A Tale of Two Epics: I, Claudius

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA9sRFaOha7SHqYx1kUZu5ZrN6Cns5QcVSqWxPErhJgJ5q4bF2uOm_thIjhgcJso2DS3CbGGrdRmCGO45N_Fakxz1gvRGTZT3g_ArOb2mW8plhOtzM9skHNs_XaNtWnLL089ke0YdNjCRk/s1600/von+sternberg+oberon+laughton.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjA9sRFaOha7SHqYx1kUZu5ZrN6Cns5QcVSqWxPErhJgJ5q4bF2uOm_thIjhgcJso2DS3CbGGrdRmCGO45N_Fakxz1gvRGTZT3g_ArOb2mW8plhOtzM9skHNs_XaNtWnLL089ke0YdNjCRk/s400/von+sternberg+oberon+laughton.jpg" width="293" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Josef von Sternberg, Merle Oberon and Charles Laughton</td></tr></tbody></table><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">In 1934, British scholar/writer Robert Graves published his best known and most successful work, the sweeping historical novel <i>I, Claudius</i>, written in the form of an autobiography by the Roman Emperor Claudius (10 B.C. - 54 A.D.). 40 years later this classic work would receive plaudits and a new audience in an entirely different medium.</span></span><br /><a name='more'></a><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">The golden age of the television miniseries began in the mid-'70s - <i>Rich Man, Poor Man </i>was a sensation in 1976 and <i>Roots </i>made history in 1977. Classics like <i>Shogun</i> (1980), <i>Brideshead Revisited </i>(1981) and <i>Winds of War</i> (1983) soon followed. In 1976 the BBC's <i>Masterpiece Theatre</i> adapted Graves's historical fiction into a </span></span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">12-episode landmark starring Derek Jacobi (Claudius), John Hurt (Caligula), Sian Phillips (Livia) and Patrick Stewart (Sejanus). An Emmy and BAFTA winner, <i>I, Claudius </i>debuted in the U.S. in 1977 and was, among other things, later acknowledged as inspiration for the blockbuster prime-time soap, <i>Dynasty</i> (1981 - 1989).</span></span><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq5iHqgTwXhBf9NLmCTBISajphGZAsCQ3gbFMtjlssO4vtaExrwa7NwBjarSAOXL5nVjr-J2D693SS0U9IwhcYqWIHEM2vQCcIM4JxJZ8z4mEEXxdFz43XqgqepqpxFBs-vkiaO-zbL_Jm/s1600/Claudius+35+anniv.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq5iHqgTwXhBf9NLmCTBISajphGZAsCQ3gbFMtjlssO4vtaExrwa7NwBjarSAOXL5nVjr-J2D693SS0U9IwhcYqWIHEM2vQCcIM4JxJZ8z4mEEXxdFz43XqgqepqpxFBs-vkiaO-zbL_Jm/s320/Claudius+35+anniv.jpg" width="320" /></a></div><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">This year, in March, Acorn Media released a new boxed set edition celebrating the 35th anniversary of <i>I, Claudius</i>. Among the bonus features are extended original versions of episodes one and two, a behind-the-scenes documentary entitled <i>I,Claudius: A Television Epic</i>, an interview with Derek Jacobi and...a 70+ minute BBC documentary from 1965, <i>The Epic That Never Was</i>, about the unfinished Alexander Korda production of a Josef von Sternberg-directed film. This first version of the Graves novel starred Charles Laughton (Claudius), Merle Oberon (Messalina), Flora Robson (Livia) and Emlyn Williams (Caligula).</span></span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYOQzALdvGHOCQlI670WcAqWUpJcPUVbZXNDvpGscJQRowA6PSm5rDvcHAuR_ou6Mvm0SqPE5kS6WIot35lA2y9D4TNFAimh2QqK1T9Nn0NgsOo1fopqeDEKl9F8xdsHY8udZ3eG0K_pc9/s1600/Vincent+Korda+sketch+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYOQzALdvGHOCQlI670WcAqWUpJcPUVbZXNDvpGscJQRowA6PSm5rDvcHAuR_ou6Mvm0SqPE5kS6WIot35lA2y9D4TNFAimh2QqK1T9Nn0NgsOo1fopqeDEKl9F8xdsHY8udZ3eG0K_pc9/s400/Vincent+Korda+sketch+2.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">A sketch by Art Director/Production Designer Vincent Korda for <i>I, Claudius</i></td></tr></tbody></table><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">In 1937 Korda, who would later marry Oberon, set out to produce a grand epic. In 1933 he had produced and directed <i>The Private Life of Henry VIII</i>, the popular film that brought Charles Laughton a Best Actor Oscar, and produced another great success in 1934 with <i>The Scarlet Pimpernel</i> starring Leslie Howard. Hungarian-born but based in Great Britain, Korda's dream was to make pictures in England that rivaled those coming out of Hollywood. With <i>Henry VIII</i> and <i>The Scarlet Pimpernel</i>, he'd begun to realize his dream but wanted to reach further. With Charles Laughton still under contract to him in 1937, Korda's ambition was to create a film greater than either <i>Henry VIII</i> or their most recent collaboration, <i>Rembrandt</i> (1936). Korda bought the rights from Robert Graves for the recently published <i>I, Claudius</i>, hired Josef von Sternberg to direct, and the project moved forward.</span></span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJEOeBy6kA3ESrwtYIXqFw6JxHMBUWlBMkkFvpesMiB4mPZf_yrQcjasajaWTI7RuCAU5P6VDlIkV0QhJsMc3tZSS2EwDmqJFhZRZN22qYhOfpgm5DnLhCprSnO8j6dOUtyN2rtaLj0PUL/s1600/Charles+Laughton+Claudius.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJEOeBy6kA3ESrwtYIXqFw6JxHMBUWlBMkkFvpesMiB4mPZf_yrQcjasajaWTI7RuCAU5P6VDlIkV0QhJsMc3tZSS2EwDmqJFhZRZN22qYhOfpgm5DnLhCprSnO8j6dOUtyN2rtaLj0PUL/s320/Charles+Laughton+Claudius.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Charles Laughton as Claudius</td></tr></tbody></table><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><i>The Epic That Never Was</i> is hosted by actor Dirk Bogarde, who recalls in his narration that as a teenager he ventured with friends to Korda's Denham Studios to watch the filming of <i>I, Claudius</i>. The documentary features interviews with many who worked on the film: Merle Ober</span></span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">on, Josef von Sternberg, Robert Graves, Emlyn Williams and Flora Robson, as well as Korda's longtime script girl and others. Only Korda and Laughton, n</span></span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">o longer alive in 1965, </span></span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"> are absent.</span></span><br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioPP6rCnRqMhHozYrsWFpC5J6JdolCmejNseiGu7epLaF_qZ6nl9gTDZBWPJyEuaM9CFR8AOXRWNYiJsjxJS96VBAdsp-cywP3elKimgNs1Gyuo7Ie-bxUCIDNIiJQRdEAnigCdqMjc-Tb/s1600/Merle+Oberon+claudius.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioPP6rCnRqMhHozYrsWFpC5J6JdolCmejNseiGu7epLaF_qZ6nl9gTDZBWPJyEuaM9CFR8AOXRWNYiJsjxJS96VBAdsp-cywP3elKimgNs1Gyuo7Ie-bxUCIDNIiJQRdEAnigCdqMjc-Tb/s200/Merle+Oberon+claudius.jpg" width="166" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Merle Oberon<i> </i>as Messalina</td></tr></tbody></table><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">According to Merle Oberon, Korda wanted his friend von Sternberg to direct hoping that the filmmaker who masterminded Marlene Dietrich's ascent to stardom would handle Oberon with the same care and artistry so that she, too, might become a great star. The actress recalled vividly once filming began, "something odd happened," suddenly Charles Laughton "couldn't find his character." Laughton began to break down and the script girl remembered him despairing, "I can't find the man!" Josef von Sternberg recalled the actor "had some difficulty getting into his part" but felt, all in all, that Laughton's performance was "magnificent" and that his problems would pass.  Eventually Laughton determined that Claudius <i>was</i> Edward VIII and began listening to the former king's abdication speech to help sustain his motivation.</span></span><br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9-hPKp2s033TuDGYPInn4PQBuoyAlr-aCkBsbUCtYu57wWSNLn3DUS55NCUWEmVytO1sFxe5hF_wGeild6tfl1rHj_c-s7KNOa1nSPdy7mRg_elIRcHMm7C-HEQ8nXsWssQRbW84jyuHC/s1600/Flora+Robson+as+Livia.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9-hPKp2s033TuDGYPInn4PQBuoyAlr-aCkBsbUCtYu57wWSNLn3DUS55NCUWEmVytO1sFxe5hF_wGeild6tfl1rHj_c-s7KNOa1nSPdy7mRg_elIRcHMm7C-HEQ8nXsWssQRbW84jyuHC/s200/Flora+Robson+as+Livia.jpg" width="165" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Flora Robson as Livia</td></tr></tbody></table><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Flora Robson remembered that Josef von Sternberg was very much the flamboyant director and that he came to the set dressed in riding boots and other regalia. The script girl recalled that the director was also a first-rate editor and noted that he seemed to "edit in his head" before he shot a scene. Her remarks bring to mind critic Andrew Sarris's observation that von Sternberg "entered the cinema through the camera rather than the cutting room" and Marlene Dietrich's flat statement that "he was the greatest cameraman the world has ever seen..."</span></span><br /><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">About 30 minutes of the 1937 production footage survives and is included in <i>The Epic That Never Was</i>; it is fascinating. Emlyn Williams is vile and reptilian as Caligula and Laughton's inspired Claudius foreshadows Jacobi's brilliant interpretation. As always, von Sternberg </span></span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">composed </span></span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">visually stunning, painterly scenes drenched in atmosphere.</span></span><br /><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Just a month into shooting, Oberon suffered a car accident in which she was thrown into the windshield. She was badly injured and filming was permanently halted. Emlyn Williams considered this "a godsend;" according to him, producer, director and star were not happy. Author Robert Graves, who had written an unused script for the project, assigned credit for the film's demise to Claudius himself - from beyond the grave...</span></span><br /><br /><div style="text-align: left;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">The <i>Masterpiece Theatre</i> drama met a far better fate than Korda's promising but ill-starred venture. Along with awards won and influence extended, TV's <i>I, Claudius</i> earned an enduring reputation and remains today among the top-ranked miniseries of all time. Any speculation by Robert Graves, who lived until 1985 and the age of 90, on the late Emperor's reaction to the BBC series is unknown...</span></span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-cZl7SL1-fVDNTcnX4rCfgeXqPrpKPyjHVPFs5c39ec5Xsti7aWuuf631AS9jievnYjzJ8uAbc9OL4EqlXPxox4cNjSR3tCpF_IRg7h6eWwK5DslgFhX3bUmnA1txeEzXtsJ_Vu-n0lbp/s1600/Capture.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-cZl7SL1-fVDNTcnX4rCfgeXqPrpKPyjHVPFs5c39ec5Xsti7aWuuf631AS9jievnYjzJ8uAbc9OL4EqlXPxox4cNjSR3tCpF_IRg7h6eWwK5DslgFhX3bUmnA1txeEzXtsJ_Vu-n0lbp/s400/Capture.JPG" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">John Hurt as Caligula, Derek Jacobi as Claudius, Sian Phillips as Livia</td></tr></tbody></table></div>

Alexander Korda Charles Laughton Derek Jacobi Flora Robson I Claudius John Hurt Josef von Sternberg Masterpiece Theatre Merle Oberon Patrick Stewart Sian Phillips The Lady Eve (author) A Tale of Two Epics: I, Claudius

Josef von Sternberg, Merle Oberon and Charles Laughton In 1934, British scholar/writer Robert Graves published his best known and most succe...

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My Restructuring Plan -- The Montana Option

Meeting with the Great Basin Bishops in Salt Lake City has been an inspiration. My staff sometimes fret that I do not "have a vision." Well now I do. It came to me yesterday morning while tramping around the Temple and it's environs.<br /><br />Episcopalians are always telling me how we need to emulate the Baptists and the mega-churches because they are so successful. But the mega-churches lose people as fast as the bring them in and the Baptists have lost more people in recent years than our entire membership. Who is actually "successful?" Our LDS brothers and sisters. They are doing quite well.<br /><br />So here's the plan. Instead of redirecting a paltry few million dollars from overhead to mission in our operating budget, let's make a real adaptive change. First, sell everything. I mean everything -- the offices at 815, John the Divine, the Washington Cathedral, All Saints Pasadena -- just for starters, then our houses and jet skis. We can keep cars and golf clubs. Nothing radical here. Anglican moderation at every step.<br /><br />Then we all move to Montana -- over a million of us -- elect the public officials, establish an Anglican cultural enclave, become the regional version of normal, build a huge Cathedral and complex of edifices, then invest the rest of our money in p r and supporting Episcopal Youth Service Corps all over the country. Slowly but surely, plant little Montanas all over the USA.<br /><br />Now here's our niche. The LDS already has a lock on genealogy. We cannot compete with that but we can complement it. Instead of a family history library we hire a crack team of psychics and futurists to staff our family future library. People will go to Salt Lake to learn about their ancestors, then on to Helena to learn about their descendants,<br /> <br />Finally, we replace Hyfrydol and some of our other boring music with a new theme song. "Turn Me Loose Set Me Free Somewhere In The Middle Of Montana." Now the scary part: I am on the structure committee for General Convention. Beware of mad men in high places.<br /><br /><br />- Posted using BlogPress from my iPad<br />

My Restructuring Plan -- The Montana Option

Meeting with the Great Basin Bishops in Salt Lake City has been an inspiration. My staff sometimes fret that I do not "have a vision.&q...

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