The Shop Around the Corner (1940): A Lubitsch Christmas

<div class="MsoNormal" style="margin-bottom: 12.0pt;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAzt1SDq_UCjXtGsFUectodi0C84FwSFK3utZ78NgblIAlEekAFJSrW5fWEinH4E6ix2pvnwuXQlLjK0VUm0-rh_fOlwIsW0Dtl1_AeFN9lAnmkVw1gUVxcmUq9l44aL8_UMBocYH0BwXx/s1600/Shop-Around-the-Corner+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAzt1SDq_UCjXtGsFUectodi0C84FwSFK3utZ78NgblIAlEekAFJSrW5fWEinH4E6ix2pvnwuXQlLjK0VUm0-rh_fOlwIsW0Dtl1_AeFN9lAnmkVw1gUVxcmUq9l44aL8_UMBocYH0BwXx/s1600/Shop-Around-the-Corner+2.jpg" /></a></div><br /><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">It is only occasionally that a film ages with extraordinary grace. Ernst Lubitsch's 1940 classic,</span><i><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">The Shop Around the Corner</span></i><span style="font-family: "Arial","sans-serif"; font-size: 12pt;"></span><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">, has mellowed in the manner of</span><span style="font-family: "Arial","sans-serif"; font-size: 12pt;"> a rare and prized bottle of Hungarian Tokaji </span><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Aszú...</span></div><table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="mso-cellspacing: 0in; mso-padding-alt: 0in 0in 0in 0in; mso-yfti-tbllook: 1184;"><tbody><tr style="mso-yfti-firstrow: yes; mso-yfti-irow: 0;"> <td style="padding: 0in 0in 0in 0in;"></td></tr><tr style="mso-yfti-irow: 1; mso-yfti-lastrow: yes;"><td style="padding: 0in 0in 0in 0in;"><div align="center" class="MsoNormal" style="text-align: center;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;"></span></div></td> </tr></tbody></table><div class="MsoNormal" style="margin-bottom: 12.0pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuRVIHjfaog4jbW36Mi0nl9Adt9qc0_NG8ULdtOUOhQOQdj1HO36fe4E2Szz1HL1vhWfxkDRn8GZAFFSufGspKyTMrUuy36bBDnM4slz8dlPgvBGAq8crDBJc7iNx9TUXkUn5gk1B6HR4C/s1600/shop+7+a.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuRVIHjfaog4jbW36Mi0nl9Adt9qc0_NG8ULdtOUOhQOQdj1HO36fe4E2Szz1HL1vhWfxkDRn8GZAFFSufGspKyTMrUuy36bBDnM4slz8dlPgvBGAq8crDBJc7iNx9TUXkUn5gk1B6HR4C/s400/shop+7+a.jpg" width="400" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Balta Street, Budapest</span></td></tr></tbody></table><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Director Lubitsch, revered for sophisticated films spun with his light-as-air "touch" and at an artistic peak in 1940, took special care with <i>The Shop Around the Corner</i>. It was one of his favorites of own films, and he wrote, “Never did I make a picture in which the atmosphere and the characters were truer…” This atmosphere is unmistakable. With the first strains of “Ochi Tchornya” heard over Leo the Lion’s roar, in the dreamlike setting near Budapest’s historic Andrassy Street and in unique and distinctive characters, the spirit of old Europe is alive on screen. </span><br /><span style="font-family: "Arial","sans-serif"; font-size: 12pt;"></span><br /><a name='more'></a><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Set during Christmastime in the snow-dusted capital, the story follows a series of mix-ups and missteps between employees of a picturesque gift shop in the heart of the city. Two clerks carry on a battle-of-the-sexes while romantically pursuing anonymous pen pals; the shop owner suspects betrayal at home and at work; a duplicitous clerk is up to ugly mischief and a wisecracking errand boy has an eye for the main chance…</span></div><div class="MsoNormal" style="margin-bottom: 12pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidFfYhqjUwui2PBxIzu2Zu2-uYY6knwaNWDL1IrA5th_tx_fpcS6kgoqzdwtD9qdakPeCzKIGAYfXML01IKcNMd9PuzFtI-_AqvGEN0mwDpNb3KROUFdVvKIOHUFz4gDAEoK69Si0JJWzT/s1600/shop+4.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidFfYhqjUwui2PBxIzu2Zu2-uYY6knwaNWDL1IrA5th_tx_fpcS6kgoqzdwtD9qdakPeCzKIGAYfXML01IKcNMd9PuzFtI-_AqvGEN0mwDpNb3KROUFdVvKIOHUFz4gDAEoK69Si0JJWzT/s400/shop+4.jpg" width="400" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Matuschek's gift shop</span></td></tr></tbody></table><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Samson Raphaelson (<i>Suspicion</i>, <i>Green Dolphin Street</i>) penned a screenplay based on Nikolaus (Miklós) László’s play; William H. Daniels (<i>The Naked City</i>, <i>Cat on a Hot Tin Roof</i>) shot it and Werner Heymann (<i>Ninotchka</i>, <i>To Be or Not to Be</i>) wrote the score.<br /><br />A sparkling ensemble cast features several of MGM’s top supporting players. Among them is Frank Morgan in one of his most interesting roles as Mr. Matuschek, the colorful charmer who owns the gift shop. A somber turn in the subplot gives Morgan a chance to portray his character's darker emotions. <br /><br />Peerless Felix Bressart plays the meek/endearing clerk, Pirovich. Versatile Joseph Schildkraut defines ‘loathsome’ as Vadas. Also in the featured cast are Sara Haden, William Tracy and Inez Courtney.</span><br /><span style="font-family: "Arial","sans-serif"; font-size: 12pt;"><br /></span><br /><div style="text-align: center;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;"> <iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/TD7Nsdb1_Lk" width="420"></iframe></span></div><div style="text-align: center;"><span style="font-family: "Arial","sans-serif"; font-size: 12pt;"> <span style="font-size: x-small;">Felix Bressart and James Stewart</span></span><br /><span style="font-family: "Arial","sans-serif"; font-size: 12pt;"><span style="font-size: x-small;"><br /></span></span></div><div style="text-align: center;"></div><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">The legendary  chemistry between stars James Stewart and Margaret Sullavan illuminates the screen. Stewart is at his most appealing as Mr. Kralik, head clerk and right hand man to Mr. Matuschek. In this role, Stewart's broad signature mannerisms are tempered by the sensitivity with which he portrays Kralik's romantic yearnings. But it is Sullavan's performance that mesmerizes. Her Klara Novak, a headstrong shop girl blinded by lofty ideals, is a high-strung romantic whose breathless eagerness is offset by her brittle fragility. </span></div><table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="margin-left: 12.0pt; mso-cellspacing: 0in; mso-padding-alt: 0in 0in 0in 0in; mso-yfti-tbllook: 1184;"><tbody><tr style="mso-yfti-firstrow: yes; mso-yfti-irow: 0;"><td style="padding: 0in 0in 0in 0in;"></td></tr><tr style="mso-yfti-irow: 1; mso-yfti-lastrow: yes;"><td style="padding: 0in 0in 0in 0in;"></td> </tr></tbody></table><div class="MsoNormal" style="margin-bottom: 12.0pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpYhgyPNMYbIptxP_Hmyl3MJRCmrmPA98t_Q00R8XlBuVJHFW_bsPKmzgZ7Awk-yumiW5xTag4zML5nBlKf42iOFQQVKXolb_TdxmRNTE0_HviA802SGGJ-lu4ZfLbAPkbQ0GYghXf5G13/s1600/the-mortal-storm-margaret-sullavan-1940%255B1%255D.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpYhgyPNMYbIptxP_Hmyl3MJRCmrmPA98t_Q00R8XlBuVJHFW_bsPKmzgZ7Awk-yumiW5xTag4zML5nBlKf42iOFQQVKXolb_TdxmRNTE0_HviA802SGGJ-lu4ZfLbAPkbQ0GYghXf5G13/s400/the-mortal-storm-margaret-sullavan-1940%255B1%255D.jpg" width="300" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Margaret Sullavan</span></td></tr></tbody></table><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Margaret Sullavan was discovered on Broadway by director <span style="color: windowtext; text-decoration: none;">John M. Stahl</span> (<i>Leave Her to Heaven</i>) who brought her to Hollywood to star in <i>Only Yesterday</i> (1933) with John Boles. By this time Sullavan had already married and divorced Henry Fonda and would soon marry director William Wyler. By 1936 the actress was married to agent/producer Leland Hayward and about to make her best films: <i>Three Comrades</i> (1938), for which Sullavan earned a Best Actress Oscar nomination, <i>The Shopworn Angel</i> (1938), <i>The Shop Around the Corner</i> (1940) and <i>The Mortal Storm</i> (1940). In the last three she co-starred with Stewart. The pair had first worked together on <i>Next Time We Love</i> (1936), a result of Sullavan suggesting her friend Stewart for the part. In <i>The Shop Around the Corner</i>, the third of the their four collaborations, the co-stars seem to all but dance together, such is the rhythm between them. <br /><br />With the closing scenes of <i>The Shop Around the Corner</i>, Lubitsch demonstrates his consummate finesse…</span></div><table border="0" cellpadding="0" cellspacing="0" class="MsoNormalTable" style="mso-cellspacing: 0in; mso-padding-alt: 0in 0in 0in 0in; mso-yfti-tbllook: 1184;"><tbody><tr style="mso-yfti-firstrow: yes; mso-yfti-irow: 0;"><td style="padding: 0in 0in 0in 0in;"></td> </tr><tr style="mso-yfti-irow: 1; mso-yfti-lastrow: yes;"> <td style="padding: 0in 0in 0in 0in;"><div class="MsoNormal"></div></td> </tr></tbody></table><div class="MsoNormal"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNCGycQSweTQgc_UXeQoQeE7cl4ekvm0DNsOlRbJwl65gzmvsbV2oZw6vrK5tBMuakXS9o-qmd2IsHGPStnDAYw8J2_BzGLumEZTELWC3Yf3Lb-ea3ZSky8pQ1qkuShgusWS8j9BH2FB_N/s1600/shop+5+a.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNCGycQSweTQgc_UXeQoQeE7cl4ekvm0DNsOlRbJwl65gzmvsbV2oZw6vrK5tBMuakXS9o-qmd2IsHGPStnDAYw8J2_BzGLumEZTELWC3Yf3Lb-ea3ZSky8pQ1qkuShgusWS8j9BH2FB_N/s400/shop+5+a.jpg" width="400" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;">Frank Morgan and Charles Smith</span></td></tr></tbody></table><span style="font-family: "Arial","sans-serif"; font-size: 12pt;">Mr. Matuschek returns to his store on Christmas Eve to total the day’s receipts, thank his staff and hand out bonuses. It is closing time and as the wistful shopkeeper departs, he says goodnight to, and we have our last glimpse of, most of the other characters as they depart for the holidays. <br /><br />When the shop's new errand boy, Rudy (Charles Smith), emerges, Matuschek takes him under his wing and out to a glorious Christmas dinner of roast goose, potatoes in butter…and “a double order of apple strudel in vanilla sauce.” The two, no longer facing a lonely Christmas Eve, strike up a jubilant rapport.<br /><br />Inside the darkened shop, Stewart and Sullavan move in perfect harmony as Kralik and Klara finally discover each other. This last scene, one of the most deeply romantic and witty ever confected, reveals the distilled essence of Lubitsch’s “touch.”</span><br /><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUcv9y8lr_bVCbjtWt0ieoEsDl2ThvGWLJl-sp30h0rowKzVOJQ-hsazlAOEoBcn0iWk1oNZMAQEfF4FsUIBAFdcTSTIiyTnyOuCUJJAA3rD1eTgEIqYD87voz1x5Afs8Vb0_KjzzWFXaY/s1600/shop+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUcv9y8lr_bVCbjtWt0ieoEsDl2ThvGWLJl-sp30h0rowKzVOJQ-hsazlAOEoBcn0iWk1oNZMAQEfF4FsUIBAFdcTSTIiyTnyOuCUJJAA3rD1eTgEIqYD87voz1x5Afs8Vb0_KjzzWFXaY/s400/shop+3.jpg" width="400" /></a></div></div>

Ernst Lubitsch Felix Bressart Frank Morgan James Stewart Joseph Schildkraut Margaret Sullavan The Lady Eve (author) The Shop Around the Corner The Shop Around the Corner (1940): A Lubitsch Christmas

It is only occasionally that a film ages with extraordinary grace. Ernst Lubitsch's 1940 classic, The Shop Around the Corner , has mello...

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