Noir City X...and a look at upcoming classics festivals

<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKjWxyAN5_HgjrtEC88z8bbm3WZzwRuajvyhICRGj2H0Q6W0Z1lPAwPynLpLmRTiuUFk_mdqO0GM8N0zWy_IWa7pJTQxCFxi0hGKyfM5h2zU3J1O9f3k8DbUPQK0oobf53aqkUMbKIaTMf/s1600/naked+alibi+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKjWxyAN5_HgjrtEC88z8bbm3WZzwRuajvyhICRGj2H0Q6W0Z1lPAwPynLpLmRTiuUFk_mdqO0GM8N0zWy_IWa7pJTQxCFxi0hGKyfM5h2zU3J1O9f3k8DbUPQK0oobf53aqkUMbKIaTMf/s1600/naked+alibi+2.jpg" /></a></div><span style="font-family: Verdana,sans-serif;"><b><span id="goog_1955017720"><span id="goog_1955017728"></span><span id="goog_1955017729"></span></span><span id="goog_1955017721"></span><span id="goog_1955017733"></span><span id="goog_1955017734"></span></b></span><br /><b><span style="font-family: Verdana,sans-serif;"><u>Noir City X, San Francisco</u> </span></b><br /><br /><span style="font-family: Verdana,sans-serif;">January was a busy, busy month in my reel and real lives this year, but I still managed to squeeze in one night of lust and murder thanks to <i>Noir City X</i>, San Francisco's 10th annual film noir festival, a ten day event that ran from the 20th through 29th.</span><br /><br /><a name='more'></a><br /><span style="font-family: Verdana,sans-serif;"><i>Noir City</i>, presented by the locally headquartered Film Noir Foundation and masterminded by the organization's founder, Eddie Muller, is the one festival I'll never miss...even in the midst of a serious case of <i>Vertigo</i>. The line up for <i>Noir City X</i> featured many well-known classics: <i>Dark Passage</i> (1947) with Bogart and Bacall, Otto Preminger's genre defining <i>Laura </i>(1944), <i>Gilda </i>(1946) - wherein Rita Hayworth sizzled her way to film immortality, Preston Sturges' dark and hilarious <i>Unfaithfully Yours </i>(1948), <i>The Glass Key </i>(1942) based on a Hammett novel and starring the other iconic noir couple of the '40s, Alan Ladd and Veronica Lake. Two adaptations of <i>The Maltese Falcon </i>screened, the original Roy Del Ruth 1931 version with Ricardo Cortez and Bebe Daniels, and John Huston's 1941 Bogart-Astor-Greenstreet-Lorre masterpiece. In addition, on January 21, </span><span style="font-family: Verdana,sans-serif;">festival guest of honor Angie Dickinson was interviewed by Muller on stage between screenings of two of her crime thrillers, <i>The Killers </i>(1964) directed by Don Siegal and John Boorman's <i>Point Blank</i> (1967).</span><br /><br /><span style="font-family: Verdana,sans-serif;">As always, the festival also presented many not-so-well-known, even obscure films noir. And it was to see one of these rough-cut little gems that a friend and I met at San Francisco's enduring movie palace, The Castro Theatre, on Thursday night, January 26.</span><br /><br /><span style="font-family: Verdana,sans-serif;"><i>Naked Alibi </i>(1954) was a film unknown to me until I saw it listed on the festival program and the names of those top-billed got my attention. Sterling Hayden plays a cop out for vengeance, Gloria Grahame is the "border town bad girl" who gets under his skin and Gene (<i>Bat Masterson</i>, <i>Burke's Law</i>) Barry is a murder suspect released from custody for lack of evidence. Billed as an "ultra-rare potboiler," we chose <i>Naked Alibi</i> based on curiosity (the stars, that title) and its spot on the festival schedule (a good movie night for both of us).</span><br /><br /><div style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/lXpKLYzYvps" width="420"></iframe></div><br /><span style="font-family: Verdana,sans-serif;">It may be ultra-rare, but <i>Naked Alibi</i> is also pretty slight stuff, even for a '50s B-movie. Hayden and Grahame deserve most of the credit for keeping things interesting - though Barry is an entertaining eyeful as an upstanding citizen/psycho with a hair-trigger temper. These three and the border town setting - plus an enthusiastic full-house audience - made <i>Naked Alibi</i> worth the price of admission.</span><br /><br /><span style="font-family: Verdana,sans-serif;">Being in a festival frame of mind, I thought it timely to survey a few upcoming classics fests... </span><br /><br /><div style="font-family: Verdana,sans-serif;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghq5yb5yVXvP6lgAuLDeQaNyGaFmiT2UT_KEBK1tdIYY4vIPZFZV-2hd1uJhvsGgC8ElHdN4zVrZY-rnuY1jcXoiXM6m9NHQkeA9NaKRKRXoN67DasPTGw15Nb0cDyaGApbmWIswe8qLOd/s1600/moon.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="243" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghq5yb5yVXvP6lgAuLDeQaNyGaFmiT2UT_KEBK1tdIYY4vIPZFZV-2hd1uJhvsGgC8ElHdN4zVrZY-rnuY1jcXoiXM6m9NHQkeA9NaKRKRXoN67DasPTGw15Nb0cDyaGApbmWIswe8qLOd/s320/moon.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>A Trip to the Moon</i> (1902) in color</td></tr></tbody></table><u><b>T</b><b>he Kansas Silent Film Festival, Topeka, KS</b></u></div><div style="font-family: Verdana,sans-serif;"><u></u></div><div style="font-family: Verdana,sans-serif;"><br />The 16th annual <a href="http://www.kssilentfilmfest.org/" style="color: #990000;">Kansas Silent Film Festival </a>begins this Friday, Feb. 24, and runs through Saturday, the 25th, at Washburn University in Topeka - and it's free to the public!</div><div style="font-family: Verdana,sans-serif;"><br /></div><div style="font-family: Verdana,sans-serif;">This year the festival will screen the newly restored hand-colored version of George <b><span style="font-family: "Verdana","sans-serif"; font-size: 11pt; font-weight: normal;"> <span style="font-size: small;">Méliès</span></span></b><span class="style53"><span style="font-size: small;"><b><span style="font-family: "Verdana","sans-serif";">' </span></b><span style="font-family: "Verdana","sans-serif";">classic short, <i>A Trip to the Moon </i>(1902) on Saturday night. It is believed this color version, featured during the opening of the 2011 Cannes film festival as well as in  Martin Scorsese's <i>Hugo</i> (2011), was not seen by the public for more than 80 years.</span></span></span></div><div style="font-family: Verdana,sans-serif;"><br /></div><div style="font-family: Verdana,sans-serif;"><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";">Also on the schedule:</span></span></span></div><div style="font-family: Verdana,sans-serif;"><br /></div><div style="font-family: Verdana,sans-serif;"><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";">Maurice Tourneur's <i>The Wishing Ring (1914) </i></span></span></span><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";">accompanied by the Mont Alto Motion Picture Orchestra</span></span></span><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";"><i> </i></span></span></span></div><div style="font-family: Verdana,sans-serif;"><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";"><i>The Clinging Vine </i>(1926) starring <a href="http://eves-reel-life.blogspot.com/2011/08/father-and-mother-were-movie-stars.html" style="color: #990000;">Leatrice Joy</a>, with organ music by Marvin Faulwell</span></span></span></div><div style="font-family: Verdana,sans-serif;"><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";"><i>The Cure </i>(1917) starring Charlie Chaplin and Edna Purviance, with music by Greg Foreman </span></span></span></div><div style="font-family: Verdana,sans-serif;"><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";"><i>Alice in the Jungle </i>(1925), a Walt Disney cartoon - with music by Phil Figgs</span></span></span></div><div style="font-family: Verdana,sans-serif;"><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";"><i>Tramp, Tramp, Tramp </i>(1926) starring Harry Langdon, with music by Jeff Rapsis</span></span></span></div><div style="font-family: Verdana,sans-serif;"><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";"><i>Way Down East </i>(1920) starring Lillian Gish, accompanied by the Mont Alto Motion Picture Orchestra</span></span></span></div><div style="font-family: Verdana,sans-serif;"><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";"><i>Sugar Daddies </i>(1927) starring Laurel & Hardy, with piano music by Marvin Faulwell</span></span></span></div><div style="font-family: Verdana,sans-serif;"><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";">Fritz Lang's <i>Spies </i>(1928) - with music by Greg Foreman</span></span></span></div><div style="font-family: Verdana,sans-serif;"><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";"><i>He Did and He Didn't </i>(1916) starring Roscoe 'Fatty' Arbuckle, </span></span></span><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";">accompanied by the Mont Alto Motion Picture Orchestra</span></span></span></div><div style="font-family: Verdana,sans-serif;"><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";"><i>Monte Cristo </i>(1922) starring <a href="http://classic-film-tv.blogspot.com/2010/08/about-john-gilbertan-interview-with.html" style="color: #990000;">John Gilbert</a>, with organ music by Marvin Faulwell and percussion by Bob Keckeisen</span></span></span><br /><br /><b><u><span class="style53"><span style="font-size: small;"><span style="font-family: "Verdana","sans-serif";">Cinefest 32, Syracuse, NY</span></span></span></u></b><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMHdpABA28Asgc1QkZAXeWUiNMg6Wq1exGXQYsm12mPvnCID25Udgl-oiPj5sHowJU7QJGwt9VBzYlrocWliyO54KBh1Hu-SQAxCj3JWueZNQM_BJhGXre9n9AxiEDvToVE2XXHuD0ktxW/s1600/Love-Thy-Neighbor.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMHdpABA28Asgc1QkZAXeWUiNMg6Wq1exGXQYsm12mPvnCID25Udgl-oiPj5sHowJU7QJGwt9VBzYlrocWliyO54KBh1Hu-SQAxCj3JWueZNQM_BJhGXre9n9AxiEDvToVE2XXHuD0ktxW/s320/Love-Thy-Neighbor.jpg" width="225" /></a></div>Coming up March 15 - 18 is <a href="http://www.syracusecinefest.com/" style="color: #990000;">Cinefest 32</a> in Syracuse, New York. The schedule promises a variety of screenings and much more for the dedicated classics buff.<br /><br /><span id="goog_1955017755"></span><span id="goog_1955017756"></span>A small sampling of the vintage motion pictures to be shown: Douglas Fairbanks in a film thought to be long-lost, <i>Mr. Fix-it </i>(1918), Clara Bow in <i>Get Your Man </i>(1927), Carole Lombard in <i>Matchmaking Mama </i>(1928), Sylvia Sydney in <i>Confessions of a Co-ed </i>(1931), Barbara Stanwyck in <i>Red Salute </i>(1936), Jack Benny and Fred Allen in <i>Love Thy Neighbor</i> (1940).<br /><br />Also on the bill: Eileen Bowser, former curator of the film department of the Museum of Modern Art, archivist/preservationists David Shepard and Ron Hutchinson of the Vitaphone Project and film historian Leonard Maltin, who will host a 'Sunday Morning Auction.' <br /><br /><b><u>TCM Classic Film Festival, Hollywood, CA</u></b><br /><br />The third annual <a href="http://www.tcm.com/festival/" style="color: #990000;">TCM festival</a> will run from April 12 - 15 this year - the setting is Hollywood and the mood glamorous...some schedule highlights:<br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw7rzRlAQCTwsSVw6I18qupev_XnWrm-chO8xx1ddHFJy1-n8RMsccTPW1fIH_qNAmXzHW_K9ZfV0kNauxEHriSDFlEoGQ89aFXERdnEHU9n2NhLQxidgYWlabDIGV93pSfT8_2M_rzAes/s1600/funny+face.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw7rzRlAQCTwsSVw6I18qupev_XnWrm-chO8xx1ddHFJy1-n8RMsccTPW1fIH_qNAmXzHW_K9ZfV0kNauxEHriSDFlEoGQ89aFXERdnEHU9n2NhLQxidgYWlabDIGV93pSfT8_2M_rzAes/s320/funny+face.jpg" width="320" /></a></div>Audrey Hepburn will be saluted as a style icon with screenings of <i>Funny Face </i>(1957), <i>Sabrina </i>(1954) and <i>Two for the Road </i>(1967). Film noir will get a nod with <i>Cry Danger </i>(1951), <i>Gun Crazy </i>(1950) and <i>Raw Deal </i>(1948). The legendary costumes of iconic Paramount designer Travis Banton will be spotlighted with <i>Nothing Sacred </i>(1937) on the star he loved to dress most, Carole Lombard. Deco design will be highlighted with screenings of <i>Our Dancing Daughters </i>(1928), <i>Swing Time </i>(1936) and <i>The Women </i>(1939). The breathtaking list goes on: <i>Cabaret </i>(1972), <i>Casablanca </i>(1942), the two great American films of 1974<i> - Chinatown </i>and<i> The Godfather Pt. II,</i> <i>Grand Illusion </i>(1937), <i>Singin' in the Rain </i>(1952), <i>Wings </i>(1927). Guests will include Liza Minnelli, Rhonda Fleming, Debbie Reynolds, Marsha Hunt, Peggy Cummins, Joel Grey, producer Robert Evans, the Film Noir Foundation's Eddie Muller and others yet to be announced, plus TCM hosts Robert Osborne and Ben Mankiewicz.<br /><br />Meanwhile, beginning March 1, <i>The Road to Hollywood</i> will get under way and bring the TCM Festival to 10 cities around the U.S. and north of the border - New York, Minneapolis, Houston, Philadelphia, Miami, Atlanta, Chicago, Toronto, Denver and Portland. I hope you live near one of them! <br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_jYsu9UH2woQJkRnIWq4kYVMIAVc3Rvb_fXbAKQFlYgwScepDBpg7r3J5NlU4j8f54sfNiGa2zQPI4PXxkKSUeQyRySdUkXjUFXIZTzYyCciRyGyFfzrUyqW37RLMu2nDGnhXrcjyN4bv/s1600/Crashout+07.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_jYsu9UH2woQJkRnIWq4kYVMIAVc3Rvb_fXbAKQFlYgwScepDBpg7r3J5NlU4j8f54sfNiGa2zQPI4PXxkKSUeQyRySdUkXjUFXIZTzYyCciRyGyFfzrUyqW37RLMu2nDGnhXrcjyN4bv/s1600/Crashout+07.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><i>Crashout </i>(1955) - Kennedy, Bendix and Talman</td></tr></tbody></table><b><u>The Arthur Lyons Film Noir Festival, Palm Springs, CA</u></b><br /><br />The 12th annual <a href="http://arthurlyonsfilmnoir.ning.com/" style="color: #990000;">Arthur Lyons Film Noir Festival</a> is set for May 10 - 13 in sunny Palm Springs. The schedule and guest roster aren't up yet, but in past years, the Lyons festival has featured such films as the ultimate Joan Crawford noir vehicle, <i>The Damned Don't Cry </i>(1950) with genre heavy and hunk-o'-man Steve Cochran,  <i>Loophole </i>(1954) with Dorothy Malone, Barry Sullivan and the sublime Charles McGraw, <i>Crashout </i>(1955) with Arthur Kennedy, William Bendix and another noir favorite, William Talman, and <i>The Underworld Story</i> (1950) with Dan Duryea and Herbert Marshall.<br /><br />The festival is a Palm Springs Cultural Center presentation and was founded by Arthur Lyons, mystery writer, film historian and author of <i>Death on the Cheap: The Lost B-Movies of Film Noir</i>. Lyons died suddenly in 2008 at age 62, but the festival that bears his name continues on.<br /><br /><div style="text-align: center;">~</div><br />More classics festivals loom in the future - in places like Columbus, OH, El Paso, TX, Chicago, San Francisco and, of course, Hollywood. I'll try to post updates from time to time and if there's a festival coming to your area that you'd like mentioned, just let me know: <a href="mailto:ladyevesidwich@gmail.com" style="color: #990000;">ladyevesidwich@gmail.com</a> ...<br /><div style="text-align: center;"><br /></div></div>

Arthur Lyons Film Noir Festival Cinefest Film Noir Kansas Silent Film Festival Naked Alibi Noir City TCM Classic Film Festival The Lady Eve (author) Noir City X...and a look at upcoming classics festivals

Noir City X, San Francisco January was a busy, busy month in my reel and real lives this year, but I still managed to squeeze in one night ...

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