Give 'Em the Old Pizzazz - Funny Face (1957)

<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPtny_gfVAQdWtE2utDdfEmx7prXKSAU7O1vOV_XkwTjNtRlDBvM058zeyrEzXWvlGEibSL_r9EHQdwByC21q2gK6WgU-w-KHetwW35txnBLtaJb6mn3Q9kgLtQ_R2zc_DwvZqsC5oNATK/s1600/funny+face+red+dress+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPtny_gfVAQdWtE2utDdfEmx7prXKSAU7O1vOV_XkwTjNtRlDBvM058zeyrEzXWvlGEibSL_r9EHQdwByC21q2gK6WgU-w-KHetwW35txnBLtaJb6mn3Q9kgLtQ_R2zc_DwvZqsC5oNATK/s400/funny+face+red+dress+2.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"></div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><br /></div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><span style="font-size: small;"><i><span style="color: #990000;">Director Stanley Donen and actress Audrey Hepburn are being honored separately and together at this year's TCM Classic Film Festival in Hollywood. The director, who will be making personal appearances at all screenings of his films, did some of his best work with the sublime Audrey as his leading lady. With a "happy birthday" to Stanley Donen who celebrates his 88th birthday today, this post is dedicated to them both... </span></i></span><br /><i>  </i><br />Pizzazz! The very word came into being with <i style="mso-bidi-font-style: normal;">Funny Face</i> in 1957.</div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><br /><a name='more'></a></div><div style="font-family: Verdana,sans-serif; line-height: 14pt;">Stylish and energetic, <i style="mso-bidi-font-style: normal;">Funny Face</i><b> </b>is a collaboration extraordinaire involving some of the great talents of the era: Producer Roger Edens and director Stanley Donen, screenwriter Leonard Gershe, cinematographer Ray June, costumer Edith Head, couture designer Hubert de Givenchy, photographer Richard Avedon and the film's matchless stars Audrey Hepburn, Fred Astaire and Kay Thompson. Sprinkled with an assortment of Gershwin tunes, this is a movie of considerable pizzazz...</div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC5ZN2jsdSujI2QpKuGzSPEwGQFvVLijCcuyxbH18A0jZdclAiFV4wkNomCLrUUhQvQiS2NdsLa5aHp037Vbmts31Bd0HpfSaXVNMfi__vYH_UUf6YivQGJnVlXMKVkY7ESOJhUZF2gdQB/s1600/audrey.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="161" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgC5ZN2jsdSujI2QpKuGzSPEwGQFvVLijCcuyxbH18A0jZdclAiFV4wkNomCLrUUhQvQiS2NdsLa5aHp037Vbmts31Bd0HpfSaXVNMfi__vYH_UUf6YivQGJnVlXMKVkY7ESOJhUZF2gdQB/s200/audrey.jpg" width="200" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Audrey Hepburn as Jo Stockton</td></tr></tbody></table><i style="mso-bidi-font-style: normal;">Funny Face</i> had been a work in progress for years, but the vital element that finally brought the project together was Audrey Hepburn. Then under contract to Paramount, Hepburn was a white-hot star at the time and any picture with her name attached had a very good chance of being made. She loved both the script and the opportunity to dance with Fred Astaire and quickly agreed to do the picture.</div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><br /></div><div style="font-family: Verdana,sans-serif; line-height: 14pt;">Astaire, then nearing 60, was coming to the end of his career in musical films. <i style="mso-bidi-font-style: normal;">Funny Face</i> and <i style="mso-bidi-font-style: normal;">Silk Stockings</i> were released within months of each other in 1957 and were his last popular movie musicals.</div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><br /></div><div style="font-family: Verdana,sans-serif; line-height: 14pt;">Though its name was taken from a '20s Gershwin musical in which Astaire had starred, the title and a few tunes were all the film had in common with the original New York show. The film's story came from <i style="mso-bidi-font-style: normal;">Wedding Day</i>, Leonard Gershe's Broadway musical about the fashion world based on 'the aura' (rather than the life) of legend-to-be photographer Richard Avedon and his wife. Doe Avedon, a great beauty of the time, was a reluctant muse; it was her husband who turned her into a top-notch model and who guided her career.</div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><br /></div><div style="text-align: left;"></div><div style="font-family: Verdana,sans-serif; line-height: 14pt;">Kay Thompson, ace vocal coach, arranger and cabaret star, had worked with Frank Sinatra, Judy Garland, Lena Horne and many others during her years in MGM's music department. Gershe had her in mind from the start for the role of Maggie Prescott, a character closely modeled on powerhouse fashion editor and style doyenne of the era, Diana Vreeland. According to Leonard Gershe, it was Vreeland who coined the word 'bizzazz' that mutated into 'pizzazz.' Thompson as Prescott is an invigorating presence and she steals just about every scene she's in; early on, her "Think Pink!" number kicks <i style="mso-bidi-font-style: normal;">Funny Face</i> into high gear...<br /><div style="text-align: center;"><br /></div></div><div style="font-family: Verdana,sans-serif; line-height: 14pt; text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/gVserRvKyec" width="560"></iframe></div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><div style="text-align: center;"><i><span style="font-size: x-small;"><span style="font-family: Verdana,sans-serif;">Think Pink!</span></span></i></div><br /><i>Funny Face</i> is a Cinderella tale, the kind of story that was Audrey Hepburn's bread and butter. The film begins in the offices of <i style="mso-bidi-font-style: normal;">Quality</i> magazine where editor Maggie Prescott (Thompson) decrees that the world of fashion shall think and wear pink (though she does not)! Soon after, she and photographer Dick Avery (Astaire) venture to bohemian Greenwich Village on a shoot...where bookstore clerk Jo Stockton (Hepburn), an ugly duckling with swan potential, is unearthed. The plot takes off from here. Cut to Paris where newly made-over model Jo wears exquisite Givenchy haute couture and is gorgeously photographed by Dick everywhere in the City of Light. Songs are sung. Dances are danced. Love blooms. A fairytale ending eventually comes to pass.</div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjemEVIDuyxPcTXg3TX10wcoDJXUyFXiJ4P2pBPem0mf8hqE8OCQC8yYoiSVhdxNcU7uXZROOzCFDMFCXPykH-QmBD8r3SxzXwVR_GDAN6rmRcuz5W0bx8l6462RQvOywe4JRHIrMnCWFX7/s1600/funny+face+astaire.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjemEVIDuyxPcTXg3TX10wcoDJXUyFXiJ4P2pBPem0mf8hqE8OCQC8yYoiSVhdxNcU7uXZROOzCFDMFCXPykH-QmBD8r3SxzXwVR_GDAN6rmRcuz5W0bx8l6462RQvOywe4JRHIrMnCWFX7/s320/funny+face+astaire.jpg" width="320" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;">Fred Astaire as Dick Avery</td></tr></tbody></table><div style="font-family: Verdana,sans-serif; line-height: 14pt;">The basic storyline is nothing new, but watching Hepburn, Astaire and Thompson cut loose in New York and Paris (and in song) is so easy on the eyes and ears that in so many ways...'s wonderful.</div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><br /></div><div style="font-family: Verdana,sans-serif; line-height: 14pt;">And there's the 'beatnik' interlude, most noteworthy for Audrey's dance routine in a subterranean Parisian club dressed in black turtleneck and capris with white socks. Though Hepburn battled Donen over the color of her socks, he won and the result is memorable.</div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><br /></div><div style="font-family: Verdana,sans-serif; line-height: 14pt;">Stanley Donen was never nominated for an Academy Award, although he created some of the greatest musicals in movie history - including <i style="mso-bidi-font-style: normal;">Singin' in the Rain</i> and <i style="mso-bidi-font-style: normal;">Seven Brides for Seven Brothers</i>. He also made several successful non-musicals, films like <i style="mso-bidi-font-style: normal;">Charade</i> and <i style="mso-bidi-font-style: normal;">Two for the Road</i>. In 1998, the Academy honored him with a Lifetime Achievement Award and in his acceptance speech he both sang and danced to Cole Porter's "Cheek to Cheek"...he still knew how to "give 'em the old pizzazz!"</div><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><br /><div style="font-family: Verdana,sans-serif; line-height: 14pt;"><div class="separator" style="clear: both; text-align: center;"></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj70JUAfe2Dr48tA0F1Fv2MSF_72CKQAlarV-GByOkoklG-Tv7ycEQOxACz1GHKoQmLfBaDS-JICRWWblqOkLz1ws7vjwRSW5paGgQOjwlIGT_caDk70zQ_aq5gcIBo7gF_69e5tTOjnDY9/s1600/Stanley+Donen.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj70JUAfe2Dr48tA0F1Fv2MSF_72CKQAlarV-GByOkoklG-Tv7ycEQOxACz1GHKoQmLfBaDS-JICRWWblqOkLz1ws7vjwRSW5paGgQOjwlIGT_caDk70zQ_aq5gcIBo7gF_69e5tTOjnDY9/s320/Stanley+Donen.jpg" width="254" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Stanley Donen and his Lifetime Achievement Oscar, 1998</td></tr></tbody></table><div style="text-align: center;"><a href="http://youtu.be/JMC8kHycgwM" style="color: #990000;">Click here</a> to watch his acceptance of his Lifetime Achievement Award</div><br /></div></div>

Audrey Hepburn Fred Astaire Funny Face Hubert de Givenchy Kay Thompson Leonard Gershe Richard Avedon Stanley Donen TCM Classic Film Festival The Lady Eve (author) Give 'Em the Old Pizzazz - Funny Face (1957)

Director Stanley Donen and actress Audrey Hepburn are being honored separately and together at this year's TCM Classic Film Festival in Hollywood. The director, who will be making personal appearances at all screenings of his films, did some of his b…

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Kick your cares down the stairs...and come to Holiday Inn (1942)

<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSkg-ylDQ31AzYLvKQmt2NpS5zTIvFWdb1b-3tQl5BIJ1uqrf4x5N6Or2aHaBffta6y_JHbUUeBoZpI0dbhj9Lg4pqWAyWvntTAOeP5Cnc_9pmoEVf1flZg8ousM1pBiy7JcZSqbWdtjPv/s1600/1+holiday+inn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" n4="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSkg-ylDQ31AzYLvKQmt2NpS5zTIvFWdb1b-3tQl5BIJ1uqrf4x5N6Or2aHaBffta6y_JHbUUeBoZpI0dbhj9Lg4pqWAyWvntTAOeP5Cnc_9pmoEVf1flZg8ousM1pBiy7JcZSqbWdtjPv/s1600/1+holiday+inn.jpg" /></a></div><br /><strong>Holiday Inn</strong> (1942) is famed as the film in which Bing Crosby first sang "White Christmas." I love its teaming of Crosby with Fred Astaire, their song and dance routines, the comedic rivalry between them, Irving Berlin's sensational music, the wintry New England scenery...everything about it.<br /><br />In this video review, New YorkTimes critic A.O. Scott discusses <strong>Holiday Inn</strong> - with film clips. He does talk about the "Abraham" number...but<em> doesn't </em>suggest censoring it. Click to watch...<br /><br /><object height="385" width="480"><param name="movie" value="http://www.youtube.com/v/iMtSqdRoagw?fs=1&hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/iMtSqdRoagw?fs=1&hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object><br /><br />Scott's review started with a clip of a clever Fred Astaire routine, his New Year's Eve dance "under the influence" with Marjorie Reynolds...click below to watch the entire sequence...<br /><br /><object height="385" width="480"><param name="movie" value="http://www.youtube.com/v/cszCAE6YfBY?fs=1&hl=en_US"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/cszCAE6YfBY?fs=1&hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object><br /><br />(I probably don't need to add: don't try this yourself!)

A.O. Scott Bing Crosby Fred Astaire Holiday Inn Irving Berlin Marjorie Reynolds The Lady Eve (author) White Christmas Kick your cares down the stairs...and come to Holiday Inn (1942)

Holiday Inn (1942) is famed as the film in which Bing Crosby first sang "White Christmas." I love its teaming of Crosby with Fred Astaire, their song and dance routines, the comedic rivalry between them, Irving Berlin's sensational music, the wintry …

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COFFEE TIME!

<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbqLmALtHZJ8As5Q6G770NRLpiIGSNbavNsCsLjGOk-NWWYVOVo43tn9O-6Dqtq5mVaLMz-cH1hCUDi-XCRC_xJmUbBI3pDxwCtwAsFxeGPIpuhRwVvKA99VdOWBYKKQ0VE5Tlg7_p9DYD/s1600/cwb_coffee_cup%255B1%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" px="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbqLmALtHZJ8As5Q6G770NRLpiIGSNbavNsCsLjGOk-NWWYVOVo43tn9O-6Dqtq5mVaLMz-cH1hCUDi-XCRC_xJmUbBI3pDxwCtwAsFxeGPIpuhRwVvKA99VdOWBYKKQ0VE5Tlg7_p9DYD/s320/cwb_coffee_cup%255B1%255D.jpg" width="320" /></a></div><br /><br /><span style="font-family: Arial, Helvetica, sans-serif;">Although Vincente Minnelli's 1945 musical <b>Yolanda and the Thief</b> is not one of his or Fred Astaire's most popular films, it contains a jewel of a musical number that has earned raves from day one...<i>Coffee Time</i>...</span><br /><div class="separator" style="clear: both; text-align: center;"></div><br /><span style="font-family: Arial, Helvetica, sans-serif;">When the film was released, none other than stuffy Bosley Crowther, critic for <i>The New York Times</i>, was impressed: "...a rhythm dance, done to the melody of Mr. Freed's <i>Coffee-Time</i>, puts movement and color to such uses as you seldom behold on screen."</span><br /><br /><span style="font-family: Arial, Helvetica, sans-serif;">More recently, Stuart Klawans of <i>The Nation</i> was even more enthusiastic: "Minnelli puts Astaire and Lucille Bremer into the midst of a mad pulsation of dancers in mocha and cafe au lait costumes...the chorus swirls; the camera swirls; the gringo-Latin rhythms shift giddily...<i>Coffee Time</i>  is heaven itself, and a warm-up for the 18-minute ballet that Minnelli and Gene Kelly would create in <b>An American in Paris</b>."</span><br /><br /><span style="font-family: Arial, Helvetica, sans-serif;"><i>Coffee Time</i> is the reworking of an earlier tune by composer Harry Warren called <i>Java Junction</i>. His collaborator, producer/songwriter Arthur Freed, created new lyrics for the updated melody. In the film, the routine begins as a captivating contrast in rhythms, with the orchestra playing in 4/4 time while the dancers dance in 5/4 time. The number goes through a series of variations and ends up a full-blown swing number showcasing Astaire and Bremer.</span><br /><br /><span style="font-family: Arial, Helvetica, sans-serif;">The <i>Coffee Time</i> sequence is a fiesta for the eyes. Costumer Irene Sharaff developed the stylized combo of costumes and decor. She created coffee-colored outfits for the extras and, to set off the costumes, devised a pattern of rolling black and white lines on the dance floor that form an optical illusion. With Fred Astaire, choreographer Eugene Loring came up with a dance based on slow jazz rhythms. Minnelli's lighting and camera work added the finishing touches.</span><br /><br /><span style="font-family: Arial, Helvetica, sans-serif;">Watch <i>Coffee Time</i> here - </span><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/RrtyKQsVooI" width="420"></iframe></div>

Arthur Freed Eugene Loring Fred Astaire Harry Warren Irene Sharaff Lucille Bremer The Lady Eve (author) Vincente Minnelli Yolanda and the Thief COFFEE TIME!

Although Vincente Minnelli's 1945 musical Yolanda and the Thief is not one of his or Fred Astaire's most popular films, it contains a jewel of a musical number that has earned raves from day one...Coffee Time...When the film was released, none other …

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