Monsters University: Endearing school daze

<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><i>Monsters University</i> </b></span></span></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>(2013) • <a href="http://trailers.apple.com/trailers/disney/monstersuniversity/" style="color: #27a9c5; text-decoration: none;">View trailer</a></b></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b> </b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>Four stars. Rating: G, and suitable for all ages</b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><span class="Apple-style-span" style="font-weight: normal;"><b>By <a href="http://www.blogger.com/profile/12885694730612878577" style="color: #27a9c5; text-decoration: none;">Derrick Bang</a></b></span></b></span></span></span></span></span><br /><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span> <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>0</w:Zoom> <w:TrackMoves>false</w:TrackMoves> <w:TrackFormatting/> <w:PunctuationKerning/> <w:DrawingGridHorizontalSpacing>18 pt</w:DrawingGridHorizontalSpacing> <w:DrawingGridVerticalSpacing>18 pt</w:DrawingGridVerticalSpacing> <w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery> <w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables/> <w:DontGrowAutofit/> <w:DontAutofitConstrainedTables/> <w:DontVertAlignInTxbx/> </w:Compatibility> </w:WordDocument></xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="276"> </w:LatentStyles></xml><![endif]--> <!--[if gte mso 10]><style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style><![endif]--> <!--StartFragment--> <br /><div class="MsoNormalCxSpFirst"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Delving into the origins of popular characters can be quite a lark — consider the fun that’s been had with younger versions of Sherlock Holmes, James Bond and the <i style="mso-bidi-font-style: normal;">Star Trek</i> crew — and Pixar has uncorked a collegiate charmer with <i style="mso-bidi-font-style: normal;">Monsters University</i>.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAmxTeJfbFt81dbR2OM-vGT7b_9BeEDzuzHVYSFkbEfcF88aw2SLytjCZHhOZRkwzh1WEirk9CC9SNVtP94tTQQSCF50Q0iKJDu5vmaqL-cHa8f62zj0KFeX7STNkBFYvF5batQdlRnj4/s1600/Monsters+University+blog.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAmxTeJfbFt81dbR2OM-vGT7b_9BeEDzuzHVYSFkbEfcF88aw2SLytjCZHhOZRkwzh1WEirk9CC9SNVtP94tTQQSCF50Q0iKJDu5vmaqL-cHa8f62zj0KFeX7STNkBFYvF5batQdlRnj4/s400/Monsters+University+blog.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">When an extra-curricular field trip goes awry, the members of Oozma Kappa — from<br />left, Art, Don, Squishy, Terri/Terry, Mike and Sulley — find themselves being pursued<br />by Folks In Charge. With few options for escape, our misfits are about to learn an<br />important lesson: Salvation comes when friends work together.</span></td></tr></tbody></table><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Spending more time in the imaginatively conceived “monster universe” is delectable enough, and director/co-scripter Dan Scanlon has sweetened the pot by supplying the inside scoop on how monocular-eyed Mike Wazowski (once again voiced by Billy Crystal) first met bodaciously blue-furred James P. “Sulley” Sullivan (John Goodman).<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Naturally, it’s competitive loathing at first sight. Isn’t that the way all grand friendships are born?<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Although this prequel lacks freshness and originality — try as they might, Scanlon and co-scripters Daniel Gerson and Robert L. Baird can’t replicate the giggly, first-time awe generated by 2001’s <i style="mso-bidi-font-style: normal;">Monsters, Inc.</i> — it compensates with a warm-hearted story that extols both the virtues of friendship and integrity, and the all-important notion that diversity is valuable for its own sake.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Yep, even a world littered with crazy-quilt critters isn’t immune to social pecking orders that ostracize misfits and timid outcasts. Scanlon & Co. pull off an impressive trick here: Even though we know the future of this realm’s scare industry — thanks to the first film — this sparkling new adventure of Mike and Sulley sets up innovative adversaries and challenges, while keeping a steady (single) eye on the core message of camaraderie and integrity.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Resourceful as we might be on our own, we’re always stronger when good buddies have our back ... and we have theirs.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">We first meet Mike during childhood (voiced with high-pitched, little-kid sincerity, in these early scenes, by Noah Johnston), as a teacher’s pet and correspondingly shunned know-it-all, who nonetheless blossoms during a school field trip to the Monsters Inc. “Scream Floor.” Little Mike is spellbound, as he watches veteran Scarers travel through the magical doors that lead into the bedrooms of unsuspecting Earth children, there to elicit the youthful shrieks and screams that supply the essential power to the Monster Universe.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><i style="mso-bidi-font-style: normal;"><span style="font-weight: normal;">This</span></i><span style="font-weight: normal;">, young Mike decides, is what he wants to do in life.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><a name='more'></a><br /> <div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Flash-forward to Mike’s first day on the storied, Ivy League-flavored campus of Monsters University, as he eagerly embraces life as a freshman at the School of Scaring. Alas, his book smarts and willingness to study fail to impress the imperious Dean Hardscrabble (Helen Mirren), a scuttling, genuinely frightful creature modeled after an Amazonian giant centipede ... with devil’s wings. In the dean’s eyes, a one-eyed green beach ball couldn’t possibly be scary, and she can’t wait to bounce Mike from this particular field of study.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">But the dean is equally unimpressed by Sulley, a slacker who shows up late for class, fully expecting to coast on the value of his family name; the Sullivans have fielded impressive Scarers up until now. As it happens, that reputation <i style="mso-bidi-font-style: normal;">is</i> good enough for top Scare student Johnny Worthington (Nathan Fillion), the condescending president of the campus’ top fraternity, Roar Omega Roar.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Mike isn’t fazed; he’s got enough optimism for himself <i style="mso-bidi-font-style: normal;">and</i> his dorm mate, the chameleon-like Randy Boggs (Steve Buscemi). Pixar fans will remember this character from the first film, and his introduction here is something of a surprise: He’s insecure, uncertain and — like Mike — just wants to fit in. And become a Scarer.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">After an unfortunate classroom incident, Mike and Sulley find their university careers hanging by the slimmest of threads. Worse yet, they’re forced to join ranks with the campus’ most embarrassing fraternity, Oozma Kappa, which boasts but four members:<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">• Scott “Squishy” Squibbles (Pete Sohn), a sweet, naïve, gelatinous blob forever humiliated by the fact that their “frat house” actually is the family home run by his single mother (Julia Sweeney);<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">• Art (Charlie Day), a purple-furred whatzis who resembles a discarded Muppet, and whose weird anatomical abilities are matched by an equally off-kilter, New Age-y manner;<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">• Terri and Terry Perry (Sean Hayes and Dave Foley), a two-headed preppy forever bickering with himself; and <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">• Don Carlton (Joel Murray), a tentacled, downsized Midwestern salesmonster who has returned to college in an effort to re-invent himself and find a new career as a Scarer. (Yes, this is one of several nods toward real-world relevance: a welcome touch that grants this script additional pathos.)<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">This, then, is the rag-tag bunch that Mike and Sulley hope to mold into champions of the annual multi-round Scare Games ... a challenge made more formidable by the fact that Mike and Sulley don’t even like each other. Cooperate? Not likely.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The best Pixar films always blend their core narrative with plenty of hilarious sidebar events and characters, ranging from short verbal encounters to eyeblink sight gags and other whimsical bits of business at the edges of a given scene. By its very nature, the monster universe is ripe with such material, and you’ll likely go cross-eyed trying to take in all the fun stuff.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Goodness, an establishing overview of the MU quad is impressive enough, with literally hundreds of monster students — no two alike — studying, kicking back, playing games or making their way to class ... some faster than others. Point being, this film invites — nay, demands — repeat viewing, in order to better appreciate details large and small.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Scanlon and his fellow scribes also replicate the nervous, all-essential college vibe, with its confidence-shattering agitation, while granting it a monstrous spin: everything from the hilariously cramped dorm rooms to the caste system that establishes a gulf between Oozma Kappa and the “cooler” Greeks such as Roar Omega Roar and the deceptively sweet, pink-garbed sisters of Python Nu Kappa.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The characters may be inhuman, but the unsettling atmosphere will be familiar to anybody who spent time on a high school or college campus ... and worried about fitting in. That would be most of us, which is precisely the point.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Crystal once again romps his way through Mike’s motor-mouthed efforts to compensate for his raging case of Little Monster Insecurity. Mike is blind to the possibility that confidence might not be enough to overcome physical, ah, deficiencies, when it comes to being genuinely scary. And because Pixar’s talented animators grant this green gum drop just as much emotional complexity as Crystal’s expressive voice — an impressive trick, when dealing with a character who has only one eye, no nose and no body — we easily accept the notion that he’s no different than any other young adult trying to find his place in the world.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Goodman, in turn, is appropriately brash and blustery as the big, handsome guy — everybody’s notion of the ideal monster — who can’t be bothered to better develop his natural abilities. Why bother, when he has the best roar in school? Goodman lends an undertone of menace to his performance, particularly when Sulley (quite unfairly) perceives Mike to be the source of all his troubles.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The fun here comes with anticipation: our knowledge that, at some point, Sulley must start to become the humble, sweet and mature hero of the 2001 film. This thawing occurs in several phases, although I particularly enjoyed the moment when the worshipful Squishy “ropes” Sulley into joining him during a fraternity dance. It’s a sweet little scene, and one of many.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Mirren is suitably chilling as Dean Hardscrabble, who somehow manages to be both terrifying and graceful. Buscemi’s obsequious tones initially make Randy something of a shallow toady, but we know that an edge eventually will appear in his tone.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Aubrey Plaza’s fans will recognize her distinctive voice behind Greek Council President Claire Wheeler, the rah-rah who emcees the Scare Games. Tyler Labine and John Krasinski play the Greek Council VP and “Frightening” Frank McCay, respectively. And of course Pixar regular John Ratzenberger pops up, albeit very briefly, as a Yeti-esque blue-collar worker.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">As also is custom, this film is preceded by a truly charming short subject, <i style="mso-bidi-font-style: normal;">The Blue Umbrella</i>, animated in a style quite unlike all other Pixar shorts.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Randy Newman contributes a delightful orchestral score: triumphant as necessary, bittersweet during the story’s frequent emotional setbacks.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">One quibble: Although this film was designed to be made in 3-D, those effects add nothing to the finished product. Save your money and go for the standard version.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">After the considerable disappointment of last summer’s <i style="mso-bidi-font-style: normal;"><a href="http://derrickbang.blogspot.com/2012/06/brave-loses-its-way.html">Brave</a></i>, it’s nice to see that Pixar hasn’t lost its magic touch. As company founder John Lasseter always says, nothing is more important than story ... except perhaps credible characters who work their way into our hearts.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">That’s certainly the case here.</span><span class="Apple-style-span" style="font-family: 'Times New Roman';"><o:p></o:p></span></span></div><!--EndFragment-->

2013 Animated films Aubrey Plaza Billy Crystal Four Star Films Helen Mirren John Goodman Nathan Fillion Pixar Sequel Series Steve Buscemi Monsters University: Endearing school daze

Monsters University   (2013) •  View trailer   Four stars. Rating: G, and suitable for all ages By  Derrick Bang Delving into th...

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The Internship: Not worth hiring

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font-size: 13px; line-height: 18px;"><b><i>The Internship</i> </b></span></span></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>(2013) • <a href="http://trailers.apple.com/trailers/fox/theinternship/" style="color: #27a9c5; text-decoration: none;">View trailer</a></b></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b> </b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>2.5 stars. Rating: PG-13, and somewhat generously, for profanity, sexual content and considerable crude humor</b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><span class="Apple-style-span" style="font-weight: normal;"><b>By <a href="http://www.blogger.com/profile/12885694730612878577" style="color: #27a9c5; text-decoration: none;">Derrick Bang</a> • </b></span>Originally published in <i><a href="http://www.davisenterprise.com/" style="color: #27a9c5; text-decoration: none;">The Davis Enterprise</a></i>, 6.7.13</b></span></span></span></span></span><br /><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span> <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>0</w:Zoom> <w:TrackMoves>false</w:TrackMoves> <w:TrackFormatting/> <w:PunctuationKerning/> <w:DrawingGridHorizontalSpacing>18 pt</w:DrawingGridHorizontalSpacing> <w:DrawingGridVerticalSpacing>18 pt</w:DrawingGridVerticalSpacing> <w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery> <w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables/> <w:DontGrowAutofit/> <w:DontAutofitConstrainedTables/> <w:DontVertAlignInTxbx/> </w:Compatibility> </w:WordDocument></xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="276"> </w:LatentStyles></xml><![endif]--> <!--[if gte mso 10]><style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-hansi-font-family:Cambria;} </style><![endif]--> <!--StartFragment--> <br /><div class="MsoNormalCxSpFirst"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Fans hoping that a reunion with Vince Vaughn and Owen Wilson means another hilarious raunch-fest — along the lines of <i>Wedding Crashers</i> — are in for a <i>major</i> disappointment.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEher9Z9sPZu1GoU3Su4TPfupsmT2v43De76iwB7u7ZbZvkRzXnvHeGfM5dUzabcFo8_56ZGAfmjsVTr9wtrf1vM1K1_Yt1l8Cwp0NIHlXrnq3WfQDwrWKfXupJ7VlFG30kFCfNsAps8wcA/s1600/Internship+blog.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEher9Z9sPZu1GoU3Su4TPfupsmT2v43De76iwB7u7ZbZvkRzXnvHeGfM5dUzabcFo8_56ZGAfmjsVTr9wtrf1vM1K1_Yt1l8Cwp0NIHlXrnq3WfQDwrWKfXupJ7VlFG30kFCfNsAps8wcA/s400/Internship+blog.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Having forsaken IQ-busting challenges for one evening, Billy and Nick (Vince Vaughn<br />and Owen Wilson, far right) take their young colleagues — from left, Yo-Yo (Tobit<br />Raphael), Stuart (Dylan O'Brien), Lyle (Josh Brener) and Marielena (Jessica Szohr) —<br />out for an evening of merriment at (where else?) a local strip club. But because this<br />is a PG-13 film, nobody actually strips...</span></td></tr></tbody></table><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><i>The Internship</i> is a sweet, gooey, insubstantial and totally forgettable little fairy tale ... with just enough coarse humor to stretch the boundaries of its PG-13 rating, while also compromising the story’s otherwise fluffy tone. Director Shawn Levy clearly doesn’t know how to approach this project; he’s obviously much more comfortable with overly broad slapstick such as <i>Night at the Museum</i> and <i><a href="http://derrickbang.blogspot.com/2010/04/date-night-bland-date.html">Date Night</a></i>.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Levy flails amid this film’s mostly gentle tone, and he further exacerbates the clumsy pacing by s-t-r-e-t-c-h-i-n-g this minor giggle far beyond what the material can support. Seriously, two hours? Since when do lightweight comedies need anything beyond 95 minutes?<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Yes, Vaughn and Wilson riff each other reasonably well, although I frequently had the impression — glancing at their eyes, and how their lips seemed primed to twitch — that they desperately wanted more profane dialogue. They deliver well-timed rat-a-tat exchanges, although the script — credited to Vaughn and Jared Stern — is both unimaginative and quite redundant. <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Indeed, this story delivers at least two “Let’s win this one, kids!” speeches too many.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Additionally — and this is a major problem with many such films — Levy & Co. beat their thin material into submission, vainly trying to turn minor chuckles (at best) into major belly-laughs. All concerned seem to believe that if a scene lingers another minute, or two, or three, that we dense audience members finally will “get” the joke and laugh harder.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Doesn’t work that way. As the old saying goes, Levy and his cast repeatedly flog a dead horse. And, frequently, one that’s already smelling very, very bad.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">We meet Billy (Vaughn) and Nick (Wilson) — glib, silver-tongued salesmen who could offload sand on desert sheikhs — just as they learn that their company has folded. Out of work, and for some reason unable (unwilling?) to investigate other sales jobs, they ponder their fate as dinosaurs in an environment where even whip-smart college grads aren’t guaranteed employment.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Nick gets minor sympathy from his sister; Billy gets none from a wife/girlfriend who lingers onscreen only long enough to dump him. Neither actress is seen again, leading us to wonder why we met them at all.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><a name='more'></a><br /> <div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">While using the world’s ubiquitous search engine one evening, trolling for jobs, Billy impulsively decides that Google itself is the answer; after all, its Mountain View headquarters looks like a plush gig. Never mind that he and Nick haven’t a whiff of computer training, and we assume they also skipped college en route to their sales careers.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">They somehow bluff their way through an online interview for an internship that <i>might</i> result in actual employment (one of many scenes where Vaughn and Wilson overwork thin material).<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">They nonetheless gain entry as “diversity” candidates, and of course — upon arrival at Google’s corporate Googleplex — they’re twice as old and half as smart (if that) as everybody else in the room. As explained by somewhat imperious intern wrangler Mr. Chetty (Aasif Mandvi, a note-perfect scene-stealer), the summer’s activities are to be a competition: Teams of five interns will tackle various challenges, with employment offered solely to the one team that triumphs.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Nick and Billy wind up on a team of overlooked (but still quite smart) misfits: the hyper-sensitive Yo-Yo (Tobit Raphael), who tortures his body after perceived failures; Marielena (Jessica Szohr), a “cosplay” fan who adores pop-culture sci-fi and fantasy; and Stuart (Dylan O’Brien), a somewhat withdrawn genius more comfortable staring at his smart phone than interacting with people.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">This group is chaperoned by inexperienced Google staffer Lyle (Josh Brener), insecure because this is the first time he has mentored an internship team.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">From Day One, their arch-rival turns out to be Graham (Max Minghella), an obnoxious, condescending jerk who never misses an opportunity to belittle Billy and Nick. Graham heads his own team: Call them the overly nasty Slytherins to Billy and Nick’s kinder, gentler Gryffindors ... a symbolic divide further driven home when one of the Google challenges turns out to be a ground-based quidditch match.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">We never meet any of the other interns, nor do their various teams figure at all in this story. It’s as if the other 100 or so people simply don’t exist. For that matter, Graham’s teammates also never get introduced, nor do they get any dialogue, aside from one poor guy singled out as “the fat kid.” That's pretty shallow scripting.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Nick immediately notices a workaholic Google exec (Rose Byrne, as Dana) who shouldn’t give him the time of day, and doesn’t for awhile, but <i>we</i> know that she’ll eventually change her mind. Indeed, Wilson and Byrne eventually share a dinner date that turns out to be one of this film’s few genuinely funny and warm-hearted scenes: a stand-out moment.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Sadly, it’s one of few. Vaughn and Wilson never seem comfortable as <i>de facto</i> father figures, and their various can-do lectures lack conviction. And while it may be amusing the first time Billy draws his fortune-cookie wisdom from the underdog plot of 1983’s <i>Flashdance</i>, that running gag quickly wears thin.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Naturally, our heroes encourage their young entourage to “live a little” by taking them to a strip club, a detour that seems to have wandered in from some other film. The boys can’t get enough lap dances, while Marielena agreeably tolerates this questionable environment because she, too, secretly loves the “release” of pole-dancing. Or something like that.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The young performers are engaging, even endearing, and they sketch reasonable performances from the script’s wafer-thin character notes. Raphael’s repressed Yo-Yo is a stitch, particularly as he “punishes” himself by slowly plucking one eyebrow into oblivion (a much more palatable alternative to, say, cutting). Szohr channels some vulnerability as Marielena, probably this story’s closest approximation to a real human being.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">O’Brien thaws credibly as the initially wary but eventually accommodating Stuart, and Brener’s eager-beaver Lyle is moderately funny for the way he constantly over-compensates.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Byrne, as well, is appropriately tart as the wary Dana, naturally suspicious of a smooth talker like Nick; Byrne delivers her lines quite well. Josh Gad pops up as a silent, bearded “Google Jedi” who comes to Billy’s aid at an emotionally crucial moment: a cute part with an amusing payoff.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">On the other hand, John Goodman is wasted in a pointless cameo as Billy and Nick’s initial boss: the guy who exists mostly to tell them they’ve lost their jobs, after which he exits the stage. <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Far worse, Will Ferrell pops up as Nick’s sister’s lecherous boyfriend, a mattress salesman who seems determined to copulate — on his own merchandise — with every babe who wanders into his store. Ferrell isn’t the slightest bit funny, and — as with the strip club sequence — this vulgar detour seems to belong to some other film.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">As for <i>this</i> film, though, it’s difficult to shake the notion that it’s little more than a frankly astonishing valentine to Google: a jaw-dropping example of corporate placement that bodes ill for the future of such behavior. Given that the Googleplex and its staffers’ “googliness” are as much a character as any of the human cast members, this Silicon Valley country club fares better than they do.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">In other words, having endured this inconsequential film, I’d love to work at Google ... but not alongside any of <i>these</i> twits.</span><span class="Apple-style-span" style="font-family: 'Times New Roman';"><o:p></o:p></span></span></div><!--EndFragment-->

2013 Aasif Mandvi Comedy Dylan O'Brien Jessica Szohr John Goodman Josh Brener Josh Gad Owen Wilson Rose Byrne Tobit Raphael Vince Vaughn Vulgar Will Ferrell The Internship: Not worth hiring

The Internship   (2013) •  View trailer   2.5 stars. Rating: PG-13, and somewhat generously, for profanity, sexual content and considerable ...

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The Hangover, Part III: Out with a whimper

<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><i>The Hangover, Part III</i> </b></span></span></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>(2013) • <a href="http://trailers.apple.com/trailers/wb/thehangoverpartiii/" style="color: #27a9c5; text-decoration: none;">View trailer</a></b></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b> </b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>2.5 stars. Rating: R, for pervasive profanity and vulgar humor, some violence, a bit of drug content and some fleeting nudity</b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><span class="Apple-style-span" style="font-weight: normal;"><b>By <a href="http://www.blogger.com/profile/12885694730612878577" style="color: #27a9c5; text-decoration: none;">Derrick Bang</a></b></span></b></span></span></span></span></span><br /><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span> <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>0</w:Zoom> <w:TrackMoves>false</w:TrackMoves> <w:TrackFormatting/> <w:PunctuationKerning/> <w:DrawingGridHorizontalSpacing>18 pt</w:DrawingGridHorizontalSpacing> <w:DrawingGridVerticalSpacing>18 pt</w:DrawingGridVerticalSpacing> <w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery> <w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables/> <w:DontGrowAutofit/> <w:DontAutofitConstrainedTables/> <w:DontVertAlignInTxbx/> </w:Compatibility> </w:WordDocument></xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="276"> </w:LatentStyles></xml><![endif]--> <!--[if gte mso 10]><style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style><![endif]--> <!--StartFragment--> <br /><div class="MsoNormalCxSpFirst"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The third — and presumably concluding — entry in this franchise is nothing like its two predecessors.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Which is quite bizarre. And likely to irritate Wolfpack fans.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw6772uJqtdE4jXL6qZ6zOI6mCP6Z3QmJqnzYqEpc5IAtvPAwQlCxEJG6G9QJDIM7SVP63Hi9TMNuRtOoRLzJ6e-OEC0JbIrrGDd2QGHONRsJQANu4mvqhpT5PfslVOVcwJNzPKQZ-0s4/s1600/Hangover+3+blog.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw6772uJqtdE4jXL6qZ6zOI6mCP6Z3QmJqnzYqEpc5IAtvPAwQlCxEJG6G9QJDIM7SVP63Hi9TMNuRtOoRLzJ6e-OEC0JbIrrGDd2QGHONRsJQANu4mvqhpT5PfslVOVcwJNzPKQZ-0s4/s400/Hangover+3+blog.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">Having reluctantly agreed to follow Leslie Chow's (Ken Jeong, center right) scheme for<br />breaking into his own house, the Wolfpack members — from left, Phil (Bradley Cooper),<br />Alan (Zach Galifianakis) and Stu (Ed Helms) — study an elaborate model and prepare<br />to add breaking-and-entering to their already checkered résumés.</span></td></tr></tbody></table><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">I appreciate writer/director Todd Phillips’ desire not to do the same ol’ stuff yet again; in that sense, it’s refreshing to see him try something different. But this particular case of “something different” utterly abandons all the hallmarks that made the two previous films so popular with arrested adolescents.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">No abandoned babies or monkeys this time. No out-of-control bachelor parties or Bangkok benders. No chipped teeth, no tattoos. Nothing, in fact, that embarrasses, humiliates, physically tarnishes or debases these guys to <i>any</i> degree.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">So what fun is <i>that?</i><o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Nobody gets hung over, either ... not from booze, not from drugs, not from anything else.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">I must note, in fairness, that a brief post-credits tag scene delivers everything that's missing from the film itself ... so don't depart too quickly. But that's much too little, far too late.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Which makes this film’s title a betrayal, along with its plotline. Phillips and co-scripter Craig Mazin have slipped their characters into the parallel universe of a heist comedy: a detour that, ironically, probably will be viewed as more satisfying to folks who prefer not to wallow in sleaze.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">But wallowing in sleaze is the Wolfpack job description. Phillips’ detour here is akin to discovering that one’s most disreputable local fraternity has transformed itself into the epitome of Christian civility.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Well, no; things haven’t gotten <i>that</i> pure. This film’s R rating is well earned for pervasive profanity, because these guys still drop F-bombs the way most of us use descriptive adjectives. And yes, there’s a bit of violence and drug content. And one burst of nudity at a rather unexpected moment.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">And a ghastly incident involving a giraffe. And a low freeway overpass.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">All that said, though, this still feels like Wolfpack Lite.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><a name='more'></a><br /> <div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Two years have passed since the events detailed in the previous film. Phil (Bradley Cooper), Stu (Ed Helms) and Doug (Justin Bartha) are happily married and enjoying their blissfully uneventful lives. Disaster magnet Leslie Chow (Ken Jeong) is half a world away, rotting in a Thai prison.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Unfortunately, “calm” isn’t a satisfying state for the Wolfpack’s final member, the petulant, self-centered and eternally out-of-synch Alan (Zach Galifianakis). Once again off his meds and prone to ill-advised impulses — such as purchasing that giraffe — Alan has become even more of a loose cannon than usual.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">(Actually, the incident with the giraffe — and its tasteless climax — would have been right at home in the first two films. It’s almost as if Phillips decided to tease us with this cringe-worthy hiccup, before subsequently defying all expectations.)<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">A family crisis sends Alan even further over the edge, at which point the rest of the gang stage an intervention. The proposed solution: a road trip, after which Phil, Stu and Doug will deliver Alan into the tender (?) hands of some well-staffed facility for the terminally bewildered.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Craving any excuse for quality time with his best buds, Alan agrees. He doesn’t get an opportunity for second thoughts, because the guys get kidnapped by a highly irritated crime boss — John Goodman, as Marshall — who has his own history with the maniacal Leslie Chow. Millions of dollars’ worth of gold in history, in fact, which Chow apparently stole from Marshall, a few years back.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Cue a brief recap of events from the first two films, with this new incident involving Chow and Marshall’s gold deftly worked into the fringes of what we’ve previously seen.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Marshall is seriously angry. He wants his gold back, and word is that Chow has escaped from the aforementioned Thai prison. Wisely assuming that prior association should count for something, Marshall releases Phil, Stu and Alan, with orders to locate Chow and “detain” him. Doug will be held as insurance, and failure will result in a bullet to the young man’s brain.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">As it turns out, finding Chow isn’t all that difficult. (No surprise there; we wouldn’t have a movie otherwise.) Recovering the gold proves harder; Chow knows where it is, but getting it will require an elaborate scheme, etc., etc. Naturally, things go awry, with subsequent events bringing our heroes back to Las Vegas, where their lives first went astray back in 2009.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Along the way, they re-unite with Jade (Heather Graham), the escort with a heart of gold from the first film; they also meet a new friend, an irritable pawnshop dealer named Cassie (Melissa McCarthy). Irritable, that is, to everybody except Alan.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The heist issues and complications with Marshall and Chow notwithstanding, this film’s core concerns Alan’s journey toward manhood. I’m not persuaded Galifianakis has the acting chops for this supposed personality shift, but Alan certainly becomes easier to endure. Indeed, his encounters with Cassie reveal a softer, smitten side. Galifianakis and McCarthy are quite funny together, and they have a great bit with a shared lollypop.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Alan’s reunion with Jade’s son — the good-natured infant toted around, back in the first film — isn’t nearly as satisfying. Phillips and Mazin apparently intend this Zen-like encounter to be spiritually uplifting for Alan, but Galifianakis’ blank expression simply doesn't convey the necessary emotional subtlety. Rather than some sort of epiphany, this useless scene drags the film to a brief standstill. <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Actually, personalities always have been a problem with this series. Cooper, so engaging and credible with the wild mood swings of his Oscar-nominated character in <i><a href="http://derrickbang.blogspot.com/2012/11/silver-linings-playbook-heart-of-gold.html">Silver Linings Playbook</a></i>, still can’t get a handle on Phil. At times he’s thoughtful and kind; at other times he’s impatient and quite callous. Granted, Phil is the strong, handsome and outwardly polished member of the Wolfpack, but in terms of emotional stability, he’s just as unpredictable as Alan.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">From one moment to the next, Phil’s attitude toward his friends is completely random; we never know whether the next words will come from Nice Phil or Toxic Phil. Cooper obviously is capable of much better, so we have to blame Phillips for inconsistent writing and clumsy direction.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Helms, on the other hand, has always been consistent with his handling of Stu, as the eternally put-upon victim. All the worst stuff typically happens to Stu, although “worst,” in this film, amounts to little more than verbal brow-beating from Alan. Even so, Helms’ exasperated expressions are marvelous, as are his frantic attempts to depict Stu as a Guy In Control, when in fact he’s almost <i>never</i> in control.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Bartha is little more than a tag-along, as always has been the case. He depicts Doug as a pleasant guy, but spends most of his time here as an off-camera hostage. Very little chance for character depth.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Jeong is fearlessly crazed, as always, as the loose-cannon Chow. A little of Jeong goes a <i>very</i> long way, though, and he wears out his welcome as this flick progresses. Spontaneous bits of nonsense — a tuneless karaoke performance, slurping up dog food from a bowl on the floor — aren’t nearly as funny as Phillips and Jeong seem to assume.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Goodman, on the other hand, is memorably brutal as the vengeful Marshall, and Mike Epps makes a brief but droll return as “Black Doug.”<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">This third <i>Hangover</i> clearly is an effort to bring closure to the Wolfpack, complete with the equivalent of a final-scene walk into the sunset, accompanied by flashbacks to earlier group strolls that took place under unhappier circumstances in the two prior films. But this is a flat and unsatisfying send-off: a clumsily plotted escapade obviously mandated by financial desire, and not at all by artistic necessity.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">And a certain disappointment to fans who wanted more of the coarse behavior that put Phil, Stu and Alan on the map.</span><span class="Apple-style-span" style="font-family: 'Times New Roman';"><o:p></o:p></span></span></div><!--EndFragment-->

2013 Bradley Cooper Ed Helms Heather Graham Jeffrey Tambor John Goodman Justin Bartha Ken Jeong Melissa McCarthy Mike Epps Sequel Series Vulgar Zach Galifianakis The Hangover, Part III: Out with a whimper

The Hangover, Part III   (2013) •  View trailer   2.5 stars. Rating: R, for pervasive profanity and vulgar humor, some violence, a bit of dr...

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