News for today's 2018: 03/29/13

Fashion in Film Blogathon: Shanghai Express (1932)

11:30 PM Tukiyooo 0

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieyLtCNNsd7jJvVhqlnA2JmUnkyvWCStpY7ot6X39C6rNdf0P5qEG-_CxGgbyVGoFfMVAbk3TYI_i3L3eJ1Xp7Aqfqf7beZpo5Sg9ytwdK-kTEJbBXd0AvjDib1DAhiRRn4RTpcT_0Q5Y/s1600/clive_dietrich_windows_opt.png.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieyLtCNNsd7jJvVhqlnA2JmUnkyvWCStpY7ot6X39C6rNdf0P5qEG-_CxGgbyVGoFfMVAbk3TYI_i3L3eJ1Xp7Aqfqf7beZpo5Sg9ytwdK-kTEJbBXd0AvjDib1DAhiRRn4RTpcT_0Q5Y/s1600/clive_dietrich_windows_opt.png.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Clive Brook and Marlene Dietrich</span></td></tr></tbody></table><br /><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: large;">B</span>etween 1930 and 1935, Josef von Sternberg filmed six wondrous and surreal flights of imagination for Paramount starring Marlene Dietrich with costumes by Travis Banton. The director and Dietrich had already made their first film together<span style="font-size: small;"><i>, <span style="font-size: small;">The Blue Angel </span></i><span style="font-size: small;">(1930), for UFA in Germany and, on the heels of that film's sensational premiere in Berlin, departed for Hollywood. Von Sternberg, who was born in Austria but <span style="font-size: small;">mostly raised in America, had worked previously with Banton in the U.S. on <i>Underworld </i>(1927), a groundbreaking silent crime drama.</span></span></span></span></span><br /><a name='more'></a><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNLmwA6u5KvkjXCAGcql7AkvWPX2q39k46T4W1Vqi-7h4O_RrBFs8_XlSuhkFzYfj84wWU9gJMUELKQLQx1v2by3MmJeMAtQJVgNnr0h6Cop2-koX_Evt7ev5f8qXcV12qMG5q9yaFv_o/s1600/Evelyn_Brent_Underworld_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNLmwA6u5KvkjXCAGcql7AkvWPX2q39k46T4W1Vqi-7h4O_RrBFs8_XlSuhkFzYfj84wWU9gJMUELKQLQx1v2by3MmJeMAtQJVgNnr0h6Cop2-koX_Evt7ev5f8qXcV12qMG5q9yaFv_o/s320/Evelyn_Brent_Underworld_opt.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Evelyn Brent as Feathers McCoy in <i>Underworld</i></span></td></tr></tbody></table><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">The first of the six Paramount productions was <i>Morocco </i>(1930), the film that made a star of Dietrich. It brought Academ<span style="font-size: small;">y A</span>ward nominations to von Sternberg, cinematographer Lee Garmes, art director Hans Dreier - and for <span style="font-size: small;">Marlene </span>Dietrich her one and only Best Actress nod. <i>Morocco </i>also introduced elements and themes that would recur in Josef von Sternberg's future Dietrich films: an enigmatic siren, besotted men, distant locales, misleading <span style="font-size: small;">appearances, frustrated passion and the redemptive power of love.</span></span></span></span></span></span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGP8NXr2pc970gHvZr_4Ewlpl9Tdn9uyY7DktzUA84tTJFspEmamgGZ7m5UMulcuxpCXyxo9ThxZJMYoNBiKTMh-WJaqzuQVI8Cyy2idkyyfkkQefo0WXqU5zS0Gb8zU6-t_sq1SfNhHk/s1600/Morocco_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGP8NXr2pc970gHvZr_4Ewlpl9Tdn9uyY7DktzUA84tTJFspEmamgGZ7m5UMulcuxpCXyxo9ThxZJMYoNBiKTMh-WJaqzuQVI8Cyy2idkyyfkkQefo0WXqU5zS0Gb8zU6-t_sq1SfNhHk/s320/Morocco_opt.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Marlene Dietrich and Gary Cooper, <i>Morocco</i></span></td></tr></tbody></table><br /><div style="text-align: left;"></div><div class="MsoNormal"><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><i>Shanghai Express</i> (1932), the third of th<span style="font-size: small;">e </span>collaborations with Dietrich and Banton<span style="font-size: small;">, was, according to its director, "<span style="font-size: small;">loosely based on a single page by Harry Hervey." Hervey actually provided more pages than that and<span style="font-size: small;"> </span>from those pages Jules Furthman crafted a clever script. Von Sternberg constructed a China made of "papier-mache" and, borrowing a loco<span style="font-size: small;">motive and railway cars from the Santa Fe Railroad, set the scene for the tale of a train <span style="font-size: small;"><span style="font-size: small;">hijacked en route from Peking to Shanghai </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">by Chinese revolutiona<span style="font-size: small;">ries.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><br /></div><div class="MsoNormal"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilMDMR5BtQgVh6s6VVYuZCF7CziMHB5sM74AZv_WnKCPuKK4i5cDCz7MGiRlavL7LOnLNSrQwFrtz7kzjuz0MwVRleAe1DQvEbiH3KEN3V810jQhyphenhyphenQm1KxACOyW13BdfiK82ushO91LNg/s1600/shanghai_express.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilMDMR5BtQgVh6s6VVYuZCF7CziMHB5sM74AZv_WnKCPuKK4i5cDCz7MGiRlavL7LOnLNSrQwFrtz7kzjuz0MwVRleAe1DQvEbiH3KEN3V810jQhyphenhyphenQm1KxACOyW13BdfiK82ushO91LNg/s400/shanghai_express.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">imagining China, <i>Shanghai Express</i></span></td></tr></tbody></table></div><div style="text-align: right;"></div><div class="MsoNormal"><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Crowded on board with a clutter of cargo is a disparate group of passengers, several of whom harbor secrets. Among these travelers is dry-as-dust <span style="font-size: small;">British military officer </span>Donald ‘Doc’ Harvey (Clive Brook). Early in the journey he encounters the great lost love of his life, Magdalen, now known as “Shanghai Lily” and an infamous ‘coaster’ living by her wiles – played to the hilt by Marlene Dietrich at her most ravishing. As the trip unfolds and the train makes its way down the exotic and dangerous coast of China, Doc and Lily wrestle with reignited desire for each other. The hijacking triggers a crisis in their reunion.</span></span></div><br /><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">Dietrich first appears onscreen more blonde than ever before, veiled<span style="font-size: small;"> and swathed in crepe and feathers, wearing crystal beads and kid gloves, carrying an Art Deco handbag<span style="font-size: small;">. She is </span>the quintessential<span style="font-size: small;"> femme fatale.</span> </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Sleek and mysterious, Lily’s cynicism and insolence are tempered by her profound femininity. Dietrich skirts the edges of parody as the soft-spoken, worldly-wise heartbreaker. Brook is mostly sulky and long-suffering in his role; what attracts such a sensual woman to the repressed doctor is neither easy nor difficult to fathom. </span></span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZDxBhMih1vCY-WsGlKOm969L3AyZ1Y1_hWIqhcCkUzt0nSlH-lKuW82h7oZXkH4Z_CXhP6ItebydEmeuuOlVOfL2dr7opxpE21ZpizynGjaOwpLiTbpIrLwuFL0Vt8pHPZSgylglHcbE/s1600/Shanghai_ultimate_3_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZDxBhMih1vCY-WsGlKOm969L3AyZ1Y1_hWIqhcCkUzt0nSlH-lKuW82h7oZXkH4Z_CXhP6ItebydEmeuuOlVOfL2dr7opxpE21ZpizynGjaOwpLiTbpIrLwuFL0Vt8pHPZSgylglHcbE/s400/Shanghai_ultimate_3_opt.jpg" width="321" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">veil, feathers, crystal, kidskin</span></td></tr></tbody></table><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br /><span style="font-size: x-small;"><i><span style="font-family: Verdana, sans-serif;">This ensemble was concocted, according to Dietrich’s daughter Maria Riva, by her mother and Travis Banton. She writes of Dietrich going to the studio and running into Banton’s private office shouting, “Feathers! Travis - feathers! What do you think…Black feathers! Now, what bird has black feathers that will photograph?” The black-green tail feathers of Mexican fighting cocks were eventually chosen. Selecting the proper veil fabric took<span style="font-size: x-small;"> as long</span>. Riva reports that when Dietrich finally held up a swatch of “black 41” with its horizontal lines, “Travis let out a wild whoop.” Finally, von Sternberg came to take a look at the completed outfit. There had been concern about his reaction – the elaborate costume would be very difficult to photograph. In German he said to Dietrich, “If </span></i><span style="font-family: Verdana, sans-serif;">you </span><i><span style="font-family: Verdana, sans-serif;">believe I am skilled enough to know how to photograph this, then all I can offer you is – to </span></i><span style="font-family: Verdana, sans-serif;">do</span><i><span style="font-family: Verdana, sans-serif;"> the impossible.” In English he said to Banton, “A superb execution of an impossible design, I congratulate you all.”  After the director left, Banton broke out a bottle of champagne.</span></i></span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO9vBuG0Fg2J908f7QMM8V0vaAVdm8M8w4enU3FPQFj6JfTlH5C_VxZRFcvNSI5aTGYvyxwjaz1Q0Nqw1ocWiVsJh2q9BuUnOem4OiwFFTTaeBG7C1PYqFP5ZHFFbnhoaJTwSCJx897CI/s1600/textures_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO9vBuG0Fg2J908f7QMM8V0vaAVdm8M8w4enU3FPQFj6JfTlH5C_VxZRFcvNSI5aTGYvyxwjaz1Q0Nqw1ocWiVsJh2q9BuUnOem4OiwFFTTaeBG7C1PYqFP5ZHFFbnhoaJTwSCJx897CI/s400/textures_opt.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">fur, feathers and lace</span></td></tr></tbody></table><br /><span style="font-size: x-small;"><i><span style="font-family: Verdana, sans-serif;">David Chierichetti has written that Travis Banton worked to give Dietrich, with her perfect posture and slender figure, a softened quality. "Her clothes would usually be fussier than any others he designed, with drapings of fabric and much use of fur and velvet that would be unflattering to a heavier figure." Banton understood that few but Dietrich could<span style="font-size: x-small;"> <span style="font-size: x-small;">successfully wear a busy mix of textures and patterns.</span></span></span></i></span><br /><span style="font-size: x-small;"><i><span style="font-family: Verdana, sans-serif;"><span style="font-size: x-small;"><span style="font-size: x-small;"> </span> </span></span></i></span><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-faSMiDFDAEQU4rUFSnhnZso7QviLzGkzK8cijr8TmjzASYOxUjB_47pLmMoqNW1h3C21GuvB-JNk2mnSnyMgRUbeiK-92l53mcENyI4VPLghtZqPAa22PtGUXeEdVsB-z1MMvAfEnW8/s1600/maribou2_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-faSMiDFDAEQU4rUFSnhnZso7QviLzGkzK8cijr8TmjzASYOxUjB_47pLmMoqNW1h3C21GuvB-JNk2mnSnyMgRUbeiK-92l53mcENyI4VPLghtZqPAa22PtGUXeEdVsB-z1MMvAfEnW8/s400/maribou2_opt.jpg" width="321" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">maribou</span></td></tr></tbody></table><div style="text-align: center;"><br /></div><div style="text-align: center;">~</div><div class="separator" style="clear: both; text-align: center;"></div><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: large;"><span style="font-size: small;"><span style="font-size: large;">C</span>inematic <span style="font-size: small;">v</span></span></span>irtuoso and visionary Josef von Sternberg didn't hesitate to claim that he not only directed his films but was also  responsible for every facet of every one of them, from lighting and  photography to set design, costuming and, sometimes, music. Though the director  freely admitted that Lee Garmes <span style="font-size: small;"><span style="font-size: small;"></span></span>excelled behind the camera, he also maintained  that Garmes did exactly as he was told, "to the extent that I would  always be beside the camera. No picture of mine has been independently  photographed." Dietrich, for her part, supported these assertions. As  for costumes, von Sternberg's involvement in designing Dietrich's wardrobe was,  as David Chierichetti has noted, "as hard a question to answer as how  much he photographed the films<i>."<span style="font-size: small;"> </span></i><span style="font-size: small;"><span style="font-size: small;">What <i> is</i> evident in the films von Sternberg made for Paramount with Dietrich  and Banton is that costume was as much an element of narrative and theme as every other meticulously <span style="font-size: small;">designed </span>visual and aural detail<span style="font-size: small;">.</span></span></span> </span></span><br /><div class="MsoNormal"><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9lbJbSNb372RnlWZnEB7Nwiv_eunkPA_RIrWfc21rBV4RElcpCZzZYlpZzF5c8aQteWRAMoaa7VTOeHTcSM0_26jYIciv7XZZxr8VmqYGSR-U2Mwy6qPMMv41ynFFzd4NwairM8n9Hec/s1600/Shanghai-ultimate-costume_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9lbJbSNb372RnlWZnEB7Nwiv_eunkPA_RIrWfc21rBV4RElcpCZzZYlpZzF5c8aQteWRAMoaa7VTOeHTcSM0_26jYIciv7XZZxr8VmqYGSR-U2Mwy6qPMMv41ynFFzd4NwairM8n9Hec/s400/Shanghai-ultimate-costume_opt.jpg" width="263" /></a></td></tr><tr align="left"><td class="tr-caption"><span style="font-family: "Trebuchet MS",sans-serif;">Shanghai Lily's introduction - her attire and bearing suggest different possibilities: seasoned seductress, dark angel and more. </span></td></tr></tbody></table></div><div class="MsoNormal"><div class="separator" style="clear: both; text-align: center;"><span id="goog_1201836282"></span><span id="goog_1201836283"></span></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXJx9XNFBLD7g6i1P2Mqc6h02ss074XglNL_kjQQpUqK7whgN6rPeK6FoyXYgLUEzfZPK9wS4CpsK2By5KEhZ1DwD6Y9xjM19Q3aulbwhtePkJkCv5ENVO8kELjC9pIUg21gFl-VnSI9g/s1600/marlene-dietrich-and-clive-brook-hat.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXJx9XNFBLD7g6i1P2Mqc6h02ss074XglNL_kjQQpUqK7whgN6rPeK6FoyXYgLUEzfZPK9wS4CpsK2By5KEhZ1DwD6Y9xjM19Q3aulbwhtePkJkCv5ENVO8kELjC9pIUg21gFl-VnSI9g/s400/marlene-dietrich-and-clive-brook-hat.jpg" width="400" /></a></td></tr><tr align="left"><td class="tr-caption"><span style="font-family: "Trebuchet MS",sans-serif;">Lily is regally bundled in fur when she toys with her former lover. Teasing, she puts his military cap on her own head - at a jaunty angle. This is a woman who knows how to take command.</span></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div></div><div class="MsoNormal"><div class="separator" style="clear: both; text-align: center;"></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9UivP8zaY0Pjc09eVZAZexNC7VCFSvScSiMNUSgfElUUjNk8TUUwtVCqj54VLr8TrQHZkU-4XFmVQTie9pGfew1NnI3y6wW9SF5wRzKqnmdya_D7vZBq2kZEYjV_g641-KbWT3e8_yaY/s1600/Magdalen_Donald_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9UivP8zaY0Pjc09eVZAZexNC7VCFSvScSiMNUSgfElUUjNk8TUUwtVCqj54VLr8TrQHZkU-4XFmVQTie9pGfew1NnI3y6wW9SF5wRzKqnmdya_D7vZBq2kZEYjV_g641-KbWT3e8_yaY/s400/Magdalen_Donald_opt.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">By the time Dietrich utters the line, "Shanghai Lily has reformed," Magdalen has begun to resurface.</span></td></tr></tbody></table><div style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-FohBUGVSF8ixiXPDjuW94gr__Uq6MKV0oFIiKFu_68kII4rBrDLtrAVOdlHUYQoLkIllH-6eIAFNiC-daYWGZrXJNS5AdT4YtCmUncJ5jhVbZyMWIScBXkIdynHogHuKsod9yPVgW6E/s1600/final_scene_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-FohBUGVSF8ixiXPDjuW94gr__Uq6MKV0oFIiKFu_68kII4rBrDLtrAVOdlHUYQoLkIllH-6eIAFNiC-daYWGZrXJNS5AdT4YtCmUncJ5jhVbZyMWIScBXkIdynHogHuKsod9yPVgW6E/s400/final_scene_opt.jpg" width="400" /></a></td></tr><tr align="left"><td class="tr-caption"><span style="font-family: "Trebuchet MS",sans-serif;">In the final scene, Dietrich is again bedecked in Shanghai Lily's black-feathered vamp ensemble - but Magdalen can be seen and heard in her expression, her voice and her words. Doc, who she now calls by his given name, Donald, surrenders to her completely. She tosses away his riding crop and glove as they embrace.</span></td></tr></tbody></table><div style="text-align: left;"></div><div style="text-align: left;"> </div><div class="MsoNormal" style="text-align: left;"><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Josef von Sternberg, in a 1966 interview with Oscar-winning film preservationist Kevin Brownlow, acknowledged that he had no interest in ‘authenticity’, “…on the contrary, the illusion of reality is what I look for, not reality itself.” Of the six von Sternberg/Dietrich/Banton films, film critic/historian David Thomson has written, “They are sublime, radiant and utterly undated, where earnestness, noble intentions, showing real life with pained sincerity (all plausible in the difficult times of the 1930s), have perished by the wayside.”</span></span></div><div style="text-align: left;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"> </span></span></div><div class="MsoNormal" style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"> <i>Shanghai Express</i> was the most financially successful of the six Paramount productions though its critical reception was mixed. Von Sternberg was flattered when novelist/philosopher Ayn Rand told him that the film had impressed her as other films rarely had. Naturally he asked what it was that captivated her so. He remembered, with some irony<span style="font-size: small;"></span>, that she told him it was “the way the wind blows through the fur-piece around Marlene’s shoulder when she sits on the back platform of the train.”</span></span></div><div style="text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCwMiAdJRm-Tny9WI234xZbtWjA4lnPmkZIapsC3ceHMm6fK6XvKWZ5x2q0QYKPcVwtXfo2uJCvf6hneBVNdaUkN5mW0qn3TZbKQHVe_GOJ0XgY5bKtKQJaf4QAwkmQ_Sgs6yVI0FBfxQ/s1600/tumblr_lpnrykbe9J1qakh43o1_250.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCwMiAdJRm-Tny9WI234xZbtWjA4lnPmkZIapsC3ceHMm6fK6XvKWZ5x2q0QYKPcVwtXfo2uJCvf6hneBVNdaUkN5mW0qn3TZbKQHVe_GOJ0XgY5bKtKQJaf4QAwkmQ_Sgs6yVI0FBfxQ/s1600/tumblr_lpnrykbe9J1qakh43o1_250.gif" /></a></div><br /><div style="text-align: left;"></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;"><i>Shanghai Express </i><span style="font-size: small;">was Oscar-nominated for Best Picture, Josef von Sternberg was nominated for Best Director<span style="font-size: small;"> and Lee Garmes won the Academy Award for B<span style="font-size: small;">est Cinematography.</span> </span></span></span></span></div><br />~</div></div><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"></span></span></span><br /><div class="MsoNormal"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: large;">T<span style="font-size: small;">ravis <span style="font-size: small;">B</span>anton</span></span> was Paramount's Chief Designer from 1929 until 1938. Before coming to Hollywood to design Leatrice Joy’s costumes for <i style="mso-bidi-font-style: normal;">The Dressmaker of Paris </i>(1924), he worked at various design houses including his own in New York. His reputation got a major boost in 1920 when he designed Mary Pickford’s wedding dress for her marriage to Douglas Fairbanks.</span></span></span></span></span></span><br /><br /></div><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmjtawliPxdGzcXX3rhJbbpO-R64rT7Nex2SdQBVcb2Lgja-7fQzhmSgifN8AKsp9JcVbPUnf_tu2MwyB4ZTPCXXf9_tcPabUSNTHY3D9l8LiFMm0zDu-zfug-uqaqGnDFlwS4uMEQjmo/s1600/pickford_20_dress_opt.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmjtawliPxdGzcXX3rhJbbpO-R64rT7Nex2SdQBVcb2Lgja-7fQzhmSgifN8AKsp9JcVbPUnf_tu2MwyB4ZTPCXXf9_tcPabUSNTHY3D9l8LiFMm0zDu-zfug-uqaqGnDFlwS4uMEQjmo/s200/pickford_20_dress_opt.jpg" width="150" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Mary Pickford in wedding gown, 1920</td></tr></tbody></table><span style="font-size: small;">B</span>anton’s designs were known for their fashionable cuts (frequently on the bias, his specialty), luxurious fabrics, and beads, feathers, lace, fur and other ornamentation. His designs embodied the “Paramount Look” of the 1930s. He never took home a costume design Oscar, no doubt because the award did not exist until 1948, after the better part of his film career was over. Leaving Paramount, Banton went on to work for Fox on films like <i style="mso-bidi-font-style: normal;">The Mark of Zorro </i>(1940), <i style="mso-bidi-font-style: normal;">Blood and Sand </i>(1941) and <i style="mso-bidi-font-style: normal;">A Yank in the R.A.F.</i> (1941). He designed gowns on Columbia’s <i style="mso-bidi-font-style: normal;">Cover Girl </i>(1944) and for Universal’s <i style="mso-bidi-font-style: normal;">Smash-Up: The Story of a Woman (</i>1947). One of his late film assignments was designing gowns for <span style="font-size: small;">Joan Fontaine in the h<span style="font-size: small;">aunting </span></span>Max Ophuls drama <i style="mso-bidi-font-style: normal;">Letter from an Unknown Woman </i>(1948).<i style="mso-bidi-font-style: normal;"> </i>The designer is also credited with mentoring his Paramount assistant Edith Head, who became the best known and most Oscar-winning costume designer in Hollywood history.</span></span></span><br /><br /><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguRxdWwBwqZ_0rh_JiCiiBB1obg_O_ky97fYlx2WZdsPELCDTewv2n3fXvWO_oeSbZDRYZHUHY_9329sXR9GOvwk5SPt9vMPe4Vh6C5iJlPp1-EbYsyNOldnMzgQzDvWK4pzoP7i9JHBY/s1600/1-cover-girl-rita-hayworth_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguRxdWwBwqZ_0rh_JiCiiBB1obg_O_ky97fYlx2WZdsPELCDTewv2n3fXvWO_oeSbZDRYZHUHY_9329sXR9GOvwk5SPt9vMPe4Vh6C5iJlPp1-EbYsyNOldnMzgQzDvWK4pzoP7i9JHBY/s1600/1-cover-girl-rita-hayworth_opt.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Rita Hayworth, <i>Cover Girl </i>(1944)</td></tr></tbody></table></span></span><span style="font-size: small;"><span style="font-size: small;"> </span></span></span><br /><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;">Banton’s eventual decline has been attributed to overwork and overindulgence. “He was a genius. Boy, did he drink! That’s what ruined him…” said Louise Brooks, a woman who knew firsthand about drinking and ruination. Evelyn Brent, the first actress to work on a von Sternberg/Banton film, recalled, “He was the kind of designer who read the script and would find out who was going to play the part, and worked out the clothes that way.” The feather and velvet hat he designed for her in <i style="mso-bidi-font-style: normal;">Underworld </i>started a fashion trend.<span style="font-size: small;"> </span></span></span></span><br /><br /><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;">M</span>aria Riva knew Banton when he designed for the Dietrich/von Sternberg films. Of him she said that he “had the Ronald Colman look long before Ronald Colman <i style="mso-bidi-font-style: normal;">had </i>a look” – cashmere blazer, white flannels, paisley ascot and silk shirt with French cuffs. Dietrich’s long-time photographer John Engstead recalled that the actress didn’t listen to many but would always take advice from von Sternberg and Banton. David Chierichetti has written that it was his work for Dietrich that made Banton’s designs immortal. And costume designer Walter Plunkett (<i><span style="font-size: small;">Gone with the Wind</span></i><span style="font-size: small;"><span style="font-size: small;">,</span></span><i><span style="font-size: small;"> </span>An American in Paris</i>) remembered, “The rest of us always watched Banton because he was always ahead of the fashion trend.”<span style="font-size: small;"> In fact, Banton's use of the strapless bodice pre-dated by four years Christian Dior's<span style="font-size: small;"> </span>celebrated use of it as part of his "New Look" of the late 1940s.</span></span></span></span><br /><span style="font-family: Verdana, sans-serif;"><span style="font-size: small;">   </span></span><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJRUbXOsU7LQJMDxyGosofJNjmwtHOmp0-84u_aJ7RsBhVhVijTOGyS75Rl3_TlLCvyCgwgoEHlOuz-dSAif9iFsUO6X4opxyPcxnre-AD-6D1ju0QGaXYM3PyYnbCFmRLaTLbIi2ud0s/s1600/banton_dietrich_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJRUbXOsU7LQJMDxyGosofJNjmwtHOmp0-84u_aJ7RsBhVhVijTOGyS75Rl3_TlLCvyCgwgoEHlOuz-dSAif9iFsUO6X4opxyPcxnre-AD-6D1ju0QGaXYM3PyYnbCFmRLaTLbIi2ud0s/s400/banton_dietrich_opt.jpg" width="346" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Travis Banton and Marlene Dietrich</span></td></tr></tbody></table><div style="text-align: center;"><br />~</div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: large;">M</span>arlene Dietrich forever attributed her initial success in film to Josef von Sternberg, insisting "I was nothing but pliable material on the infinitely rich palette of his ideas and imaginative faculties." She learned everything about filmmaking, most especially lighting and photography, from him. The director would be unusually modest when it came to taking credit for 'inventing' Marlene Dietrich. "I did not endow her with a personality that was not her own...I gave her nothing she did not already have. What I did was to dramatize her attributes and make them visible for all to see."</span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;">The Paramount films Dietrich made with von Sternberg and Travis Banton were <i>Morocco</i>, <i>Dishonored </i>(1931), <i>Shanghai Express</i>, <i>Blonde Venus </i>(1932), <i>The Scarlet Empress </i>(1934) and <i>The Devil is a Woman</i> (1935). She and von Sternberg parted ways afterward. When her career foundered he advised her to make <i>Destry Rides Again </i>with James Stewart for Universal in 1939; it was a hit and revived her reputation. She went on to reinvent herself again and again.</span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;">Dietrich would work with Travis Banton on two more Paramount films, Frank Borzage's <i>Desire </i>(1936) and Ernst Lubitsch's <i>Angel </i>(1937). With or without von Sternberg's input, Banton's gowns for the great star were breathtaking.</span></div><div style="text-align: left;"><br /></div><div style="text-align: center;"><b><span style="font-family: Verdana,sans-serif;"><i>Marlene Dietrich in scenes from all six films directed by Josef von Sternberg with costume design by Travis Banton</i></span></b></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/VlA0EbSHRFA" width="420"></iframe></div><div style="text-align: center;"><br /></div><b><span style="font-family: Verdana, sans-serif;">This post is my entry in The Hollywood Revue's Fashion in Film Blogathon..<span style="color: red;"><span style="color: black;">.</span><span style="color: red;"><i><span style="font-size: small;"><a href="http://hollywoodrevue.wordpress.com/">click here</a></span></i> </span><span style="color: black;">for more information and links to participating blogs.</span></span></span></b> <br /><br /> <span style="font-size: small;"><span style="font-family: Verdana, sans-serif;"><u>Not</u></span></span><u><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;">es</span></span></u><span style="font-size: small;"><span style="font-family: Verdana, sans-serif;">:</span></span><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><i>Fun in a Chinese Laundry</i> by Josef von Sternberg, MacMillan Co. (1965)</span></span><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><i>Marlene Dietrich</i> by Maria Riva, Alfred A. Kno<span style="font-size: small;">pf (1993)</span> </span></span><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><i>Hollywood Costume Design</i> by David Chierichetti, Harmony Books (1976)</span></span><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><i>The Parade's Gone By</i> by Kevin Brownlow, Bonanza Books (1968)</span></span><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><i>People Will Talk</i> by John Kobal, Alfred A. Kno<span style="font-size: small;">pf (1985)</span></span></span><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><i>The Big Screen: The History of Hollywood</i> by David Thomson, Farrar<span style="font-size: small;"> Strauss<span style="font-size: small;"> and Giroux (2012)</span></span><i>    </i></span></span>

Fashion in Film Blogathon: Shanghai Express (1932)

Clive Brook and Marlene Dietrich B etween 1930 and 1935, Josef von Sternberg filmed six wondrous and surreal flights of imagination for Para...

Matt Said Jay Said 661.BIG.WULB

9:00 PM Tukiyooo 0

<div dir="ltr" style="text-align: left;" trbidi="on"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtolS4H9MkoB5CIX2YBXqYl81IjnHv_-pRtys6kZcQqdB7waVidOy5qk8BaiSRXuiFHqfcOgkrE_NdH6UoDS2UCln77hPElNvd3QFFMr_Kp2-sPa_hyqZXDjw-yX2SHN_3GXEIWgsoAqU/s1600/Vanna+WHite+Hot+Sexy+Naked.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtolS4H9MkoB5CIX2YBXqYl81IjnHv_-pRtys6kZcQqdB7waVidOy5qk8BaiSRXuiFHqfcOgkrE_NdH6UoDS2UCln77hPElNvd3QFFMr_Kp2-sPa_hyqZXDjw-yX2SHN_3GXEIWgsoAqU/s400/Vanna+WHite+Hot+Sexy+Naked.jpg" width="320" /></a>Matt coughs…Jay laughs…You, roll your eyes.<br /><br />Matt:  Redneckville, Arkansas!!  You‘re On!!<br />Jay:  That sounded nothing like Larry King.<br />Matt:  I was doing my Vanna White.<br />Jay:  Oh…well then…that was pretty good.<br />Matt:  Thank you.<br />Jay:  You’re very welcome.<br /><br />Matt:  Sooooo…what should this Sunday’s show be about?<br />Jay:  What?  Do you not have a calendar in the Bagwine digs?  Easter!!<br />Matt:  Ohhhhhh, right, right, right, riiiiiiiiiiiiiight.<br />Jay:  I mean, c’mon dude, we have to help the Christ move that stone so we can get our Jesus Freak on.<br />Matt:  Yeah, after all, the Number One Comedy Show on BTR should weigh in on this.<br />Jay:  You’re damn right…People hang on our every word and look to us as their life force.<br />Matt:  True Dat.<br />Jay and Matt:  Ha Ha Ha Ha Ha Ha…<br /><br />Matt:  Plenty of funny stuff to talk about in reference to Easter and the Resurrection.<br />Jay:  Oh hell yeah…and tic tic tic tic<br />Matt:  What the hell was that?<br />Jay:  The Easter Bunny sound.<br />Matt:  Ha Ha----(cough cough cough)<br />Jay:  You gonna make it there, Marlboro Man?<br />Matt:  Ha…(cough) I thinks so (cough).  How is it that you always say something funny when I am inhaling?<br />Jay:  It’s a gift.<br /><br />Matt:  Excellent…Anyhoo…We could have an interview with the Easter Bunny.<br />Jay:  Oh hell yeah…Guy Ahnyurdyck can do that.<br />Matt:  We could talk about Jesus being left alone in a cave for three days, and what he did.<br />Jay:  I have a feeling it wasn't pretty…or righteous.  And…And…<br />Matt:  What!?<br />Jay:  I bet Joshua has something to report on the Gay Marriage brou ha ha.<br />Matt:  Oh I bet he does and Paul Piatt will probably have a reflective Easter poem.<br /><br />Jay:  Man, is two hours enough, because we need to take calls and place calls as well.<br />Matt:  IKR?  ‘Cause we have to call my son, Billy the Kid, and my future ex-wife.<br />Jay:  Not only that, we’ll have some uplifting Easter music, and perhaps a dramatic Tumblr reading.<br />Matt:  Ha!!<br />Jay:  What?<br /><br />Matt:  Speaking of Tumblr, I have an excellent Easter related <a href="https://twitter.com/Dana_Lu" target="_blank"><span style="color: blue;">Dana</span></a> joke.<br />Jay:  What is it?<br />Matt:  <span style="background-color: black;">dfghgoiighsdfhigosihgosihdfohdgohdfgohdgfhodgjijbvdjvbpdjapdjbdjpdjpdafjp[j </span>!!<br />Jay and Matt: Ha Ha Ha Ha Ha Ha Ha<br />Jay:  That’s awesome dude!! Especially when you said <span style="background-color: black;">sdjfutheyd </span> Nothing like making fun of one of the Borgia sisters.<br /><br />Matt:  I think there’s plenty here, but…<br />Jay:  But hell we’ll think of some more Easter and news related jocularity as well.<br />Matt:  Damn right, because we’re Number One.<br />Jay:  In the hearts and minds of all who listen………<br />Matt and Jay:  Ha Ha Ha Ha Ha<br /><br />Matt:  See you on the radio Sunday while drinking a Steel Reserve that I gave up for Lent.<br />Jay:  And I’ll see you on the radio drinking a Pepsi that I <i>didn't</i> give up for Lent!!<br />Matt:  Later…<br />Jay:  (burp)<br /><br />To listen to IWS Radio’s <a href="http://www.blogtalkradio.com/im-with-stupid/2013/03/31/christs-coming-out-party" target="_blank"><span style="color: blue;">Christ’s Coming Out Party</span></a> LIVE this Sunday from Noon-2 PM, click <a href="http://www.blogtalkradio.com/im-with-stupid/2013/03/31/christs-coming-out-party" target="_blank"><span style="color: blue;">HERE</span></a>.<br /><br />Hope to see a good congregation in the Chat Room and on the phone lines.</div>

Matt Said Jay Said 661.BIG.WULB

Matt coughs…Jay laughs…You, roll your eyes. Matt: Redneckville, Arkansas!! You‘re On!! Jay: That sounded nothing like Larry King. Matt: ...

Earth Balance Naturals Review

1:56 PM Tukiyooo 0

<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-ph72JX_-U9s/UVYAEgQITgI/AAAAAAAAHV8/Hu5VMa9k_vA/s1600/earth+balance+toaster+and+butter.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-ph72JX_-U9s/UVYAEgQITgI/AAAAAAAAHV8/Hu5VMa9k_vA/s1600/earth+balance+toaster+and+butter.png" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;">While I was browsing the net one night I came across <a href="http://www.earthbalancenatural.com/">Earth Balance Naturals</a> products and thought to myself I have got to try their products!</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;">They have all kinds of products that I know and love such as butter, milk,peanut butter and much more and the best of all it's organic and healthy.</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;">I emailed them to see if I could review their products to share with my readers and was so excited when I got the yes!</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;">I am an all natural food junkie lately since I eat right and exercise a lot, so I couldn't wait to try out their products.</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;">When I got my coupons in the mail for my review I went to the market and picked up one of the butter spreads. (Couldn't find the other products there)</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;">The other night I made one of my Sunshine Garden Burgers and added a little bit of the Earth Balance Buttery Organic spread to the pan so it wouldn't stick.</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;">Not only did it not stick to the pan it tasted amazing!</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;">To me it tasted a lot better and healthier than other butter spreads.</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: Verdana, sans-serif;">What I liked about this spread is that you can cook with it, you can put a bit on some toast, bagel or an English muffin!</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-YX7atCStOuk/UVX5Q6uIzYI/AAAAAAAAHV0/483fLIh2a44/s1600/Earth+balence+butter.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-YX7atCStOuk/UVX5Q6uIzYI/AAAAAAAAHV0/483fLIh2a44/s320/Earth+balence+butter.jpg" width="320" /></a></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Since some stores don't carry Earth Balance or were out, I went to Whole Foods and found Earth Balance peanut butter and I chose the smooth and creamy!</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">I spread some on some rice cakes for a snack the other day and it was amazingly delicious!</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Sweet and creamy and the right amount of peanut butter!</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">You can use it for crackers, on rice cakes, desserts, baking or even in some oatmeal! </span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">They also have it in crunchy!</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">I've never heard of coconut and peanut butter mixed!</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Haven't tried it but it sure does sound good!</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">I can't wait to see if I can find more Earth Balance products to use the rest of my coupons!</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><u>*Other products*</u></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Soy Milk</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Peanut Butters with coconut </span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Mindful Mayo in Original, Organic or olive oil</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Baking Sticks such as shortening or butter</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Culinary Spreads such as organic coconut, Organic Sweet Cinnamon and Organic Garlic and Herb</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Puff snacks such as p.b. popps, Vegan Aged White Cheddar puffs and popcorn</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Vegan buttery flavor popcorn</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">and much more!</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><u>Info:</u></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Made with all natural ingredients</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Vegan</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">no hydrogenated oils</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Gluten Free</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Lactose Free</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">and Egg Free</span></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Be sure to check out their products and connect with them online at the sites below! </span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Face Book:</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><a href="https://www.facebook.com/earthbalancenatural">https://www.facebook.com/earthbalancenatural</a></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Twitter:</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><a href="https://twitter.com/earth_balance">https://twitter.com/earth_balance</a></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Pinterest:</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><a href="http://pinterest.com/earthbalance/">http://pinterest.com/earthbalance/</a></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Instagram:</span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br /></span></div><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><a href="http://instagram.com/earthbalance/">http://instagram.com/earthbalance/</a></span></div><div style="text-align: center;"><br /><span style="font-family: Verdana, sans-serif;"><span style="background-color: white; color: #222222; line-height: 18px;">Due to FCC guidelines:</span><br style="background-color: white; color: #222222; line-height: 18px;" /><span style="background-color: white; color: #222222; line-height: 18px;">Earth Balance  sent me coupons for free products of choice in exchange for a product review. However, All the opinions expressed here are my own.</span></span><br /><div><span style="background-color: white; color: #222222; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: 13px; line-height: 18px;"><br /></span></div></div>

Earth Balance Naturals Review

While I was browsing the net one night I came across Earth Balance Naturals products and thought to myself I have got to try their product...

Software Engineering Manager ( Business Intelligence, C++, C# .NET, OOD, RTC) (#109262)

11:18 AM Anonymous 0

<font face="Arial" size="2"><span style="font-size:10pt;">  <div><b>Position</b>: Software Engineering Manager<br>    <b>Location</b>: Milpitas, CA <br>    <b>Duration</b>: Full time<br>    <br>    <b>Job Description</b>:<br>    The Global Service Support Organization (GSS) team headquartered in Milpitas, CA is our service organization that consists of Service Sales and Marketing, Spares Supply Chain management, Field Operations, Product Training, and Technical Support.  The GSS organization  partners with our field teams and customers in all business sectors to maintain the high performance and productivity of our products through a flexible portfolio of services. Our comprehensive services include: proactive management of tools to identify and  improve performance; expertise in optics, image processing and motion control with worldwide service engineers, 24/7 technical support teams and knowledge management systems; and an extensive parts network to ensure worldwide availability of parts.<br>    <br>    <b>Responsibilities:</b></div>  <div>The successful candidate will lead a team of software and hardware engineers to design, develop, test, install and support applications used in the support and service of complex semiconductor equipment.  This is a rapidly growing field within the semiconductor  manufacturing industry as our customers’ needs continue to tighten.<br>    <br>    1) Use data gathering and analysis tools to provide value-added capability, in terms of both service metrics (i.e. uptime, MTTR) as well as tool performance (e.g. capture rate or measurement precision) to our customers, and leverage to add to the company’s  service revenue.</div>  <div>2) Work with the new product design teams to ensure that diagnostic and trouble-shooting capabilities are built into all new K-T inspection and metrology tools, and are leveraged to accelerate learning on new tools.<br>    3) Develop and drive software and hardware roadmap consistent with marketing requirements.  Provide technical and architectural leadership and guidance to the development team.</div>  <div>4) Plan and direct the day-to-day engineering activities of the team to ensure that agreed upon goals and objectives are successfully achieved.  Ensure that milestones, delivery dates, activities, and tasks are completed as scheduled.  Regularly communicate  technical issues/risks and their impact to management.</div>  <div>5) Drive operational excellence and ensure that a high quality product is delivered to our customers.<br>    <br>    <b>Preferred Qualifications:</b></div>  <div>1) Strong interpersonal and communication skills are required</div>  <div>2) General knowledge of database administration, database architecture, data modeling, ETL, replication and strategy.</div>  <div>3) Experience with deployment and usage of Business Intelligence (BI) systems.</div>  <div>4) Experience developing interfaces & architecture using Microsoft development tools (C++, C# .NET) in Windows 2003/2008 Server environments.</div>  <div>5) Ability to understand product and product features to make high level assessment of scope and risks.</div>  <div>6) Experience in OOD/OOA and Windows design methodologies.</div>  <div>7) Experience with requirements definition, design, development, effective reuse and configuration management tools (RTC, ClearCase)</div>  <div>8) Thorough knowledge of SDLC and CMM best practices</div>  <div>9) Ability to gain confidence of, and collaborate with, development staff to mentor and lead them in software development work.<br>    <br>    <b>Minimum Qualifications:</b></div>  <div>Doctorate (Academic) with at least 3 years of experience.</div>  <div>OR</div>  <div>Master's Level Degree with at least 4 years of experience.</div>  <div>OR</div>  <div>Bachelor's Level Degree with at least 5 years of experience.<br>    <br>    Kindly send your resumes to<font color="navy"> </font><a href="mailto:Sivaram.bose@kla-tencor.com"><font color="navy"><u>Sivaram.bose@kla-tencor.com</u></font></a><font color="navy">  <br>    </font></div>  <div><font face="Times New Roman" size="3"><span style="font-size:12pt;"> </span></font></div>  </span></font>

Software Engineering Manager ( Business Intelligence, C++, C# .NET, OOD, RTC) (#109262)

Position : Software Engineering Manager Location : Milpitas, CA Duration : Full time Job Description : The Global Serv...

Algorithm Engineer ( Optical Alignment, Algorithms, Image Processing, Matlab, C# , Java ) (#109189)

11:17 AM Anonymous 0

<div dir="ltr" style="text-align: left;" trbidi="on"><span style="font-family: Arial; font-size: x-small;"><span style="font-size: 10pt;">  </span></span><br /><div><span style="font-family: Arial; font-size: x-small;"><span style="font-size: 10pt;"><b>Position</b>: Algorithm Engineer</span></span><br /><span style="font-family: Arial; font-size: x-small;"><span style="font-size: 10pt;"><b>Location</b>: Milpitas, CA </span></span><br /><span style="font-family: Arial; font-size: x-small;"><span style="font-size: 10pt;"><b>Duration</b>: Full time</span></span><br /><span style="font-family: Arial; font-size: x-small;"><span style="font-size: 10pt;"><br /></span></span><span style="font-family: Arial; font-size: x-small;"><span style="font-size: 10pt;"><b>Job Description</b>:</span></span><br /><span style="font-family: Arial; font-size: x-small;"><span style="font-size: 10pt;"><b>Responsibilities:</b></span></span></div><span style="font-family: Arial; font-size: x-small;"><span style="font-size: 10pt;">  <div>Candidate will develop automated optical alignment algorithms for a new generation electron beam lithography machine.  Work will include theoretical design of algorithms using mathematical tools as well as on-tool prototyping using Matlab.  Candidate will  also work with software engineers to implement final version and must have experience with a high-level language; C# and/or Java is preferred.</div><div></div><div><b>Preferred Qualifications:</b></div><div>Candidate should have a degree in electrical engineering, physics, applied physics, or computer science, with experience both in a physics-related field and S/W or algorithm development.  Extensive experience with Labview and/or Matlab is required.  Previous  work in algorithm development or automated machine calibrations is preferred.  Previous experience with electron beam equipment such as TEM, SEM, or EBL is highly desirable.</div><div></div><div><b>Minimum Qualifications:</b></div><div>Bachelor's Level Degree with at least 3 years of experience.</div><div>OR</div><div>Master's Level Degree with at least 2 years of experience.</div><div>OR</div><div>Doctorate (Academic)<br /><br />Kindly send your resumes to<span style="color: navy;"> </span><a href="mailto:Sivaram.bose@kla-tencor.com"><span style="color: navy;"><u>Sivaram.bose@kla-tencor.com</u></span></a><span style="color: navy;">  <br />    </span></div><div></div></span></span>  </div>

Algorithm Engineer ( Optical Alignment, Algorithms, Image Processing, Matlab, C# , Java ) (#109189)

Position : Algorithm Engineer Location : Milpitas, CA Duration : Full time Job Description : Responsibilities: Candidate will develop au...

HEARD•NY

10:30 AM Tukiyooo 0

I stopped by Grand Central Terminal this morning to check out <a href="http://creativetime.org/projects/heard-ny/">HEARD•NY</a>, a project by artist Nick Cave, with Creative Time and students from the Alvin Ailey School. Here is a slideshow of some photos—the shots are handheld, but I cropped them in Photoshop so the clock face is always in the same place. As you can see by the movement of the minute-hand, the most intense parts of the dance happen about 10 minutes after the dancers come in and suit up; that's when the drumming starts and the "soundsuits" flail.<br /><br /><object height="480" width="640"> <param name="flashvars" value="offsite=true&lang=en-us&page_show_url=%2Fphotos%2Farchidose%2Fsets%2F72157633119570460%2Fshow%2F&page_show_back_url=%2Fphotos%2Farchidose%2Fsets%2F72157633119570460%2F&set_id=72157633119570460&jump_to="></param><param name="movie" value="http://www.flickr.com/apps/slideshow/show.swf?v=124984"></param><param name="allowFullScreen" value="true"></param><embed type="application/x-shockwave-flash" src="http://www.flickr.com/apps/slideshow/show.swf?v=124984" allowFullScreen="true" flashvars="offsite=true&lang=en-us&page_show_url=%2Fphotos%2Farchidose%2Fsets%2F72157633119570460%2Fshow%2F&page_show_back_url=%2Fphotos%2Farchidose%2Fsets%2F72157633119570460%2F&set_id=72157633119570460&jump_to=" width="640" height="480"></embed></object>

HEARD•NY

I stopped by Grand Central Terminal this morning to check out HEARD•NY , a project by artist Nick Cave, with Creative Time and students from...

Pancakes

9:01 AM Tukiyooo 0

I attempted to make American pancakes with buttermilk.  I don't know where I went wrong.  They were very edible but they were not very fat and fluffy 😡<br /><br />I ate two with bacon & maple syrup and then had one the traditional Irish way with sugar and lemon juice. <br/><br/><div class="separator"style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgATbSEKfgFWsnWHxAFhgv2LCTN-kLBsvLI64D56Es29joAJIF-oJXIO-sUCf9M0et7xfDdFt0Ioe0_McRybpur8UV-QbVI3RmxSA3LWUKAzEdtn8E5A8mRp3fy6o6wxMt9UxiQDvdvn8qZ/s640/blogger-image-2006990659.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgATbSEKfgFWsnWHxAFhgv2LCTN-kLBsvLI64D56Es29joAJIF-oJXIO-sUCf9M0et7xfDdFt0Ioe0_McRybpur8UV-QbVI3RmxSA3LWUKAzEdtn8E5A8mRp3fy6o6wxMt9UxiQDvdvn8qZ/s640/blogger-image-2006990659.jpg" /></a></div> <br/><br/><div class="separator"style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvDNpQietKYtBBRmwIUaTzo0Rnz70mg-xHcQ7bOMaavKtbYEaMhuQg3YPE-EdBEPLIMHoSxAneZiN_7uRdq1jzjWCH6yTBygDNt3f2SdoyzncQOWKpng7Y9ZhvG05qVS0B5KIvxHAmcw3J/s640/blogger-image--1665628693.jpg" imageanchor="1" style="margin-left: 1em; 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Pancakes

I attempted to make American pancakes with buttermilk. I don't know where I went wrong. They were very edible but they were not very f...