News for today's 2018

Wolverine Getting a Thrid, But Will the Deadpool Movie Ever Get Made?

<div class="MsoNormal">I know what you’re thinking:  comic books have never been hotter as source material, Wolverine keeps popping up at the multiplex, John Constantine is probably coming to TV next year, the Avengers are flying, The Walking Dead is a juggernaut for AMC (get it!!) and a ton of other superheroes are making tremendous headway, but where is the Deadpool movie?<o:p></o:p></div><div class="MsoNormal"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="http://images5.fanpop.com/image/photos/31500000/Deadpool-blindbandit92-tamar20-31552919-1920-1080.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="180" src="http://images5.fanpop.com/image/photos/31500000/Deadpool-blindbandit92-tamar20-31552919-1920-1080.jpg" width="320" /></a></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><br /></div><div class="MsoNormal">According to The Verge, Fox is in talks to make a <a href="http://www.theverge.com/2013/11/5/5071290/fox-wants-hugh-jackman-back-for-third-wolverine-movie">third movie</a> centered around a single X-Men character, which would be Wolverine.  Really, who can blame them because Hugh Jackman manages to totally own the character when slips into that persona.  While Deadpool may not have the PG-13 appeal of Logan, he certainly manages to have a large fan base as well.<o:p></o:p></div><div class="MsoNormal"><br /></div><div class="MsoNormal">According to The Playlist, the Deadpool movie is <a href="http://blogs.indiewire.com/theplaylist/tim-miller-says-he-will-never-let-go-of-meta-deadpool-movie-that-studio-entire-world-has-moved-on-from-20131104">on the back burner</a>, which may or may not have to do with a lack of confidence in Ryan Reynolds after the whole “Green Lantern” and “RIPD” fiascos.  I have to wonder that if another actor was attached to the Wade Wilson role if studios would not be more welcoming. <o:p></o:p></div><div class="MsoNormal"><br /></div><div class="MsoNormal">Just speaking off the cuff:  Deadpool will likely not be a career defining role for anyone, I love the character dearly, but this is not exactly Oscar material.  It needs to be an R-Rated film that really suits the character.<o:p></o:p></div><div class="MsoNormal"><br /></div><div class="MsoNormal">I’m not sure what studios require in the way of green lighting a movie, but obviously Reynolds and the folks he has on his side are not inspiring a ton of faith from studios.  Reynolds only played Wilson (a rather distorted version of Deadpool) once for a few minutes, maybe some new blood is required to get the project moving forward. <o:p></o:p></div><div class="MsoNormal"><br /></div><br /><div class="MsoNormal">So who would I cast as Deadpool?  I really don’t have a clue, because my first choice would have been the late Heath Ledger.<o:p></o:p></div>

deadpool movie wolverine x-men Wolverine Getting a Thrid, But Will the Deadpool Movie Ever Get Made?

I know what you’re thinking: comic books have never been hotter as source material, Wolverine keeps popping up at the multiplex, John Const...

X-Men: Days of Future Past Trailer

asian days of future past saving the the saving asian x-men X-Men: Days of Future Past Trailer

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The Wolverine: Claws for delight

<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><i>The Wolverine</i> </b></span></span></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>(2013) • <a href="http://trailers.apple.com/trailers/fox/thewolverine/" style="color: #27a9c5; text-decoration: none;">View trailer</a></b></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b> </b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>3.5 stars. Rating: PG-13, for intense sci-fi action, mild sensuality and fleeting profanity</b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><span class="Apple-style-span" style="font-weight: normal;"><b>By <a href="http://www.blogger.com/profile/12885694730612878577" style="color: #27a9c5; text-decoration: none;">Derrick Bang</a> • </b></span>Originally published in <i><a href="http://www.davisenterprise.com/" style="color: #27a9c5; text-decoration: none;">The Davis Enterprise</a></i>, 7.26.13</b></span></span></span></span></span><br /><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span>            <br /><div class="MsoNormalCxSpFirst"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">I’ve never understood why critics sharpened their claws so gleefully while savaging 2009’s <i><a href="http://derrickbang.blogspot.com/2009/05/wolverine-feral-fun.html">X-Men Origins: Wolverine</a></i>. Few bona-fide actors have inhabited a superhero role with the panache Hugh Jackman brings to this Canadian-born berserker, and that earlier solo adventure was just fine, in my book.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGkWl7OKW822i2UkgU6fTgOpkvY2uRRu2Owp4GSv12ErN7UKjI6HzXFeRM4G8MVJ56tS8BkDTKm7onx6lvLvllgulrEyGihXcUlbdA3s7oJa7ydm0JB7pdSG2jU7Q5dQY5Z0xWFpuT_88/s1600/Wolverine+blog.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="327" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGkWl7OKW822i2UkgU6fTgOpkvY2uRRu2Owp4GSv12ErN7UKjI6HzXFeRM4G8MVJ56tS8BkDTKm7onx6lvLvllgulrEyGihXcUlbdA3s7oJa7ydm0JB7pdSG2jU7Q5dQY5Z0xWFpuT_88/s400/Wolverine+blog.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Logan (Hugh Jackman) finds himself helplessly manacled, his claws unable to extend,<br />as the sinister Viper (Svetlana Khodchenkova) reveals that this imprisonment is<br />merely one element of her horrible plans. Still to appear: the dread Silver Samurai.</span></td></tr></tbody></table><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Sure, it lacked the wit and overall snap of <i><a href="http://derrickbang.blogspot.com/2012/05/avengers-well-assembled.html">The Avengers</a></i>, but that’s true of most big-screen superhero epics. The more important observation is that <i>X-Men Origins: Wolverine</i> was far, far better than, say, <i>Daredevil</i> or either <i>Fantastic Four</i> bomb.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">And, for the purposes of our discussion, Jackman’s newly released sequel. <i>The Wolverine</i>, is better still.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Writers Christopher McQuarrie, Mark Bomback and Scott Frank focus on the key element of Wolverine’s character: that he’s a modern <i>ronin</i>, a samurai without a lord or master to serve. This definition applies to the X-Men mythos in both comic books and big-screen adaptations, where Wolverine may or may not consider himself part of the team at any given moment, depending on recent events.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Building further on that core, McQuarrie & Co. have constructed a narrative from several of the X-Men/Wolverine comic book story arcs that found our clawed protagonist in Japan, a country that understands and practices the same warrior’s code of honor by which he lives. <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Perhaps the surprise success of the big-screen adaptation of <i><a href="http://derrickbang.blogspot.com/2010/04/kick-ass-quite-kick.html">Kick-Ass</a></i> had something to do with this, thanks to that saga’s flamboyant, sword-wielding character of Hit Girl; perhaps it’s mere coincidence. Whatever the reason, we finally get live-action embodiments of Mariko Yashida and Yukio — characters co-created in the Marvel Comics universe by writer Chris Claremont and artists John Byrne and Frank Miller — and brought to excellent life by Tao Okamoto and Rila Fukushima, respectively (although costume designer Isis Mussenden shouldn’t have based the latter’s look <i>quite</i> so heavily from the aforementioned Hit Girl).<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Angst-ridden journeys of the soul always make good sagas, and this one’s no exception. The core plot doesn’t always hold together — the barrage of double- and triple-crosses makes it rather difficult to separate some of the good guys from the bad guys — but the destination isn’t nearly as important as the trip itself.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">One other caveat: McQuarrie, Bomback and Frank assume that viewers either know the Marvel universe or have seen all previous X-Men films, which I regard as mildly presumptuous. For the benefit of newbies, then, a few key facts left unexplained: <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Logan (Wolverine) is essentially immortal, thanks to a scientific process that laced his bones with the indestructible metal allow adamantium, and a “healing factor” that quickly repairs all wounds. He’s also much older than one would expect, and doesn’t show his age. Finally, he’s currently consumed with guilt and grief over having been forced to kill X-Men teammate Jean Grey, when she “went evil” as Dark Phoenix (that crisis depicted in 2006’s <i>X-Men: The Last Stand</i>).<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><a name='more'></a><br />  <div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">This new solo adventure finds Logan brooding in an unspecified Canadian wilderness, surfacing to deal some payback to thrill-seeking hunters. That’s long enough to be noticed by Yukio, a feisty, sword-wielding samurai bodyguard. She has been sent to find Logan, and request that he accompany her back to Japan, where an old friend — Lord Yashida (Haruhiko Yamanouchi), a wealthy industrialist — wishes to say goodbye before he dies.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">We’re granted Yashida’s back-story via a series of brief flashbacks that occasionally interrupt the core story, and we gradually learn that Logan saved the young Japanese soldier from certain death when American forces dropped its second atomic bomb on Nagasaki during World War II. A grateful Yashida tried to present his ceremonial sword to Logan at that point, but the latter gently refused, promising to collect it at some unspecified time in the future.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">That time appears to have arrived, and honor demands that Logan grant his long-ago comrade’s dying wish.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Logan and Yukio arrive at Yashida’s heavily guarded estate at a tempestuous time. The elderly industrialist hovers at death’s door, despite the best efforts of his doctor (Svetlana Khodchenkova), a sinister-looking, green-eyed blonde. Logan is equally curious about Yashida’s granddaughter, Mariko, who seems to have serious issues with her curt and condescending father, Shingen (acclaimed stage and film star Hiroyuki Sanada).<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Business intrigue fills the air, with Yashida’s imminent death necessitating the transfer of his corporate empire to ... somebody. This instability has prompted threats from local Yakuza thugs, under the control of ... somebody. Then there’s the mysterious Kenuichio Harada (Will Yun Lee), a master archer and member of the Black Hand, a cadre of ninja warriors tasked with protecting House Yashida. Harada, in turn, answers to ... somebody.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Ordinarily, these disparate elements would ring Wolverine’s heightened alarm bells, but he’s further distracted by an offer from the dying Lord Yashida, who claims — after years of medical research — to have discovered a way to remove Logan’s invulnerability, thus allowing him to live a normal life, and then die gracefully. Logan, beset by constant nightmares involving Jean Grey (Famke Janssen, returning to her role), finds the offer tempting. Perhaps.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">But then all hell breaks loose, with Yakuza goons, Black Hand warriors, Yashida’s bodyguards and other persons unspecified shooting, slicing and dicing each other. Mariko appears to be the primary target, and so Logan takes her under his wing as they flee across Japan. Along the way, he discovers — to his horror — that his healing factor doesn’t seem to work any more. He’s being <i>hurt</i> ... and with Mariko to protect from massive enemy forces, this sudden weakness couldn’t have come at a worse time.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">On top of which — and this really isn’t a spoiler, since her cover is blown pretty quickly — Yashida’s doctor turns out to be Viper, an über-deadly supervillain with a ghastly snake’s tongue and a rather novel method of dispersing venom.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Although these numerous elements allow director James Mangold to stage plenty of slickly choreographed action scenes — none better than a crazed, hell-for-leather skirmish atop the cars of a speeding bullet train — he also ratchets back to allow Logan plenty of time for soul-searching, along with time for the developing bond with Mariko.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Indeed, this film resonates — lingers as more than a flashy series of battle scenes — because of Logan’s deftly crafted relationships with Mariko and Yukio. Okamoto lends gentleness, dignity and unexpected flashes of defiant spirit to her complex portrayal of Mariko, who transcends the superficial characters generally found in such films. <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">I’m reminded of the way both Akiko Wakabayashi and Mie Hama similarly humanized the otherwise cartoonish elements of 1967’s <i>You Only Live Twice</i>, along the way encouraging more heartfelt emotion from Sean Connery’s James Bond, than that film probably deserved. The same is true here; Okamoto is a well-conceived and sensitively played heroine-in-peril, who in true Shakespearean fashion must contend with a family not known for its finer instincts.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Logan’s growing bond with Yukio, on the other hand, is purely professional: the mutual admiration of professional assassins. Fukushima is equal parts sparkle and sass as this jokey, black-garbed killer with day-glo purple cellophane tresses, and the actress knows how to employ her mocking smile before dispatching another goon.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Khodchenkova is deliciously, shiveringly scary as Viper, clearly up to no good from the moment we meet her. Sanada is properly imperious as Mariko’s father, while Brian Tee is memorably smarmy as Noburo Mori, a jerk businessman betrothed to Mariko.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The blank-faced Lee, alas, doesn’t make much of an impression as Harada.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Production designer François Audouy has a field day with the various Japanese locales, from the soothing calm of a small fishing community, to the palatial surrounds of Lord Yashida’s home, and the mountain-hugging opulence of the third-act Big Bad Villains’ lair. Mangold and editor Michael McCusker pace their film well, so that it doesn’t flag at 126 minutes, and cinematographer Ross Emery grants both painterly beauty and big-city bustle to these disparate settings within the Land of the Rising Sun.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">On the other hand, the after-the-fact (i.e. fake) 3D effects add nothing to the film, so save your money.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">All told, this is a solid superhero entry: a stylish romp with a welcome undertone of character pathos. And it clearly sets up events for next year’s <i>X-Men: Days of Future Past</i>, so be sure to linger in your seats until <i>all</i> the credits are done.</span><span class="Apple-style-span" style="font-family: 'Times New Roman';"><o:p></o:p></span></span></div>

2013 action Famke Janssen fantasy Hiroyuki Sanada Hugh Jackman Rila Fukushima Sequel Series superhero Svetlana Khodchenkova Tao Okamoto Will Yun Lee x-men The Wolverine: Claws for delight

The Wolverine (2013) • View trailer 3.5 stars. Rating: PG-13, for intense sci-fi action, mild sensuality and fleeting profanity By Der...

Wolverine Getting a Thrid, But Will the Deadpool Movie Ever Get Made?

X-Men: Days of Future Past Trailer

The Wolverine: Claws for delight

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