News for today's 2018

What a Character: Gladys Cooper

<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyB0yH45P_indI81lJO_HFurOVhcQ2ASNCHBiis3m0N4umZ1Ii8WVGACNioJXrWjVBv3ENY970Oarxj9_DVJRlKu_yuVTpgZ5qepnTPAnloKqSShE_gWvKQt25ayavREspbplQyFIv0FQ/s1600/Gladys_Collage+2.jpg" imageanchor="1"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyB0yH45P_indI81lJO_HFurOVhcQ2ASNCHBiis3m0N4umZ1Ii8WVGACNioJXrWjVBv3ENY970Oarxj9_DVJRlKu_yuVTpgZ5qepnTPAnloKqSShE_gWvKQt25ayavREspbplQyFIv0FQ/s1600/Gladys_Collage+2.jpg" /></a></div><div class="separator" style="clear: both; text-align: left;"></div><br /><span style="font-family: Verdana, sans-serif;"><i>The <b>What a Character! </b>blogathon is in progress now, hosted by </i><b>Once Upon a Screen</b><i>, </i><b>Outspoken and Freckled</b><i> and </i><b>Paula's Cinema Club</b><i>. <a href="http://aurorasginjoint.com/2013/11/06/what-a-character-blogathon-schedule/"><span style="color: #cc0000;">Click here</span></a> for more information and links to participating blogs. My entry for the event follows...</i> </span><br /><br /><div style="text-align: center;">~</div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5JKYogDfkPFzxqs5oCs_kRiSpXg3vvu_Rk7Z4XCyJK9gub1g7-aswQ3003a-8UX7MqoXviDFk4B8Zr5zZoy9JpMEu-Aop0r_uXpM6yf2dJlawhV6mp_RzSCRhveBRKaPFm_dl0aSXl7E/s1600/Gladys_model2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5JKYogDfkPFzxqs5oCs_kRiSpXg3vvu_Rk7Z4XCyJK9gub1g7-aswQ3003a-8UX7MqoXviDFk4B8Zr5zZoy9JpMEu-Aop0r_uXpM6yf2dJlawhV6mp_RzSCRhveBRKaPFm_dl0aSXl7E/s320/Gladys_model2.jpg" width="248" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Young Gladys</span></td></tr></tbody></table><span style="font-family: Verdana, sans-serif;">She was a beautiful child, wide-eyed and wistful, who began modeling at age six; during World War I she was the favorite 'picture postcard' pin-up of British troops; she went on tour in a musical at age 17 and by the time she neared 40 she was a star of the London stage. In 1940, at age 51, she began working as a character actress in Hollywood and would, over the course of the next three decades, earn three Oscar nominations for Best Supporting Actress. Her name was Gladys Cooper and she is best remembered for her performance as Bette Davis's cruel, steel-willed mother, Mrs. Vale, in <i>Now, Voyager</i>...</span><br /><a name='more'></a><br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/Q6KD7DATyj0" width="420"></iframe> </div><br /><span style="font-family: Verdana, sans-serif;">Gladys Cooper and Alfred Hitchcock launched their careers in Hollywood at the same time on the same film - <a href="http://eves-reel-life.blogspot.com/2011/11/chill-in-air-part-i.html"><span style="color: #cc0000;"><i>Rebecca</i></span></a> (1940). Cooper's was the small role of a tweedy aristocrat, the sister of Maxim de Winter (Laurence Olivier), who offered warmth and kindness to the beleaguered second Mrs. de Winter (Joan Fontaine). <i>Rebecca</i>, Selznick Pictures' follow up to <i>Gone with the Wind</i>, took the year's Best Picture Oscar and put Cooper (not to mention Hitchcock, Fontaine and Olivier) on the Hollywood map. Her obvious talent and commanding presence brought two less sympathetic roles next: Dennis Morgan's disapproving socialite mother in <i>Kitty Foyle</i> (1940) and the spurned wife of Laurence Olivier in <i>That Hamilton <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTyxnZ215_mm8L7eLYjfHK1ajlzGUiFsj9ZFwLRBamVugdaZBVcsABi7AIsJGMsxXMQG_si4y93L6pu0H1Q59Ak9Dt7nVn-7b98mjxwzio8wyQW16Rm5p5kh9yZpKlqRvyFJmg5pydd7c/s1600/Gladys_Morgan_GDS.JPG" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTyxnZ215_mm8L7eLYjfHK1ajlzGUiFsj9ZFwLRBamVugdaZBVcsABi7AIsJGMsxXMQG_si4y93L6pu0H1Q59Ak9Dt7nVn-7b98mjxwzio8wyQW16Rm5p5kh9yZpKlqRvyFJmg5pydd7c/s320/Gladys_Morgan_GDS.JPG" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Gladys Cooper and Frank Morgan in <i>Green Dolphin Street</i></span></td></tr></tbody></table>Woman </i>(1941). Her facility in these roles paved the way for Cooper to be cast as the villain in <i>Now, Voyager</i>. She earned her first Oscar nomination in 1942 for her portrayal of this archetypal <a href="http://www.classicfilmtvcafe.com/2010/01/this-weeks-poll-whos-your-mommie.html"><span style="color: #cc0000;">devouring mother</span></a>. The following year she earned her second nomination as Sister Marie Therese, a severe and punishing nun in <i>The Song of Bernadette </i>(1943).</span><br /><br /><span style="font-family: Verdana, sans-serif;">Typecast? Yes and no. Cooper was fortunate (and versatile) enough to be cast in sympathetic roles - in <i>Mr. Lucky </i>(1943), <i>The White Cliffs of Dover </i>(1944), <i>The Valley of Decision </i>(1945), <i>Green Dolphin Street </i>(1947) and other popular films - but she was as often cast as uppercrust autocrats. In 1947, she brought one of her most memorable wealthy dowagers to the screen as Mrs. Hamilton in the holiday fantasy <i>The Bishop's Wife</i>. This time, though, there was a twist; the imperious widow's hardened heart<i> </i>was melted by no less an angel than Cary Grant - giving Cooper the rare chance to render both harsh and tender facets of her character. </span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKFLygBLTIvGFgELzYhligaE67sSh4cfOGtLXV16TCaCw5aEA7i_5lWRpyhaoMAu4hDQLMudxz7gY1HXE-J0lmZKLs-VIG_h_s2miioeyivdknBNcq0LecNNxvmgfIUM46vjPtRHH6rPI/s1600/Bishop.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKFLygBLTIvGFgELzYhligaE67sSh4cfOGtLXV16TCaCw5aEA7i_5lWRpyhaoMAu4hDQLMudxz7gY1HXE-J0lmZKLs-VIG_h_s2miioeyivdknBNcq0LecNNxvmgfIUM46vjPtRHH6rPI/s400/Bishop.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Gladys Cooper and Cary Grant, <i>The Bishop's Wife</i></span></td></tr></tbody></table><span style="font-family: Verdana, sans-serif;">The 1950s brought the actress far more work on television that in films, but she would add one more notable ill-tempered and overbearing mother to her gallery of silver screen harridans. Maude Railton-Bell, her role in Delbert Mann's <i>Separate Tables</i> (1958), doesn't command the wealth or position of Mrs. Vale of the "Boston Vales," but she does maintain the same kind of suffocating stranglehold on her dowdy spinster daughter (Deborah Kerr).</span><br /><br /><span style="font-family: Verdana, sans-serif;">Gladys Cooper's credits during TV's early, golden days are impressive. She appeared on two legendary drama anthologies, <i>The Alcoa Hour</i> and <i>Playhouse 90</i>; she was featured on both <i>Alfred Hitchcock Presents</i> and <i>The Alfred Hitchcock Hour</i>; she guested on <i>The Ann Sothern Show, Naked City</i>, <i>The Outer Limits</i>, <i>Burkes Law</i>, <i>Ben Casey</i>, <i>The Girl From U.N.C.L.E. </i>(!) and was nominated for a <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdM9W5Usi3ZEHfm0dUqUxUwafY1UcYZG1E-OHVwFnf1KG92Ndd7daH_NBQhc_5CmuI9qvDjft2socy9veDpoOjDy8qKEYWCGBEH8M3BT6T4kkniim0mofDX_IzIOstlZawbhTQhHifBcE/s1600/Rogues.JPG" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdM9W5Usi3ZEHfm0dUqUxUwafY1UcYZG1E-OHVwFnf1KG92Ndd7daH_NBQhc_5CmuI9qvDjft2socy9veDpoOjDy8qKEYWCGBEH8M3BT6T4kkniim0mofDX_IzIOstlZawbhTQhHifBcE/s320/Rogues.JPG" width="299" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;"><i>The Rogues</i></span> </td></tr></tbody></table>1964 primetime Emmy for <a href="http://www.imdb.com/title/tt0057782/"><span style="color: #cc0000;"><i>The Rogues</i></span></a>, a crime caper series in which she </span><span style="font-family: Verdana, sans-serif;"><span style="font-family: Verdana, sans-serif;">co-starred with Charles Boyer, David Niven, Gig Young and Robert Coote</span>. Most often talked about among her many TV performances, though, are her appearances on the venerable series, <i>The</i> <i>Twilight Zone</i>. Cooper first appeared in a haunting 1962 episode entitled "Nothing in the Dark," in which she portrayed an elderly woman utterly terrified of death (personified by fledgling actor Robert Redford). Her second guest spot came the following year when she played one of several elderly travelers who have booked "Passage on the Lady Anne." Finally, later in 1963, came "Night Call," directed by Jacques Tourneur, in which she starred solo as an elderly woman who lives alone and begins to receive unnerving, anonymous phone calls.</span><br /><br /><span style="font-family: Verdana, sans-serif;">Now in her mid-70s, Gladys Cooper still had a last good film or two ahead of her. She was a member of John Huston's illustrious cast in <i>The List of Adrian Messenger </i>(1963) and earned her third and final Academy Award nomination for her performance as Mrs. Higgins, mother of Henry (<a href="http://eves-reel-life.blogspot.com/2013/08/summer-under-stars-unfaithfully-rex.html"><span style="color: #cc0000;">Rex Harrison</span></a>), in the Oscar-winning musical, <i>My Fair Lady </i>(1964).</span><br /><br /><span style="font-family: Verdana, sans-serif;">And that's not all. Before she embarked on her Hollywood career, Cooper had starred on Broadway several times. She returned to the New York stage in her late career and earned Tony nominations in her final two roles. She was nominated for Best Actress in a Play in 1956 for her performance in <i>The Chalk Garden</i> and again in 1962 for her performance in <i>A Passage to India</i> (in a role that would bring an Oscar to Peggy Ashcroft 20+ years later).</span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGnBwKCYAxxIDxN7jI9LjjQnCEx-7uGTqDUv1fjUVrozPrl3_pjkk34qWF0pK5G07dbtmgplrFW0yR1pUqLNhV1YTRJ7NKe_Ec5uUQi5Rk4DdzbqOIwD8wiWAOxGvBX8uo7fVzAtucVkI/s1600/chalk_garden_revival.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGnBwKCYAxxIDxN7jI9LjjQnCEx-7uGTqDUv1fjUVrozPrl3_pjkk34qWF0pK5G07dbtmgplrFW0yR1pUqLNhV1YTRJ7NKe_Ec5uUQi5Rk4DdzbqOIwD8wiWAOxGvBX8uo7fVzAtucVkI/s400/chalk_garden_revival.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Gladys Cooper (center) in a 1971 revival of <i>The Chalk Garden</i></span></td></tr></tbody></table><br /><span style="font-family: Verdana, sans-serif;">At last, in 1967, as she approached 80, Gladys Cooper was named a Dame of the British Empire. Her life in the public eye had begun because of the great beauty with which she was naturally endowed; she was long considered the most beautiful woman in England. But Cooper was blessed with more than looks, she had striking talent and presence and profound devotion to her craft. The blush of youthful beauty would, as it always does, fade, but her power as an actress only matured and deepened through the years. Dame Gladys Cooper had been about to embark on a Canadian tour with a revival of <i>The Chalk Garden </i>in 1971 when she was stricken with pneumonia and died. </span><br /><br /><span style="font-family: Verdana, sans-serif;">Bette Davis was set to tape a guest appearance on <a href="http://dickcavettshow.com/"><span style="color: #cc0000;"><i>The Dick Cavett Show</i></span></a> when she learned of Gladys Cooper's death; she shared her thoughts during the interview: </span><br /><span style="font-family: Verdana, sans-serif;">  </span><br /><div style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/4wsgpF-InEY" width="420"></iframe></div>

The What a Character! blogathon is in progress now, hosted by Once Upon a Screen , Outspoken and Freckled and Paula's Cinema Club . Cli...

'TIS THE SEASON...

<div style="text-align: center;"><a href="http://www.kingdom-biz.net/uploads/Fireplaceanimated.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" n4="true" src="http://www.kingdom-biz.net/uploads/Fireplaceanimated.gif" width="400" /> </a></div><div style="text-align: center;"><br /></div><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;">The weather outside is frightful, but the fire is so delightful...which means it's a perfect time to snuggle down into a favorite chair, remote in hand, and decide: DVR or DVD?</span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;">With Christmas just a week away I've picked a few long-time holiday favorites to watch along with one or two that have come into my life more recently...</span><br /><span style="font-family: Verdana,sans-serif;"></span><br /><a name='more'></a></div><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;"><br /></span></div><div style="text-align: left;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCBtLp90JyyMnHCuFOv1cwj54GBSrtfiBFOH-n2iutRJkgRxw1egWViTfrVy-GbJZ9h7DHRSPQNkhYBR5piMH_1rFaYp98BVa5_6ghKevg0xW5Q3U8ZGvMjLQBIDL1iYxpsziUzwBRHI6v/s1600/remember.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="299" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCBtLp90JyyMnHCuFOv1cwj54GBSrtfiBFOH-n2iutRJkgRxw1egWViTfrVy-GbJZ9h7DHRSPQNkhYBR5piMH_1rFaYp98BVa5_6ghKevg0xW5Q3U8ZGvMjLQBIDL1iYxpsziUzwBRHI6v/s320/remember.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><span style="font-family: Verdana,sans-serif;">Remember the Night</span></i></td></tr></tbody></table><span style="font-family: Verdana,sans-serif;"><i>Remember the Night  </i>(1940), directed by Mitchell Leisen from a Preston Sturges' screenplay, debuted on Turner Classic Movies a few seasons ago, which is where I first encountered it. A jewel! Fred MacMurray stars as an Assistant D.A. who falls for thief Barbara Stanwyck during the holidays. With Beulah Bondi, Elizabeth Patterson and Sterling Holloway, music by Frederick Hollander (known for his work with Marlene Dietrich). <i>Remember the Night</i> is a compelling tale delivered by a very sharp script and a superb cast, qualities that should establish it as an enduring holiday classic.  </span><span style="font-family: Verdana,sans-serif;"><span style="color: #990000;"> </span><a href="http://jimlanescinedrome.blogspot.com/2011/11/remembering-night.html" style="color: #990000;">Click here</a> for more on <i>Remember the Night</i> from <i>Jim Lane's Cinedrome</i>.</span></div><div style="font-family: Verdana,sans-serif; text-align: left;"><br />I've already watched <i>Meet Me in St. Louis</i> (1944) once this season. It is Vincente Minnelli's simply magical confection of 100% pure fine-spun Americana. Set in turn-of-the-century St. Louis, the film follows "a year in the life" of the Smith family. Margaret O'Brien famously portrays precocious (annoying?) tyke "Tootie" Smith to the hilt, but it is Judy Garland as Esther Smith who glows as the film's centerpiece. And there are the songs, now classics, she introduced in the film..."The Boy Next Door," "The Trolley Song" and "Have Yourself a Merry Little Christmas." I'll probably watch <i>Meet Me in St. Louis </i>one time more before the holidays are over.<br /><br /></div><div style="font-family: Verdana,sans-serif; text-align: left;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpqMwBMNVHzPByrSFaYa39v322mdfzdnykTlSQDkv8jfwUd-4-AaPz9vLjONsBcPvINdvSj7P9EkalYqz6pOinTfUknZMtrRghxCTMN8SZswqeHWO793Je1xEXPtWVmkqWD6SYWalFT4aF/s1600/Connecticut.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpqMwBMNVHzPByrSFaYa39v322mdfzdnykTlSQDkv8jfwUd-4-AaPz9vLjONsBcPvINdvSj7P9EkalYqz6pOinTfUknZMtrRghxCTMN8SZswqeHWO793Je1xEXPtWVmkqWD6SYWalFT4aF/s320/Connecticut.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>Christmas in Connecticut</i></td></tr></tbody></table><i>Christmas in Connecticut</i> (1945) has been on my "every year" list for a while now.  I can't resist this home front romp about a career woman (Barbara Stanwyck) with zero homemaking skills who falls for a Navy vet (Dennis Morgan) who dreams of home cooked meals and every domestic delight.  Last year I blogged about the movie and the year in which it was released, 1945. It was the year World War II ended, the year American troops were finally home for Christmas. <a href="http://eves-reel-life.blogspot.com/2010/12/christmas-in-connecticut-1945one.html" style="color: #990000;">Click here</a> for my 2010 reflection on <i>Christmas in Connecticut</i>.<br /><br /></div><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;"> </span></div><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;"><i>The Shop Around the Corner </i>(1940), is my favorite film of director Ernst Lubitsch and contains one of James Stewart's finest performances along with the best of Margaret Sullavan, Frank Morgan and Felix Bressart. I posted on <i>Shop</i>, a must-see film,<i> </i>just a week or so ago...<a href="http://eves-reel-life.blogspot.com/2011/12/shop-around-corner-1940-lubitsch.html" style="color: #990000;">click here</a>, if you missed it. <i>And </i>if you've missed the film so far this year, it airs in just about an hour (Dec. 18, 10am Eastern/7am Pacific) on Turner Classic Movies.</span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEy0fhbeluelof4uNZlb0NELJMLDg_TNFj3as_xaLbtNTzcdqPVdpiVEMjfWgmA7wMgZvYVJNAhtTnmjDgooPqeQHSLK7misSfZxgNOyYsbN2p6gn_aAwsnXYxD8lw05jx7eHbVoMamqXT/s1600/Cary+as+Dudley.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEy0fhbeluelof4uNZlb0NELJMLDg_TNFj3as_xaLbtNTzcdqPVdpiVEMjfWgmA7wMgZvYVJNAhtTnmjDgooPqeQHSLK7misSfZxgNOyYsbN2p6gn_aAwsnXYxD8lw05jx7eHbVoMamqXT/s320/Cary+as+Dudley.jpg" width="259" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i><span style="font-family: Verdana,sans-serif;">The Bishop's Wife</span></i></td></tr></tbody></table><span style="font-family: Verdana,sans-serif;">In<i> The Bishop's Wife</i> (1947) Cary Grant stars as an angel...typecasting at its finest, I'd say! I first saw <i>The Bishop's Wife</i> in the 1980s and, when I discovered it, was surprised I hadn't heard of it before. Now it surfaces every year, everywhere, a seasonal standard (and it will air once more on TCM  this year - late on Christmas Eve). The fine cast includes David Niven, Loretta Young, Monty Woolley, Gladys Cooper, James Gleason, Sara Haden and Elsa Lanchester. The film's yuletide sentiment is reflected throughout and nicely encapsulated in the Bishop's final sermon, "Let us ask ourselves what we would wish for most, and then let each put in his share. Loving kindness, warm hearts and the stretched out hand of tolerance. All the shining gifts that make peace on earth." </span><br /><br /><br /><span style="font-family: Verdana,sans-serif;">...Because she does it so well, here's Peggy Lee singing a holiday standard that expresses my wishes for each of you (click to listen)...</span></div><div style="text-align: center;"><br /><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/8n1yapgYn8o" width="420"></iframe></div>

Christmas in Connecticut Meet Me in St. Louis Peggy Lee Remember the Night The Bishop's Wife The Lady Eve (author) 'TIS THE SEASON...

The weather outside is frightful, but the fire is so delightful...which means it's a perfect time to snuggle down into a favorite chai...

What a Character: Gladys Cooper

'TIS THE SEASON...

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