Librarian (Part-Time) - City of Norwalk

<strong>Librarian (Part-Time)</strong> - <span style="color: #48286d;"><strong>City of Norwalk</strong></span> invites applications for the position of: Librarian (Part-Time). CLOSING DATE: <span style="color: red;">January 25, 2012</span>, 11:59 PM. DESCRIPTION: Plans, organizes and supervises library program for pre-school, elementary and young adult library users. Performs professional library services in assisting library patrons in the selection and use of library materials. EXAMPLES OF DUTIES: Receives oral or written direction from Library Division Chief. Plans and organizes work according to season of year, special events and regular library schedule. Assigns work to support staff. Develops and conducts programs for children and young adults to encourage reading, viewing and listening skills and to use library facilities and materials. Examines professional publications and other sources for selection of books, periodicals and related materials. Helps build collection of books, periodicals and communication materials through consultation with Supervisor, staff members and independent selection. Assembles and arranges displays of books and other materials. Helps supervise the circulation, return and use of library books and materials. Helps oversee the electronic transfer of information and operates remote computer terminal in processing circulation, registrations, overdues and billings. Develops brochures, booklets and newsletters to publicize the services and resources of the Library. Prepares reading lists for school and community distribution. Provides training and supervision to Library Assistant, Clerks and volunteers. Prepares regular narrative and statistics reports for Supervisor. Coordinates programs and activities with school librarians, teachers, parents’ groups and community organizations. Conducts story-telling programs for pre-school children. Attends meetings and participates in professional library organizations. Performs general library work as needed. TYPICAL QUALIFICATIONS: The skills and knowledge required are a Master’s degree in Library Science, including course work in specialty. Artistic skills used in creating posters, displays, etc., highly desirable. Ability to relate and interact with school and cultural organizations needed. Ability to prepare and deliver brief, concise and attractive reports of library services and facilities both orally and in writing. A working knowledge of computer applications for library services. Ability to work effectively with library staff and patrons. SUPPLEMENTAL INFORMATION: Up to 19.5 hrs/wk. The above is illustrative of tasks and responsibilities. It is not meant to be all-inclusive of every task or responsibility. Salary: $25.29/hour. APPLICATIONS MAY BE OBTAINED AND FILED ONLINE AT: <a href="http://www.norwalkct.org/personnel/openjobs.htm" target="_blank">http://www.norwalkct.org/personnel/openjobs.htm</a>. ALTERNATIVE FORMAT MAY BE OBTAINED AT: 125 East Avenue, P.O Box 5125, Norwalk, CT 06851-5125; 203-854-7716; <a href="mailto:personnel@norwalkct.org">personnel@norwalkct.org</a>. An Affirmative Action/Equal Opportunity Employer.

Librarian (Part-Time) - City of Norwalk

Librarian (Part-Time) - City of Norwalk invites applications for the position of: Librarian (Part-Time). CLOSING DATE: January 25, 2012 ,...

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Children's Librarian Intern - Guilford Smith Memorial Library

<strong>Children's Librarian Intern</strong> - The <span style="color: #48286d;"><strong>Guilford Smith Memorial Library</strong></span> in South Windham, CT is seeking an intern for Children’s Librarian. This is a paid internship. Applicants must have experience working with children and computer skills. No library experience is necessary. Education students are encouraged to apply. Prior experience working in childcare, child development, pre-school or Elementary Education is desirable. This internship will be 10 hours a week. Hours include 7 hours on Tuesday and 3 hours on Thursday with one Saturday a month. The successful intern will be hired permanently. For more information please contact the Library Director, Afton Seal at <a href="mailto:aseal@biblio.org">aseal@biblio.org</a>.

Children's Librarian Intern - Guilford Smith Memorial Library

Children's Librarian Intern - The Guilford Smith Memorial Library in South Windham, CT is seeking an intern for Children’s Librarian. ...

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Library Assistant - Milford Public Library

<strong>Library Assistant</strong> - Applications are now being accepted for the position of LIBRARY ASSISTANT in the <span style="color: #48286d;"><strong>Milford Public Library</strong></span>. Requirements include: high school graduate; two years’ library experience or completion of the Library Technical System Program; typing skill. Duties involve working at the circulation desk, routine cataloging, handling requests for information, and overseeing work of assigned Library Aides. Test will be given. Hours of work currently include one evening a week and every other Saturday. The position is in Grade 24 with weekly salary limits as follows: Minimum, $632.92; Step 1, 655.45; Step 2, 678.25; Step 3, 700.89; Step 4, 723.77; Maximum, 746.25. Application must be made at the Personnel Department, Parsons Office Complex, on or before <span style="color: red;">February 10, 2012</span>.

Library Assistant - Milford Public Library

Library Assistant - Applications are now being accepted for the position of LIBRARY ASSISTANT in the Milford Public Library . Requirements...

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Library Director - Town of Hamden

<strong>Library Director</strong> - Hamden, Connecticut. The <span style="color: #48286d;"><strong>Town of Hamden</strong></span> announces the recruitment for the position of Library Director. This position is unclassified and non-competitive and is appointed by the Hamden Library Board. The Hamden Library Board is seeking a Library Director who will build upon the Library’s accomplishments and establish programming that is innovative, creative and responsive to the needs of the community. The Board is seeking applicants who posses and can demonstrate the following: Master’s Degree in Library Science from an accredited institution. Minimum of five years of progressively responsible library administration experience, at least three years in a supervisory capacity. Experience creating a budget, presenting to the town’s citizens and officials, and implementing the approved budget. Strong background and skills in a broad range of current library technologies. Demonstrated record of innovative library programming and outreach. Strong written and verbal communication skills. A ‘can-do’ leadership philosophy that is both cooperative and inclusive. Knowledge of fundraising techniques, including grant sources. Documented success in collaborative endeavors with community stakeholders. Establishment of a warm, friendly atmosphere that welcomes diversity in all ways. Sense of humor combined with customer service attitude and skills. Unwavering belief in the value of the public library. Copies of the job description and employment applications are available in the Personnel Department daily from 8:30am to 4:30pm. Interested candidates should send their resumes and completed applications to the Personnel Department, Hamden Government Center, 2750 Dixwell Avenue, Hamden, CT 06518. Deadline: Resumes and applications must be received in the Personnel Department no later than 4:30pm on Wednesday, <span style="color: red;">February 29, 2012</span>. The Town of Hamden is an AA/EEO Employer.

Library Director - Town of Hamden

Library Director - Hamden, Connecticut. The Town of Hamden announces the recruitment for the position of Library Director. This position ...

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Head of Children's Services - Fairfield Public Library

<strong>Head of Children's Services</strong> - Have you dreamed about transforming children’s services? Would you like your staff to create magical and exciting experiences for children and tweens? <span style="color: #48286d;"><strong>Fairfield Public Library</strong></span> is looking for an outstanding leader for our children’s services department. You must be incredibly knowledgeable on all aspects of children’s services. If you are approachable, innovative, a programming guru with a style that kids will gravitate towards, this position is for you. You will manage a staff of 5 full-time employees as well as part-time staff. You should have a demonstrated success in effectively promoting library services to the community as you will guide your team into our community and connect with schools, other town departments, local businesses and other community agencies. The library has two branches, with a town population of over 59,000. The library circulated over 1,010,000 items in FY 2011 and is the second busiest library in CT. Our library team believes we are a World Class Library and want all of our programming to reflect that. Qualifications: A master’s degree in library science from an ALA accredited program and a minimum of five years of progressively responsible experience in library administration and staff supervision. Starting salary is $68,837 with an excellent benefits package. Interested candidates should apply via email with a meaningful cover letter and your resume as Word or pdf attachments to Karen Ronald, Library Director at <a href="mailto:kronald@fplct.org">kronald@fplct.org</a>. Initial review of resumes will begin the week of <span style="color: red;">February 13th, 2012</span>. The position will stay open until the appropriate candidate is found.

Head of Children's Services - Fairfield Public Library

Head of Children's Services - Have you dreamed about transforming children’s services? Would you like your staff to create magical a...

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Computer Lab Supervisor - Bristol Public Library

<strong>Computer Lab Supervisor</strong> - <span style="color: #48286d;"><strong>Bristol Public Library</strong></span>. Summary: Schedules and oversees public use of computer equipment in the computer lab and throughout the library system. Assists users and staff with public computer equipment and software, Public Access Catalog, the Internet and various databases. Schedules public use of computers in the Computer Lab. Provides training and classes to the library users in various computer software applications and related topics. Trains library staff in the use of new equipment and software as needed. Performs basic troubleshooting. May assist with installation of new equipment and software. Ensures library policies and procedures for the use of computer equipment are followed. Reads relevant publications and attends training workshops. Assists throughout the library when necessary as deemed by the supervisor. Working Conditions & Physical Demands: Works in indoor or office environment. Regularly required to sit, talk, or hear; stand and reach with hands and arms. Frequently required to stoop, kneel, crouch or crawl. Occasionally required to climb or balance. Frequently lift and/or move up to 40 pounds. Work Hours/Schedule/Type: Full time position, 37½ hours per week. Works Monday through Thursday and alternate Fridays and Saturdays from September through June. Work Monday through Friday during the months of July and August. Qualifications: Associate’s Degree in Computer Science or related field with one (1) year experience; education and experience may be substituted. Experience in conducting computer training programs and experience in public libraries preferred. Must have knowledge and be proficient in the use of Microsoft Office Suite, Windows and the Internet. Requires ability to communicate with staff and the public in a non-technical level, and in a cooperative and courteous manner. Ability to work independently with minimal supervision. Ability to remain current in computer operation skills, maintenance and basic troubleshooting. SALARY: $18.73/hr. Generous benefits. COMPLETE ONLINE APPLICATION: <a href="http://www.ci.bristol.ct.us/jobs" target="_blank">www.ci.bristol.ct.us/jobs</a>. DEADLINE: Friday, <span style="color: red;">January 20, 2012</span>. Equal Opportunity Employer.

Computer Lab Supervisor - Bristol Public Library

Computer Lab Supervisor - Bristol Public Library . Summary: Schedules and oversees public use of computer equipment in the computer lab ...

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Lbs. the movie

<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU9dT0GJ_K5TRt_O32f226Tgls7NjF5fPlZoEqkp74npGXG0AtiI-hjFTbLDMOf8djDq39zCeyIkVIfNcQfVajep0rVwgloan_IM3PyN6Q_yO2-sw4D7zps02wX5mclHfOeVeMJuxgyanK/s1600/lbs.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU9dT0GJ_K5TRt_O32f226Tgls7NjF5fPlZoEqkp74npGXG0AtiI-hjFTbLDMOf8djDq39zCeyIkVIfNcQfVajep0rVwgloan_IM3PyN6Q_yO2-sw4D7zps02wX5mclHfOeVeMJuxgyanK/s640/lbs.png" width="443" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="http://www.imdb.com/media/rm2911669248/tt0390185" style="margin-left: 1em; margin-right: 1em;"></a></div><br /><br />I've been reading Pamela's blog, <a href="http://www.uncoveringpamela.com/blog" target="_blank">Uncovering Pamela</a>, for almost four years, when I first started blogging in February 2008. She was the first person to post a comment on my blog and she was always there to support me. Pamela doesn't post much these days. She's discovered a life outside of the blog world, and has a busy social life these days. I miss her, but I'm happy for her.<br /><br />Pamela wrote several <a href="http://www.uncoveringpamela.com/blog/lbs-the-movie/" target="_blank">posts</a> about a movie that she loved, Lbs. She even went to the premiere in New York and met the director, writers and the star of the movie. She raved about it and I couldn't wait to see it.<br /><br />Last night Pamela posted that her beloved movie, Lbs., was available on Amazon.com to rent. I'd never rented a movie from Amazon. I didn't even know that was something I could do. I have a Roku box (actually, we have three in our house), so I was thrilled to find out I could download a movie from Amazon to my Roku. It was only $3.99 for a 3-day rental. I didn't even bother to see if it was on Netflix yet because I wanted to see it immediately.<br /><br /><div itemprop="description">The IMDB gives this description:  A 315-pound man decides to kick his food addiction by moving to the country.<br /><br />I'm sorry Pamela, but I hated this movie. I mean H-A-T-E-D it. I found it depressing, boring, and left me with a feeling of hopelessness. I didn't love the main character, in fact, I sorted hated him too. I didn't like the story line. I just didn't like anything about it. </div><div itemprop="description"><br /></div><div itemprop="description">I almost didn't write this post because I respect and admire Pamela a lot, but this is one thing we disagree on. </div><div itemprop="description"><br /></div><div itemprop="description">I advise you to go ahead and rent Lbs. It was rated A+ by yahoo users, and won a New York film award and was a Sundance feature film, so maybe it's just me. It's only $3.99 to rent for three days through Amazon, and maybe you'll get something worthwhile out of it, I didn't get anything out of it except a bit of sadness (and I sure don't need any additional sadness in my life). I prefer happy movies. Lbs. did not make me laugh or feel good about life, that's why I didn't like it.</div>

Lbs. the movie

I've been reading Pamela's blog, Uncovering Pamela , for almost four years, when I first started blogging in February 2008. She was ...

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Hitchcock Biographer Patrick McGilligan Discusses VERTIGO with John Greco

<div style="font-family: Verdana,sans-serif;"><i>by guest contributor John Greco</i></div><br /><div style="text-align: center;"></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF7MW8mtlG8AEiw16ZotH9r_0G4bm9HE1BQkgCmR8zdL9_5NORnvdoR79J1uUPG6oHiEiAQ1NmH-WKPb8cfLTJihUTkeyL480Z31rhGsXvqauBOOmsznpqI1FoSONrwYoheo3jXFF3w9yH/s1600/novak+and+hitchcock.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF7MW8mtlG8AEiw16ZotH9r_0G4bm9HE1BQkgCmR8zdL9_5NORnvdoR79J1uUPG6oHiEiAQ1NmH-WKPb8cfLTJihUTkeyL480Z31rhGsXvqauBOOmsznpqI1FoSONrwYoheo3jXFF3w9yH/s400/novak+and+hitchcock.jpg" width="400" /></a></div><br /><br /><span style="font-size: small;">J<i>ohn Greco of <a href="http://twentyfourframes.wordpress.com/" style="color: #990000;">Twenty Four Frames</a> recently interviewed award-winning biographer Patrick McGilligan, author of <u>Alfred Hitchcock: A Life in Darkness and Light</u> (Harper Collins, 2004). The focus of their dialogue was the director's mysterious and magnificent</i><i> </i>Vertigo<i>.</i></span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /><a name='more'></a><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b>John Greco</b> (<b>JG</b>): Where does <i>Vertigo</i> fall within your pantheon of Hitchcock films and films in general?</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b>Patrick McGilligan</b> (<b>PM</b>): Honestly, I admire <i>Vertigo</i> more than I adore it but perhaps the reason for that is I am more inclined towards Hitchcock’s dark comedies with their playful humor -with major exceptions, I should say. Also, I have had the unfortunate experience, in recent years, of showing this film to undergraduates while teaching university film courses and have heard audible snickering in the audience during certain scenes, which isn’t true when you screen most of Hitchcock’s other accepted masterpieces. I think that is because there are some things about the film that can only be accepted by auteurists (the fact, for example, that it takes Scottie so long to recognize that Judy is/was Madeleine); you could say the same thing about the special effects for <i>The Birds</i> – brilliant then, somewhat dated now. And yet we fear the remake!</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b>JG</b>: How important was shooting the film in San Francisco to the film and Hitchcock?</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;">. </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk7Kf6ZfGxC8fcc7W7Ha7OHQU8OeVz_hmMDnoz5QgU-NlKkq2N2pTrB4oRML7fd1ceLlsO5LTh91nQXjozogoRVhiGFDiPA8HSYxI1R3kqjav3tnUiu40zVkeM5XuZEtMwNRNMwijQ4gJR/s1600/Palace+of+Fine+Arts.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk7Kf6ZfGxC8fcc7W7Ha7OHQU8OeVz_hmMDnoz5QgU-NlKkq2N2pTrB4oRML7fd1ceLlsO5LTh91nQXjozogoRVhiGFDiPA8HSYxI1R3kqjav3tnUiu40zVkeM5XuZEtMwNRNMwijQ4gJR/s400/Palace+of+Fine+Arts.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Judy and Scottie and San Francisco's Palace of Fine Arts</td></tr></tbody></table><span style="font-size: small;"><b>PM</b>: San Francisco and the Bay area became increasingly important to Hitchcock after he bought a house up there during World War II and began commuting up on many weekends. It was part of his “Americanization,” though obviously, considering his accent and usual costume, never a completed process. The romance with the Bay Area really began with <i>Shadow of a Doubt</i>, which was a Hitchcock original tailored for that area, and it was a great pleasure for the director to imagine or (in the cases of <i>Vertigo</i> and <i>The Birds</i>) re-imagine European stories in his veritable backyard. Filming in the Bay Area, or even living there on weekends, was radically independent for Hollywood in the 1940s. Incidentally, I think this penchant is one of the things that makes Hitchcock a very intimate, personal director as well as a universal one. They now give <i>Vertigo</i> tours of San Francisco, I’m sure you know. </span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b>JG</b>: <i> Vertigo</i> seems to have been a very personal film for Hitchcock. Scottie's obsession with the makeover of Judy into Madeline mirrors to an extent Hitchcock's own obsession with the making over of some of his leading ladies into his own vision of the icy blonde Hitchcockian ideal. Tippi Hedren, for example - true?</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><div style="text-align: left;"></div><div class="separator" style="clear: both; text-align: center;"></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmCWElv1VUS_0-lTuwjbjfOsV6l5AQBGGOsVpeDaC9OzkpYNepi6sy0cxflN879rO4n9A9Pzdp7wIvwFT16PwM-yEFNYFVQ8jywMeODuFqhbMz0DjQTRxgtX3WEGepB1RFv9wMTvd3GJVc/s1600/kim_novak_spiral-french_twist_vertigo_1958.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmCWElv1VUS_0-lTuwjbjfOsV6l5AQBGGOsVpeDaC9OzkpYNepi6sy0cxflN879rO4n9A9Pzdp7wIvwFT16PwM-yEFNYFVQ8jywMeODuFqhbMz0DjQTRxgtX3WEGepB1RFv9wMTvd3GJVc/s200/kim_novak_spiral-french_twist_vertigo_1958.jpg" width="146" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">An iconic twist</td></tr></tbody></table><span style="font-size: small;"><b>PM</b>: I don’t really buy this notion except very generally. Hitchcock’s career is full of different types of women, and not all the blondes are icy – Grace Kelly really isn’t, either in <i>Rear Window</i> or <i>To Catch a Thief</i>. I think it is a cliché about Hitchcock that is sometimes true and that he helped to promulgate as part of his self-publicity. At the same time, it is also true that, especially in the early days of the silent cinema, particularly in America, the blonde heroine was a fixture – the Mary Pickford type, whose looks photographed dramatically in black and white. Hitchcock was very aware of that tradition. Yet it is also true that Hitchcock liked to make over his leading ladies, picking out their costumes, consulting on their hair-dos, offering behavioral tips for scenes. So, I guess it is fair to say that Scottie’s make-over of Judy in <i>Vertigo</i> echoes (or prefigures) Hitchcock’s make- over of Tippi Hedren for <i>The Birds</i>, as long as it is understood that sometimes the make-overs had little to do with the icy blonde cliché, or that he did the same thing more subtly, often, with the male characters and actors.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b>JG</b><i>: </i>Vera Miles was originally set to play Madeleine/Judy but due to delays in pre-production and her eventual pregnancy she was replaced by Kim Novak. Any thoughts of how Ms. Miles would have been in the dual role?</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b>PM</b>: Originally I think the part was tailored for Miles. Hitchcock had a yen for Miles and really tried to elevate her to a ‘name’ stardom. But Miles couldn’t play the part because of her pregnancy, and gradually the role was reworked, the script rewritten, for another type of actress, Kim Novak. James Stewart was really in favor of Novak, importantly, and so was Lew Wasserman. She really gives a stellar performance, although you almost can sense her squirming under Hitchcock’s not entirely satisfied direction. I think that gives the film a piquancy that wouldn’t have been there with Vera Miles, but it’s almost not fair to speculate. Ultimately Vera Miles would have played it differently, Hitchcock would have directed her differently, and the script would have been written differently.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b>JG</b>: Kim Novak has been criticized over the years as being too lightweight an actress for the role. I, for one, think her lack of depth, her innocence, if you will, added a dimension that would have been missing with a more seriously trained actress. Does she hurt the film as some have said?</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxqGpYf_lJ1btDJnjVPW9GMgIOGki6mlZohBNnwhNOnzUl3OCmj-HhWJoALhSNbT5ybGN56109qjMbt9tqhpvfe5Niu4haXXG_Qpmm3-7UhXXQs7p8dLf1EFl_VoMPZoehLii3HMXX1aqW/s1600/novak+vertigo+lombard+street.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxqGpYf_lJ1btDJnjVPW9GMgIOGki6mlZohBNnwhNOnzUl3OCmj-HhWJoALhSNbT5ybGN56109qjMbt9tqhpvfe5Niu4haXXG_Qpmm3-7UhXXQs7p8dLf1EFl_VoMPZoehLii3HMXX1aqW/s320/novak+vertigo+lombard+street.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Mysterious 'Madeleine Elster'</td></tr></tbody></table><span style="font-size: small;"><b>PM</b>: I agree with you that Kim Novak adds rather than subtracts to the film. I’d say the first requisite for the character she plays is ‘mysteriousness.’ Neither Judy nor Madeleine is intended to have any depth, per se. For the ordinary moviegoer Novak is convincing and beguiling. For the serious moviegoer she is more: she overcomes all prejudices against her limitations while adding to the ‘subtext’ of the film. Hitchcock’s ability to mold the actress, to cast a spell over her, is part of the grand achievement of the film.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b>JG</b>: Hitchcock's films were always filled with eroticism<i>. The 39 Steps </i>with the implications of the two handcuffed together, the kissing scene in <i>Notorious,</i> the afternoon tryst in <i>Psycho,</i> to name a few. In <i>Vertigo</i> it is implied, after Scottie saved Madeleine from drowning and took her back to his apartment, that she is naked (under the sheets), suggesting he most likely undressed her. Was Hitchcock playing out personal fantasies or fulfilling a need missing in his life?</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhat5q0TJXrISIbZqbEEzGPhVMAAofGx0I6jUGTH4wNHlnDDdxTKpsFw013MG5tCvhTzk4XD_1ZqV3Ty3XtU-qwhtcWzZZQ-2n7zB1eCHl7hrBorwk_BY_RH2t-zNdo32mErbpKFkCNAvQt/s1600/Ernies.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="289" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhat5q0TJXrISIbZqbEEzGPhVMAAofGx0I6jUGTH4wNHlnDDdxTKpsFw013MG5tCvhTzk4XD_1ZqV3Ty3XtU-qwhtcWzZZQ-2n7zB1eCHl7hrBorwk_BY_RH2t-zNdo32mErbpKFkCNAvQt/s320/Ernies.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Gavin Elster and 'Madeleine' at Ernies</td></tr></tbody></table><span style="font-size: small;"><b>PM</b>: I certainly think that all the great directors play out their personal fantasies as well as fulfill needs missing in their personal lives. That is true of Hitchcock’s preoccupation with erotic symbolism, sexy actresses undressing before the camera, double entendre dialogue, and so on. At the same time it was part of his sophistication as well as his identification with his audience, that Hitchcock understood the ramifications of scenes that sometimes slipped by the censors, and that this quality in his films was enormously appealing and subversive to critics as well as ordinary moviegoers. One of the reasons the Hitchcockian sensibility can’t really be replicated by other filmmakers (despite many valiant efforts) is that it has so many components that are organic with him – his personality, his character, his life story - and yet work as part of his entertainment formula. The eroticization of scenes belongs to Hitchcock as much as the Macguffin or “the wrong man.”</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b>JG</b>: Scottie is fanatical in transforming Judy into the image of the dead Madeleine, he is a man possessed. I found this to be one of James Stewart's most intense acting performances, maybe with the exception of some of his roles in Anthony Mann's westerns, his most extreme. He actually becomes less likeable as the film progresses.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><div class="separator" style="clear: both; text-align: center;"></div><br /><div style="text-align: right;"></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKjewP8nQhfb0OveVRKyJzHrqKXi80sWVzcFpbNPL68C_Wb-pzU3SbGuVz0cW7OXWr4x-GiQahlhq7a-2E0sZ2gYQMKLkenanMPHi_DTXr0a2JRTtuLgbBVOIqHkiv5aE0KIemy83ra8yA/s1600/vertigo+in+vertigo.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="197" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKjewP8nQhfb0OveVRKyJzHrqKXi80sWVzcFpbNPL68C_Wb-pzU3SbGuVz0cW7OXWr4x-GiQahlhq7a-2E0sZ2gYQMKLkenanMPHi_DTXr0a2JRTtuLgbBVOIqHkiv5aE0KIemy83ra8yA/s400/vertigo+in+vertigo.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">"...a resurrection parable."</td></tr></tbody></table><span style="font-size: small;"><b>PM</b>: I think Scottie becomes pitiful as well as pitiable, which may be traced to Hitchcock’s Catholicism. (The whole story is a resurrection parable.) Stewart was a brave actor, willing to try anything and risk falling flat, and he had remarkable close collaborations with several of Hollywood’s top directors – Capra, Ford, Mann, besides Hitchcock. But he and Hitchcock had more of a true friendship and partnership; they were actual business partners on the four films they made together. When an actor lets himself go emotionally like Stewart does in <i>Vertigo</i>, or in the Anthony Mann films you mention – <i>even It’s a Wonderful Life</i> – apart from his considerable talent it shows his trust in the director.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b>JG</b>: <i>Vertigo</i> was a critical and commercial failure at the time of its original release. Was the film too complex for audiences of the day to appreciate or was there another reason? It certainly has gained in stature in later years.</span></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><br /></div><div class="MsoNormal" style="font-family: Verdana,sans-serif;"><span style="font-size: small;"><b>PM</b>: Who knows? It could have been doomed by the advertising or release pattern. It may have done well overseas. It was certainly embraced by the French. It might be too strong to call it a failure – maybe a disappointment. I know that Hitchcock found fault with the film, even with James Stewart, not his performance, but with hindsight the director thought Stewart might not have had the necessary romantic appeal. But it’s a curious love story after all, and not the usual mystery or suspense, so American audiences in the 1950s may have been left scratching their heads. And much of what Hitchcock critics and scholars treasure about it – all the embedded auteurism – wouldn’t have been obvious to those moviegoers. I’m not sure it is obvious to audiences today. After all, while <i>Vertigo</i> wins over the critics and scholars, other Hitchcock films like <i>Rear Window</i>, <i>North by Northwest</i> or <i>Psycho</i> are more reliable as crowd pleasers.</span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheFIt01WO-tLLn2zD6ZAtveriUq5xtVHglepLorBSDgu-XgHNVxvoA6U3AJMWatzQqraDmeBRQkaDspJwOK-pkappqFxQLCGTwyj5ac_KT6XPf0QE0bdW6wSnVb8ql3rSamr7-qURyze3b/s1600/Patrick_McGilligan.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheFIt01WO-tLLn2zD6ZAtveriUq5xtVHglepLorBSDgu-XgHNVxvoA6U3AJMWatzQqraDmeBRQkaDspJwOK-pkappqFxQLCGTwyj5ac_KT6XPf0QE0bdW6wSnVb8ql3rSamr7-qURyze3b/s400/Patrick_McGilligan.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Biographer Patrick McGilligan</td></tr></tbody></table></div><br /><div style="text-align: center;"> ~</div><br /><div style="font-family: Verdana,sans-serif;"><i>Guest author <b>John Greco</b> has entertained a lifelong fascination with cinema and photography and has been blogging on classic film for about 3½ years at </i>Twenty Four Frames<i>. He recently launched another blog featuring his own photography (<a href="http://johngrecophotograpy.com/" style="color: #990000;">johngrecophotograpy.com</a>). Pat McGilligan’s <u>Nicholas Ray: The Glorious Failure of an American Director</u>, was published in July. <a href="http://twentyfourframes.wordpress.com/2011/08/05/interview-with-author-patrick-mcgilligan/" style="color: #990000;">Click here</a> for John’s interview with the author regarding this most recent biography.</i><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT53j16b-pwmkt7HV-Uysf8aZUAY8xU1SPdsjBI3cPuS542tIu9O6MrHWgMAPoBlg0yNT0LaRmZplM9QIS_UFPjkfCIpcTuz1CAtxN94TZ4He4PRm_s6cRAoCE1WK4bUDqHrER_YpycL8/s1600/Twenty+Four+Frames+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="86" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT53j16b-pwmkt7HV-Uysf8aZUAY8xU1SPdsjBI3cPuS542tIu9O6MrHWgMAPoBlg0yNT0LaRmZplM9QIS_UFPjkfCIpcTuz1CAtxN94TZ4He4PRm_s6cRAoCE1WK4bUDqHrER_YpycL8/s400/Twenty+Four+Frames+2.jpg" width="400" /></a></div></div>

A Month of Vertigo Alfred Hitchcock James Stewart John Greco Kim Novak Patrick McGilligan San Francisco Vertigo Hitchcock Biographer Patrick McGilligan Discusses VERTIGO with John Greco

by guest contributor John Greco J ohn Greco of Twenty Four Frames recently interviewed award-winning biographer Patrick McGilligan, author ...

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Food for Thought

<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl-sa3XS7BB5afRVcU-EG_QkBEtJoeC_ETcOA4RbjbR20_yNksQoZ3iKltzkbZj4EpTLK1bVfIGHdImRQNpvD48SbWWbGHfC8tUJJSPPPX1YjSaGaO8wMs7goebfbZX97a-zgLdwvkdDyH/s1600/alsaud_kings.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl-sa3XS7BB5afRVcU-EG_QkBEtJoeC_ETcOA4RbjbR20_yNksQoZ3iKltzkbZj4EpTLK1bVfIGHdImRQNpvD48SbWWbGHfC8tUJJSPPPX1YjSaGaO8wMs7goebfbZX97a-zgLdwvkdDyH/s320/alsaud_kings.gif" width="320" /></a></div><br /><div style="color: red;"><span style="font-size: x-large;"><b>The quiet war in Saudi Arabia</b></span></div><span style="font-size: x-small;">By Joshua Jacobs, via Open Democracy Net </span><br /><br /><br /><br /><br />While western powers have been happy to use SAUDI ARABIA as an ally to ratchet up the pressure on Assad's beleaguered regime in SYRIA, it has not caught a whiff of the silent crackdown occurring within the kingdom. Since late November the protest movement which was largely snuffed out last spring has returned to the streets in force, largely centered on the oil rich and largely SHIA Eastern Province. <br /><br />The SAUDI response was both brutal and predictable. Security forces shot and killed three protesters and wounded many more over several days of crackdowns in the eastern city of QATIF. Clashes continued throughout December as demonstrators battled security forces who routinely utilized live ammunition. In a series of retaliatory raids on the homes and districts of protest sympathizers hundreds were arrested and wounded. The killings along with the continued discrimination and mistreatment of the SHIA of the Eastern Province has formed the basis of the current protest movement - a protest movement that has suffered heavily like its neighbour in BAHRAIN, but with little in the way of a headline.<br /><br />Today, while attention was focused on the Strait of Hormuz, on SYRIA, and on the rising tensions in BAHRAIN, SAUDI security forces launched an assault on the city of AWAMIYAH killing at least one and wounding half a dozen more. Eye witnesses have stated that soldiers on trucks opened fire on demonstrators, hitting many as they fled. The attack bears all the hallmarks of a planned operation with electricity being cut to the area prior to the assault. The area at the time of writing is apparently still under military lock-down and reflects a state of siege with clashes continuing to occur and gunfire being heard.<br /><br />This attack was almost certainly condoned by the royal family and comes on the heels of a series of indictments against demonstrators and high profile invectives against the protest movement. Despite this attack and others like it, the rumblings and tremors of protest and crackdown show no sign of abatement. Indeed in the past few months they have once again reared their head in the south west in NAJRAN and JAZAN, compounded with protests over women’s rights in RIYADH and BURAYDAH.<br /><br />These protests bear all the hallmarks of a movement which could coalesce and burst anew from the ashes of the disjointed and largely suppressed protests of last spring. They also come at an extremely troubling time for the kingdom. The death of Crown Prince Sultan highlighted the geriatric character of the upper echelons of the ruling family, and the potential uncertainty and disquiet surrounding the issue of succession.<br /><br />Meanwhile, continuing tensions in the STRAIT OF HORMUZ and rising furor on the streets of BAHRAIN open up the risk of unrest spreading to the kingdom in a domino effect. Indeed the extremely aggressive SAUDI position on BAHRAIN and the continued quartering of troops in the tiny island monarchy has a direct relationship to their fears of domestic instability. The possibility of SAUDI SHIA rallying on behalf of their co-religionists in BAHRAIN, or vice versa is a looming threat that the SAUDIS are taking great pains to neutralize.<br /><br />Though the protests currently centre on a single province, the Eastern Province is home to the majority of SAUDI energy reserves, terminals, and processing facilities. Disruption and upheaval in this province has a disproportionate impact on SAUDI ARABIA. A protracted and visible uprising would not only weaken the SAUDI government internally but could have a tumultuous impact on the global energy market. This is all the more reason for not only the media, but for western governments to begin taking an active interest in the ongoing street conflict.<br /><br />SAUDI rulers certainly understand the threat posed by the protesters and the risk of an expanding movement: their actions are a testament to that fact. So why is the world’s media apparently incapable of recognizing the same thing? Arab media has been noticeably silent, with the two largest ARAB MEDIA entities the Saudi-owned AL-ARABIYA and the QATARI-owned AL-JAZEERA having said almost nothing. However there is little excuse for western media. SAUDI ARABIA is probably AMERICA'S most important ARAB ally, the world’s most important single energy node, and one of the most influential countries in the region.<br />It's also experiencing its worst domestic upheavals since its rebellions of the early 1980's. Taken in a vacuum this is a significant news story. When set against the context of the unfolding drama in the GULF and the wider contours of the ARAB SPRING, it is incredible.<br /><br />The past year was a bad one for SAUDI ARABIA: the coming year augurs to be even worse. The time has come to slice through the veil SAUDI ARABIA has kept around its crackdown and recognize that the Arab Spring at least in limited form has hit the kingdom. What comes next is difficult to say, but with the rapidity of change that the Arab Spring has introduced us to, it would be wise to pay close attention to the warning signs as they appear. It is entirely possible that we will see a very, very, warm spring in SAUDI ARABIA.<br /><br />

Food for Thought

The quiet war in Saudi Arabia By Joshua Jacobs, via Open Democracy Net While western powers have been happy to use SAUDI ARABIA as an ally t...

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Your boss quits. Now what?

<br /><div class="separator" style="clear: both; text-align: center;"><a href="http://emj.cbdr.com/artieimages/28/ar5l3xv5xrm1t64h0828.gif?time=11/4/2011%2012:22:37%20pm" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://emj.cbdr.com/artieimages/28/ar5l3xv5xrm1t64h0828.gif?time=11/4/2011%2012:22:37%20pm" /></a></div><div class="ArticleHeadline" style="font-family: Arial, Helvetica, sans-serif; font-size: 12px; margin-top: -30px;"><div class="hdr_org_bld" style="color: #ff6600; font: normal normal bold 18px/normal arial, helvetica;"><h1 id="articleHeadline" style="color: #ff7700; font-size: 18px; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><br /></h1></div><b><span id="cbArticle_lblByLine">Debra Auerbach, CareerBuilder Writer</span></b><br /><br /><div class="cbmsnArticleImage">For those of you who are fans of NBC's "<a href="http://www.nbc.com/the-office" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">The Office</a>," you know that Michael Scott, aka the "<a href="http://www.bing.com/images/search?q=Michael+Scott+world's+best+boss+mug+&FORM=BIFD" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">World's Best Boss</a>," departed at the end of last season and moved with his fiancée to Colorado to be near her parents. There was much speculation about who would replace him and if that person could ever truly fill the much-loved boss man's shoes.</div></div><div class="ArticleContent" style="font-family: Arial, Helvetica, sans-serif; font-size: 12px;"><br /><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">This season, "The Office" followers found out that Andy Bernard -- the preppy, overeager salesman who often spontaneously breaks out into song -- had been appointed the new Big Cheese. As Andy steps up to the plate, he's faced with a variety of obstacles: How can he get his former peers to respect him and listen? How should he handle those in his company who are miffed they didn't get the promotion?</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">This situation is common in the real-world workplace. These days, you'll be hard-pressed to find someone who has worked at only one company in her lifetime. There are a variety of reasons why someone may depart. Like Michael Scott, it could be due to a big move; other reasons include being laid off, finding a better opportunity or just being unhappy. Whatever the reason, it usually has a big impact on the boss's team.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">So what should you do if your boss says goodbye? Here are some tips to help you navigate through these often muddy workplace waters.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><b>Be supportive and stay connected</b><br />Deciding to leave a job is never easy, even for the boss, so be supportive and encouraging. Try to avoid participating in water-cooler gossip or secretive speculation about why she's leaving. Lynne Sarikas, director of the College of Business Administration's career center at <a href="http://www.northeastern.edu/" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">Northeastern University</a> in <a href="http://www.careerbuilder.com/jobs/massachusetts/boston/" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">Boston</a>, suggests thanking your boss for her support and letting her know you've appreciated all she's taught you -- even if you didn't always get along. "Regardless of any issues you may have had, stay positive," Sarikas says. "Ask if you can stay connected. This is someone you may need as a reference one day."</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><b>Get to the root of the departure</b><br />If your boss announces he's leaving for another opportunity, it's worth asking yourself why. Was it a personal decision, or was it because he suspects, or knows, the company isn't doing well? Was he unhappy in the role or disgruntled with his boss? Was it by choice or was he forced out? Mary Hladio, founder and president of organizational performance consultancy Ember Carriers Leadership Group, recommends conducting such an investigation, especially if you are vying to take over the vacant spot. "If the sudden lack of leadership is also accompanied by staff cutbacks, tighter budgets and shrinking sales, these are definite danger signs that you should not ignore."</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><b>Look for leadership opportunities</b><br />When the boss leaves, it's often by surprise, and there isn't always a succession strategy in place. While the transition can be a burden on those left to pick up the slack, use it as an opportunity to step up and demonstrate leadership -- regardless of whether or not you hope to become the boss. Offer to take over some of the work, meet with your boss's boss to strategize about ways to restructure the team, and use this time to prove that you have what it takes to lead in times of uncertainty.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">If you are hoping to be promoted into the boss's position, don't hesitate to express your interest in taking on the role. If you have a good relationship with the departing boss, consider asking him before he leaves to recommend you for the position.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">"Things can move fast in an organization, so if your boss leaves and you know you're interested in that role, it's appropriate to share that interest with both the boss and his or her boss," says workplace coach Darcy Eikenberg, founder of <a href="http://redcaperevolution.com/" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">RedCapeRevolution.com</a> and author of the forthcoming book "Bring Your Superpowers to Work: Your Guide to More Clarity, Confidence and Control." "Try saying something like, 'I've appreciated the example you've set in this role, and it's one where I think I can make a contribution, too. We'll miss you, but I'm aware that we'll need to fill the post soon. What's the right next step to be considered as your replacement?'"</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">Eikenberg also suggests ensuring you truly know the responsibilities of and expectations for the position before pushing for it. There may be a side to the job that you didn't realize existed. If you're longing for the boss's job, Eikenberg encourages asking him questions like, "What's the one work activity that takes most of your time in this role?" or "What's the part of your job that keeps you up at night?" That way, you have a stronger sense of the role and can determine if you are up for the challenge.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><b>Consider following the leader</b><br />What if your boss is the reason you're at your current job? Perhaps she brought you over from another company, or her mentorship is the reason you haven't hightailed it out of there yet. When you consider your boss a friend and someone you admire, it can be tough when she decides to jump ship, but try not to let your emotions get the best of you. Consider whether you're happy in your current role and if it may be worth following your boss to her new company.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">"If you had a good relationship with your boss, continue to stay in touch. Your boss might have left for a much better opportunity, and if he or she has opportunities for you, let him or her know you might have an interest," says Renee Weisman, owner of Winning at Work Consulting, a company providing workplace leadership seminars and classes, and author of "<a href="http://www.amazon.com/Winning-Mans-World-Advice-Succeed/dp/1436364221" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">Winning in a Man's World: Advice for Women Who Want to Succeed and the Men Who Work With Them</a>."</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;">So what if you pull an <a href="http://www.bing.com/search?q=andy+bernard&qs=n&sk=&sc=8-12&form=QBRE" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">Andy Bernard</a> and actually become the boss? Here are some tips on how to step out from the old boss's shadow.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><b>Find a balance between friendship and leadership</b><br />When taking over as the boss, your relationship with your co-workers will likely need to change. While it would be nice to keep them as buddies, you may have to distance yourself if you want them to take you seriously. However, don't take your newfound authority so far that it borders on condescending, or you'll end up alienating your new team. Chances are there are others on your team who were hoping to take over as the boss, so be sensitive to the fact that they might be frustrated or upset at the outcome. Make them your allies by tapping them for their advice or asking them to mentor or guide younger workers; that will show them you value their opinion and see them as a key member of the team.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><b>Understand expectations</b><br />"Take some time initially to understand what you are expected to accomplish...and by when," says Roy Cohen, career coach and author of "<a href="http://www.amazon.com/Wall-Street-Professional-92s-Survival-Guide/dp/0137052642" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;">The Wall Street Professional's Survival Guide</a>." "Ask your new boss, 'How will you measure my success -- and know that I have been successful -- in six months or a year?' Having a benchmark will enable you to work toward accomplishing their goals and offer feedback should those goals be unrealistic or unfair. This knowledge will also allow you to modify those goals to reflect your own unique potential to contribute."</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><b>Give it some time</b><br />Remember that change is never easy, so there will likely be some growing pains as you transition into the new role. No one is expecting you to be a carbon copy of your former boss, so take this opportunity to carve out your own path. Be patient and stay levelheaded, and you'll be on your way to succeeding as a company leader.</div><div style="margin-bottom: 1em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><i>Debra Auerbach is a writer and blogger for CareerBuilder.com and its job blog, </i><a href="http://www.theworkbuzz.com/" style="color: #3300cc; font-family: Arial; font-weight: normal; text-decoration: none;"><i>The Work Buzz</i></a><i>. She researches and writes about job search strategy, career management, hiring trends and workplace issues.</i></div></div>

Your boss quits. Now what?

Debra Auerbach, CareerBuilder Writer For those of you who are fans of NBC's " The Office ," you know that Michael Scott, aka t...

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