Percy Jackson, Sea of Monsters: Mythbegotten

<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><i>Percy Jackson: Sea of Monsters</i> </b></span></span></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>(2013) • <a href="http://trailers.apple.com/trailers/fox/percyjacksonseaofmonsters/" style="color: #27a9c5; text-decoration: none;">View trailer</a></b></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b> </b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>Two stars. Rating: PG, for fantasy action violence</b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><span class="Apple-style-span" style="font-weight: normal;"><b>By <a href="http://www.blogger.com/profile/12885694730612878577" style="color: #27a9c5; text-decoration: none;">Derrick Bang</a></b></span></b></span></span></span></span></span><br /><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span> <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>0</w:Zoom> <w:TrackMoves>false</w:TrackMoves> <w:TrackFormatting/> <w:PunctuationKerning/> <w:DrawingGridHorizontalSpacing>18 pt</w:DrawingGridHorizontalSpacing> <w:DrawingGridVerticalSpacing>18 pt</w:DrawingGridVerticalSpacing> <w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery> <w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables/> <w:DontGrowAutofit/> <w:DontAutofitConstrainedTables/> <w:DontVertAlignInTxbx/> </w:Compatibility> </w:WordDocument></xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="276"> </w:LatentStyles></xml><![endif]--> <!--[if gte mso 10]><style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style><![endif]--> <!--StartFragment--> <br /><div class="MsoNormalCxSpFirst"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Conventional wisdom suggests the value of a winning formula.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Movie studies, infamous for getting things bass-ackwards, sometimes cling to a <i>losing</i> formula.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYHSY6lt8vWt1i_VLsZRb49wOc88-db_iALVrjNvr72aAGNQ_stIUTOx8GOOFzou8QYhjD3jAY3HANHrQyIFUgLoStE0jhIuZJZiMgpYVuNCLWFW1X5wJUjVZgwhQ6wKDhkND1isbZaxY/s1600/Percy+Jackson+2+blog.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYHSY6lt8vWt1i_VLsZRb49wOc88-db_iALVrjNvr72aAGNQ_stIUTOx8GOOFzou8QYhjD3jAY3HANHrQyIFUgLoStE0jhIuZJZiMgpYVuNCLWFW1X5wJUjVZgwhQ6wKDhkND1isbZaxY/s400/Percy+Jackson+2+blog.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Having successfully invaded Polyphemus' lair and snatched the fabled Golden Fleece,<br />our young heroes — from left, Tyson (Douglas Smith), Clarisse (Levin Rambin), Grover<br />(Brandon T. Jackson), Annabeth (Alexandra Daddario) and Percy (Logan Lerman) —<br />discover that <i>keeping</i> their prize will be even more difficult.</span></td></tr></tbody></table><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">2010’s <i style="mso-bidi-font-style: normal;">Percy Jackson & The Olympians: The Lightning Thief</i> offered fabulous monsters, slick special effects and an A-list cast of cameo players ... and nothing else. The film was dumb, soulless and atrociously acted; the entire cast delivered every line with smirking condescension, as if mocking the material as a waste of time. Needless to say, if the actors don’t seem to believe in what they’re doing, we certainly won’t.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Critics dismissed the film with contempt, and it was justifiably loathed by fans of Rick Riordan’s teen-lit fantasy series; Craig Titley’s snarky script completely failed to respect the source novel. The biggest surprise? Chris Columbus occupied the director’s chair, and you’d certainly think that the guy who helmed the first two Harry Potter movies would understand how to bring fantasy to the big screen.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">You’d think.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Despite earning only $89 million in the States — on a budget of $95, which qualifies as a failure — the results were far better worldwide, with a final tally of $226 million. Those numbers spell S-E-Q-U-E-L, despite everybody’s recognition that they were dealing with a dog.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">And so now we’re graced with <i style="mso-bidi-font-style: normal;">Percy Jackson: Sea of Monsters</i> ... which offers fabulous monsters and slick special effects, and is dumb, soulless and atrociously acted. Despite the presence of a new director (Thor Freudenthal) and scripter (Marc Guggenheim), little has changed. The young stars may be three years more mature, but their performances haven’t improved much. And it’s rather telling that the first film’s big names — Sean Bean, Pierce Brosnan, Uma Thurman, Steve Coogan, Rosario Dawson and Catherine Keener — opted out this time. <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Indeed, we never catch the barest glimpse of the Olympian gods who played such an important role in the first film. Oh, they’re mentioned here, now and then, but that’s it. Instead of Zeus, Hades, Poseidon and Medusa, we get Hermes and Dionysus. Our favorite centaur, Chiron, now is played by Anthony Head (a fan favorite from the days of <i style="mso-bidi-font-style: normal;">Buffy the Vampire Slayer</i>), rather than Brosnan. Although I’ve no desire to slight the talents of the esteemed Mr. Head, whose work I admire, one gets the distinct impression that these filmmakers settled for the B Team.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Freudenthal deserves credit for attempting a more serious tone; he mostly eliminated the smug atmosphere that poisoned the first film. But Guggenheim’s script takes even more liberties with the second entry in Riordan’s book series, leaving us with an “adaptation” in name only. I’m sure Riordan's fans will be equally unhappy.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><a name='more'></a><br /> <div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">As we learned in the first adventure, Percy (Logan Lerman) is a demigod, the mixed-race result of a dalliance between Poseidon, god of the sea, and a human mother. The latter role was played by Keener in the first film, and she’s neither seen nor mentioned here ... which is rather bizarre, considering how hard Percy worked to save her, three years ago.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Anyway, Percy has settled into a comfortable routine at the rather demeaningly named Camp Half-Blood, alongside best friends Annabeth (Alexandra Daddario), daughter of Athena; and Grover (Brandon T. Jackson), his satyr (half man, half goat) protector. Like Lerman, Daddario and Jackson reprise their roles, which is a comfortable bit of continuity.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">For reasons the film series never really makes clear, various mythological creatures wish to kill these demigod younglings, and they’re only safe behind the protective barrier that surrounds Camp Half-Blood. But as this story opens, the magic tree that generates the barrier has been poisoned, leaving the camp increasingly exposed. The tree must be saved, and only the fabled Golden Fleece can handle that task.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Worse yet, this calamity has been orchestrated by Luke (Jake Abel), the petulant son of Hermes, who caused all the trouble in the previous adventure. As we learned, Luke has serious “daddy abandonment” issues, which turned him evil; his temper tantrums don’t seem to have improved.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Finding the Golden Fleece falls to Clarisse (Levin Rambin), daughter of Ares (god of war), an impressively resourceful and highly competitive fighter who has become the bane of Percy’s existence. Apparently saving the world three years ago is yesterday’s news, and of late Percy has come to doubt his skills and worthiness. On top of which, Poseidon seems to have lost interest in his demigod son.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Percy’s discomfort increases when the camp’s newest arrival, Tyson (Douglas Smith), turns out to be his half-brother. As it happens, Tyson also is a cyclops, a race regarded with derision at best, and hostility at worst. Annabeth, in particular, has cause to distrust Tyson on sight ... and, truth be told, the “ocularly challenged” lad is something of a bumbling screw-up.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Despite being passed over in favor of Clarisse, Percy opts to seek the Golden Fleece anyway, thanks to his concern about an ill-fated prophecy. Annabeth and Grover naturally join him, as does Tyson (much to Annabeth’s disgust). And then it’s heigh-ho, off to the dread “Sea of Monsters” — which we mortals know as the Bermuda Triangle — and the lair of Polyphemus, the <i style="mso-bidi-font-style: normal;">genuinely</i>nasty cyclops who possesses the fleece.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Unlike their first adventure, which involved some puzzle-solving and continental hopping, this time Percy and his friends just sorta bumble and stumble into a series of calamities. Guggenheim’s narrative doesn’t actually flow; it lurches from one contrived scene to the next, giving the entire film a sense of things being improvised on the spot.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Far worse something that always aggravates me, when it comes to badly conceived fantasy: the fact that our heroes — and their adversaries — are only as weak, or as strong, as they <i style="mso-bidi-font-style: normal;">need</i> to be, at any given moment. When pressed, for example, Percy can summon and ride a gigantic ocean wave, which seems a nifty way to travel in general, not to mention an easy way to dispatch any pursuers. Strange, then, that Percy doesn’t rely on this trick more frequently.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">It’s also rather peculiar that all these demigods and demigoddesses — offspring of the Olympian gods, and therefore blessed with intriguing talents and powers — inevitably resort to primitive swordplay and fisticuffs, whenever a battle brews.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">One also must question Luke’s intelligence: For a bad guy determined to obtain the Golden Fleece for his own ends, you’d think he would recognize the folly of setting up shop on a yacht in the middle of the ocean, where he’s most vulnerable to Poseidon’s powers! Obviously, Luke skipped his classes in Secret Lair 101.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">And speaking of powers, Percy also is gifted with magic shipping tape, which causes anything outlined to vanish: a handy gadget indeed, yet one that he uses only once ... after which, it’s left behind like every other detail in this maladroit script.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Guggenheim and Freudenthal also are guilty of bald theft, in the matter of a magical taxi driven by the three blind “Gray Sisters,” who share but one eye between them. Percy and his friends manage to snag a timely ride in a sequence that plays very much like a certain young wizard’s ride aboard the Knight Bus, in <i style="mso-bidi-font-style: normal;">Harry Potter and the Prisoner of Azkaban</i>.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">While I’m at it, another question: If the Gray Sisters’ taxi descends from the sky as swirling lights when summoned, why doesn’t it <i style="mso-bidi-font-style: normal;">travel</i>that way? Why race in and out of conventional traffic, on roadways ... except to provide viewers with another meaningless special-effects sequence?<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Although Lerman has dropped the haughty disdain that clouded his previous outing as Percy Jackson, he still treats this role like a larkish joke (or, perhaps, like a paycheck). He’s clearly capable of much better, having delivered such a sensitive performance in last year’s <i style="mso-bidi-font-style: normal;"><a href="http://derrickbang.blogspot.com/2012/09/the-perks-of-being-wallflower.html">The Perks of Being a Wallflower</a></i>. Apparently, he views this series as slumming.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Jackson once again makes Grover little more than cloven-hoofed comic relief, and Abel’s “acting” is limited to a villainous sneer; we’ve absolutely no sense of Luke as a character. Smith delivers some emotional depth as the hapless, one-eyed Tyson, but his saga — his desire to bond with Percy — isn’t well integrated with the rest of the narrative.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Daddario suffers the worst fate; Annabeth was a smart, resourceful fighter in the previous film, but here she’s demoted to a useless girl-in-peril ... a role she doesn’t play with any enthusiasm. All of Annabeth’s previous warrior skills have been transferred to Clarisse, played by Rambin as a patronizing, sword-wielding Gossip Girl. One expects her to start a waspish discussion about the latest in designer armor.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">An unexpected ray of sunshine comes from Nathan Fillion, popping up in a small role as Hermes, the fleet-footed emissary and messenger of the gods. Fillion gives the right light-hearted touch to this role; it’s a shame he’s on camera for only five minutes.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Stanley Tucci also has a few droll moments as “Mr. D” (Dionysus), one of Camp Half-Blood’s mentors, who bemoans his rather cruel punishment at Zeus’ hands. But like everything else in this film, Tucci’s role is under-written, and he’s never allowed to make much of it.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">In terms of visual spectacle, effects supervisor Cameron Waldbauer deserves top marks for his realization of Charybdis, one of the nastiest monsters in Greek mythology. (Scylla, in contrast, gets no more than lip service.) The “fake” 3D effects, however, are a complete waste of time. And as often is the case with 3D layered onto a film after the fact, the most noticeable result is a darkened color palette; it often seems like cinematographer Shelly Johnson filmed through black gauze.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">As with its predecessor, <i>Percy Jackson: Sea of Monsters</i> is a family-friendly romp with plenty of ooky-spooky creatures, and nary a whiff of objectionable content; parents can feel safe watching it with their children. But “safe” doesn’t mean engaging; this film is sloppy, derivative and half-baked fantasy at its most infantile ... so I suspect young viewers will snicker even more than any adults unlucky enough to tag along.</span><span class="Apple-style-span" style="font-family: 'Times New Roman';"><o:p></o:p></span></span></div><!--EndFragment-->

2013 Alexandra Daddario Anthony Head Brandon T. Jackson Douglas Smith fantasy Jake Abel Leven Rambin Logan Lerman Nathan Fillion Sequel Series Stanley Tucci Percy Jackson, Sea of Monsters: Mythbegotten

Percy Jackson: Sea of Monsters (2013) • View trailer Two stars. Rating: PG, for fantasy action violenceBy Derrick Bang 0 false 18 pt 18 pt 0 0 false false false /* Style Definitions */ table.MsoNormalTab…

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Much Ado About Nothing: A droll something

<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><i>Much Ado About Nothing</i> </b></span></span></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>(2012) • <a href="http://trailers.apple.com/trailers/independent/muchadoaboutnothing/" style="color: #27a9c5; text-decoration: none;">View trailer</a></b></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b> </b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>3.5 stars. Rating: PG-13, for sensuality, subtle sexual candor and fleeting drug use</b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><span class="Apple-style-span" style="font-weight: normal;"><b>By <a href="http://www.blogger.com/profile/12885694730612878577" style="color: #27a9c5; text-decoration: none;">Derrick Bang</a> • </b></span>Originally published in <i><a href="http://www.davisenterprise.com/" style="color: #27a9c5; text-decoration: none;">The Davis Enterprise</a></i>, 6.21.13</b></span></span></span></span></span><br /><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span> <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>0</w:Zoom> <w:TrackMoves>false</w:TrackMoves> <w:TrackFormatting/> <w:PunctuationKerning/> <w:DrawingGridHorizontalSpacing>18 pt</w:DrawingGridHorizontalSpacing> <w:DrawingGridVerticalSpacing>18 pt</w:DrawingGridVerticalSpacing> <w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery> <w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables/> <w:DontGrowAutofit/> <w:DontAutofitConstrainedTables/> <w:DontVertAlignInTxbx/> </w:Compatibility> </w:WordDocument></xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="276"> </w:LatentStyles></xml><![endif]--> <!--[if gte mso 10]><style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style><![endif]--> <!--StartFragment--> <br /><div class="MsoNormalCxSpFirst"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Fred and Wesley finally got back together, which is pretty cool.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">And while the circumstances are rather unusual, they’re no less delightful.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi49cn4JE4y8y6Ud7dL7qqadJa-nkkRqKxBQh25KU0IAlYcs-9ffztoXVCbv8OmVAYnFGWAVZexjob9xy9jCnhO_dx-J4m5qEEjM6LeXKOeF6azN3qY5PfdtMMcb7yZOAZ2zg47kZ_9zPs/s1600/Much+Ado+About+Nothing+blog.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi49cn4JE4y8y6Ud7dL7qqadJa-nkkRqKxBQh25KU0IAlYcs-9ffztoXVCbv8OmVAYnFGWAVZexjob9xy9jCnhO_dx-J4m5qEEjM6LeXKOeF6azN3qY5PfdtMMcb7yZOAZ2zg47kZ_9zPs/s400/Much+Ado+About+Nothing+blog.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">An eavesdropping Beatrice (Amy Acker, foreground) is astonished to overhear details<br />about how Benedick — elsewhere in the estate — has long adored her ... astonished<br />because it seems that she and Benedick do nothing but snipe at each other. Ah, but<br />Beatrice doesn't realize that Hero (Jillian Morgese, center) and the maid are fully aware<br />that they're being overheard, and are discussing "details" that have been exaggerated<br />for Beatrice's benefit.</span></td></tr></tbody></table><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Most filmmakers, after completing principal photography on a massive, gazillion-dollar project, unwind prior to the next step — assembling the director’s cut — by taking calm vacations ... <span style="mso-spacerun: yes;"> </span>anything <i>but</i> film-related.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Joss Whedon isn’t most people. Prior to putting the finishing touches on <i><a href="http://derrickbang.blogspot.com/2012/05/avengers-well-assembled.html">The Avengers</a></i> — last year’s wildly successful superhero summit meeting — he filled the in-between time by staging an intimate, micro-budget movie at his own Los Angeles home. And, as genre geeks know, when Whedon mounts such a project, he always engages the close friends who’ve become one of Hollywood’s most loyal repertoire companies.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">In this case, a 12-day shoot (!) yielded one of the most unusual interpretations of Shakespeare’s <i>Much Ado About Nothing</i> ever to hit cinema screens. Lensed in glorious, mood-enhancing black-and-white by cinematographer Jay Hunter, this modern-dress staging nonetheless employs the Bard’s original dialogue — condensed and occasionally tweaked by Whedon — and features faces well-recognized from his various television projects.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Yes, kids; that means <i>Buffy the Vampire Slayer</i>, <i>Angel</i>, <i>Firefly</i> and <i>Dollhouse</i>.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Thus, my somewhat cryptic opening sentence can be explained by the casting of Alexis Denisof and Amy Acker — Wesley Wyndam-Price and Winifred “Fred” Burke, respectively, on <i>Angel</i> — as Benedick and Beatrice.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Lest you roll eyebrows over the reflexive accusation that Whedon has unleashed a self-indulgent vanity production, well, yes, that’s certainly true. But who can complain, when the results are this entertaining?<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">To be sure, the initial disconnect is jarring. The setting, clothing and technology clearly are 21st century, which is at odds with the flowery Shakespearean dialogue. The acting style throughout is a bit ostentatious and overly mannered, the performers occasionally mugging for the camera the way a stage actor would pause for a laugh from the audience.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">But that “settling in” period can be true of <i>any</i> Shakespeare production, even those that are rigorously authentic. Fifteen or 20 minutes into this film, everything starts to look and sound natural, at which point you’ll simply enjoy the richly contrived romantic entanglements present in one of Shakespeare’s most appealing comedies.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><a name='more'></a><br /> <div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The core plot is fairly simple: Leonato (Clark Gregg), governor of Messina, plays host to his good friend Don Pedro (Reed Diamond), who has just quashed a rebellion by his villainous brother, Don John (Sean Maher). Although the latter and his two accomplices — Borachio (Spencer Treat Clark) and Conrade (Riki Lindhome) — arrive in handcuffs, they’re allowed freedom of movement during this visit, as a gesture of kindness. (<i>Big</i> mistake!)<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Don Pedro is accompanied by two faithful officers: Benedick and the younger, somewhat impetuous Claudio (Fran Kranz). The latter immediately falls head-over-heels in love with Leonato’s daughter, Hero (Jillian Morgese), and she with him.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Benedick, in turn, has something of an on-again/off-again relationship with Leonato’s niece, Beatrice. They spar verbally in the rich, earthy and often scaldingly pointed manner of “estranged” Shakespearean lovers in numerous plays. T’would be gross understatement to mention that Denisof and Acker thoroughly enjoy hacking at each other, particularly as the exchanges become more deliciously nasty.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Leonato, Don Pedro, Claudio and Hero concoct a plan to cut past this nonsense and get Benedick and Beatrice to acknowledge their mutual fondness.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">But this would mean <i>two</i> happy couples, which is far more than the evil Don John can tolerate. He therefore engages his own sinister scheme to sever both relationships, and if the residual fallout should destroy his brother’s reputation ... well, so much the better.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">In other words, business as usual for Shakespeare: duplicitous villains, concealed identities, misleading intentions and additional folderol that could be put right with one or two direct conversations. But where’s the fun in that?<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Production designers Cindy Chao and Michele Yu make excellent use of the spacious outdoor and indoor settings, and Whedon also draws additional chuckles from the incongruities of modern behavior. As one example, Denisof rambles through one of Benedick’s tormented soliloquies — questioning his possible responses to Beatrice’s behavior — while jogging up and down the concrete stairs that lead up to the estate swimming pool (an intriguing visual in its own right).<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The most fun, however, comes when first Benedick and then Beatrice, in turn, are tricked into believing that they’re “accidentally” overhearing telling conversations by Leonato, Don Pedro, Claudio and Hero. Denisof’s attempt to conceal himself in the back yard, moving from one window to the next, is simply priceless; Acker’s body-bruising effort to hide within the kitchen is equally hilarious.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">On a more serious level, the degree to which we’ve bought into the story — no matter how grandiloquent the speech and mannerisms — can be measured by our reaction to the moment when, as Hero is betrayed in the worst possible way for a woman, her own father shuns her. Gregg, until now a genial host and doting parent, transforms into a beast whose fury is shocking; we feel his wrath like a physical blow.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Thankfully, even such dire moments are offset by lighter fare. Nathan Fillion supplies pure comic relief as the bumbling, word-mangling Dogberry, a total idiot police officer who stumbles into this case entirely by accident, and then fails to grasp the significance of the evidence he helps uncover. (Dogberry is too agitated over having been called an ass by the contemptuous Conrade.)<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Fillion and Tom Lenk, playing Dogberry’s partner Verges, also have plenty of fun lampooning modern TV cop show clichés, down to the unnecessary sunglasses.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Although the story is propelled by romantic intrigue and clandestine double-cross, Whedon doesn’t overlook the lusty undertone that permeates many Shakespeare plays, which can range from subtly earthy to flat-out bawdy. An early celebratory party at Leonato’s estate — before Don John’s vile machinations take hold — is one such example. <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The tone is set by a pair of scantily dressed Cirque de Soleil-style acrobats who cavort on a trapeze near the pool, but the entire company sways with the intoxicating application of free-flowing alcohol and sexual tension. Couples begin to shed clothes and vanish off-camera, just quickly enough to preserve this film’s PG-13 rating ... and then there’s the lusty maid, Margaret (Ashley Johnson), who seems willing to drop her knickers for just about any good-looking bloke.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Denisof and Acker get most of the best lines — and plot contrivances — and therefore wind up with more screen time during which to strut their stuff. But much of the cast is equally memorable, no matter what size the role. Morgese is appropriately winsome and delicate as the fair Hero, which is essential if we’re to believe her reaction to the foul accusation from those she has trusted. (We must remember that Shakespearean women, no matter how spirited their tongues, can have their lives ruined by unscrupulous men.)<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Kranz is suitably earnest — and just naïve enough — as the smitten Claudio. Kranz has a similarly powerful moment when his character is enraged by a perceived betrayal: Again, the moment is breathtaking for its unexpected intensity.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Maher narrows his gaze quite convincingly as the vile Don John, who visibly revels in his own malevolence: a guy who loves being wicked for its own sake. (And he was such a <i>nice</i> guy on TV’s <i>Firefly</i>. Go figure.)<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">On the other hand, Diamond remains a bit bland as Don Pedro, while both Clark and Lindhome are under-developed as Borachio and Conrade. Lindhome’s casting actually is intriguing; some recent productions of this play have staged Conrad (no “e”) as Don John’s male lover, and Whedon drops more than one suggestion here that — despite being played by an attractive young woman — this film’s Conrade actually <i>is</i> a man.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Assuming I’ve read that correctly, it’s an amusing nod toward the fact that, during Shakespeare’s time, female roles were played by effeminate men.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">My overall pleasure notwithstanding, I suspect this film will be embraced solely by Shakespeare buffs and Whedon’s devoted fan base. I can’t imagine mainstream audiences getting on board, particularly during summer’s bombastic silly season. Indeed, quite a few folks departed midway through Monday evening’s Sacramento preview. (Their loss.)<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">OK, so maybe Whedon <i>did</i> make a film mostly for himself and his friends. It could be argued, though, that this is the first rule of art: Satisfy yourself, and hope the rest of the world catches on. This <i>Much Ado</i> may be an odd Shakespearean duck, but I’ll happily watch it again: always my most essential movie criteria.</span><span class="Apple-style-span" style="font-family: 'Times New Roman';"><o:p></o:p></span></span></div><!--EndFragment-->

2012 Alexis Denisof Amy Acker Clark Gregg Comedy Fran Kranz Jillian Morgese Joss Whedon Nathan Fillion Reed Diamond romantic Sean Maher Shakespeare Tom Lenk Much Ado About Nothing: A droll something

Much Ado About Nothing (2012) • View trailer 3.5 stars. Rating: PG-13, for sensuality, subtle sexual candor and fleeting drug useBy Derrick Bang • Originally published in The Davis Enterprise, 6.21.13 0 false 18 pt 18 pt 0 0 …

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Monsters University: Endearing school daze

<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><i>Monsters University</i> </b></span></span></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>(2013) • <a href="http://trailers.apple.com/trailers/disney/monstersuniversity/" style="color: #27a9c5; text-decoration: none;">View trailer</a></b></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b> </b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>Four stars. Rating: G, and suitable for all ages</b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><span class="Apple-style-span" style="font-weight: normal;"><b>By <a href="http://www.blogger.com/profile/12885694730612878577" style="color: #27a9c5; text-decoration: none;">Derrick Bang</a></b></span></b></span></span></span></span></span><br /><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span> <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>0</w:Zoom> <w:TrackMoves>false</w:TrackMoves> <w:TrackFormatting/> <w:PunctuationKerning/> <w:DrawingGridHorizontalSpacing>18 pt</w:DrawingGridHorizontalSpacing> <w:DrawingGridVerticalSpacing>18 pt</w:DrawingGridVerticalSpacing> <w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery> <w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables/> <w:DontGrowAutofit/> <w:DontAutofitConstrainedTables/> <w:DontVertAlignInTxbx/> </w:Compatibility> </w:WordDocument></xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="276"> </w:LatentStyles></xml><![endif]--> <!--[if gte mso 10]><style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style><![endif]--> <!--StartFragment--> <br /><div class="MsoNormalCxSpFirst"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Delving into the origins of popular characters can be quite a lark — consider the fun that’s been had with younger versions of Sherlock Holmes, James Bond and the <i style="mso-bidi-font-style: normal;">Star Trek</i> crew — and Pixar has uncorked a collegiate charmer with <i style="mso-bidi-font-style: normal;">Monsters University</i>.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAmxTeJfbFt81dbR2OM-vGT7b_9BeEDzuzHVYSFkbEfcF88aw2SLytjCZHhOZRkwzh1WEirk9CC9SNVtP94tTQQSCF50Q0iKJDu5vmaqL-cHa8f62zj0KFeX7STNkBFYvF5batQdlRnj4/s1600/Monsters+University+blog.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAmxTeJfbFt81dbR2OM-vGT7b_9BeEDzuzHVYSFkbEfcF88aw2SLytjCZHhOZRkwzh1WEirk9CC9SNVtP94tTQQSCF50Q0iKJDu5vmaqL-cHa8f62zj0KFeX7STNkBFYvF5batQdlRnj4/s400/Monsters+University+blog.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">When an extra-curricular field trip goes awry, the members of Oozma Kappa — from<br />left, Art, Don, Squishy, Terri/Terry, Mike and Sulley — find themselves being pursued<br />by Folks In Charge. With few options for escape, our misfits are about to learn an<br />important lesson: Salvation comes when friends work together.</span></td></tr></tbody></table><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Spending more time in the imaginatively conceived “monster universe” is delectable enough, and director/co-scripter Dan Scanlon has sweetened the pot by supplying the inside scoop on how monocular-eyed Mike Wazowski (once again voiced by Billy Crystal) first met bodaciously blue-furred James P. “Sulley” Sullivan (John Goodman).<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Naturally, it’s competitive loathing at first sight. Isn’t that the way all grand friendships are born?<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Although this prequel lacks freshness and originality — try as they might, Scanlon and co-scripters Daniel Gerson and Robert L. Baird can’t replicate the giggly, first-time awe generated by 2001’s <i style="mso-bidi-font-style: normal;">Monsters, Inc.</i> — it compensates with a warm-hearted story that extols both the virtues of friendship and integrity, and the all-important notion that diversity is valuable for its own sake.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Yep, even a world littered with crazy-quilt critters isn’t immune to social pecking orders that ostracize misfits and timid outcasts. Scanlon & Co. pull off an impressive trick here: Even though we know the future of this realm’s scare industry — thanks to the first film — this sparkling new adventure of Mike and Sulley sets up innovative adversaries and challenges, while keeping a steady (single) eye on the core message of camaraderie and integrity.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Resourceful as we might be on our own, we’re always stronger when good buddies have our back ... and we have theirs.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">We first meet Mike during childhood (voiced with high-pitched, little-kid sincerity, in these early scenes, by Noah Johnston), as a teacher’s pet and correspondingly shunned know-it-all, who nonetheless blossoms during a school field trip to the Monsters Inc. “Scream Floor.” Little Mike is spellbound, as he watches veteran Scarers travel through the magical doors that lead into the bedrooms of unsuspecting Earth children, there to elicit the youthful shrieks and screams that supply the essential power to the Monster Universe.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><i style="mso-bidi-font-style: normal;"><span style="font-weight: normal;">This</span></i><span style="font-weight: normal;">, young Mike decides, is what he wants to do in life.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><a name='more'></a><br /> <div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Flash-forward to Mike’s first day on the storied, Ivy League-flavored campus of Monsters University, as he eagerly embraces life as a freshman at the School of Scaring. Alas, his book smarts and willingness to study fail to impress the imperious Dean Hardscrabble (Helen Mirren), a scuttling, genuinely frightful creature modeled after an Amazonian giant centipede ... with devil’s wings. In the dean’s eyes, a one-eyed green beach ball couldn’t possibly be scary, and she can’t wait to bounce Mike from this particular field of study.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">But the dean is equally unimpressed by Sulley, a slacker who shows up late for class, fully expecting to coast on the value of his family name; the Sullivans have fielded impressive Scarers up until now. As it happens, that reputation <i style="mso-bidi-font-style: normal;">is</i> good enough for top Scare student Johnny Worthington (Nathan Fillion), the condescending president of the campus’ top fraternity, Roar Omega Roar.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Mike isn’t fazed; he’s got enough optimism for himself <i style="mso-bidi-font-style: normal;">and</i> his dorm mate, the chameleon-like Randy Boggs (Steve Buscemi). Pixar fans will remember this character from the first film, and his introduction here is something of a surprise: He’s insecure, uncertain and — like Mike — just wants to fit in. And become a Scarer.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">After an unfortunate classroom incident, Mike and Sulley find their university careers hanging by the slimmest of threads. Worse yet, they’re forced to join ranks with the campus’ most embarrassing fraternity, Oozma Kappa, which boasts but four members:<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">• Scott “Squishy” Squibbles (Pete Sohn), a sweet, naïve, gelatinous blob forever humiliated by the fact that their “frat house” actually is the family home run by his single mother (Julia Sweeney);<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">• Art (Charlie Day), a purple-furred whatzis who resembles a discarded Muppet, and whose weird anatomical abilities are matched by an equally off-kilter, New Age-y manner;<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">• Terri and Terry Perry (Sean Hayes and Dave Foley), a two-headed preppy forever bickering with himself; and <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">• Don Carlton (Joel Murray), a tentacled, downsized Midwestern salesmonster who has returned to college in an effort to re-invent himself and find a new career as a Scarer. (Yes, this is one of several nods toward real-world relevance: a welcome touch that grants this script additional pathos.)<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">This, then, is the rag-tag bunch that Mike and Sulley hope to mold into champions of the annual multi-round Scare Games ... a challenge made more formidable by the fact that Mike and Sulley don’t even like each other. Cooperate? Not likely.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The best Pixar films always blend their core narrative with plenty of hilarious sidebar events and characters, ranging from short verbal encounters to eyeblink sight gags and other whimsical bits of business at the edges of a given scene. By its very nature, the monster universe is ripe with such material, and you’ll likely go cross-eyed trying to take in all the fun stuff.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Goodness, an establishing overview of the MU quad is impressive enough, with literally hundreds of monster students — no two alike — studying, kicking back, playing games or making their way to class ... some faster than others. Point being, this film invites — nay, demands — repeat viewing, in order to better appreciate details large and small.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Scanlon and his fellow scribes also replicate the nervous, all-essential college vibe, with its confidence-shattering agitation, while granting it a monstrous spin: everything from the hilariously cramped dorm rooms to the caste system that establishes a gulf between Oozma Kappa and the “cooler” Greeks such as Roar Omega Roar and the deceptively sweet, pink-garbed sisters of Python Nu Kappa.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The characters may be inhuman, but the unsettling atmosphere will be familiar to anybody who spent time on a high school or college campus ... and worried about fitting in. That would be most of us, which is precisely the point.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Crystal once again romps his way through Mike’s motor-mouthed efforts to compensate for his raging case of Little Monster Insecurity. Mike is blind to the possibility that confidence might not be enough to overcome physical, ah, deficiencies, when it comes to being genuinely scary. And because Pixar’s talented animators grant this green gum drop just as much emotional complexity as Crystal’s expressive voice — an impressive trick, when dealing with a character who has only one eye, no nose and no body — we easily accept the notion that he’s no different than any other young adult trying to find his place in the world.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Goodman, in turn, is appropriately brash and blustery as the big, handsome guy — everybody’s notion of the ideal monster — who can’t be bothered to better develop his natural abilities. Why bother, when he has the best roar in school? Goodman lends an undertone of menace to his performance, particularly when Sulley (quite unfairly) perceives Mike to be the source of all his troubles.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The fun here comes with anticipation: our knowledge that, at some point, Sulley must start to become the humble, sweet and mature hero of the 2001 film. This thawing occurs in several phases, although I particularly enjoyed the moment when the worshipful Squishy “ropes” Sulley into joining him during a fraternity dance. It’s a sweet little scene, and one of many.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Mirren is suitably chilling as Dean Hardscrabble, who somehow manages to be both terrifying and graceful. Buscemi’s obsequious tones initially make Randy something of a shallow toady, but we know that an edge eventually will appear in his tone.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Aubrey Plaza’s fans will recognize her distinctive voice behind Greek Council President Claire Wheeler, the rah-rah who emcees the Scare Games. Tyler Labine and John Krasinski play the Greek Council VP and “Frightening” Frank McCay, respectively. And of course Pixar regular John Ratzenberger pops up, albeit very briefly, as a Yeti-esque blue-collar worker.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">As also is custom, this film is preceded by a truly charming short subject, <i style="mso-bidi-font-style: normal;">The Blue Umbrella</i>, animated in a style quite unlike all other Pixar shorts.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Randy Newman contributes a delightful orchestral score: triumphant as necessary, bittersweet during the story’s frequent emotional setbacks.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">One quibble: Although this film was designed to be made in 3-D, those effects add nothing to the finished product. Save your money and go for the standard version.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">After the considerable disappointment of last summer’s <i style="mso-bidi-font-style: normal;"><a href="http://derrickbang.blogspot.com/2012/06/brave-loses-its-way.html">Brave</a></i>, it’s nice to see that Pixar hasn’t lost its magic touch. As company founder John Lasseter always says, nothing is more important than story ... except perhaps credible characters who work their way into our hearts.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">That’s certainly the case here.</span><span class="Apple-style-span" style="font-family: 'Times New Roman';"><o:p></o:p></span></span></div><!--EndFragment-->

2013 Animated films Aubrey Plaza Billy Crystal Four Star Films Helen Mirren John Goodman Nathan Fillion Pixar Sequel Series Steve Buscemi Monsters University: Endearing school daze

Monsters University (2013) • View trailer Four stars. Rating: G, and suitable for all agesBy Derrick Bang 0 false 18 pt 18 pt 0 0 false false false /* Style Definitions */ table.MsoNormalTable {mso-styl…

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