How can I find real work-from-home jobs?

<div class="separator" style="clear: both; text-align: center;"><a href="http://emj.cbdr.com/ArtieImages/1L/AR5M0X66BW0NB763MN1L.gif?time=1/10/2011%2012:03:57%20PM" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://emj.cbdr.com/ArtieImages/1L/AR5M0X66BW0NB763MN1L.gif?time=1/10/2011%2012:03:57%20PM" /></a></div>From parents to retirees to employees fed up with daily commutes, there are many people out there who would like the chance to work from home -- and scammers know it. Christine Durst, co-author of "Work at Home Now: The No-Nonsense Guide to Finding Your Perfect Home-Based Job, Avoiding Scams and Making a Great Living," has found that there are 60 scams out there for every one legitimate opportunity. How can job seekers separate the good from the garbage? Here are a few suggestions:<br /><br />Start with your employer<br /><br />Convincing your current employer to let you telecommute is one of the most effective (and safest) ways to obtain a work-from-home job. When approaching management about the possibility, Durst notes that the number one rule is "Have a plan, not a request. It's important that employees understand that telework must be beneficial to the employer if it is to be accepted." Some of her recommendations for creating a solid proposal include:<br /><br />Drafting an attention-grabbing opening statement.<br /><br />Outlining the benefits to the company.<br /><br />Breaking down your daily tasks and commitments.<br /><br />Proposing a schedule and highlighting your flexibility.<br /><br />Suggesting methods for quantifying your productivity.<br /><br />Reminding your boss what a valuable asset you are to the company.<br /><br />Describing your home-based workspace and equipment.<br /><br />Search as you would for any job<br /><br />Think of looking for a telecommuting position simply as a new job search, just with "home" as the location of where the work will be performed. Search on reputable general and/or industry-specific job boards using keywords such as "telecommute," "independent contractor," "virtual," "remote," "freelance" and "offsite."<br /><br />Just as with commuting positions, many work-from-home opportunities (especially legit ones) aren't advertised. Networking can be critical to finding these openings, as well as for gaining credibility with a potential employer by having someone who can vouch for your abilities.<br /><br />And be prepared to present your qualifications; legitimate employers are out to find the best candidate for their needs. Take some time to research the company and tailor your application accordingly to demonstrate that you're interested in the actual career opportunity, not just working from home.<br /><br />Play detective<br /><br />"There are definitely some red flags that job seekers need to consider to determine if a home-based job opportunity is legitimate or not," says Sara Sutton Fell, an expert in the job market since she first founded JobDirect (sold to Korn/Ferry International in 2000) who currently runs a job service that specializes in telecommuting and flexible jobs. Questions she recommends asking include:<br /><br />Is the company's name listed in the job listing?<br /><br />Does the e-mail listed match the company's domain (joe@company.com instead of joe@yahoo.com)?<br /><br />Is the job title a real job title, or is it an attention grabber? ("marketing coordinator" is a real job title; "WORK FROM HOME!" is not.)<br /><br />Does the listing sound too good to be true?<br /><br />Are you asked to provide personal identifying information like social security or bank account numbers?<br /><br />Does the "employer" require you to pay to be considered or to apply for the job?<br /><br />Durst adds to be wary of ads that don't ask for a résumé or that claim no experience is necessary. "In the 'real world' all jobs require you do something, so it stands to reason that a legitimate ad will tell you what it is you need to be able to do."<br /><br />Beware of the unsolicited<br /><br />As if by a miracle, an ad for home-based work lands in your e-mail inbox. How could this man from Romania have known you were looking for home-based work?<br /><br />"Miracles do happen, but not via spam," Durst notes. "If you receive unsolicited job offers in your e-mail, it's probably the result of a scammer having 'harvested' your e-mail address from another location frequented by people who are seeking work. Move it to your trash file without using the 'remove me from this list' link you're likely to find at the bottom of the page. These links are often used to confirm that your e-mail address is active, and using them can result in even more spam."<br /><br />Do your homework<br /><br />If you believe you have found something worthwhile, still check it out as much as possible. "The more research you do upfront, the less likely you'll fall victim to telecommuting scams," Sutton Fell notes. Good tips for researching a company include:<br /><br />Looking at its website.<br /><br />Searching for the company name and the words "complaint" or "scam" to see if others have voiced concern.<br /><br />Checking with the Better Business Bureau to see if the company is rated.<br /><br />And if your gut's in doubt, throw the "opportunity" out!<br /><br />By Beth Braccio Hering who researches and writes about job search strategy, career management, hiring trends and workplace issues for CareerBuilder.com. Follow @CareerBuilder on Twitter.

How can I find real work-from-home jobs?

From parents to retirees to employees fed up with daily commutes, there are many people out there who would like the chance to work from home -- and scammers know it. Christine Durst, co-author of "Work at Home Now: The No-Nonsense Guide to Finding Y…

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Your job loss FAQs, answered

<div class="separator" style="clear: both; text-align: center;"><a href="http://emj.cbdr.com/artieimages/b9/ar5m76674q16mjqkx1b9.gif?time=1/10/2011%2011:48:03%20am" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://emj.cbdr.com/artieimages/b9/ar5m76674q16mjqkx1b9.gif?time=1/10/2011%2011:48:03%20am" /></a></div>Questions abound when dealing with a job loss -- or the threat of one. Following are answers to some frequently asked questions about how to handle different aspects of a layoff or firing:<br /><br />Q: My company recently announced that some positions will be eliminated in the months ahead. What can I do to ensure my job isn't one of them?<br /><br />A: Identifying ways to boost the bottom line, promoting your biggest accomplishments and increasing your visibility never hurts. That being said, numerous good ideas or extra hours may not shield your position.<br /><br />The prospect of a layoff can be anxiety provoking, but the advance notice gives you time to increase your job-hunt readiness. Update your résumé, collect your strongest work samples, and make sure you have an up-to-date presence on LinkedIn and other professional networking sites. You also might begin to review job postings and ask trusted members of your network if they know of any opportunities.<br /><br />In short, hope for the best and prepare for the worst. Addressing the situation head-on will give you some sense of control over what might seem like an out-of-control situation.<br /><br /><br />Q: I just found out I'm losing my job. I'm shocked and angry because I was given no warning. I'd like to give someone a piece of my mind. At this point, what do I have to lose?<br /><br />A: It's completely understandable that you are upset and scared, but you can't let your emotions get the best of you. Saying the wrong thing in the heat of the moment may only compound your problems -- and potentially do irreparable harm to your reputation.<br /><br />Instead, go into information-gathering mode, listening carefully to what you're being told about the details of the termination. When are you being asked to leave? Is there a severance package? What paperwork is needed to retain health coverage?<br /><br />Take detailed notes and ask questions about anything you don't fully understand in a calm, cool and collected manner. If you need extra time to process information before signing paperwork, request it.<br /><br /><br />Q: I was fired from my job. What do I tell prospective employers?<br /><br />A: There's no need to volunteer that you were fired in your application materials. However, be prepared to talk about the situation tactfully and truthfully in an interview.<br /><br />Displaying bitterness or criticizing your former employer will only work against you. Likewise, misrepresenting the circumstances of your departure can quickly come back to haunt you.<br /><br />You might say something like: "I realized early on that I wasn't the right fit for this particular position and corporate culture. Instead of speaking up and trying to improve the situation, I stayed silent and hoped things would get better. It's not a mistake I'll repeat. I'm looking toward the future and, based on my research of your organization, I'm confident I possess the skills, attributes and values you seek."<br /><br /><br />Q: I've been out of work for an extended period. I feel so frustrated and restless. What can I do to lift my spirits?<br /><br />A: Few things rattle a person's self-confidence like a job loss followed by a protracted job search. In addition to losing a paycheck, your routine and the camaraderie of colleagues, you're also missing the sense of purpose and achievement a job provides.<br /><br />Stay motivated and on track by creating a job-search to-do list with firm deadlines. Bullet points might include, "Send a targeted résumé to XYZ Corp. by noon today," or "Set up coffee meetings with at least three networking contacts by Thursday." Being disciplined and continually reaching small goals helps guard against job-hunt fatigue.<br /><br />Also, remember that prospective employers will want to know how you've spent your time beyond "looking for a job." Attend industry conferences, enroll in relevant professional-development courses, teach yourself a new software program or sign up to perform pro-bono work at a nonprofit organization.<br /><br />Pursuing project work through a staffing firm is another smart way to show hiring managers that you've remained productive and professionally engaged. Temporary assignments allow you to earn money, enhance your marketability and establish connections -- all while having the flexibility to continue seeking full-time employment.<br /><br />Finally, fend off feelings of isolation by staying in close contact with friends and making sure to get out and interact with people every day. The job hunt can be dispiriting; staying busy and setting achievable goals will help you get through this tough time.<br /><br /><br />Robert Half International is the world's first and largest specialized staffing firm with a global network of more than 350 offices worldwide. For more information about our professional services, please visit http://www.roberthalf.com/. For additional career advice, follow us on Twitter at www.twitter.com/roberthalf.

Your job loss FAQs, answered

Questions abound when dealing with a job loss -- or the threat of one. Following are answers to some frequently asked questions about how to handle different aspects of a layoff or firing:Q: My company recently announced that some positions will be e…

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Why I'm fat - Part One

<em>I've been trying to write this post for over a week. I would write a couple paragraphs on the topic, read it the next day and delete it. I've done this several times. In an effort to prevent this from being the longest post ever written, I'm breaking it into parts. </em><br /><br />Part One - How I deal with emotional pain<br /><br />The simple answer of why I'm fat is that I eat too much. The not so simple answer is something I've been trying to figure out my entire life. It's about so much more than the fact that I like to eat. There's a reason for my issues with food, and although I think I understand the "why" of my situation, I've yet to figure out how to fix it. Notice I said how to fix "it". I'm finally understanding that it's not really me that needs to be fixed, it's a behavior of mine that needs to be fixed. <br /><br />As a member of the Dead Daddy Club (a phrase coined by <a href="http://gravelandrust.blogspot.com/">Roxie</a>) I learned at a young age how to deal with pain. At barely 13 years old I watched my father die suddenly from a heart attack, at home with just my mother and myself watching helplessly. At the time we were living on a homestead in Alaska in 1968, without a phone and eighty miles from the nearest hospital.<br /><br />After this happened I learned the best way to deal with heartbreak was to a.) pretend it didn't happen and b.) eat your way through the pain. I've used this learned behavior my entire life, every time I'm facing something unpleasant.<br /><br />I've written about this before, it was something I figured out at a Geneen Roth workshop last fall. That workshop was difficult because I had to face some things in my past and my present. Things I'd really rather not think about. <br /><br />That's the problem with me, as soon as I start dealing with something unpleasant, I stop dealing with it. I don't want to go there. I don't want to deal with something that might open up old wounds, or make me face something in my life right now that's unpleasant. If there's any way I can avoid it, I will. What better way to escape than by eating? It's a cheap, legal and short-term fix to shutting down the pain.<br /><br />I'm reading a book, Bob Greene's The Life You Want. It's really no different than the dozens of other weight loss books I've read over the years. Just like the other books, I find myself doing the same thing I've done before. <br /><br />I start reading the book, I get excited because I feel like the author is speaking to me. I completely identify with what they're saying. Then I get to the part, "let's figure out how to fix your problem" . That's when I put the book away. I'm done with it. I don't want to do the hard work it takes to fix it. It's emotionally challenging. It hurts. I'd rather not do it. <br /><br />That's where I am right now. I either do the work or I continue gaining weight until I'm right back at 240 pounds or more. As <a href="http://eating%20disorders%20refer%20to%20a%20group%20of%20conditions%20characterized%20by%20abnormal%20eating%20habits%20that%20may%20involve%20either%20insufficient%20or%20excessive%20food%20intake%20to%20the%20detriment%20of%20an%20individual's%20physical%20and%20emotional%20health./">Grace</a> said in a comment the other day, you can't white knuckle your way through an eating disorder. She's right. <br /><br />Do I have an eating disorder?<br /><br /><span style="color: black;"><strong>Eating disorders</strong> refer to a group of conditions characterized by abnormal eating habits that may involve either insufficient or excessive food intake to the detriment of an individual's physical and emotional health.</span><br /><br />Yes, I have an eating disorder. Now it's time for the hard work.

Why I'm fat - Part One

I've been trying to write this post for over a week. I would write a couple paragraphs on the topic, read it the next day and delete it. I've done this several times. In an effort to prevent this from being the longest post ever written, I'm breaking…

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Let there be light

Yesterday's post was pretty depressing. I almost deleted it when I read it this morning. I guess we all have days where we're a little off (I was way off!). The day actually got a lot better, the sun came out and that always cheers me up. <br /><br />I bought my ankle weights yesterday. The store only had three and four-pound ankle weights. I thought that wasn't going to be heavy enough. I was hoping to buy heavier weights, more like eight or ten pounds for each ankle. I purchased the pair of four-pound weights and headed off to the gym. <br /><br />When I got to the gym and pulled the weights out of the box I thought, wow, this four-pound weight is actually really heavy. Four pounds sounds like nothing to me. Well, it turns out that four pounds on each ankle is really HEAVY! <br /><br />I strapped on the weights and as I walked to the StairMaster I could really feel the heaviness of the eight pounds. It was like walking through mud. I climbed on the StairMaster and had the workout of my life. I did thirty minutes on the StairMaster where I thought I was going to die. Then I did my 45 minutes upper body workout. <br /><br />Again, there were only guys in the heavy weight area. Where are the women? I lift 15, 20, and 25-pound dumbbells, and the Olympic sized barbell without weights (it's 45 pounds by itself - I know because I weighed it on the scale). It's not like these are super heavy weights, but usually I'm the only woman in this area, with a bunch of bulked out guys. I guess I'm use to it but why aren't more women lifting free weights? They all seem to stick to the weight machines. Anyway, just a rant of mine. <br /><br />After the weights I decided to get back on the StairMaster with my ankle weights on. Normally I can never get my heart rate up past 144 for any length of time. Keep in mind, 1.) I'm 55 and 2.) my resting heart rate is 50. Yesterday my heart rate got up to 151 the second time on the StairMaster, and I kept it there for 15 minutes! I hit some sort of weird, sweet spot where it didn't hurt and I wasn't panting like a dog. The sweat was pouring off of me but I was breathing almost normally. I even thought maybe the machines heart rate monitor was broken but my own Polar said the same thing. 151. Really weird.<br /><br />After my workout I was ravenous. My HRM said I'd burned 606 calories and I'd only eaten breakfast and a banana (it was 5pm). I overate on chicken, veggies and fruit. My weight this morning was 180.2. Not what I wanted to see. <br /><br />Today's another day and today I'm back to tracking my food. I haven't tracked for the last few days. Who wants to write down cookies and candy in their food journal? It's embarrassing.<br /><br />My new plan is just that, if I "cheat" and eat more than I should or eat something I really have no business eating, I'll post it in my online food journal and then on here for the whole world to see. I'm deleting the food diary blog. I'll add the food journal pages to the bottom of my post for that day. I don't like having two blogs that need updating every day. Too much work.<br /><br />Okay, so it's a new day, a new me. Let there be light!

Let there be light

Yesterday's post was pretty depressing. I almost deleted it when I read it this morning. I guess we all have days where we're a little off (I was way off!). The day actually got a lot better, the sun came out and that always cheers me up. I bought my…

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"Who's Crazy Now?" - Noir City 9, Opening Night

<div class="MsoNormal" style="margin: 0in 0in 0pt;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-JyO4o0Un7rnr0sZ98fRzfqZgm7T1_5crq_G3BROeKC5cLGeW8yMVymdbjpXYATgfsPgLY6qiMPA0K_NYM-QPUPwssh0AiFRWIhvRJBfK7r4toWgV2PWBtuKbhZorGO20FHtlhlJ8wE0E/s1600/strangerfloor%255B2%255D.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="209" s5="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-JyO4o0Un7rnr0sZ98fRzfqZgm7T1_5crq_G3BROeKC5cLGeW8yMVymdbjpXYATgfsPgLY6qiMPA0K_NYM-QPUPwssh0AiFRWIhvRJBfK7r4toWgV2PWBtuKbhZorGO20FHtlhlJ8wE0E/s320/strangerfloor%255B2%255D.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Stranger on the Third Floor</td></tr></tbody></table><br /><span style="font-family: Arial;">So…I paid my 10 bucks to park in the lot adjacent to Sullivan’s Funeral Home on Market Street in San Francisco and was heading for the Wells Fargo ATM near 16^th...I checked my phone and noticed a text message…my friend Dick, who I was to meet for dinner before attending opening night of San Francisco’s 9^th annual film noir festival.</span><br /><a name='more'></a></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial;">I called him to find out where he was…on Castro St. between 18^th and 19^th - also on his way to an ATM. After we got our cash we met at Market and Castro and walked over to Café La Taza on 18^th to get a bite. </span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial;">By the time I finished my meal, glass of wine and coconut ice cream-over-a-warm-cookie dessert, it was quarter to seven and time to get to the theater…the line, we knew, would be long…</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial;">It was, and with our print-your-own-tickets in hand we got on line and waited for the doors to open. An eclectic crowd, we agreed...a sprinkling of ladies dressed in ‘40’s finery but most in street wear staring into space or talking with friends. Dick and I talked about my godson Nicky who’s thinking of going to his first big music concert, Coachella in April. </span> </div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7PpW5ujVWJBHy6MK2okRzdRu4MWpIc_vEQ1SF6ONwb08qEzq5TAFOJPCsKPKqAcqICR-zDyJowWmg_alJ0BsOpZhyphenhyphenlI1Og8HMFm1ARGeGWIXG8r6KCub0fg6cGf5bKy3rG4HHgiwGXQZQ/s1600/castro2%255B1%255D.jpg" imageanchor="1" style="clear: left; cssfloat: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="136" s5="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7PpW5ujVWJBHy6MK2okRzdRu4MWpIc_vEQ1SF6ONwb08qEzq5TAFOJPCsKPKqAcqICR-zDyJowWmg_alJ0BsOpZhyphenhyphenlI1Og8HMFm1ARGeGWIXG8r6KCub0fg6cGf5bKy3rG4HHgiwGXQZQ/s320/castro2%255B1%255D.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Noir City at San Francisco's Castro Theatre</td></tr></tbody></table> <br /><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial;">Once inside we checked seating on the main floor and quickly headed up the steps to the balcony. The Castro has 1,400 seats, so if you get there reasonably on time it’s not hard to find decent seats.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial;">The evening was obviously sold out - the theater filled quickly. Then the lights dimmed, music swelled and we were treated to an intoxicating 6-minute montage created by Serena Bramble featuring clips from the countless noir and neo-noir and crime-themed films set or shot in San Francisco…from <b>The Maltese Falcon </b>to <b>Dark Passage</b> to <b>Vertigo</b> to <b>Basic Instinct </b>and many others in between and beyond…the montage culminated with the greeting, “Welcome to Noir City” and the crowd erupted with cheers and applause…(<i><span style="color: #990000;">watch the montage below!</span></i>)</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"> <br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQfwVidTYFp0n2UmdaUaspWUqrnKVorFRz6tG9z_vzn3WoLdjBDQocy9IclS-7y_3WijM87COgq1iS3oCv4DWK5mIhRa_WKD5BAb1y9aKPu-DfVw7vPYcoaYhrXZ0LwwFqB7lWskXYl40o/s1600/Castro+exterior+2.jpg" imageanchor="1" style="clear: left; cssfloat: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" s5="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQfwVidTYFp0n2UmdaUaspWUqrnKVorFRz6tG9z_vzn3WoLdjBDQocy9IclS-7y_3WijM87COgq1iS3oCv4DWK5mIhRa_WKD5BAb1y9aKPu-DfVw7vPYcoaYhrXZ0LwwFqB7lWskXYl40o/s200/Castro+exterior+2.jpg" width="135" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">The Castro Theatre</td></tr></tbody></table><span style="font-family: Arial;">Next, Eddie Muller, founder of the Film Noir Foundation, took the stage. After introducing this year’s young and slinky Ms. Noir City, he talked about film noir and about the work of preservation and his passion for it. The first screening of the night, <b>High Wall</b> (1947) is one of three newly restored films to premiere at the festival. The UCLA Film & Television Archive supervised the creation of preservation prints with funding provided by the FNF. Muller thanked everyone for coming - the evening’s proceeds, he said, paid for the restoration of the film we were about to see. Finally, he dedicated the event to his friend, mystery writer Joe Gores, who very recently passed away.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Arial;">The theme of Noir City 9 is <i>Who’s Crazy Now? </i>and both opening night films reflected that premise in spades…<b>High Wall</b> is primarily set in a psychiatric institution, and <b>Stranger on the Third Floor</b> (1940) is about a reporter who suffers a paranoid episode (and fanastic dream) and features an out-and-out madman.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlzWkJ7AsP7bwFoDVq0c6M1EnFWDVib_LDZw8vaajsrhiJup1hSn7rZYV4le17KZ8ZPiq0M_jeBEfycUJ7TeNaoX63N4QAN6Rj6QH-4-1zmn1J7rCAwqoaZgM-4Hy63JtESrH2CC-7Tr6K/s1600/taylor+high+wall.jpg" imageanchor="1" style="clear: right; cssfloat: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" s5="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlzWkJ7AsP7bwFoDVq0c6M1EnFWDVib_LDZw8vaajsrhiJup1hSn7rZYV4le17KZ8ZPiq0M_jeBEfycUJ7TeNaoX63N4QAN6Rj6QH-4-1zmn1J7rCAwqoaZgM-4Hy63JtESrH2CC-7Tr6K/s200/taylor+high+wall.jpg" width="185" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Robert Taylor, High Wall</td></tr></tbody></table><h1 style="margin: 0in 0in 0pt;"><span style="font-family: Arial;"><span style="font-size: small;">High Wall <span style="font-weight: normal;">stars Robert Taylor, still a major Hollywood star but slightly past his prime at the time this film was made. He and Herbert Marshall do the heavy lifting in this dark confection. Leading lady Audrey Totter was having a big year in 1947 with starring roles in this film as well as </span>The Lady in the Lake,<span style="font-weight: normal;"> and a co-starring role in </span>The Unsuspected<span style="font-weight: normal;">. She’s a little stiff as Taylor’s psychiatrist, but the script doesn't give her much help.<span style="mso-spacerun: yes;">  </span>Thankfully, Totter’s natural sex appeal manages to peek through from time to time. Herbert Marshall, who often played weak upstanding men, is the villain here. In a part that vaguely echoes his role in Hitchcock’s </span>Foreign Correspondent<span style="font-weight: normal;">, he is one of the strengths in this flawed thriller. To enjoy </span>High Wall<span style="font-weight: normal;">, suspension of disbelief is mandatory…the film is an entertaining snapshot rather than a stark reflection of the dark subtext of the post-war late ‘40s. </span></span></span></h1> <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR6rxRsDJR_PwoQ1duLml6K4KamMi3uTkxdHMZf3CQt8PCQApp-00qoPSZWBM-R6aWL9e1MfZ7bmBkdk-Y1MgRvlRfcl7uPtQV3pfzLsr34noxsWQi5owKu8U1XVNyjgp3B5-rD6hWNLE1/s1600/160x400%255B1%255D.jpg" imageanchor="1" style="clear: left; cssfloat: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" s5="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhR6rxRsDJR_PwoQ1duLml6K4KamMi3uTkxdHMZf3CQt8PCQApp-00qoPSZWBM-R6aWL9e1MfZ7bmBkdk-Y1MgRvlRfcl7uPtQV3pfzLsr34noxsWQi5owKu8U1XVNyjgp3B5-rD6hWNLE1/s200/160x400%255B1%255D.jpg" width="80" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Laura Ellis</td></tr></tbody></table> <span style="font-family: Arial; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">Intermission. The evening continued with a performance by chanteuse <a href="http://www.lauraellisjazz.com/home.html"><span style="color: #990000;">Laura Ellis</span></a> who, clad in a gorgeous emerald green figure-hugging gown (think <b>Gilda</b>)<b> </b>crooned a luscious ballad that swept me back several decades to a time before my time. A protégé of <i>The Manhattan Transfer’s</i> Alan Paul, Ellis was a wonderful surprise. Would love to hear her version of “Green Eyes” or “Tangerine” and will be keeping an eye on her tour schedule.</span><br /><br /><span style="font-family: Arial; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">The evening just kept getting better. Muller returned with the special guest of the night, Judy Wyler Sheldon, daughter of director William Wyler and actress Margaret Tallichet. Tallichet was leading lady of the night's second feature, <b>Stranger on the Third Floor</b>. Sheldon, who lives in the San Francisco Bay Area and is on the board of the San Francisco Silent Film Society, recounted an anecdote about the first time she saw this film.</span> <br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj15iRTpiUZhc82bZbhY1myKQt6DwAS1xCUnAwYyva67wBno21rQ03GH8Pv-NIddfeaEzF2h-gtpwyw6HTe_V3-vUTzCj4w1LAPeeGPSuqLoHtf8Q7tTNkZgY3iqVmdJ3vzKgzILhTSVf8p/s1600/Wyler+Tallichet.jpg" imageanchor="1" style="clear: left; cssfloat: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" s5="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj15iRTpiUZhc82bZbhY1myKQt6DwAS1xCUnAwYyva67wBno21rQ03GH8Pv-NIddfeaEzF2h-gtpwyw6HTe_V3-vUTzCj4w1LAPeeGPSuqLoHtf8Q7tTNkZgY3iqVmdJ3vzKgzILhTSVf8p/s1600/Wyler+Tallichet.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">William Wyler and Margaret Tallichet</td></tr></tbody></table><br /><span style="font-family: Arial; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">In the 1970s a small local film club advertised a screening of <b>Stranger on the Third Floor</b> and Sheldon decided to attend; she hadn't seen any of her mother's films up to that point. She decided to invite her dad and mom to come along - which they did. As it turned out, the screening was in the home of the club's president and when Judy showed up with not only her husband but her illustrious father and her mother, one of the film's stars, all jaws dropped. She mentioned to the rapt Noir City 9 audience that she hadn't been sure how her father would take <i>not</i> being the center of attention for once, but he turned out to be game and the evening was a big hit. Sometime later Judy Sheldon attended another of the film club's screenings and noticed that the check her father had written to cover admittance had never been cashed but was in a frame on the wall.</span><br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipM_djRDIPqggmhrXVTyZevruFkibEHzcVnkWoVekqyXWQs1csd2E7lYUW9bvKrNNyW1ZYbU0PuJ48W_CNeHp9IZbOUrgpIQnoXYyZ2Xqp9n8rCX9eDX-UbKv_IE73Rsoibz7_zOZnmr2r/s1600/stranger%255B1%255D.jpg" imageanchor="1" style="clear: left; cssfloat: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="246" s5="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipM_djRDIPqggmhrXVTyZevruFkibEHzcVnkWoVekqyXWQs1csd2E7lYUW9bvKrNNyW1ZYbU0PuJ48W_CNeHp9IZbOUrgpIQnoXYyZ2Xqp9n8rCX9eDX-UbKv_IE73Rsoibz7_zOZnmr2r/s320/stranger%255B1%255D.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Scenes from Stranger on the Third Floor</td></tr></tbody></table><span style="font-family: Arial; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><b>Stranger on the Third Floor </b>is a 64 minute "B" effort from RKO. BUT. It has been called America's first film noir for its stylistic elements - highlighted by one fabulous and surreal dream sequence. Art Director Van Nest Polglase was involved in just about every RKO film made from 1931 to 1942...including <b>Citizen Kane</b> (1941). Watch <b>Stranger</b> and <b>Kane</b> - a visual connection is unmistakable. The film also boasts cinematographer Nicholas Musuraca (<b>Out of the Past</b>). While there are recognizable faces in the film (Peter Lorre as "the stranger," Elisha Cook, Jr. as Briggs), the two leads are relatively unknown. Margaret Tallichet made few films and was more occupied with her marriage to William Wyler and their family. John McGuire, who plays the reporter, had bit parts in <b>Shadow of a Doubt</b>, <b>White Heat</b> and<b> Sands of Iwo Jima </b>but was off the big screen by 1952. Lorre doesn't have that much screen time, but his scenes are mesmerizing and chilling. Though essentially a "B" morality tale, <b>Stranger on the Third Floor</b> is a must-see for those interested in the evolution of film noir...and American cinema...</span><br /><br /><span style="font-family: Arial;">Noir City 9 runs through January 30...if there's any chance you can attend - do! This is one of the premiere noir fests in the world and worth every penny of the $10 ticket price ($100 for a festival pass). I'll be back on Wednesday for Jean Renoir's legendary <b>The Woman on the Beach </b>(1947).</span><br /><br /><iframe allowfullscreen="" class="youtube-player" frameborder="0" height="390" src="http://www.youtube.com/embed/U_XCfk5fWWs" title="YouTube video player" type="text/html" width="480"></iframe>

Audrey Totter Eddie Muller Elisha Cook Jr. Film Noir High Wall Margaret Tallichet Noir City 9 Peter Lorre Robert Taylor Stranger on the Third Floor The Lady Eve (author) William Wyler "Who's Crazy Now?" - Noir City 9, Opening Night

Stranger on the Third FloorSo…I paid my 10 bucks to park in the lot adjacent to Sullivan’s Funeral Home on Market Street in San Francisco and was heading for the Wells Fargo ATM near 16th...I checked my phone and noticed a text message…my friend Dick…

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