOawMdhruQisowOqVkluGllfrPeMqGKMR9TQk010jJUDZSuz-MoOouA7dLwts/s320/Public_Enemy.jpg" width="262" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Cagney and Jean Harlow, <i>The Public Enemy </i>(1931)</span></td></tr></tbody></table></div><div style="text-align: left;"></div><div style="text-align: left;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">Cagney's memories of <i>The Public Enemy </i>included <span style="font-size: small;">the on-the-set hazards of making gangster films before the use of prop ammunition<span style="font-size: small;">. Real bullets were routinely used and he had a close call in a scene involving machine-gun fire. Dodging bullets wouldn't be Cagney's only grievance with Hollywood. He'd become a headliner in less than a year, but his contract didn't mirror his popularity at the box office. Early on he vocally objected to the low pay and unholy hours the studio imposed. He called it a "factory ap<span style="font-size: small;">pr<span style="font-size: small;">oach." When the Screen Actors Guild was founded in 1933, Cagney joined and was elected to its board of directors. He later served a term as SAG president.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span> <span style="font-family: Verdana,sans-serif;">With the help of his youngest brother Bill, who he had enlisted as his business manager (Harry and Ed had both become doctors), he doggedly battled Warners. Jack Warner referred to him as <span style="font-size: small;">"the professional again<span style="font-size: small;">ster<span style="font-size: small;">." Production head Hal Wallis called him "our house rebel."</span></span></span></span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">During a contentious separation from Warners in 1936, Cagney traveled east with a friend and spent <span style="font-size: small;">time on Martha's Vineyard. Years earlier, as a boy, he had fallen in love with the countryside while visiting relatives who lived in rural <span style="font-size: small;">New York. Now he could afford to buy a country property of his own. The Vineyard seemed the ideal location - he would own a farm surrounded by the sea. He purchased a 100-year-old farm<span style="font-size: small;">house on 100 acres that was only accessible by dir<span style="font-size: small;">t road for $7,500; annual taxes totaled just $39. </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="color: red;"><b><span style="font-family: Verdana, sans-serif;"><b><span style="color: red;"><i><span style="font-family: Verdana, sans-serif;"><i><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><a href="http://www.mvmagazine.com/article.php?29665"><span style="color: red;"><b>Cagney's Chilmark Farm</b></span></a></span></span></span></i></span></i></span></b></span></b></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-size: small;"><span style="color: red;"><b>  </b></span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">became a much-loved retreat</span></span></span> <span style="font-family: Verdana,sans-serif;">where he could enjoy a tranquility his life in Hollywood lacked. The stand-offish Vineyard locals came to know and <span style="font-size: small;">admire him and would call him, with sincerity, a good neighbor.</span></span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvwisnoqoMVT0ww9dAlDjGwnC4YDEpLJsZRBIAuJbeIXtTD7WaySqBRFTNXTO29TOSeUkqhqyrW0ShskoK32JvijMuUyQun_4uNNOMuQYFxoonQWf_iBm1RNup9A7lXddlWdUOZmlUYJk/s1600/Boys_Club.png" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvwisnoqoMVT0ww9dAlDjGwnC4YDEpLJsZRBIAuJbeIXtTD7WaySqBRFTNXTO29TOSeUkqhqyrW0ShskoK32JvijMuUyQun_4uNNOMuQYFxoonQWf_iBm1RNup9A7lXddlWdUOZmlUYJk/s400/Boys_Club.png" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Irish Mafia, l -r, seated: Tracy, O'Brien, McHugh, Cagney; standing: Overman</span></td></tr></tbody></table><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">In Hollywood, Cagney concocted another form of respite. With a close-knit band of actor friends, he started The Boys Club. An industry columnist nicknamed the informal group "The Irish <span style="font-size: small;">Mafia." Its core members were Cagney, P<span style="font-size: small;">at O'Brien, Frank McHugh, Spencer Tracy, Lynne Overman, Ralph Be<span style="font-size: small;">llamy and Frank Morgan. They sometimes talked shop but, according to <span style="font-size: small;">McHugh, their <span style="font-size: small;">nights out were more concerned with stimulating conversation and laughs tha<span style="font-size: small;">n the movie business.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">Cagney began work on <a href="http://1001moviesblog.blogspot.com/2013/04/angels-with-dirty-faces-1938-12.html"><span style="color: red;"><b><i>Angels with Dirty Faces</i></b></span></a> (1938) after his latest problems with Warners had been ironed out.  </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-family: Verdana,sans-serif;">For this film, a crime thriller about childhood friends whose lives go in different directions, the studio afforded a generous budget. A tenement set covered four city blocks and street scenes included authentic push carts and hurdy-gurdies. E<span style="font-size: small;">ven Cagney was impressed, "...when the studio put its heart into doing a thing, they went all the way.<span style="font-size: small;"><span style="font-size: small;">" This time out Cagney refused to work with live bullets. Though director Michael Curtiz assured him he was safe, the actor insisted on a process shot f<span style="font-size: small;">or a shoot-out scene. It was a good thing he stood his ground. The machine-gun fire, supplied by the same gunner who had worked on <i>The Public Enemy</i>, hit precisely where Cagney would've been standing<span style="font-size: small;"> in the shot.</span></span></span></span></span></span><br /><br /></div><div style="text-align: left;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlWeeH3o6VoElyXmqFV5ji5p0myuFLUGlC9AY6diznjqwgZ4O_GpTwtbprBBZS-mxLBLFJrnqR3QMfvJaMfWrQ_N_km1QmqXcFY731jDHkjvgv0kbWadYt0dzcJ1q31uVp1xOjRsD72p0/s1600/angels.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlWeeH3o6VoElyXmqFV5ji5p0myuFLUGlC9AY6diznjqwgZ4O_GpTwtbprBBZS-mxLBLFJrnqR3QMfvJaMfWrQ_N_km1QmqXcFY731jDHkjvgv0kbWadYt0dzcJ1q31uVp1xOjRsD72p0/s400/angels.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><span style="font-family: "Trebuchet MS",sans-serif;">Angels with Dirty Faces </span></i><span style="font-family: "Trebuchet MS",sans-serif;">(1938), Cagney surrounded by The Dead End Kids</span></td></tr></tbody></table><span style="font-family: Verdana,sans-serif;"><br /></span></div><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">For the role of archetypal gangster Rocky Sullivan, Cagney based his portrayal in part on a local character he'd seen on the streets as a kid. He was "a hophead and a pimp" who stood on a corner all day, hitching up his pants, pulling at his necktie, moving his shoulders, snapping his fingers and smacking his hands together. The mannerisms with which Cagney endowed <span style="font-size: small;">Sullivan would provide the material for a legion of impressionists years l<span style="font-size: small;">ater. An exact replica of Sing Sing's death cell and corridor to the electric cha<span style="font-size: small;">i<span style="font-size: small;">r w<span style="font-size: small;">ere created for the film. A<span style="font-size: small;">s Rocky Sullivan walked fr<span style="font-size: small;">om the cell to his fate, James Cagney was thinking of the neighborhood boy he knew best in his youth, Peter Hessling, known as "Bootah." In his autobiography, the actor wrote he would always remember July 21, 1927. On that night he was performing on Broadway, Jack Demp<span style="font-size: small;">sey KO'ed Jack Sharkey, and Bootah went to the electric chair at Sing Sing. "I wept when I heard about<span style="font-size: small;"> him,<span style="font-size: small;">" he recalled. <span style="font-size: small;">The irony that <span style="font-size: small;">art was imitating his life - with a twist<span style="font-size: small;"> -</span> in <i>Angels with Dirty Faces </i>was not lost on him. </span>Cagney received his first Best Actor nomin<span style="font-size: small;">ation from the Academy <span style="font-size: small;">for his performance and was named Best Actor by the New York Film Critics Circle.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLnQzVzPpQi8snuwI3YdL9vWwGMKONNOiiuyD-h_Z3Xn5mKd_DfLlzyzawdA9BzAI96t_xGuVb33YoIlqlcOWT72sBDYDkJnZNCl4dFOpcrflD6hQFZ3LXrUpdXYo02O6vXTh4N-T66T4/s1600/Cagney_Chilmark.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLnQzVzPpQi8snuwI3YdL9vWwGMKONNOiiuyD-h_Z3Xn5mKd_DfLlzyzawdA9BzAI96t_xGuVb33YoIlqlcOWT72sBDYDkJnZNCl4dFOpcrflD6hQFZ3LXrUpdXYo02O6vXTh4N-T66T4/s400/Cagney_Chilmark.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Cagney's Chilmark property, Martha's Vineyard, photo by David Welch</span></td></tr></tbody></table><br /><span style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">By the time he marked his first decade in Hollywood, Cagney was on<span style="font-size: small;"> his way to becoming a wealthy man. Not only did he have a more lucrative deal with Warners, but he had also begun buying real estate. His properties would include a small island at the tip of Southern California's Balboa Island, acreage in the desert town of Twentynine Palms, California, his home on 10 acres in Beverly Hills, the Martha's <span style="font-size: small;">Vineyard estate, a farm in Northridge, California, and the vast Verney Farm in Dutchess County, New York.  Also at this time, his entire family - mother<span style="font-size: small;">, sister and all three brothers - rel<span style="font-size: small;">ocated to Los Angeles. </span></span>His wife, Willie (aka/"<span style="font-size: small;">my Bill")</span>, a dancer he'd met on <i>Pitter Patter</i> in 1920 and married in 1922, didn't mix with the Cagney clan, but Jim was nevertheless thrilled to have everyone close at hand. In 1940 Jim and Willie adopted a son, Jim<span style="font-size: small;">, Jr., and in 1941 <span style="font-size: small;">they adopted a baby girl known as Casey.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></div></div><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB7oFL8lObqCQa1YDW3j2ktB0xdaSpHwGsuXSQ6ZZhisFR0thBpPCuPcYNdtC0ok-O323h7sla0GpeQozoZVWsroBLQMoU9yaF3aGBSIKdO7xgJMc_g9owxY2HNqMECxJf1GTN_VAP5aQ/s1600/yankee-doodle-dandy.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB7oFL8lObqCQa1YDW3j2ktB0xdaSpHwGsuXSQ6ZZhisFR0thBpPCuPcYNdtC0ok-O323h7sla0GpeQozoZVWsroBLQMoU9yaF3aGBSIKdO7xgJMc_g9owxY2HNqMECxJf1GTN_VAP5aQ/s320/yankee-doodle-dandy.jpg" width="278" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><span style="font-family: "Trebuchet MS",sans-serif;">Yankee Doodle Dandy </span></i><span style="font-family: "Trebuchet MS",sans-serif;">(1942)</span></td></tr></tbody></table><span style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Because of his ongoing disputes with Warner Brothers and his progressive politics, Cagney had been tagged a "radical." The Dies Committee (1938 - 1944) was the first incarnation of HUAC and in 1940 when the LA County District Attorney named Cagney as a person with an interest in the Communist Party</span>, the actor met the accusation head-on. First he called a press conference and passionately denied the charge. Next he met with Rep. Martin Dies, head of the Congressional committee, and stated his case in person. Dies effectively put the matter to rest. <i><a href="http://www.classicfilmboy.com/2013/04/james-cagney-blogathon-yankee-doodle.html"><span style="color: red;"><b>Yankee Doodle Dandy</b></span></a> </i>(1942) began making its way toward production soon afterward. The role of Broadway's legendary and multifaceted George M. Cohan was a perfect fit for Cagney, who said of himself, "once a song-and -dance man, always a song-and-dance man" and neatly described his own style as "flash, with always a dash of the eccentric and a bit of humor." The film lifted his career to another peak; his performance earned him an Academy Award and his second Best Actor award from the New York Film Critics. <i>Yankee Doodle Dandy</i>, released in the early days of World War II, also cemented his reputation as a good and patriotic American.</span><br /><span style="font-family: Verdana,sans-serif;"><br /></span><span style="font-family: Verdana,sans-serif;">On behalf of the war effort, Cagney took part in many war bond drives, traveled with the USO and gave the U.S. Army access to his Vineyard property for use in its maneuvers. Also during the war years, Jim and his brother Bill established Cagney Productions. The company produced three features before it was absorbed into Warner Brothers as a production unit.</span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWaJioRfO_d41KtDZm_nXd3367DM5nXT1mPlER5m6wSmqhJ-stxO4jD5JLQ8X3nhZ0DRkzzhnv2E2mSbdLx_DWvvUA8L68iEZlU7O6lBAJyyVc0RmSbW6PegpseNmlm51XypE16Tk83Y0/s1600/WhiteHeat_1949_01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWaJioRfO_d41KtDZm_nXd3367DM5nXT1mPlER5m6wSmqhJ-stxO4jD5JLQ8X3nhZ0DRkzzhnv2E2mSbdLx_DWvvUA8L68iEZlU7O6lBAJyyVc0RmSbW6PegpseNmlm51XypE16Tk83Y0/s400/WhiteHeat_1949_01.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><span style="font-family: "Trebuchet MS",sans-serif;">White Heat </span></i><span style="font-family: "Trebuchet MS",sans-serif;">(1949)</span></td></tr></tbody></table><span style="font-family: Verdana,sans-serif;"></span><br /><span style="font-family: Verdana,sans-serif;">John McCabe's 1997 biography, <i>Cagney</i>, opens with a disturbing domestic scene. Young Jim sits in the kitchen closely watching his father across the dining table. The elder Cagney starts rocking from side to side and then begins a "low keening" that will build to a wail. These episodes were called "Dad's fits" and would portend Cagney's Cody Jarrett in <i><a href="http://themovieprojector.blogspot.com/2013/04/white-heat-1949.html"><b><span style="color: red;">White Heat</span></b></a> </i>(1949). The actor considered it "a good picture in a number of ways." The original script had been typical formula, what he called "the old knock-down-drag-'em-out," so, as he he often did, he set about making improvements. He suggested to the writers that the story be modeled on Ma Barker and her boys and that Jarrett be psychotic. This, Cagney reasoned, would be a natural set-up to his character's climactic demise. It was also his notion that Jarrett be a mama's boy and proposed a scene with Cody sitting on his mother's lap. "Let's see if we can get away with this," he said to director Raoul Walsh. They did. Virginia Mayo, who played Cagney's mistress, remembered of working with him that, "he always gave to you more than you gave to him" and was astonished that he wasn't Oscar-nominated for his performance.</span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEXPug_10djM8EI1NPmgll9c0bJNmcqjldst7pdwlM-xBjb3xF-fqhiFZa72JAG64yrHcfIQwx8wTYdPIs4v4zgHirK8a24dElJ9Z-yCRH0Fm9RTjtLTwQomvxrzhrGuetu6YJMKIC51A/s1600/love-me-or-leave-me-day-cagney.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEXPug_10djM8EI1NPmgll9c0bJNmcqjldst7pdwlM-xBjb3xF-fqhiFZa72JAG64yrHcfIQwx8wTYdPIs4v4zgHirK8a24dElJ9Z-yCRH0Fm9RTjtLTwQomvxrzhrGuetu6YJMKIC51A/s320/love-me-or-leave-me-day-cagney.jpg" width="248" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Doris Day and Cagney, <i>Love Me or Leave Me </i>(1955)</span></td></tr></tbody></table><span style="font-family: Verdana,sans-serif;">Cagney would receive his final Academy Award nomination for <i><a href="http://lecinemadreams.blogspot.com/2013/04/love-me-or-leave-me-1955.html"><b><span style="color: red;">Love Me or Leave Me</span></b></a> </i>(1955), the film that revealed Doris Day's dramatic potential, and most of his later film performances were well received. The making of Billy Wilder's <i><a href="http://filmsworthwatching.blogspot.com/2013/04/one-two-three-1961-directed-by-billy.html"><span style="color: red;"><b>One, Two, Three</b></span></a> </i>(1961) was a frustrating, unhappy experience for Cagney and during filming he decided to retire when the picture wrapped. For the next 20 years he would spend most of his time on his working farm in New York and on Martha's Vineyard. His cherished pastimes included raising Morgan horses, sailing and painting.</span><br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIYnB7nWe2pVK_ZSF8Js7m3NXff_eumRnWuoPXoXsCymDvUaPkIaJHLeuTtaavGq8M4piLm57WsXv776OKa3WJLozRdOk90hqqiRdocC2VvJOedcFPWkTAbPXwsYN6It3uTR6Fbzd99zc/s1600/ragtime.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIYnB7nWe2pVK_ZSF8Js7m3NXff_eumRnWuoPXoXsCymDvUaPkIaJHLeuTtaavGq8M4piLm57WsXv776OKa3WJLozRdOk90hqqiRdocC2VvJOedcFPWkTAbPXwsYN6It3uTR6Fbzd99zc/s320/ragtime.jpg" width="202" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><span style="font-family: "Trebuchet MS",sans-serif;">Ragtime</span></i><span style="font-family: "Trebuchet MS",sans-serif;"> (1981)</span></td></tr></tbody></table><span style="font-family: Verdana,sans-serif;">In 1974 he became the first actor to receive the American Film Institute's Lifetime Achievement Award. He was accorded Kennedy Center honors in 1980, and in 1981 returned to the screen for a high-profile cameo role in <i>Ragtime</i>, Milos Forman's film adaptation of E. L. Doctorow's best-seller. In 1984 he was awarded the Presidential Medal of Freedom. </span><br /><span style="font-family: Verdana,sans-serif;"><br /></span><span style="font-family: Verdana,sans-serif;">Of Cagney, Orson Welles said, "He always played right at the top of his bent, but he was always <i>true</i>. Sure, acting <i>can</i> be too <i>broad</i>. Broad is wide - spread out. Cagney was <i>focused</i>. Christ, like a laser beam! Cagney was one of the biggest actors in the whole history of the screen. Force, style, truth, and control - he had everything. He pulled no punches. God, how he projected! And yet nobody could call Cagney a ham. He didn't bother about reducing himself to fit the scale of the camera; he was much too busy doing his job."</span><br /><span style="font-family: Verdana,sans-serif;"><br /></span><span style="font-family: Verdana,sans-serif;">Elia Kazan, who'd had a small role in <i><a href="http://thegirlwiththewhiteparasol.blogspot.com/2013/04/movie-review-city-for-conquest.html"><span style="color: red;"><b>City for Conquest</b></span></a> </i>(1940), recalled Cagney as "a completely honest actor." Kazan erroneously assumed that Cagney had fully worked out his performance in advance, at home, and marveled that "what he did always seemed spontaneous."</span><br /><span style="font-family: Verdana,sans-serif;"><br /></span><span style="font-family: Verdana,sans-serif;">Late in life Cagney looked back on working with a young actor who went through intense preparation before every scene. When a scene had to be re-shot, Cagney viewed the second take. "There I realized what the difficulty was...he was doing it for <i>himself</i>, not the audience. He was psyching himself up to <i>be</i> the character, instead of just understanding the character and playing it for the audience." Cagney's philosophy on acting was simply stated and often quoted, "You walk in, plant yourself squarely on both feet, look the other fella in the eye and tell the truth." Those who worked with him would doubtless agree that is exactly what he did.</span><br /><span style="font-family: Verdana,sans-serif;"><br /></span><span style="font-family: Verdana,sans-serif;">James Cagney died at Verney Farm in 1986 at age 86. His pallbearers included a former heavyweight champion (Floyd Patterson), a ballet legend (Mikhail Baryshnikov), an Academy Award winning film director (Milos Forman), movie producer A.C. Lyles, and one of his closest long-time friends, actor Ralph Bellamy. He was eulogized by the President of the United States and his New York Times obituary mourned the passing of the "Master of Pugnacious Grace."</span><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS", sans-serif;">CAGNEY ACCEPTING THE <span style="font-size: x-small;">AFI'<span style="font-size: x-small;">s <span style="font-size: x-small;">LIFETIME ACHIEVEMENT AWARD IN 1974</span></span></span></span></span></span><br /><br /><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/XXxZCrM04uI" width="420"></iframe> <br /><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: x-small;">Cagney's AFI ceremony was said to be "the most star-studded <span style="font-size: x-small;">gathering in Hollywood history" and that "if a bomb had been dropped on the assemblage, Hollywood would have been wiped out."</span></span> </span></div></div><br /><div class="separator" style="clear: both; text-align: center;"></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIlCJeGekFXgw4gCbcuEG4ZcnxwBYrn3yaqHUxZzmpYjv4GDrXsfjig9mPItgH2mogKljSma9qbUcJjBrbjExR97SZd5IRDkPauu0lIKD7eYfRLwtTmsDSyD5K_cZbUSvCgBlSGWJbeRI/s1600/art_2.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIlCJeGekFXgw4gCbcuEG4ZcnxwBYrn3yaqHUxZzmpYjv4GDrXsfjig9mPItgH2mogKljSma9qbUcJjBrbjExR97SZd5IRDkPauu0lIKD7eYfRLwtTmsDSyD5K_cZbUSvCgBlSGWJbeRI/s1600/art_2.JPG" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Still life paintings by James Cagney</span></td></tr></tbody></table><br /><span style="font-family: Verdana,sans-serif;"><u>Notes</u>:</span><br /><span style="font-family: Verdana,sans-serif;"><i>Cagney by Cagney</i> by James Cagney, Doubleday (1976)</span><br /><span style="font-family: Verdana,sans-serif;"><i>Cagney</i> by John McCabe, Knopf (1997)</span><br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd2IJAqF_wB2pUhih7XA8c2AuT9bb3dQpIim0XQzLy61SRcahuqOPLy5RVoDfI5GdOHg_-KXceylzl96dzNmWX6COoKTuEYib97pWGulP7SdjD6UeitiXRqyPGTIRncEIjIHr8MzqKM_k/s1600/CIMBA+Performer+2013.jpg" imageanchor="1"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd2IJAqF_wB2pUhih7XA8c2AuT9bb3dQpIim0XQzLy61SRcahuqOPLy5RVoDfI5GdOHg_-KXceylzl96dzNmWX6COoKTuEYib97pWGulP7SdjD6UeitiXRqyPGTIRncEIjIHr8MzqKM_k/s320/CIMBA+Performer+2013.jpg" width="320" /></a></div><div style="text-align: center;"><span style="font-family: Verdana,sans-serif;"> <i><span style="font-family: "Trebuchet MS", sans-serif;">The Classic Movie Blog Association honored this post with</span></i></span></div><div style="text-align: center;"><span style="font-family: Verdana,sans-serif;"><span style="font-family: "Trebuchet MS", sans-serif;"><i> the 2013 CiMBA Award for Best Profile of a Performer</i></span></span></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: left;"><span style="font-family: Verdana,sans-serif;"></span></div>

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Cagney, color by Claroscureaux "...every time I see him work, looks to me like a bunch of firecrackers going off all at once." Wil...

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