VERTIGO, the Bit Players

<div style="font-family: Verdana,sans-serif;"><i>by guest contributor Allen Hefner</i></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="color: black; margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhip_lxNFq1CMQ2im21bCjekjW1rA2yDPu2mBF-T-Zf1DE1-Uq_gFHeTOOTnIGfIzzggFZMEOnLEX3CHjkfNJ40qujo6HQl8PWsh8waHHO4_8vffXHpNZO1-ox3gikqtv1ye-i3PIZvgZAB/s1600/VertigoMadeleineGavin.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhip_lxNFq1CMQ2im21bCjekjW1rA2yDPu2mBF-T-Zf1DE1-Uq_gFHeTOOTnIGfIzzggFZMEOnLEX3CHjkfNJ40qujo6HQl8PWsh8waHHO4_8vffXHpNZO1-ox3gikqtv1ye-i3PIZvgZAB/s400/VertigoMadeleineGavin.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Verdana,sans-serif;">Kim Novak with Tom Helmore in </span><i style="font-family: Verdana,sans-serif;">Vertigo</i></td></tr></tbody></table><div class="MsoNormal" style="color: black; font-family: Verdana,sans-serif;"><div class="separator" style="clear: both; text-align: center;"></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><i><span style="color: black;"></span></i></span></div><br /><span style="font-size: small;">A movie as incredible as <i>Vertigo</i> (1958) is a collaboration of many parts.  Even an actor as talented as James Stewart can’t carry a film of this complexity by himself.  The locations, scenery, costumes, set decoration, lighting, music, bit parts and even the cars are important to make any film a success.  </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">I enjoy looking at the Bit Parts in a movie…seeing where the Bit Actors came from and where they went after a successful movie.  Most of them didn’t get paid much, but the good ones put their whole heart and soul into each role, whether it was a small part in a television western or an opportunity to supply an important plot element in a movie like <i>Vertigo</i>.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Let’s look at some of the larger Bit Parts in <i>Vertigo.</i>  I have listed them in order of the number of roles they have played during their career. </span><br /><span style="font-size: small;"></span><br /><a name='more'></a><span style="font-size: small;"> </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8apcW-IaxPkvOpRhb0QyakpzYi4J-9iWClvhJkU7BO9k_iHMAqTAa7CzkhRaaDlYksrBDEtwi20wkAE2ZLau3sh2tm4z6q47BsgNnYpjdqY-aqHe1hcGi20xTjGQ8oidQMxHZMfWMw7ug/s1600/Corby+Bit+Part.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8apcW-IaxPkvOpRhb0QyakpzYi4J-9iWClvhJkU7BO9k_iHMAqTAa7CzkhRaaDlYksrBDEtwi20wkAE2ZLau3sh2tm4z6q47BsgNnYpjdqY-aqHe1hcGi20xTjGQ8oidQMxHZMfWMw7ug/s320/Corby+Bit+Part.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Verdana,sans-serif;">Ellen Corby and James Stewart</span></td></tr></tbody></table><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><i><b>Ellen Corby</b></i><i> </i>(1911 – 1999)  238 titles are listed on IMDb for Ellen.  She worked with Alfred Hitchcock in <i>Vertigo</i> as the McKittrick Hotel manager, and also in several of his TV shows.  Her first movie was <i>Rafter Romance</i> (1933) starring Ginger Rogers, released just before Rogers teamed up with Fred Astaire in <i>Flying Down to Rio</i> the same year.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Corby’s next film was <i>Sons of the Desert</i> (1933) starring Laurel and Hardy.  She would make two other L&H films, <i>Babes in Toyland</i> (1934) and <i>Swiss Miss</i> (1938).  Her first pairing with James Stewart was in a little film called <i>It’s a Wonderful Life</i> (1946).  She plays a Bailey Savings and Loan customer who withdraws just $17.50 during the run.  Stewart didn’t expect her to say that small amount, so he kissed her!  I guess Frank Capra could get as much out of his actors as Hitchcock.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Most of Corby’s roles through the 1940s were uncredited, but she continued to get better and better parts.  Look for her in <i>Mighty Joe Young</i> (1949) the <i>King Kong</i> send-up, <i>The Gunfighter</i> (1950) with Gregory Peck, <i>Angels in the Outfield</i> (1951) with Janet Leigh, <i>Sabrina</i> (1954) with Humphrey Bogart, and <i>Night Passage</i> (1957) again with James Stewart…all before <i>Vertigo</i>, and all great films.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Corby’s television career is another long story, but it took her from being Mother Lurch in “The Addams Family” to Esther Walton on “The Waltons,” a role she played in the series and many of the Walton’s specials. </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div style="text-align: right;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeYUW0Z4Wd72IAq2pZJoiyVCIJj03Ob8ZTHTg2S1YWsYXnpu3AMu830l94hO8iXeCr992AlNgA2YgqbGsHOTNX_0pgJaWGSIBd9eHPyDJH4anx39N9n2w-SG8OaH9uF_YKYnUsmq1HS2F4/s1600/Henry+Jones.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeYUW0Z4Wd72IAq2pZJoiyVCIJj03Ob8ZTHTg2S1YWsYXnpu3AMu830l94hO8iXeCr992AlNgA2YgqbGsHOTNX_0pgJaWGSIBd9eHPyDJH4anx39N9n2w-SG8OaH9uF_YKYnUsmq1HS2F4/s320/Henry+Jones.jpg" width="320" /></a></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b><i>Henry Jones</i></b> (1912 – 1999), shown at right, has 202 titles listed and is certainly one of the most recognizable Bit Actors in cinema.  He was born in Philadelphia, so I like him even more.  His first film was <i>This is the Army</i> (1943) starring George Murphy and featuring Ronald Reagan.  </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Jones moved straightaway into television in 1950, and his second appearance on TV was with George Burns and Gracie Allen.  In the early days, television was considered a step down from acting on film, just as 50 years earlier acting on film was less desirable than being on Broadway.  Television appearances in the early days were much more frequent than movies, so all those kids (myself included) who were glued to the TV set until the next Saturday matinee at the local theatre would have the faces of those actors and actresses burned into their subconscious, only to resurface 50 years later and be written about on the Internet.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Jones continued making movies during his television work.  In 1957 look for him in <i>Will Success Spoil Rock Hunter?</i> with Tony Randall and Jayne Mansfield, and then in <i>3:10 to Yuma</i> starring Glenn Ford, and of course in 1958 as the blue-suited coroner in <i>Vertigo</i>.  </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">In 1969 we see Henry in <i>Support Your Local Sheriff!</i> with James Garner, and as a bicycle salesman in <i>Butch Cassidy and the Sundance Kid</i> with of course, Paul Newman and Robert Redford.  Later in his career he continues mostly on TV, but look for him in these great films –<i>Nine to Five</i> (1980), <i>Deathtrap</i> (1982), <i>Dick Tracy</i> (1990), and his final film <i>The Grifters</i> (1990).</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWRXBS3wXHr7L3XzXYOQjAIUxVcfxeOGZQeWNbgGPiup3DFH8vXSEOLLg9kVr_29x1feFhawFdHulBM44JXKXwGQDmkbmc1x6tqjwui3r8JawwoLORNhRMHeGik1B6kxbO5drwX60TbI2d/s1600/Raymond+Bailey.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWRXBS3wXHr7L3XzXYOQjAIUxVcfxeOGZQeWNbgGPiup3DFH8vXSEOLLg9kVr_29x1feFhawFdHulBM44JXKXwGQDmkbmc1x6tqjwui3r8JawwoLORNhRMHeGik1B6kxbO5drwX60TbI2d/s320/Raymond+Bailey.jpg" width="320" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;">Barbara Bel Geddes and Raymond Bailey</td></tr></tbody></table><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><i><b>Raymond Bailey</b> </i>(1904 – 1980) is best known as Milburn Drysdale on “The Beverly Hillbillies.”  However, that came near the end of his career of 146 titles that started in 1939.  His first dozen years on the big screen went largely uncredited.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Television again allowed Bailey to find good work as an actor, but it wasn’t until the 1960s that he had a regular role in “My Sister Eileen,” a show I have never seen.  </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">In the movies he has quite a long list, but many are forgettable films with second tier stars like Jock Mahoney, Jeff Chandler, and Tab Hunter.  He appeared in <i>Band of Angels</i> (1957) which came near the end of Clark Gable’s career.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">1958 may have been his finest film year, with appearances in <i>Darby’s Rangers</i>, <i>Lafayette Escadrille</i>, <i>Vertigo</i> (a small role as Scottie’s doctor), <i>No Time for Sergeants</i>, <i>The Lineup</i>, <i>King Creole</i> and <i>I Want to Live!</i>  Quite a year for him, and for us.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Then, more TV, more TV, and in 1960 <i>The Gallant Hours</i> starring James Cagney and <i>From the Terrace</i> with Paul Newman…and more TV.  Finally, Jed Clampett makes him a famous Beverly Hills banker and the rest is history.  His final films were <i>Herbie Rides Again</i> (1974) and <i>The Strongest Man in the World</i> (1975).</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI9Pqo-tB9eUheKe3jyjcXvGdjyxTw99SRppySMODeAeJndfAX7VTNt7xwhMZ437WBmFRfcWmFXmNG3qIjGeZ7HAwKB24xrTVuXnTx42YHrSFUJmg4xmpFH8rQs3BYyxd2a7sW6xhLi_Bd/s1600/Lee+Patrick.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI9Pqo-tB9eUheKe3jyjcXvGdjyxTw99SRppySMODeAeJndfAX7VTNt7xwhMZ437WBmFRfcWmFXmNG3qIjGeZ7HAwKB24xrTVuXnTx42YHrSFUJmg4xmpFH8rQs3BYyxd2a7sW6xhLi_Bd/s320/Lee+Patrick.jpg" width="320" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;">James Stewart and Lee Patrick</td></tr></tbody></table><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><i><b>Lee Patrick </b></i>(1901 – 1982) was the lady who is mistaken for Madeleine at her car.  Her role in <i>Vertigo</i> was small, but it helped fill in some questions in Scottie’s mind.  Of course to me, Lee Patrick will always be Henrietta Topper of the television series “Topper” starring Leo G. Carroll as Cosmo Topper.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Lee has 104 titles listed on IMDb starting in 1929.  Her first major motion picture, though not a starring role, was as Effie in the Bogart classic <i>The Maltese Falcon</i> (1941).  In a Hitchcockian (is that a word?) twist, her final film was <i>The Black Bird</i> (1975) and she played the same part.  I am sure that was a forgettable movie, where George Segal plays Sam Spade’s son, still looking for the elusive Falcon.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">In between those films you can catch her in <i>Now, Voyager</i> (1942), <i>George Washington Slept Here</i> (1942), <i>A Night to Remember</i> (1942), <i>Jitterbugs</i> (a not so great Laurel and Hardy film in 1943), <i>Mildred Pierce</i> (1945), <i>Vertigo</i> and <i>Auntie Mame</i> in 1958, <i>The Seven Faces of Dr. Lao</i> (1964), and a bunch of television.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjurmNY6mg64YidLLBDYEGWscFSaVg1nVmsuFQ6LSwhQbaKGGL_TASknK0CkAlfrkdbYu_kfgm5hI1nxXyjOXHgdeNvii7t5h6TxL_LB6WxMpgfpW_7vSNg-DTn7b0sBBge9kwhcr9tYiF7/s1600/Tom+Helmore.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="233" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjurmNY6mg64YidLLBDYEGWscFSaVg1nVmsuFQ6LSwhQbaKGGL_TASknK0CkAlfrkdbYu_kfgm5hI1nxXyjOXHgdeNvii7t5h6TxL_LB6WxMpgfpW_7vSNg-DTn7b0sBBge9kwhcr9tYiF7/s320/Tom+Helmore.jpg" width="320" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;">Tom Helmore with James Stewart</td></tr></tbody></table><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b><i>Tom Helmore</i></b> (1904 – 1995)  Even though Gavin Elster (the real Madeleine’s husband) was a focal point of the mystery in <i>Vertigo</i>, I must include Tom Helmore as a Bit Player in a supporting role.  He really doesn’t have much screen time.  But he has 72 titles on IMDb.  And he appears in two earlier Hitchcock movies, <i>The Ring</i> (a silent film from 1927) and <i>Secret Agent</i> (1936) with John Gielgud.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><div class="separator" style="clear: both; text-align: left;"><span style="font-size: small;">There’s not much to write about in his other work.  Of note is an appearance in <i>The Tender Trap</i> (1955) with Frank Sinatra, <i>The Time Machine</i> (1960) with Rod Taylor, plus some good television work.  The last movie he worked in was <i>Flipper’s New Adventure</i> (1964).</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"> </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYxSLWBZeuJi9FqSZtiAXNwyoEJ5nyC29sv7wlTsZDo4QLIlLHgVXdLuMdJoqcslxIW0vBf6k__nFHrbnGPwjXiQNZGnCrcNdRoZh5-GXVM93HW0tam97KnHzbw5HcAOqW12CMttoi_9KV/s1600/Konstantin+Shayne.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="232" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYxSLWBZeuJi9FqSZtiAXNwyoEJ5nyC29sv7wlTsZDo4QLIlLHgVXdLuMdJoqcslxIW0vBf6k__nFHrbnGPwjXiQNZGnCrcNdRoZh5-GXVM93HW0tam97KnHzbw5HcAOqW12CMttoi_9KV/s320/Konstantin+Shayne.jpg" width="320" /></a></div><div class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: "Verdana","sans-serif";">Konstantin Shayne</span></i></b><span style="font-family: "Verdana","sans-serif";"> (1888 – 1974), shown at right, certainly sounds like a Russian cowboy.  Shayne played Pop Leibel, the bookstore owner who fills in the missing story about Carlotta Valdes.  Again, a very small part but integral to understanding the plot.  </span></div><div class="MsoNormal"><br /></div><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";">Shayne has 49 titles listed on IMDb, starting in 1938.  His performances of note were in <i>None But the Lonely Heart</i> (1944), <i>The Stranger</i> (1946) and <i>The Secret Life of Walter Mitty</i> (1947).  You can also see him in small parts in a Bulldog Drummond film and in <i>The Falcon in Hollywood</i> (1944).  He appeared quite a few times on TV in the 1950s, and his final movie was <i>Joy in the Morning</i> (1965) starring Richard Chamberlain.</span></span><span style="font-size: small;"><span style="font-size: small;"> </span></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1Y3AfJaikBnrsARN6ux8EQNBFA1OFSaIG6Vki-E4CqYM35mwyFREWgBanC1x5iqRlMDf5OhiA8wPAAC5b58aH4LP9qnRyBV1EUkNW_8LVmNUaT3XwKr5Ou7hy51UAGBmNGlWvqdgcYvCf/s1600/Margaret+Brayton.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1Y3AfJaikBnrsARN6ux8EQNBFA1OFSaIG6Vki-E4CqYM35mwyFREWgBanC1x5iqRlMDf5OhiA8wPAAC5b58aH4LP9qnRyBV1EUkNW_8LVmNUaT3XwKr5Ou7hy51UAGBmNGlWvqdgcYvCf/s320/Margaret+Brayton.jpg" width="320" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;">Margaret Brayton and Kim Novak</td></tr></tbody></table><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b><i>Margaret Brayton</i></b> (1907 – 1992) played the saleswoman in the dress shop that Scottie and Judy went to.  While it may not seem like it was important to have this scene in <i>Vertigo</i>, it does serve to highlight the extent of Scotty’s obsession with turning Judy into Madeleine.  </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">She has 48 titles on IMDb from 1934 to 1959, mostly uncredited, with maybe five television appearances.  Another of her other well-known films was <i>Who Done It?</i> (1942) with Abbott and Costello.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b><i>Molly Dodd </i></b>(1921 – 1981) was the beautician who also worked over Judy to recreate Madeleine.  I loved it when she told Scottie that she knew what <i>HE</i> wanted, as though everyone in San Francisco was tired of his fantasy.  Her 40 titles on IMDb include only four movies and <i>Vertigo</i> was her first.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaIZO55b_hMuvy5ILSbXwr2SLsgc-TbN6Ybm7S0iCo0peoUoz-tMaF33v1_TaJQYbeu6qAAZDJZ2UUmZNvBz1L9nzxS_n9twCayZ78ykYufJ6FnDkvPQRAWUUWuGVkzEDpwbv-swCs4e1K/s1600/Molly+Dodd.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="209" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaIZO55b_hMuvy5ILSbXwr2SLsgc-TbN6Ybm7S0iCo0peoUoz-tMaF33v1_TaJQYbeu6qAAZDJZ2UUmZNvBz1L9nzxS_n9twCayZ78ykYufJ6FnDkvPQRAWUUWuGVkzEDpwbv-swCs4e1K/s320/Molly+Dodd.jpg" width="320" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;">Molly Dodd and James Stewart</td></tr></tbody></table><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Look for Molly in many of the sitcoms in the 1960s.  In 1976 she was also in a few episodes of “The Waltons” with Ellen Corby.  Her last movie was <i>Harper Valley P.T.A.</i> (1978).</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">And finally, there are the cars…Scottie’s <b><i>1956 DeSoto Firedome</i></b>, Madeleine’s <b><i>1957 Jaguar Mk VIII</i></b>, and Midge’s (Barbara Bel Geddes) <b><i>1956 Karmann Ghia</i></b>.  I have written before about cars in cinema and I am sure there are volumes available on the topic.  </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjmVkF3HvhBNrSZ9HQ6pvUUUG_Oe5wntukVEm939JIEkOruXTok2SMMc96VaMdXHmyq761NVg284gLK8HYXQBZ-gnq92ET2TpoX4gg5SLROfRCRRdcrtn-GTS_Cl5Q_neYlxIhnp6RpOPB/s1600/Madeleine+in+green+jag.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="209" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjmVkF3HvhBNrSZ9HQ6pvUUUG_Oe5wntukVEm939JIEkOruXTok2SMMc96VaMdXHmyq761NVg284gLK8HYXQBZ-gnq92ET2TpoX4gg5SLROfRCRRdcrtn-GTS_Cl5Q_neYlxIhnp6RpOPB/s320/Madeleine+in+green+jag.jpg" width="320" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;">'Madeleine' in her 1957 Jaguar Mk VIII</td></tr></tbody></table><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">The two main cars in <i>Vertigo</i> are more than obvious as plot vehicles  (Sorry!  I couldn’t resist).  They are as distinctive as the characters they belong to.  It was important for the cars to be instantly recognizable to avoid confusion in the film.  While Scotty is following Madeleine, you need to be able to pick out her car in the traffic.  You see it later at his apartment, and again after Madeleine’s staged death in the scene with Lee Patrick.  </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">It is also interesting that the three cars match their owner’s personalities perfectly.  I can see each one of them picking out their car at the dealership.  Of course, it wasn’t the Kim Novak Madeleine who bought the Jag, but it would fit the real Madeleine’s station in society.  Scottie would be matter-of-fact in his purchase, buying a car big enough for his needs, with a powerful V8.  And Midge would have chosen her Ghia because it was so cute!</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTj2o_4VJP_jK0fG_HTyXF8pzoToYUriPZKpuVPgFv_dE-zUkcki_ZuQPXNMT3CSPos8MTA9FUoDhEmK4C0XSfCgBMHUbS0UNkvSlTVx8dHiRb2Pr5YKwRO33VscPFDuqIusXlIn5qWmTM/s1600/Midges+Ghia.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTj2o_4VJP_jK0fG_HTyXF8pzoToYUriPZKpuVPgFv_dE-zUkcki_ZuQPXNMT3CSPos8MTA9FUoDhEmK4C0XSfCgBMHUbS0UNkvSlTVx8dHiRb2Pr5YKwRO33VscPFDuqIusXlIn5qWmTM/s400/Midges+Ghia.jpg" width="400" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;">'Midge' in her 1956 Karmann Ghia</td></tr></tbody></table><div align="center" class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: center;"><span style="font-size: small;"> </span></div><div align="center" class="MsoNormal" style="font-family: Verdana,sans-serif; text-align: center;"><span style="font-size: small;"> </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Hitchcock thought of everything, right down to the cars.  His penchant for perfection is showcased in <i>Vertigo</i> and its excellent cast of Bit Actors.  And I’m sure you’ll agree that these parts helped make <i>Vertigo</i> the great classic film it is.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"> </span><span style="font-family: Verdana,sans-serif;">Many thanks to Eve for hosting this month long tribute, and to all the other writers who have put so much effort into the project.  I hope you enjoy every entry.  And please stop by my <i style="color: #990000;"><a href="http://www.blogger.com/goog_1165593110" style="color: #990000;">Bit Part <span id="goog_1165593107"></span><span id="goog_1165593108"></span></a><a href="http://bitactors.blogspot.com/" style="color: #990000;">Actors</a> <span style="color: black;"></span></i>blog for more great profiles.</span></span><br /><br /><div style="text-align: center;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">~</span></span></div><div style="text-align: left;"><span style="font-size: small;"><i><b>Allen Hefner</b> of </i>Bit Part Actors<i>, the blog he launched in May 2010, is from Pennsylvania and has been interested in movies from an early age. He recalls attending Saturday matinees at the Keswick Theatre in Glenside, PA, every Saturday of his youth, “when 50 cents bought you a two reeler (usually The Three Stooges or Laurel & Hardy), a few cartoons and a feature film.” Allen is a member of the famed Laurel & Hardy fan organization, <a href="http://home.earthlink.net/%7Esons_secretary/" style="color: #990000;">The Sons of the Desert</a>, and has, over the years, met and enjoyed the company of many film buffs and performers of days gone by including Margaret Hamilton, William Windom, Penny Singleton and others - as well as Stan Laurel's daughter, Lois, and </i>Sons of the Desert<i> founder (and cartoonist) Al Kilgore.</i></span><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFuSNbYZlKY1BikJfcsUG5dyumissZhgxhCEsE_2UFxBkaU7j4Qb_9yXhyphenhyphenbvigmbAucfoEjRSGSFOoQ0hJ01fhhN58Jax-v6RdzmuJuf3E3POAjnhIKrpdTu2-4H886CLPT2UCBW-lLjk/s1600/Bit+Part+Actors+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFuSNbYZlKY1BikJfcsUG5dyumissZhgxhCEsE_2UFxBkaU7j4Qb_9yXhyphenhyphenbvigmbAucfoEjRSGSFOoQ0hJ01fhhN58Jax-v6RdzmuJuf3E3POAjnhIKrpdTu2-4H886CLPT2UCBW-lLjk/s400/Bit+Part+Actors+2.jpg" width="400" /></a></div><br /><span style="font-size: small;"><i></i></span><br /><span style="font-size: small;"><i><span style="color: black;"></span></i></span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"> </span></span></div></div>

A Month of Vertigo Alfred Hitchcock Allen Hefner Ellen Corby Henry Jones Konstantin Shayne Margaret Brayton Molly Dodd Raymond Bailey Tom Helmore Vertigo VERTIGO, the Bit Players

by guest contributor Allen HefnerKim Novak with Tom Helmore in VertigoA movie as incredible as Vertigo (1958) is a collaboration of many parts.  Even an actor as talented as James Stewart can’t carry a film of this complexity by himself.  The locatio…

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A Month of VERTIGO: the Bloggers...

<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUl_9vJNmX4bZnXCB3BIftS-0a0CuPuyAb4NtcJ6_S0ppAKFtCdwF0UTT22_GPDM1YF0r_0uGiabxHyCn51OW56eroCv4lyISuAa3Vf_cwD_L4IzzSIaaJ3HUhS9p2rJapQuQPI2S2zMk/s1600/Vertigo+gfx+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUl_9vJNmX4bZnXCB3BIftS-0a0CuPuyAb4NtcJ6_S0ppAKFtCdwF0UTT22_GPDM1YF0r_0uGiabxHyCn51OW56eroCv4lyISuAa3Vf_cwD_L4IzzSIaaJ3HUhS9p2rJapQuQPI2S2zMk/s400/Vertigo+gfx+2.jpg" width="400" /></a></div><div style="font-family: Verdana,sans-serif;"><br /></div><div style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Arriving with 2012 will be this blog’s first major event, <i>A Month of VERTIG</i>O. The month will feature <strike>10</strike> 11 bloggers and one ‘vlogger' reflecting on facets of Alfred Hitchcock’s <i>Vertigo</i> (1958).</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZJQmHXKTHcFXsLev6pAT6S4xOws0gZfDYzG1QGZyRWAPjompJmQiqA8PynCQn-i5IBg2mPGG0TlYZhnJPnAqfVIhlt1dXWpoTZHRQ1hTEWNy78YYMKAQd4MGDB4TnuSl3X5WQAUmFNz8/s1600/hitchcock.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZJQmHXKTHcFXsLev6pAT6S4xOws0gZfDYzG1QGZyRWAPjompJmQiqA8PynCQn-i5IBg2mPGG0TlYZhnJPnAqfVIhlt1dXWpoTZHRQ1hTEWNy78YYMKAQd4MGDB4TnuSl3X5WQAUmFNz8/s1600/hitchcock.jpg" /></a></div><span style="font-size: small;">Unpopular with critics and audiences when it was released, <i>Vertigo</i> has endured. Today it is generally considered the great auteur's masterpiece of masterpieces and is one of the most highly regarded films in movie history. <i>Vertigo </i>is an ambitious work of grand scale and reputation - a staggering review subject for the lone blogger. And so, we <strike>eleven</strike> twelve have joined together to contemplate this masterwork from many angles.</span><br /><br /><span style="font-size: small;"> Here's what to expect at <i>The Lady Eve's Reel Life </i>during January 2012:</span><br /><span style="font-size: small;"></span><br /><a name='more'></a></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">January 1, R.D. Finch of <i>The Movie Projector </i>offers <i>Deadly Obsession: Alfred Hitchcock’s Vertigo</i>.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">January 4, Whistlingypsy of <i>Distant Voices and Flickering Shadows</i> muses on <i>Bernard Herrmann ~ Composer of Haunting Music and Treacherous Dreams</i>.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">January 7, Christian Esquevin of <i>Silver Screen Modiste</i> and author of <u>Adrian: Silver Screen to Custom Label</u> takes a look at the costumes and the characters who wore them with <i>The Costumes of Vertigo</i>.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH6IVwhBFDmgFO7XCgASK0ozl12nJaaIn83_fxsCqxcj7c5eY95ROVQNbu5V5BiTvcFbBQV8kp79W41J5XnXDtJ8SzzHTfF8MW6G7K1gB1rG_tZbxNLpfoQoXkbR7q2cWqLk-pDsZsxgY/s1600/kim_novak_spiral-french_twist_vertigo_1958.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH6IVwhBFDmgFO7XCgASK0ozl12nJaaIn83_fxsCqxcj7c5eY95ROVQNbu5V5BiTvcFbBQV8kp79W41J5XnXDtJ8SzzHTfF8MW6G7K1gB1rG_tZbxNLpfoQoXkbR7q2cWqLk-pDsZsxgY/s200/kim_novak_spiral-french_twist_vertigo_1958.jpg" width="146" /></a></div><span style="font-size: small;">January 10, Brandie Ashe of <i>True Classics</i> considers <i>Kim Novak in Vertigo: A Hypnotic Presence</i>.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">January 13, Michael Nazarewycz of <i>Filmoria.com</i>, <i>ManILoveFilms.com </i>and <i>ScribeHard on Film</i> contemplates the setting of <i>Vertigo</i>, that "jewel of American cities," with <i>More Than Just the Streets of San Francisco</i>.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">January 16, Steven DeRosa, author of <u>Writing With Hitchcock,</u> looks at <i>Vertigo</i> from the perspective of  screenwriter Samuel A. Taylor with <i>An Inconsequential Yarn</i>.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">January 19, John Greco of <i>Twenty Four Frames</i> offers his recent interview with preeminent Hitchcock biographer Patrick McGilligan (<u>Alfred Hitchcock: A Life in Darkness and Light</u>) on the subject of <i>Vertigo </i>and the filmmaker who conceived it.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">January 22, Allen Hefner of <i>Bit Part Actors</i> honors those with roles small and momentary in <i>Vertigo’s </i>supporting cast with <i>Vertigo, the Bit Players</i>.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ24KT53Z5aQw_JwDD__RI4YfIBJCPCjC131D3g95C0n5M3vIJcXe5belGhjlis4Sq9JxrAVUldD-1DZFJnoq8Owqu5cdtbq1_EIMJB8Kz19CKOR24QJEX2f_kEkg1b2LdEbWsvwf2O5E/s1600/vertigo+steps.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ24KT53Z5aQw_JwDD__RI4YfIBJCPCjC131D3g95C0n5M3vIJcXe5belGhjlis4Sq9JxrAVUldD-1DZFJnoq8Owqu5cdtbq1_EIMJB8Kz19CKOR24QJEX2f_kEkg1b2LdEbWsvwf2O5E/s320/vertigo+steps.jpg" width="248" /></a></div><span style="font-size: small;">January 25, Classic Film Boy of <i>Classic Film Boy’s Movie Paradise</i> assesses James Stewart's iconic and complex performance as ‘Scottie Ferguson’ in <i>Vertigo</i>.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">January 28, Brandon Kyle Goco of TCM’s Classic Film Union, <i>Brandon Kyle the Cinephile</i> and guest host of TCM’s October podcast series will ‘vlog’ (video blog) about his passion for <i>Vertigo</i>.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">January 31 - Dan Auiler, author of the most essential book on <i>Vertigo </i>out there, <u>VERTIGO: The Making of a Hitchcock Classic</u>. A late addition to the guest contributor group, Dan offers <i>Marking Vertigo</i>, which he describes as "understanding <i>Vertigo </i>as Madeleine with Chris Marker as guide. </span><br /><br /><span style="font-size: small;">February 3 - I'll ponder <i>Vertigo</i> in relation to the the French noir novel it was adapted from, <u>D'Entre Les Morts</u> by</span><span style="font-size: small;"> Boileau-Thomas Narcejac.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><br /></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Each post will include a bit of background on its author plus links to the contributor’s blog or site. Please join us for what promises to be a month of wide-ranging commentary on the Hitchcock film that critic David Thomson called "a masterpiece and an endless mystery," and about which he wrote, "It's a test case: If you are moved by this film, you are a creature of cinema..."</span><br /><div style="text-align: center;"><br /><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/epclrhxLJJ4" width="420"></iframe></div></div>

A Month of Vertigo Allen Hefner Brandie Ashe Brandon Goco Christian Esquevin Classic Film boy John Greco Michael Nazarewycz R.D. Finch Steven DeRosa The Lady Eve (author) Whistlingypsy A Month of VERTIGO: the Bloggers...

Arriving with 2012 will be this blog’s first major event, A Month of VERTIGO. The month will feature 10 11 bloggers and one ‘vlogger' reflecting on facets of Alfred Hitchcock’s Vertigo (1958).Unpopular with critics and audiences when it was released,…

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