Beauty in Black and White - the Film Noir Art of Guy Budziak

<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"> </span></span><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi63yH06yEzUlB5JSkpBKpxls0fia8uUicGZgrqBVC-rL55q3UlqqbJ6iOwna8-aRx1sGtxvic6_i4tctqwZt9K82DLxe_gExiXUm5vQcntggOiD6GmAvfi1Js0gLSUtw9tJTKwk-pRJHU/s1600/the_big_sleep_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi63yH06yEzUlB5JSkpBKpxls0fia8uUicGZgrqBVC-rL55q3UlqqbJ6iOwna8-aRx1sGtxvic6_i4tctqwZt9K82DLxe_gExiXUm5vQcntggOiD6GmAvfi1Js0gLSUtw9tJTKwk-pRJHU/s400/the_big_sleep_opt.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Humphrey Bogart and Lauren Bacall in</span><i><span style="font-family: "Trebuchet MS",sans-serif;"> The Big Sleep</span></i></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"></div><div class="MsoNormal"><br /></div><div class="MsoNormal"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: large;">G</span>uy Budziak is a woodcut artist whose striking high-contrast prints <span style="font-size: small;">evoke</span> dense and haunting images from classic noir, proto-noir and neo-noir films. My recent  <a href="http://eves-reel-life.blogspot.com/2013/02/cmba-blogathon-nightmare-alley-1947.html"><i><span style="color: red;">Nightmare Alley</span></i></a><span style="color: red;"> <span style="color: black;"><span style="font-size: small;">blog entry </span></span></span>featured <span style="font-size: small;">Guy's<span style="font-size: small;"> rendering of a<span style="font-size: small;"> </span>tantalizing moment<span style="font-size: small;"> from the film</span></span></span>:</span></span><br /><a name='more'></a></div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghQiRL4ZQv7t4O61z_ge8T9TZq3SrF7nvjUYZ42Sd4Z32ZbBXTbjMpFsNCw1Rt2Q3N8-_tEXmaRqwlT8DwouDJ6S4ez9Z4PyGe90iz9Tafk4m8t6jFNO33sjtBBZzvYAZzotE01vYI9MA/s1600/Guy+Budziak+woodcut_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghQiRL4ZQv7t4O61z_ge8T9TZq3SrF7nvjUYZ42Sd4Z32ZbBXTbjMpFsNCw1Rt2Q3N8-_tEXmaRqwlT8DwouDJ6S4ez9Z4PyGe90iz9Tafk4m8t6jFNO33sjtBBZzvYAZzotE01vYI9MA/s1600/Guy+Budziak+woodcut_opt.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="font-size: x-small;">Tyrone Power, Ian Keith and Joan Blondell in <i>Nightmare Alley</i></span></span></td></tr></tbody></table><div class="MsoNormal"><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Guy studied painting and earned his BFA at Wayne State University in Detroit, his interest in printmaking confined to a class or two he’d taken along the way. After moving into a downtown Detroit neighborhood, Guy began checking out film noir rentals from a nearby public library with a sizable movie catalogue. His dedication to painting would wane, but his passion for film noir would lead to his move into woodcut printmaking; a friend urged him to create art inspired by his love of noir. His first piece, completed in 1999, was an image from <i>Out of the Past</i>. A few years later Roger Ebert, a great fan of the film, would buy (<i>note: see Guy's comment below</i>)<i> </i>a print.</span> </span></span><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiytww-VGOIm4yLIHjwk3MhJvmdziZBiFtoEB_wj75l8FXAMlBcJScWRhyXLeMKymvXEMYJFrYOvPtF_y2FFh0NgVSyb2ZYzaW1S8CWeLNghSM0vrWJqzMwbKchoO11Z9S5seNXpWlVCZI/s1600/out_of_the_past_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiytww-VGOIm4yLIHjwk3MhJvmdziZBiFtoEB_wj75l8FXAMlBcJScWRhyXLeMKymvXEMYJFrYOvPtF_y2FFh0NgVSyb2ZYzaW1S8CWeLNghSM0vrWJqzMwbKchoO11Z9S5seNXpWlVCZI/s1600/out_of_the_past_opt.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif;">Robert Mitchum and Jane Greer in <i>Out of the Past</i></span></td></tr></tbody></table><br /><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: small;">I</span>n 2008, Guy’s image of Alain Delon in Jean-Pierre Melville’s <span style="font-size: small;">1967 </span>neo-noir <i>Le Samourai</i> appeared on the cover of Ginette Vincendeau’s book,<b> </b><i>Les Stars et le Star-Systeme en France </i><span style="font-size: small;">(<i>The Stars and the Star-System in France</i>), published by L'Harmattan.</span></span></span><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: small;"> </span> </span></span><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlKCl7kGhBDu3p4JMJgT4pMrC5WiH6k4rIbMlTdO77-2DgcIC2LNRjqZ9a0EUwyTPk0sfxw4RP7xAhFcfeVqthW_v02syTxvnT3LgL1wvHk_ghK9WkyQZNG210_6zqp9jo-9Z8t6NI3SU/s1600/budziak_book_cover_opt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlKCl7kGhBDu3p4JMJgT4pMrC5WiH6k4rIbMlTdO77-2DgcIC2LNRjqZ9a0EUwyTPk0sfxw4RP7xAhFcfeVqthW_v02syTxvnT3LgL1wvHk_ghK9WkyQZNG210_6zqp9jo-9Z8t6NI3SU/s400/budziak_book_cover_opt.jpg" width="400" /></a></div><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">In 2012, <a href="http://giuseppinamagazine.com/"><span style="color: red;"><i>Giuseppina Magazine</i></span></a>, a lavish art, entertainment and fashion quarterly <span style="font-size: small;">(</span>$48 per issue) published a six page spread <span style="font-size: small;">spot</span>lighting Guy’s work. In the interview that accompanied his images, Guy was asked what he found most <span style="font-size: small;">intriguing</span> about film noir<span style="font-size: small;">.</span> </span></span><br /><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">“<i>…I think above all else it is mood, mood and atmosphere perhaps more than anything. Night and fog, and rain, of course. While I can appreciate those films inhabited by gumshoes garbed in trench coats and fedoras and femme fatales in slinky gowns, these components aren’t mandatory for me. What many don’t realize is that the real stars of noir aren’t necessarily writers, actors or directors, but rather cinematographers, directors of photography, those responsible for the overall LOOK of these films.</i>”</span></span><br /><br /><div class="separator" style="clear: both; text-align: center;"></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlCXv3UgLx0sN9owq5ppdusVpPws8L4vsvDzNBEvf8ErIjzS85PqT0lap_ovh3PW_fS4kLNNfV3uLTkW-iX6qO-K7WimPy8MMN-RIdkZugZJcO_L_tf6May5Djjw1deJBQt9rAx8Rd1Is/s1600/giuseppina_11_opt.png.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlCXv3UgLx0sN9owq5ppdusVpPws8L4vsvDzNBEvf8ErIjzS85PqT0lap_ovh3PW_fS4kLNNfV3uLTkW-iX6qO-K7WimPy8MMN-RIdkZugZJcO_L_tf6May5Djjw1deJBQt9rAx8Rd1Is/s400/giuseppina_11_opt.png.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: xx-small;"><i>Giuseppina Magazine</i><span style="font-size: x-small;"> <span style="font-size: xx-small;">#11</span></span></span></span></span></span></span></td></tr></tbody></table><br /><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: large;">F</span>rom now through April 21, Guy’s prints are for sale at <span style="font-size: small;">significantly </span>reduced prices. I’ll soon be framing and hanging the print of <i>Nightmare Alley</i> I just purchased and I<span style="font-size: small;"></span>encourage those interested to </span></span><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="color: red;"><a href="http://www.filmnoirwoodcuts.com/"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"></span></span></a><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><a href="http://www.filmnoirwoodcuts.com/"><span style="color: red;"><span style="font-size: small;">click here</span></span></a></span></span> </span>to go to <span style="font-size: small;">hi</span>s website and view an entire gallery of his incredible art.  <span style="font-size: small;">Guy can be contacted through his site for information on</span> how <span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-size: small;"></span>to purchase prints<span style="font-size: small;"><span style="font-size: small;">.</span></span> </span></span></span></span></span> <br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhILr4V42YISk6uzky2tEmAGJMGRYRx_iAyUKL5PKhW91QLK-S0SwZTyLWpM-GITDl3qe3bOPgY1DCGnFRbbxsMl4HAmK2DMu6Kj6ntVOCGT_uu3BDHAPGGvSzHbbtWgevCcNRGU8OgbNw/s1600/on_dangerous_ground_opt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhILr4V42YISk6uzky2tEmAGJMGRYRx_iAyUKL5PKhW91QLK-S0SwZTyLWpM-GITDl3qe3bOPgY1DCGnFRbbxsMl4HAmK2DMu6Kj6ntVOCGT_uu3BDHAPGGvSzHbbtWgevCcNRGU8OgbNw/s400/on_dangerous_ground_opt.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: xx-small;">Robert Ryan in <i>On Dangerous Ground</i></span></span></span></td></tr></tbody></table></div><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;"> </span></span><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> 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Film Noir film noir art Guy Budziak The Lady Eve (author) woodcut printmaking Beauty in Black and White - the Film Noir Art of Guy Budziak

Humphrey Bogart and Lauren Bacall in The Big Sleep G uy Budziak is a woodcut artist whose striking high-contrast prints evoke dense and h...

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