Focus on Film Noir: Barbara Stanwyck

<div class="MsoNormal" style="margin: 0in 0in 0pt;"><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWxTE1-w4a3YlAfZtqP4-bnSHnNccdXxq4o7UHLWF4QX5SRn3FgbwZ_QHkbUNniIGnADZaKJnqD1aE1Y2l-0gcypmHa09lPWR5kbId8stS-pCdCeXj9bhyphenhyphenrTcv5uohsx7VRWg0DQ-ZQdya/s1600/BS+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" n4="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWxTE1-w4a3YlAfZtqP4-bnSHnNccdXxq4o7UHLWF4QX5SRn3FgbwZ_QHkbUNniIGnADZaKJnqD1aE1Y2l-0gcypmHa09lPWR5kbId8stS-pCdCeXj9bhyphenhyphenrTcv5uohsx7VRWg0DQ-ZQdya/s320/BS+1.jpg" width="256" /></a></div><br /><span style="font-family: Tahoma; font-size: large;"><span style="font-family: Tahoma; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">Three films of legendary star to be screened at Noir City 9</span></span></div><br /><span style="font-family: Tahoma;">Her childhood has been called Dickensian and the rags-to-riches trajectory of her life could easily have provided material for one of her films… </span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><ul style="margin-top: 0in;" type="disc"><li class="MsoNormal" style="margin: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list .5in;"><span style="font-family: Tahoma;">She was the youngest of a hard-drinking Irish American bricklayer’s five children </span></li><li class="MsoNormal" style="margin: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list .5in;"><span style="font-family: Tahoma;">She lost her mother at age three when the woman was pushed, while pregnant, from a streetcar</span></li><li class="MsoNormal" style="margin: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list .5in;"><span style="font-family: Tahoma;">Her father abandoned his children (for the second time) and went to sea</span></li><li class="MsoNormal" style="margin: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list .5in;"><span style="font-family: Tahoma;">She lived in a series of foster homes</span></li><li class="MsoNormal" style="margin: 0in 0in 0pt; mso-list: l0 level1 lfo1; tab-stops: list .5in;"><span style="font-family: Tahoma;">She began working at age 13<a name='more'></a></span></li></ul><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Tahoma;">Ruby Catherine Stevens, born in 1907 in Brooklyn, New York, grew up fast – and tough. There was one bright spot in an otherwise dreary life - her older sister Mildred was a dancer and, during the summer months, Mildred took Ruby on the road with her. Ruby loved to dance and began learning steps, determined to be a dancer herself.<span style="mso-spacerun: yes;">  </span>While still in her early teens she got a job as a chorus girl at the Strand Theater on New York’s Times Square, moved on to the “Keep Kool” Revue and before long was in the Ziegfeld chorus.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Tahoma;">Ruby’s big break came in 1926 when a friend introduced her to Willard Mack who was casting “The Noose,” a play headed for Broadway. Mack was impressed with her but felt that she needed a name that implied class and distinction. He found the right name on a playbill: “Barbara Frietchie” with Joan Stanwyck.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><div class="separator" style="clear: both; text-align: center;"></div><span style="font-family: Tahoma;">Barbara Stanwyck made her first film in 1927 with <b>Broadway Nights</b>. And though she became one of the legends of Hollywood, film success did not come overnight. It wasn’t until the early ‘30s, when she moved west with then-husband Frank Fay that she began to make her mark. Frank Capra saw a screen test and cast her in <b>Ladies of Leisure</b> (1930). A contract with Columbia Pictures followed and her career began to take off. It was during this period that some of her early classics were made and her image as a determined working girl evolved: <b>Night Nurse </b>(1931),<b> Baby Face</b> (1933) and <b>Ladies They Talk About</b>, (1933).</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Tahoma;">Stanwyck’s personal life remained rocky. Her romance with Broadway actor Rex Cherryman had been cut short when he died suddenly in 1928 at age 30. Her marriage to Fay collapsed in the mid-‘30s as her star rose and his fell. The pair had adopted a baby boy, but Stanwyck and the child developed a strained and then estranged relationship that never healed. She began living with Hollywood heartthrob Robert Taylor in the late ‘30s and her studio, wary of potential scandal, insisted that they marry in 1939.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNbfBN1kqJnwLGk3XmXnjumIx-O4oEKfVAmVyZ3k4IpKQs_zT7sHkD-oQaRW1J6IV0uRXT62TFrDeZkyp51tcuFoaCG7BndirvLY4ka73eJ2bXQvDmTZ_buETe_6vbs1FS3PTDk7kWpn9o/s1600/BS+3.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" n4="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNbfBN1kqJnwLGk3XmXnjumIx-O4oEKfVAmVyZ3k4IpKQs_zT7sHkD-oQaRW1J6IV0uRXT62TFrDeZkyp51tcuFoaCG7BndirvLY4ka73eJ2bXQvDmTZ_buETe_6vbs1FS3PTDk7kWpn9o/s320/BS+3.jpg" width="260" /></a></div><span style="font-family: Tahoma;">In 1937 Stanwyck starred in <b>Stella Dallas</b>, a memorable melodrama for which she was nominated for a Best Actress Oscar. In 1938 she starred in <b>Golden Boy</b> with young William Holden, who years later declared he owed his career to her.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Tahoma;">Stanwyck proved that she was a capable comedienne with two hit 1941 comedies, Preston Sturges’s <b>The Lady Eve</b> and Howard Hawks’s <b>Ball of Fire</b>. That same year she co-starred in the Capra classic <b>Meet John Doe</b> with Gary Cooper and earned her second Best Actress Oscar nomination.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Tahoma;">The 1940s would be the apex of Barbara Stanwyck’s movie career and included her crowning performance, femme fatale Phyllis Dietrichson in Billy Wilder’s film noir supreme, <b>Double Indemnity </b>(1944). Stanwyck garnered her third Best Actress nod for the role.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Tahoma;">The decade contained several more popular Stanwyck films: <b>Christmas in Connecticut </b>(1945), <b>The Strange Love of Martha Ivers </b>(1946), <b>The Two Mrs. Carrolls </b>(1947), <b>B.F.’s Daughter</b> (1948) and <b>Sorry, Wrong Number </b>(1948), for which she received her final Best Actress nomination.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Tahoma;">It was at around this time that Stanwyck's marriage to Robert Taylor began to fall apart. Taylor had been dallying with some of the celebrated beauties of the time, Lana Turner and Ava Gardner, along with others of less stature, such as the bit actress on <b>Quo Vadis</b> (1951) who created a scandal when she went public with their affair. When Stanwyck gave Taylor an ultimatum he resisted and the pair soon divorced.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Tahoma;">Stanwyck never remarried but continued, as she always had, to work hard. She went on to make several more popular films and starred on television in series and mini-series into the mid-1980s.<span style="mso-spacerun: yes;">  </span>She was awarded an honorary Academy Award in 1982 for her career achievements.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Tahoma;">Barbara Stanwyck died in 1990.</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzMH9ypslO8Uj9LN7u_Rv4OwsmWxBrivz_Zyl9fAGnMnGty6WpEerpEMEOc0Ge-aOpTOX4bjsgEBnR_Qa49ptvo0e1qmvpeRNJuKTgwZ4XCMYFYcAyoBQcqm3uhmkzyHS2eg9nWw0PQPqb/s1600/BS+4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" n4="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzMH9ypslO8Uj9LN7u_Rv4OwsmWxBrivz_Zyl9fAGnMnGty6WpEerpEMEOc0Ge-aOpTOX4bjsgEBnR_Qa49ptvo0e1qmvpeRNJuKTgwZ4XCMYFYcAyoBQcqm3uhmkzyHS2eg9nWw0PQPqb/s320/BS+4.jpg" width="232" /></a></div><br /></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Tahoma;">San Francisco’s Noir City 9 will screen three Stanwyck films at this year’s festival:</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><b><span style="font-family: Tahoma;">Sorry, Wrong Number</span></b><span style="font-family: Tahoma;"> (1948) and <b>The Lady Gambles</b> (1949) on Mon. Jan. 24</span></div><div class="MsoNormal" style="margin: 0in 0in 0pt;"><b><span style="font-family: Tahoma;">The Two Mrs. Carrolls </span></b><span style="font-family: Tahoma;">(1947) on Thurs. Jan. 27</span></div><br /><div class="MsoNormal" style="margin: 0in 0in 0pt;"><span style="font-family: Tahoma;">Also of note, <b>The High Wall </b><span style="mso-spacerun: yes;"> </span>(1947) starring <b>Robert Taylor</b> (with Audrey Totter) will be shown on opening night, Fri. Jan. 21</span></div>

Barbara Stanwyck Billy Wilder Double Indemnity Film Noir Noir City 9 Robert Taylor Sorry Wrong Number The High Wall The Lady Eve (author) The Lady Gambles The Two Mrs. Carrolls Focus on Film Noir: Barbara Stanwyck

Three films of legendary star to be screened at Noir City 9 Her childhood has been called Dickensian and the rags-to-riches trajectory of he...

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