Fast & Furious 6: Still accelerating

<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><i>Fast & Furious 6</i> </b></span></span></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>(2013) • <a href="http://trailers.apple.com/trailers/universal/fastfurious6/" style="color: #27a9c5; text-decoration: none;">View trailer</a></b></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b> </b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b>3.5 stars. Rating: PG-13, and somewhat generously, for intense and relentless violence, action and mayhem, along with occasional profanity and sensuality</b></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><br /></span></span></span></span></span><span class="Apple-style-span" style="color: #5e5e5e; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"><b><span class="Apple-style-span" style="font-weight: normal;"><b>By <a href="http://www.blogger.com/profile/12885694730612878577" style="color: #27a9c5; text-decoration: none;">Derrick Bang</a> • </b></span>Originally published in <i><a href="http://www.davisenterprise.com/" style="color: #27a9c5; text-decoration: none;">The Davis Enterprise</a></i>, 5.24.13</b></span></span></span></span></span><br /><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span> <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings></xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>0</w:Zoom> <w:TrackMoves>false</w:TrackMoves> <w:TrackFormatting/> <w:PunctuationKerning/> <w:DrawingGridHorizontalSpacing>18 pt</w:DrawingGridHorizontalSpacing> <w:DrawingGridVerticalSpacing>18 pt</w:DrawingGridVerticalSpacing> <w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery> <w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables/> <w:DontGrowAutofit/> <w:DontAutofitConstrainedTables/> <w:DontVertAlignInTxbx/> </w:Compatibility> </w:WordDocument></xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="276"> </w:LatentStyles></xml><![endif]--> <!--[if gte mso 10]><style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style><![endif]--> <!--StartFragment--> <br /><div class="MsoNormalCxSpFirst"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Longest...<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">...airport...<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">...runway...<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">...<i>ever</i>.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The <i>Fast & Furious</i> series has long been known for physics-defying stunts that strain credibility, while nonetheless inspiring well-deserved admiration for the way so many of these crazy chases and assorted skirmishes look (somewhat) authentic, as opposed to the obvious fakery of computer-enhanced sweetening. (Make no mistake: CGI plays an important role in these films, but much of the driving is real.)<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsUB1dlpuAXRAVDE9dCBQwb3p9pMvRLiaSs10cCVnCXKcFDQLVUdiVXNqZ0WPoui-9Q5p-oZqMnNlPToBCtUWOMzS050ULMxAKgEeLysqd-k0cDVW1u_eJBSZCL0MgaPsqqGgYv-NG0lY/s1600/Fast+&+Furious+6+blog.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsUB1dlpuAXRAVDE9dCBQwb3p9pMvRLiaSs10cCVnCXKcFDQLVUdiVXNqZ0WPoui-9Q5p-oZqMnNlPToBCtUWOMzS050ULMxAKgEeLysqd-k0cDVW1u_eJBSZCL0MgaPsqqGgYv-NG0lY/s400/Fast+&+Furious+6+blog.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: xx-small;">When a high-speed pursuit veers badly out of control, thanks to the bad guys wielding<br />a vehicle-crushing tank, Dom (Vin Diesel) realizes that one of his team is seconds<br />away from certain death. The only possible solution? An insane leap from his speeding<br />car, of course!</span></td></tr></tbody></table><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Even by those standards, however, <i>Fast & Furious 6</i> boasts audacious, jaw-dropping set-pieces that are just plain nuts.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">But they’re also tautly edited, reasonably suspenseful and quite entertaining. As comic book movies go, this series delivers ingenious thrills ... even if they <i>are</i> guaranteed to make mechanical and aerospace engineers snort with laughter.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Director Justin Lin and screenwriter Chris Morgan deserve considerable credit. They’ve collaborated on four of these films now — all but the first two — and they have the formula down cold. Take an ever-expanding “family” of familiar characters, grant them plenty of interactive banter, season with vehicular chases every 15 minutes or so, and blend with aggressive punching matches between good guys and bad guys, usually one on one, but sometimes two on two. <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Toss in a James Bondian “head villain” with an equally malevolent sidekick, spice with babe shots — because under-dressed women are <i>such</i> an essential part of street-racing — and call it a movie.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">And yes, before you ask: Morgan already is scripting <i>Fast & Furious 7</i> for new director James Wan (<i>Saw</i>, <i>Insidious</i>), which will add Jason Statham to the mix when it roars into theaters next summer.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">It’s all absolute and utter nonsense, but thrilling and adrenaline-pumping nonetheless. No doubt responding to demands for bigger and better, Lin and Morgan have customized <i>6</i> with road-rage chases involving all manner of souped-up cars, not to mention a tank and a massive Antonov 124 cargo plane (!). And yes, the latter eye-widening melee, during which half a dozen four-wheeled vehicles try to prevent said plane from lifting off, occupies 15 climactic minutes, during which the accelerating plane magically never runs out of runway.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Heck, even allowing for the cross-cutting needed to show simultaneous action on the ground and inside the plane, I figure that runway must’ve stretched at least 20 miles. Land must be cheap in Spain.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><a name='more'></a><br /> <div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Lin gets plenty of capable help from cinematographer Stephen F. Windon and editors Christian Wagner and Kelly Matsumoto, all series veterans; they definitely make a winning team. One also has to smile at the massive <i>thunk</i> sound designer Peter Brown inserts, every time a racing driver shifts up or down. This may be popcorn nonsense, but it’s slickly made nonsense.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">With previous entries having exhausted locations in Los Angeles, Miami, Tokyo, Mexico and Rio de Janeiro, this time the action is based in the UK — London, Liverpool and Glasgow — with a few supposed visits to Spain (actually studio work). <o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Following their successful heist in <i><a href="http://derrickbang.blogspot.com/2011/04/fast-five-over-revved.html">5</a></i>, our crew of anti-heroes has settled around the world. Brian (Paul Walker) and Mia (Jordana Brewster) are new parents in the Canary Islands, with Dom (Vin Diesel) and Elena (Elsa Pataky) living close by. Han (Sung Kang) and Gisele (Gal Gadot) are enjoying Hong Kong; Tej (Chris “Ludacris” Bridges) is in Costa Rica; and Roman (Tyrese Gibson) jets to exotic locales when the mood strikes.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">All concerned are saved from succumbing to boredom when tough-as-nails federal agent Luke Hobbs (Dwayne Johnson) confronts Dom with an assignment he literally cannot refuse. A paramilitary-trained criminal mastermind — Luke Evans, as Shaw — has been committing high-profile thefts throughout Europe, aided by a most unlikely sidekick: Dom’s former main squeeze, Letty (Michelle Rodriguez).<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">But wait, I hear you cry: Didn’t Letty die two films back?<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Well, yes, but this series has a comic book habit of reviving characters deemed too popular to abandon. Sung Kang’s Han already enjoyed such a revival; he perished in the third installment (<i>Tokyo Drift</i>) but has reappeared in each of the subsequent films, a seeming impossibility explained by the fact that <i>4</i>, <i>5</i> and this new film take place before the events in <i>Tokyo Drift</i>.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">And so, similarly, we may have <i>thought</i> Letty got killed in <i>4</i>, but it ain’t necessarily so ... as folks who watched the post-credits tag scene at the very end of <i>5</i> already knew, based on a photograph handed to Hobbs.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Anyway...<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The so-called plot here is incidental and perfunctory: Shaw needs to steal a whatzis — in order to combine it with other whatzises (whatzi?) he stole earlier, before this movie started — so that he can build a vile thingamajig capable of knocking out the electrical and computer grids of an entire <i>country</i>, which obviously would be a valuable item to have, were a neighboring hostile government planning to invade.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Because Shaw has accomplished his earlier heists with a team of skilled drivers, Hobbs decides to fight turbo-charged fire with more of the same, and hence our team is reassembled once again.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">One must take attempts at “serious dialogue” with a grain of salt, as when Mia “understands” that Brian must join the gang, despite his earlier promise to settle down and be a sedentary doting father. Morgan fills such moments with howler lines such as “This is what we do,” and of course that’s all the explanation we get.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Some women are apt to scoff, however, when Elena generously insists that Dom has to find and confront Letty: certainly the most unselfish lover <i>I've</i> ever encountered in fiction. But, then, we don’t watch these films for credible relationship dynamics; we really just want sight gags, droll one-liners and wry double-takes.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">But only in between action shots starring a Who’s Who of new and old American and European muscle cars: a 1969 Dodge Daytona (Dom) a 1971 Mark 1 Ford Escort (Brian), a 1970 Jensen Interceptor (Letty), a 2002 Enzo Ferrari (Tej) ... not to mention a few motorcycles — a Harley (Han) and a Ducati Monster (Gisele) — not to mention a lethal “flip car” and even a 2012 Aston Martin DB9 (Shaw, who apparently stole it from James Bond).<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">The highest-profile human newcomer is mixed martial arts fighter-turned-actress Gina Carano, who turns up as Riley, Hobbs’ second-in-command. Carano might be remembered from her starring turn in director Steven Soderbergh’s 2011 spy thriller, <i><a href="http://derrickbang.blogspot.com/2012/01/haywire-trust-nobody.html">Haywire</a></i>, but I must note that, two years further along, the term “actress” remains generous. Carano gets her lines out, but she hasn’t a shred of the easy, jocular presence displayed so effortlessly by everybody else.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">And that’s what it comes down to. Even the best-choreographed car chases would pale, if we weren’t enjoying the characters. Bridges and Gibson are a hoot as Tej and Roman, and I still chuckle at the veiled-brow, don’t-mess-with-me intensity that Diesel gives even an innocuous line, such as “Pass the salt.”<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Johnson continues his equally engaging, action-hero ascent, and his scenes with Diesel — Dom and Hobbs have a prickly relationship, at best — are quite droll. Rodriguez remains the baddest girl on the planet, with a sneer that could freeze blood at 50 yards, and Gadot is a spunky, perky yin to the yang of Kang’s more serious Han.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Walker has the white bread contingent covered, while poor Brewster continues to play the token gal in distress ... but only sometimes. Push come to shove, Mia gets to drive just as aggressively as Letty and all the boys.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">At 130 minutes, <i>Fast & Furious 6</i> is one car chase too long; the third act, in particular, flirts with overkill. And speaking of that, I didn’t appreciate the casual collateral damage inflicted on scores innocent civilians who get crushed — inside their cars — during the tank sequence. That’s needlessly, unpleasantly callous for this sort of lighthearted fare, and certainly not funny, although Lin obviously stages the scene as if expecting laughs.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><div class="MsoNormalCxSpMiddle"><span style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">All the <i>Fast & Furious</i> flicks probably qualify as guilty pleasures, at best, but I can’t ignore the formula that keeps me coming back for more ... particularly now that Morgan’s post-credit bit in <i>this</i> film seems to have “caught up” with <i>Tokyo Drift</i>, therefore granting Dom & Co. the opportunity, in next summer’s <i>7</i>, to seek some anger-fueled vengeance.<o:p></o:p></span></span></div><div class="MsoNormalCxSpMiddle"><br /></div><span style="font-size: 12pt;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;">Meanwhile, <i>6</i> is guaranteed several victory laps at the box office.</span></span><!--EndFragment-->

2013 action Dwayne Johnson Gal Gadot Gina Carano Jordana Brewster Luke Evans Michelle Rodriguez Paul Walker Sequel Series Sung Kang Tyrese Gibson Vin Diesel Fast & Furious 6: Still accelerating

Fast & Furious 6   (2013) •  View trailer   3.5 stars. Rating: PG-13, and somewhat generously, for intense and relentless violence, acti...

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