Songwriter Jack Lawrence: What Will I Tell My Heart?

<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQrCBFKDp-zJnLDtbXM7zXrPxEo4BwNCwxTTbfQtvUx66Z9-lhsW1X5Lj_kOo-BfPZ2qREQ0PPUDqWiM3vdiQiu8iKMurIAca637mfPmECkB_LqR3NDJ8nVaVngFseaJuDsjLEkt1mk7DE/s1600/singers.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQrCBFKDp-zJnLDtbXM7zXrPxEo4BwNCwxTTbfQtvUx66Z9-lhsW1X5Lj_kOo-BfPZ2qREQ0PPUDqWiM3vdiQiu8iKMurIAca637mfPmECkB_LqR3NDJ8nVaVngFseaJuDsjLEkt1mk7DE/s400/singers.JPG" width="400" /></a></div><br /><span style="font-family: Verdana,sans-serif;">Garbo Laughs</span><i><span style="font-family: Verdana,sans-serif;"> is co-hosting the second annual </span></i><i style="font-family: Verdana,sans-serif;">Queer Film Blogathon</i><i><span style="font-family: Verdana,sans-serif;"> starting today and running through June 22. This post, a snapshot of the life and career of composer/lyricist Jack Lawrence, is my contribution to the event. <a href="http://garbolaughs.wordpress.com/2012/06/18/2012-queer-film-blogathon/" style="color: #cc0000;">Click here</a> for a link to more information and participating blogs.</span></i><br /><br /><div style="text-align: center;">~</div><div style="text-align: center;"><br /></div><div style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJbtBVORGD9A-vb0-OJxPtzFARKDRpJ_gLq0Y20kSTgR6ImpKAGQ5-UIrWHkrsvL_Phw6a4DyS8eN4waPOn1wCwJnBh0AAmaygEhicGZvwPExxFwsx3jbh67HMZOgESrNKpxg1ETsIqvw0/s1600/jack-lawrence-1.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJbtBVORGD9A-vb0-OJxPtzFARKDRpJ_gLq0Y20kSTgR6ImpKAGQ5-UIrWHkrsvL_Phw6a4DyS8eN4waPOn1wCwJnBh0AAmaygEhicGZvwPExxFwsx3jbh67HMZOgESrNKpxg1ETsIqvw0/s1600/jack-lawrence-1.jpg" /></a></td></tr><tr style="font-family: Verdana,sans-serif;"><td class="tr-caption" style="text-align: center;">Jack Lawrence, songwriter</td></tr></tbody></table><span style="font-family: Verdana,sans-serif;">Oscar-nominated songwriter Jack Lawrence was born in Brooklyn, New York, on April 7, 1912, and gained acclaim as a tunesmith during the halcyon days of "Tin Pan Alley" via the <a href="http://en.wikipedia.org/wiki/Hit_parade" style="color: #cc0000;">hit parade</a></span> <span style="font-family: Verdana,sans-serif;">of the 1930s, '40s and '50s. His songs include signature hits for some of the most popular singers of the 20th century, and many of his tunes made their way onto the silver (and Technicolor) screen. He was inducted into the Songwriters Hall of Fame in 1975.</span></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><span style="font-family: Verdana,sans-serif;">I discovered Jack Lawrence through the Preston Sturges comedy, <i>The Lady Eve</i>. The film's main theme is the song "With the Wind and the Rain in Your Hair," a lyrical and wistful melody that lingers long after the final credits. In my quest to know more about the music, I came upon Jack Lawrence's website. There I found <a href="http://www.jacklawrencesongwriter.com/songs/with_the_wind_and_the_rain.html" style="color: #cc0000;">the story behind the song</a> that was a big hit for Stan Kenton in 1940 and was covered by many others including Kay Kyser's orchestra with vocalist Ginny Simms.</span></div><div style="text-align: left;"><br /><a name='more'></a></div><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/1T53iV8HKXQ" width="560"></iframe> <br /><div style="text-align: left;"><span style="font-family: Verdana,sans-serif; font-size: x-small;">"With the Wind and the Rain in Your Hair" can be heard all through </span><span style="font-size: x-small;"><i style="font-family: Verdana,sans-serif;">The Lady Eve</i><span style="font-family: Verdana,sans-serif;"> - right up to the last scene</span></span></div><br /><span style="font-size: x-small;"><span style="font-family: Verdana,sans-serif;"><span style="font-size: small;">Jack Lawrence's first published song, co-written at age 19 with his neighborhood friend and first writing partner Arthur Altman, became a number one hit and made a star of Emery Deutsch, "The Gypsy Violinist" who recorded it (and assumed songwriting credit for it). The tune, "Play, Fiddle, Play," was also used in MGM's star-studded classic <i>Dinner at Eight </i>(1933).</span></span><i style="font-family: Verdana,sans-serif;"><br /></i></span><br /><div style="font-family: Verdana,sans-serif;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIKk2t5yxLnv8hSaVdSGy3QpPbv9hUEjWvrCuPJ18k6h9PfhW4lefV4AGIm09NF2VUpfG1ppdm28CZLkTGiVJug54IRCZSUzNvGr_77VVKewnS45Rs3gEbaJqxUYlX0VIVtg2ybPUN0gLV/s1600/Dinner-at-Eight.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIKk2t5yxLnv8hSaVdSGy3QpPbv9hUEjWvrCuPJ18k6h9PfhW4lefV4AGIm09NF2VUpfG1ppdm28CZLkTGiVJug54IRCZSUzNvGr_77VVKewnS45Rs3gEbaJqxUYlX0VIVtg2ybPUN0gLV/s400/Dinner-at-Eight.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Jean Harlow and Marie Dressler in <i>Dinner at Eight</i></td></tr></tbody></table></div><div style="font-family: Verdana,sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">Lawrence collaborated with Altman again in 1939, providing the words to Altman's music for a song that was recorded by three major big bands - Jimmy Dorsey, Harry James and Freddy Martin, but none of the records created a ripple. Then, in 1943, Columbia Records signed Frank Sinatra as a solo artist but was prevented by a musicians' strike from quickly getting him into the recording studio. It was decided to re-release the song Harry James had recorded with Sinatra as vocalist three years earlier, Lawrence and Altman's "All or Nothing at All." This time the record was a smash and the first hit of Frank Sinatra's solo career. There had been only one change made and that was to the record label. This time "Frank Sinatra" appeared in large letters above "accompanied by Harry James Orchestra" in small print. One of his early signature tunes, "All or Nothing at All" remained in Sinatra's repertoire for the rest of his career.</span></span></span></div><div style="font-family: Verdana,sans-serif;"><br /><span style="font-size: x-small;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">In 1939 Jack Lawrence composed a song on his own that became a hit in much less time than it took "All or Nothing at All." His "If I Didn't Care" was a sensation that made stars of <a href="http://www.vocalgroup.org/inductees/ink_spots.html" style="color: #cc0000;">The Ink Spots</a>, an African American vocal group that, like The Mills Brothers, achieved enormous mainstream popularity.</span></span></span><br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcgKBdNEn9LhYP3XwwWy1aJ18rMvDTxEhFPCCN3gX_bCU2_yXJLQsBPWWbVQQ0C9KodnnqLYgbV9uyni3iLQXi6ZZaRvcUe0bYhZhF7_9e6ncDTp0SyL6AWAejUqxE3QHka0Olm4Kdq3DU/s1600/Paul+&+Linda+McCartney.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcgKBdNEn9LhYP3XwwWy1aJ18rMvDTxEhFPCCN3gX_bCU2_yXJLQsBPWWbVQQ0C9KodnnqLYgbV9uyni3iLQXi6ZZaRvcUe0bYhZhF7_9e6ncDTp0SyL6AWAejUqxE3QHka0Olm4Kdq3DU/s1600/Paul+&+Linda+McCartney.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Paul and Linda McCartney</td></tr></tbody></table><span style="font-size: x-small;"><span style="font-size: small;"><span style="font-family: Verdana,sans-serif;">In 1942, at the request of his attorney, legendary entertainment lawyer Lee Eastman, Lawrence wrote a song for Eastman's one-year-old daughter. Though the song, "Linda," wasn't published until after World War II, a 1946 recording by Ray Noble with vocalist Buddy Clark made its way up the <i>Billboard </i>charts and into the top position by early 1947. Little Linda Eastman grew up to become a respected photographer. Her photo of Eric Clapton was featured on the cover of <i>Rolling Stone </i>in 1968, making her the first woman photographer to have her work appear on the front of the magazine. She later married Beatle Paul McCartney and their daughter, Stella, is a very successful fashion designer. "Linda" has been recorded by many since 1946 - from Frank Sinatra and Bing Crosby to Willie Nelson, to name just a few. Paul McCartney played a recording of his own rendition of the song at the close of his memorial service for Linda in 1999, a ceremony to which he thoughtfully invited Jack Lawrence.</span></span></span><br /><br /><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/UCg0wtNsbwo" width="560"></iframe> <div style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: Verdana,sans-serif;">Joan Crawford in <i>Torch Song</i></span></span></div><br />Around the same time "Linda" was published, Lawrence collaborated with composer Walter Gross, who had written music for a song that, with Lawrence's lyrics, came to be known as "Tenderly." Sarah Vaughan's version became a jazz standard and Rosemary Clooney's rendition became a mainstream hit as well as the theme for her TV variety show of the 1950s.  "Tenderly" was featured in the 1953 Joan Crawford vehicle, <i>Torch Song</i>, with Crawford's singing dubbed by <a href="http://www.indiaadams.com/" style="color: #cc0000;">India Adams</a>.<br /><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/JaBBZiTFYQ4" width="420"></iframe></div><div style="text-align: center;"> <span style="font-size: x-small;">Rosemary Clooney sings "Tenderly"</span></div><br />In 2004 at age 92, Jack Lawrence wrote his autobiography, <a href="http://www.amazon.com/They-All-Sang-My-Songs/dp/1569802793" style="color: #cc0000;"><u>They All Sang My Songs</u></a>. Jack's book tells the story of his early years in Brooklyn, his rise as a songwriter during the heyday of American popular music - along with the stories behind many of the hit songs he wrote or collaborated on. And more. At the outset of the book's 5th chapter he opens up on the most intimate aspect of his life, his sexuality. Quoting his lyrics to a hit song, Lawrence begins the chapter with:<br /><br />"It's easy to lie to strangers...<br /> But what will I tell my heart?"<br /><br />In 1925, when he was just 13, he began to realize he was strongly attracted to boys. Raised in an Orthodox Jewish home by immigrant parents and with two older brothers who were well known as ladies men, Lawrence felt increasingly frightened and isolated as his feelings emerged. He began to lead a double life, attending local dances and dating girls, trying to be "one of the guys." But he also escaped into a secret world, a world in which reading Radclyffe Hall's 1928 lesbian novel, <u>The Well of Loneliness</u>, brought him to tears. Describing his long struggle to overcome despair and shame, Lawrence recalls his coming out as a slow and painful process.<br /><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzPs2z2WvtlIfFCtdSd5uaPYY_2ggS2UuIu6N-MKm1Md0qfz-Eia4vyoD9EmGetIIOa0yOvMQ8j-z4owptfI4hdGVxWNGT2Chds-hssD0QyozGjf_b-2qr3ztzQQMX-ltRnMj7-h7s5OxE/s1600/Harlem+Renaissance+as+gay+as+it+was+black.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzPs2z2WvtlIfFCtdSd5uaPYY_2ggS2UuIu6N-MKm1Md0qfz-Eia4vyoD9EmGetIIOa0yOvMQ8j-z4owptfI4hdGVxWNGT2Chds-hssD0QyozGjf_b-2qr3ztzQQMX-ltRnMj7-h7s5OxE/s320/Harlem+Renaissance+as+gay+as+it+was+black.jpg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Harlem nights</td></tr></tbody></table>Jack Lawrence's first experience of a gay social scene came a few years later through another, slightly older, young man - in Harlem. His friend took him to "rent parties," racially mixed get-togethers held in apartments rented for the weekend where the price of admission covered a drink or two and the chance to dance with other gay men as records spun on a turntable. Though Lawrence later learned that there had been gay bars to be found in New York's out-of-the-way nooks and crannies all along, he thoroughly enjoyed the wide open world he experienced in Harlem, then in the midst of its celebrated "renaissance." In addition to exploring the gay scene, he discovered the Apollo Theater and its legendary amateur nights (where the careers of Ella Fitzgerald and others were launched) and small clubs where the likes of Billie Holiday performed.<br /><br />After years of living in two worlds and near-marriage to a woman with whom he was passionately involved but not in love, Lawrence eventually encountered the man who would be the love of his life. He met Walter Myden, later a psychiatrist, in the mid-'40s and the two would spend the next 30 years living together - until Myden's death in 1975. Lawrence went on to meet another man with whom he shared a more platonic relationship up until his own death in 2009 at age 96.<br /><br />Jack Lawrence lived long enough to rest assured that the best songs of the popular standards era had endured the passage of time. He was especially pleased when Tony Bennett and k.d. lang recorded "A Wonderful World," an homage to Louis Armstrong, and thought Diana Krall's interpretation of his own "All or Nothing at All" a "lovely rendition."  Lawrence also lived long enough to see the opening of the closet door, the rise of activism and the emergence of a vibrant gay community. Looking back, Lawrence viewed it all as remarkable. Content with his life at last, he chose a classic Ira Gershwin lyric to close his memoir:<br /><br />"Who could ask for anything more?"<br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSIGYiHlHg8hbpPEydtrmFWBakhtx7kvvXYp4_e5JB7ChsWYMIef8Oh4UIio4CXHXy0z56LQ7oGxLSZTW5oMIfUwcpdzVjBv4KGwTv2hbeEHsLsQAyG3dwvU_6D-279EgH43CVHflQ2ZpQ/s1600/Portrait+of+Jack.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSIGYiHlHg8hbpPEydtrmFWBakhtx7kvvXYp4_e5JB7ChsWYMIef8Oh4UIio4CXHXy0z56LQ7oGxLSZTW5oMIfUwcpdzVjBv4KGwTv2hbeEHsLsQAyG3dwvU_6D-279EgH43CVHflQ2ZpQ/s1600/Portrait+of+Jack.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Jack Lawrence</td></tr></tbody></table><div style="text-align: center;">~</div><div style="text-align: center;"><br /></div><div style="text-align: left;">To learn more about Jack Lawrence via his website, <a href="http://www.jacklawrencesongwriter.com/mybio.html" style="color: #cc0000;">click here</a>. To read a 2004 <i>Time Out New York</i> interview with him, <a href="http://www.timeout.com/newyork/books/dont-know-jack" style="color: #cc0000;">click here</a>.</div><div style="text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"></div><div style="text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQSp0xPJLpithup5MpsWyqWmrlu3NryS7lR4VdVLVABjkF6MW0QY01Zn94FYQV-3Qdf0Pka2aBMg7pTjEz5yMg0KhU0nEqeD6Fz1n8x2NpaoCclHylz7eSNzfDgyCKf3OO-7fUecgRKcir/s1600/Posters+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQSp0xPJLpithup5MpsWyqWmrlu3NryS7lR4VdVLVABjkF6MW0QY01Zn94FYQV-3Qdf0Pka2aBMg7pTjEz5yMg0KhU0nEqeD6Fz1n8x2NpaoCclHylz7eSNzfDgyCKf3OO-7fUecgRKcir/s400/Posters+2.jpg" width="400" /></a></div><br /></div><br /><br /></div>

Dinner at Eight Frank Sinatra Jack Lawrence Joan Crawford Linda McCartney Rosemary Clooney Sarah Vaughan The Ink Spots The Lady Eve (author) Songwriter Jack Lawrence: What Will I Tell My Heart?

Garbo Laughs is co-hosting the second annual Queer Film Blogathon starting today and running through June 22. This post, a snapshot of the...

Read more »

The Haunting Melody of The Uninvited (1944)

<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqJ19yJFWXwRMBbC-7ZI7HoFz5t4dTa5p_wjBhbSeIyl1HgQqTuY3xgV3FDyuwZUQe_n_swHv4Hn8vVZLxOKFaqpwbu7_9SzS9LQqBMST84ACjnd96N13U8W8mwjIIwFD9E2-EqCE8vI_u/s1600/the+uninvited+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqJ19yJFWXwRMBbC-7ZI7HoFz5t4dTa5p_wjBhbSeIyl1HgQqTuY3xgV3FDyuwZUQe_n_swHv4Hn8vVZLxOKFaqpwbu7_9SzS9LQqBMST84ACjnd96N13U8W8mwjIIwFD9E2-EqCE8vI_u/s400/the+uninvited+2.jpg" width="279" /></a></div><i><span style="font-size: 12pt;">  </span></i><br /><i><span style="font-size: 12pt;">The Uninvited</span></i><span style="font-size: 12pt;">, from Paramount Pictures in 1944, is an elegantly spooky <i>Rebecca</i>-esque romance with more than one haunting quality. Yes, Windward House, the sea cliff-situated home central to the story, is haunted by a malevolent woman’s ghost, but the film’s music is equally haunting (though not at all spooky).</span><br /><a name='more'></a><br /><div class="MsoNormal"><span style="font-size: 12pt;">Victor Young (who composed the film’s Rachmaninoff influenced score) and his orchestra introduced “Stella by Starlight” in <i style="mso-bidi-font-style: normal;">The Uninvited</i>. The melody is a thematic refrain throughout, but takes center stage in a romantic scene between Ray Milland (Roderick Fitzgerald) and Gail Russell (Stella Meredith). The pair is spending an evening together at Windward House and Rick begins to play the music, which he has written, on his grand piano:</span><br /><div style="text-align: center;"><span style="font-size: 12pt;"><br /></span></div><div class="MsoNormal"><div style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/B96ApEvaoBY" width="420"></iframe></div><div style="text-align: center;"><span style="font-size: 12pt;"><span style="font-size: x-small;">(Jan. 2013 update: sadly this video <span style="font-size: x-small;">is no longer available on YouTube)</span></span><br /></span></div><span style="font-size: 12pt;"><br /></span><br /><span style="font-size: 12pt;"><span style="font-size: 12pt;">Victor Young wasn't Academy Award-nominated for his rhapsodic score for <i style="mso-bidi-font-style: normal;">The Uninvited</i>, but did garner 22 Oscar nominations over his prolific career. He was nominated for as many as four films in a single year, but his only win came posthumously, for<i style="mso-bidi-font-style: normal;"> Around the World in 80 Days </i>(1956). His scores for <i style="mso-bidi-font-style: normal;">Golden Boy </i>(1939) and <i style="mso-bidi-font-style: normal;">Written on the Wind </i>(1956) were among many nominated for the gold statuette - and he also scored <i style="mso-bidi-font-style: normal;">The Palm Beach Story </i>(1942), <i style="mso-bidi-font-style: normal;">Shane </i>(1953), <i style="mso-bidi-font-style: normal;">Johnny Guitar </i>(1954) and <i style="mso-bidi-font-style: normal;">The Country Girl </i>(1954). Young died in 1956 with hundreds of film credits</span></span><span style="font-size: 12pt;"><span style="font-size: 12pt;"> to his name.</span></span></div><div class="MsoNormal"><span style="font-size: 12pt;"><br /></span></div><div class="MsoNormal"><span style="font-size: 12pt;"><span style="font-size: 12pt;">As with <i style="mso-bidi-font-style: normal;">Laura</i>, another notable film of 1944 with an evocative musical theme, song lyrics were composed for "Stella by Starlight" after <i>The Uninvited</i> was released and became a popular movie. In 1946 Oscar-winning lyricist Ned Washington (“When You Wish Upon a Star”/<i style="mso-bidi-font-style: normal;">Pinocchio</i> and “Do Not Forsake Me, Oh My Darlin’”/<i style="mso-bidi-font-style: normal;">High Noon</i>) created lyrics to accompany the music. </span></span><br /><br /><span style="font-size: 12pt;"><span style="font-size: 12pt;">In 1947, two versions of "Stella by Starlight," one recorded by Frank Sinatra the other by the Harry James </span></span><span style="font-size: 12pt;"><span style="font-size: 12pt;">Orchestra, climbed the pop charts. In 1952, iconic saxophonist Charlie Parker made the first jazz recording of the tune; the song remains both a popular standard and jazz standard today.</span></span></div><div class="MsoNormal"><div style="text-align: center;"><br /></div><div style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/P94vB3mLRzc" width="420"></iframe></div></div></div>

Frank Sinatra Gail Russell Ned Washington Ray Milland Stella By Starlight The Uninvited Victor Young The Haunting Melody of The Uninvited (1944)

  The Uninvited , from Paramount Pictures in 1944, is an elegantly spooky Rebecca -esque romance with more than one haunting quality. Yes, W...

Read more »